DOCSLIB.ORG

Jahresauswahl Globalwize 2011

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jahresauswahl Globalwize 2011 Globalwize Best of 2011 01. Kääme >>>Andrew Cronshaw: The Unbroken Surface of Snow (Cloud Valley Music/ www.cloudvalley.com/ www.andrewcronshaw.com ) 02. Heptimo >>>Dancas Ocultas: Tarab (Numérica/Galileo MC/ www.dancasocultas.com ) 03. Quérom’ire >>>Uxía: Danzas das Areas (Fol/Galileo MC/ www.uxia.net / www.folmusica.com ) 04. Hold Me In >>>Lucas Santtana: Sem Nostalgia (Mais Um Discos/Indigo/ www.maisumdiscos.com ) 05. She was >>>Camille: Ilo veyou (EMI France/Capitol Records/ www.camille-music.com ) 06. Pharizm >>>Bratsch: Urban Bratsch (World Village/Harmonia Mundi/ www.worldvillagemusic.com / www.bratsch.com ) 07. Nign for Sabbath & Holidays >>>Joel Rubin & Uri Caine Duo: Azoy Tsu Tsveyt (Tzadik/ SunnyMoon) 08. March of the Jobless Corps / Arbeitzlozer Marsh >>>Daniel Kahn & The Painted Bird: Lost Causes Songbook (Oriente Musik/ www.oriente.de / www.paintedbird.net ) 09. Opa Cupa >>>Söndörgö: Tamburising (World Village/Harmonia Mundi/ www.worldvillagemusic.com / www.sondorgo.hu ) 10. Yarmouth Town >>> Bellowhead: Hedonism (Navigator Records/PIAS/ www.bellowhead.co.uk ) 11. The Leaves of Life >>>June Tabor & Oysterband: Ragged Kingdom (Westpark Music/Indigo/ www.westparkmusic.de / www.osterband.co.uk ) 12. L’immagine di te >>>Radio Dervish con Livio Minafra & La Banda Di Sannicandro di Bari: Bandervish (Princigalli/ www.radiodervish.com ) 13. Insintesi feat. Alessia Toondo: Pizzica di Aredo >>> Insintesi Salento in Dub (Anima Mundi/ www.suonidalmundo.com ) 14. Beddhu Stanotte >>>Canzionere grecanico salentino: Focu d’amore (Ponderosa Music/ www.canzonieregrecanicosalentino.net ) 15. Shiner Hobo Band: Grinders Polka >>>V.A. (Hrsg. Thomas Meinecke): Texas Bohemia Revisited (Trikont/Indigo/ www.trikont.de ) 16. So Glad >>>Hazmat Modine: Cicada (Jaro/ www.jaro.de / www.hazmatmodine.com) 17. Mahalia Jackson: I’m on My Way to Canaan >>>Blue Flamingo: Congo Jazz (Excelsior/ www.excelsior-recordings.com / www.ziya.nl ) 18. Dave Bartholomew: The Monkey >>>V.A.: Early Rappers (Trikont/Indigo/ www.trikont.de ) 19. Limber >>>Bo Diddley: Have Guitar, Will Travel (HooDoo Records/Harmonia Mundi) 20. The Roaring Lion: Kalenda March >>>V.A.: Trinidad-Calypso 1939-1959 (Fremeaux & Associes / Harmonia Mundi Musicora/ www.fremaux.com ) 21. Tomorrow >>>Kitty, Daisy & Lewis: Smoking in Heaven (Sunday Best/PIAS/ Rough Trade/ www.kittydaisyandlewis.com ) 22. Leon Rene’s Orchestra : I’m Mister African 23. Tino Baroza: La Fiesta Cubana >>>Blue Flamingo: Congo Jazz (Excelsior/ www.excelsior-recordings.com / www.ziya.nl ) 24. Silmaxa >>>Blindnote (Muziekpublique/Galileo MC/ www.muziquepublique.be ) 25. Mbassi >>>Dawda Jobarteh: Northern Light Gambian Night (Sterns( www.sternsmusic.com ) 26. Aminata Ndiaye >>>Ablaye Ndiaye: Thiossane (Discograph/ www.discograph.com/thiossane/ ) 27. Waide Nayde >>>JuJu (Justin Adams & Juldeh Camara): In Trance (Realword/ www.realworldrecords.com/juju ) 28. Amadou Balaké et les 5 Consuls: Renouveau >>>V.A.: Bambara Mystic Soul (Analog Africa/Groove Attack/ www.analogafrica.com ) 29. Halleli N’Dakarou N’Diaye >>>Guelewar: Halleli N’Dakarou (Teranga Beat / www.terangabeat.com ) 30. Antchi Bitu 3:28 >>>Badume’s Band & Selamnesh Zemene (Innacor Records/ www.innacor.com ) 31. Satta Massagana >>>Dub Colossus: Addis Through the Looking Glass (Realworld/Indigo/ www.realworldrecords.com/dubcolossus ) 32. Surprise Hotel >>>Fools Gold: Fools Gold (I am Sound/Sony/ http://foolsgoldmusic.com/ ) 33. El Contra Sin Fin >>>El Hijo de la Cumbia: P Freestyle de Ritmos (Ya Basta/Alive/ www.elhijodelacumbia.com ) 34. Hiatus - Insurrection (feat. Linton Kwesi Johnson) >>>Hiatus Digital Single/ http://www.youtube.com/watch?v=FQNGoqdQnRk ) fRoots Critics’ Poll 2011 Best album Bratsch: Urban Bratsch (World Village) Canzionere grecanico salentino: Focu d’amore (Ponderosa Music) Dawda Jobarteh: Northern Light Gambian Night (Sterns) Daniel Kahn & The Painted Bird: Lost Causes Songbook (Oriente Musik) El Hijo de la Cumbia: Freestyle de Ritmos (Ya Basta) JuJu (Justin Adams & Juldeh Camara): In Trance (Realword) Best compilation/re-issue album Guelewar: Halleli N'Dakarou (Terrangabeat) V.A. (ed. by Thomas Meinecke): Texas Bohemia Revisited (Trikont) V.A: 80s World Music Classics (Nascente) V.A.: Trinidad-Calypso 1939-1959 (Fremeaux & Associes) Best packaged Blue Flamingo: Congo Jazz (Excelsior) V.A.: Bambara Mystic Soul (Analog Africa) V.A.: Early Rappers (Trikont) .
Load more

Recommended publications
  • Folk for Art's Sake: English Folk Music in the Mainstream Milieu
    Volume 4 (2009) ISSN 1751-7788 Folk for Art’s Sake: English Folk Music in the Mainstream Milieu Simon Keegan-Phipps University of Sheffield The English folk arts are currently undergoing a considerable resurgence; 1 practices of folk music, dance and drama that explicitly identify themselves as English are the subjects of increasing public interest throughout England. The past five years have seen a manifold increase in the number of professional musical acts that foreground their Englishness; for the first time since the last 'revival period' of the 1950s and 60s, it is easier for folk music agents to secure bookings for these English acts in England than Scottish and Irish (Celtic) bands. Folk festivals in England are experiencing greatly increased popularity, and the profile of the genre has also grown substantially beyond the boundaries of the conventional 'folk scene' contexts: Seth Lakeman received a Mercury Music Awards nomination in 2006 for his album Kitty Jay; Jim Moray supported Will Young’s 2003 UK tour, and his album Sweet England appeared in the Independent’s ‘Cult Classics’ series in 2007; in 2003, the morris side Dogrose Morris appeared on the popular television music show Later with Jools Holland, accompanied by the high-profile fiddler, Eliza Carthy;1 and all-star festival-headliners Bellowhead appeared on the same show in 2006.2 However, the expansion in the profile and presence of English folk music has 2 not been confined to the realms of vernacular, popular culture: On 20 July 2008, BBC Radio 3 hosted the BBC Proms
    [Show full text]
  • At the Turning Wave Festival from Ireland Caoimhin O’Raghallaigh Eithne Ni Cháthain Enda O’Cathain
    Dates For Your Diary Folk News Folk Federation of New South Wales Dance News Inc CD Reviews Issue 401 NOVEMBER 2008 $3 At the Turning Wave Festival from Ireland Caoimhin O’Raghallaigh Eithne Ni Cháthain Enda O’Cathain ♫ folk music ♫ dance ♫ festivals ♫ reviews ♫ profiles ♫ diary dates ♫ sessions ♫The Folkteachers Federation ONLINE ♫ - jam.org.au opportunitiesThe CORNSTALK Gazette NOVEMBER 2008 1 AdvErTISINg Rates Size mm Members Non-mem November 2008 Full page 180x250 $80 $120 In this issue Folk Federation of New South Wales Inc Post Office Box A182 1/2 page 180x125 $40 $70 Dates for your diary p4 Sydney South NSW 1235 1/4 page 90x60 $25 $50 Festivals, workshops, schools p6 ISSN 0818 7339 ABN9411575922 jam.org.au 1/8 page 45 x 30 $15 $35 Folk news p7 Cornstalk Editor - Coral Vorbach Back cover 180x250 $100 $150 Dance news p7 Post Office Box 5195. Cobargo NSW 2550 2 + issues per mth $90 $130 Folk contacts p8 Tel/Fax: 02 6493 6758 Advertising artwork required by 5th Friday of month. Industry Insights (Nick Charles) p11 Email: [email protected] Advertisements can be produced by Cornstalk if re- Cornstalk is the official publication of the Folk quired. Please contact the editor for enquiries about Inside Acoustic Music - Recording a live Federation of NSW. Contributions, news, reviews, advertising Tel: 6493 6758 CD by Sue Barratt (Part 4 (final) ) p12 poems, photographs most welcome. Inserts for Cornstalk Front cover photograph courtesy Jane Photographs and Artwork [email protected] Harding Photographs - high resolution JPG or TIFF files. Insert rates: DEADLINE December/Jan Adverts - 5th 300 dpi images cropped at correct size.
    [Show full text]
  • Hopsadaddy Anmeldelser
    HABADEKUK – HOPSADADDY REVIEWS Habadekuk spreder godt humør med sin hopsahyldest. Det er svært ikke at blive i godt humør, når man lytter til Habadekuks »Hopsadaddy«. Titlen siger sådan set det hele. Der er for det meste fart over feltet, når det ni-mands store orkester slår sig løs med polkaer, hopsaer, raske sønderhoninger og de andre - for det meste - hastige melodier fra den danske spillemandstradition. Ikke bare er Kristian Bugge som violinist en fornøjelse at lytte til – Habadekuks varemærke er den store blæsersektion, der puster en snert af salsa og jazz ind i mange af melodierne. Det tager de ikke skade af for nu at tage den på jysk. Der er næsten karnevalsstemning over orkesterets version af »Polka Hamborger, Himmerland«, som er hentet i Smed Kristians nodebog fra 1866 i Siem i Himmerland. Sådan bærer man også en spillemandstradition videre. Bandet vil i den kommende tid blandt andet være at høre på Skagen Festivalen lørdag den 2. juli. Det vil ikke gå stille af. Flensborg Avis, Ole Sørensen 25/6 2011 Partyfolk ’La Bouttine Souriante’ kom først, så kom ’Baltinget’, og nu kommer ’Habadekuk’ med deres udgave af traditionel folkemusik på traditionelle instrumenter – tilsat blæsergruppe og rytmesektion – og farvet med jazz- og rockklichéer. ’Habadekuk’ gør det godt, spændende, livligt, vedkommende, og det hele er rigtigt set af kapelmesteren og violinspillemanden Kristian Bugge. Repertoiret er helt overvejende fløden af tidens traditionelle danske melodier – udvalgt med stor omhu. Nå, men så er det altså hamrende ærgerligt, at saxofonisten har så svært ved de frie jazzede formuleringer...når nu det også er det, de vil.
    [Show full text]
  • Ropetackle Comedy Festival Chris Difford Andrew Lawrence
    SPARKLING ARTS EVENTS IN THE HEART OF SHOREHAM MAY – AUG 2015 CLAIRE MARTIN & LIANE CARROLL SHOWADDYWADDY NINE BELOW ZERO STEVE BELL STEWART LEE RUBY TURNER ROPETACKLE COMEDY FESTIVAL CHRIS DIFFORD ANDREW LAWRENCE ROPETACKLECENTRE.CO.UK MAY 2015 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 MAY 2015 WELCOME TO Open Monday – Saturday: 10am – 4.30pm Contact: [email protected] The Ropetackle Café is located in the foyer of Welcome to our summer programme! Full of amazing music, comedy, theatre, Ropetackle Arts Centre. We serve a delicious range of talks, family events, and much more, all running from May – August 2015. Now an teas, coffees, and soft drinks, plus a wonderful menu award-winning venue* we are delighted to offer another exceptional programme of of freshly made sandwiches, paninis, soups, jacket events with something for everybody to enjoy. Our newly re-opened Ropetackle Café potatoes, scrumptious cakes and more. The large, has been a huge success, and we hope you can enjoy its delectable delights, whether light and airy Ropetackle foyer is the perfect place to a coffee during the day, or one of our delicious pre-show meals (see opposite enjoy a relaxing coffee, meet with friends for a light page for more details). As a charitable trust staffed almost entirely by volunteers, lunch, or get some work done with our free wi-fi. donations make a significant contribution to covering our running costs and We have also expanded our pre-show dining programme delivery, and our Friends scheme is a great way to support the Centre experience and are delighted to be working with alongside other benefits (see page 53 for details).
    [Show full text]
  • Bellowhead „Burlesque“ (Westpark Music 87132)
    Bellowhead „Burlesque“ (Westpark Music 87132) “Astonishing. I mean, I’ve had a drink but this sounds to me like a landmark ... Bellowhead are taking the music forward with a flair and urgency rarely heard in these parts and I, for one, can’t wait for them to make a proper album.“ COLIN IRWIN – fRoots Magazine And - here it is. ‘Burlesque’ out via Westpark Music. Not so much a Big Band as a small independent country, Bellowhead is an 11 piece busy pushing the boundaries of English roots music into regions where few have previously dared to tread. Bellowhead’s debut gig took place at the first Oxford festival in April 2004, brought together by the acclaimed folk duo John Spiers & Jon Boden. They dreamt up the band while stuck in traffic somewhere on the M25. John & Jon phoned Paul Sartin, Benji Kirkpatrick and Giles Lewin who all agreed to form the core of the new band while the duo were still on said motorway. The idea was to have an English traditional folk band at the heart of the collective, also capable of switching between a big band sound, funk styles, and a string section. The first gig was an instant success de- spite the fact that Bellowhead had only managed to spend one afternoon, in a scout hut, rehearsing. Later that same summer, Bellowhead managed to inspire such enthusiasm, on a balmy night at Sidmouth Festival, that an invigorated crowd broke the dance floor. Interest in the band developed beyond the immediate fringes of the folk scene immediately after the independ- ent release of the ‘E.P.Onymous’, a 5 track demo which was initially produced to send to promoters and sell a few at gigs.
    [Show full text]
  • Winter 2011-2012
    NNootteess The Newsletter of Readifolk Issue 12 Reading's folk song Winter 2011/12 and music club McKinnon & Anne Tarrant and Bob & Gill Berry for giving us Welcome two really enjoyable evenings. But on a sadder note, it was because of serious illness that to another Readifolk Johnny Silvo had to cancel his UK Autumn tour, which included an appearance at Readifolk. Reports indicate that his illness newsletter has now become terminal. Our thoughts are with Johnny and his family as we recall the many happy times shared with him. Rumblings from the Roots Looking forward to the new year, we have already booked Welcome to the Winter edition of Notes. With this edition we many excellent guests. You will see from the previews and the welcome in another New Year and we take this opportunity of listing on the back page that we have several newcomers to wishing you all a very happy and successful 2012. the club in the first quarter. Some of them are well­established artists and some are younger performers who we feel are We are delighted with the new format of Notes which Stewart destined for greater things. Do look up their details on their has compiled. As well as several interesting articles and news web sites etc., and you can listen to tracks from all of the items, we include previews of all the forthcoming artists in the artists in a special preview edition of The Readifolk Radio first quarter of the year. It was felt preferable to give previews Show, broadcast on Reading4U, Reading's community radio of artists rather than reviews of past performances, so that you station on www.reading4u.co.uk on Friday 30 December.
    [Show full text]
  • Bellowhead „Burlesque“ (Westpark Music 87132)
    Bellowhead „Burlesque“ (Westpark Music 87132) „Erstaunlich! Ich meine, ich hatte einen Drink, aber die Musik klang für mich wie ein Meilenstein … Bellowhead treibt die Musik kräftig voran mit einem feinen Gespür und einer Spannung, die in diesen Teilen der Welt nur selten zu hören sind. Und ich persönlich kann es kaum erwarten, bis die Band ein dementsprechend starkes Album macht.“ COLIN IRWIN, fRoots Magazine Und – hier ist es! „Burlesque“ heißt es und erscheint bei Westpark Music. Die elfköpfige Band Bellowhead klingt weniger nach einer Big Band, sondern viel mehr nach einem kleinen unabhängigen Land, das die Grenzen der englischen Folk-Musik überschreitet und sich mit musikalischen Regionen vereint, an die sich noch kaum ein Brite herangetraut hat. Bellowheads Ursprünge gehen zurück auf den April 2004 zum ersten Oxford-Festival, das von dem bekannten Folk-Duo John Spiers & Jon Boden auf die Beine gestellt wurde. Sie „träumten“ von der Band und stellten sie schon zusammen als sie im Stau irgendwo auf der Autobahn M25 standen. John & Jon telefonierten mit Paul Sartin, Benji Kirkpatrick und Giles Lewin, die alle bereit waren, das Fundament dieser Band zu bilden, während das Duo immer noch auf der erwähnten Autobahn stand. Die Idee war eine, traditionelle englische Folkband zu gründen, die in der Lage war, ohne Pausen zwischen Big Band Sound, Funk und Streicher-Sektionen hin und her zu schalten. Ihr erster Auftritt war ein riesiger Erfolg, wenn man bedenkt, dass Bellowhead nur einen Nachmittag in einer Pfadfinderhütte zum Proben hatte. Später in diesem Sommer schaffte es Bellowhead während einer milden Nacht auf dem Sidmouth Festival einen derartigen Enthusiasmus zu erzeugen, dass eine vollkommen hemmungslose Horde von Menschen die Tanzfläche stürmte.
    [Show full text]
  • Women in British Folk Music 1880‐2011
    Student number: 7261488 MUSC 30400 In Search of a Voice: Women in British Folk Music 1880‐2011 Dissertation submitted in part fulfilment of the degree of Bachelor of Music. © Kerry Firth 2012 Abstract Of all the existing research that documents the twists and turns, ups and downs, and ducks and dives of British folk music’s history, there appears to be no cohesive exploration of the key involvements of women’s voices. Publications are instead devoted to the stories of successful male figures such as Cecil Sharp, A.L. (Bert) Lloyd, or Ewan MacColl who, although admittedly having a great influence on the genre’s development, were by no means the only protagonists in its history. This dissertation attempts to close a void in research by providing a sounding‐board for the achievements of women within the genre. Although largely unnoticed, these achievements have been pivotal moments in the genre’s history, and have contributed heavily to its development. The consultation of the small amount of literature that exists on Lucy Broadwood and Kate Lee of the first folk revival will kick‐start this study, since along with providing a needed introduction to their successes, its lack of content will also highlight a number of problems that will reverberate throughout the duration of this work and that threatened to bring the journey of finding the woman’s voice to a halt. The nature of the portrayal of women in traditional song will also be analysed, which adds further obstacles to the course. A reliable body of interviews with British female folk artists whose careers range from the 1970s to today will inform the second part of this dissertation, which deals exclusively with the second revival, showing how women wrestled with the misogyny left behind by the first.
    [Show full text]
  • Welcome to the 41St Tønder Festival Last Year’S 40Th Jubilee Was a Huge, Warm Celebration of 4 Decades of International and Danish Folk Roots Music in Tønder
    Welcome to the 41st Tønder Festival Last year’s 40th jubilee was a huge, warm celebration of 4 decades of international and Danish folk roots music in Tønder. It also marked the launch of the Tønder Festival of the future. Hand-made music with roots in folk, country, blues, cajun, world and the rest has seen yet ano- ther massive renaissance these past few years. Tønder Festival has been part of this all the way. The rebuilding of the festival is a process that began in 2012, and 2015 sees the topping out. This year’s music programme reflects today’s genre-crossing artists, the bearers of the strong traditions and new, young names. International giants in the veteran class side by side with the top musicians of the future. This year again, Tønder Festival’s audiences will find a festival site alive with many different mu- sic venues, special thematic zones and a wide selection of restaurants, cafés and sales booths. Four days’ immersion in a unique festival atmosphere with its well-defined identity and audiences who love the music and the vibe. 2014 was also the year when the conductor’s baton changed hands. Tønder Festival’s artistic director Carsten Panduro retired and the new management took over. The new management team inherited a festival that turned loss to profit in 2014, a festival with huge and growing local and regional backing and enormous media attention. There have been digital changes, too. Tønder Festival has a new website and an intensified pre- sence on social media. Tønder Festival has as its main priority, as always, and more than ever, active contact with old and new audience members, those who buy wrist bands to participate in our unique, close fellowship centred on acoustic music of the highest calibre.
    [Show full text]
  • Europa: La Tradizione Guarda Al Futuro
    martedì 5, mercoledì 6, giovedì 7 settembre 2006 ore 21.30 Borgo Medievale Cortile del Melograno Europa: la tradizione guarda al futuro In collaborazione con martedì 5 settembre 2006 ore 21.30 Bellowhead Jon Boden, voce, violino, tamburino John Spiers, organetto, concertina, bandonéon Benji Kirkpatrick, chitarra, bouzouki Giles Lewin, violino, cornamusa Paul Sartin, violino, oboe Pete Flood, percussioni Rachael McShane, violoncello, violino Justin Thurgur, trombone Andy Mellon, trombone Gideon Juckes, sousaphone, tuba Brendan Kelly, sax, tuba Le sonorità dei Bellowhead si ispirano alle musiche delle danze e dei canti tradizionali britannici. Il gruppo folk inglese, composto da undici elementi, è ai suoi esordi discografici, ma in due anni di concerti dal vivo ha già raccolto un grande favore di pubblico e critica, come dimostra il BBC Radio 2 Folk Award per il miglior gruppo dal vivo ricevuto nel 2005, a poco meno di un anno dalla nascita della band. E.P. Onymous è l’unica incisione del gruppo. Si tratta di un demo di 5 tracce (Rambling Sailor, Jack Robinson, Copshawholme Fair, The Rochdale Coconut Dance e Prickle- Eye) la cui successiva pubblicazione in cd ha ottenuto il quinto posto nella classifica del programma di Mike Harding dei dischi più venduti dell’anno. Grazie a questa prima registrazione i Bellowhead si sono affermati sulla scena nazionale inglese. Tra la primavera e l’estate del 2005 la band si è esibita con grande successo in molti festival: a Cambridge, al Summer Sun- dae Weekender con Patti Smith e di fronte al pubblico inter- nazionale dei festival di world music di Musicport e Womex.
    [Show full text]
  • Coming Events at Readifolk
    ssComing Events ttee at Readifolk oo Reading's folk song NN and music club Issue 37 Spring 2018 22nd 13th April May 20th May r e t r a C l i h P th y 29 April b h p a r g o t o h P 3rd June 10th June 8th April 24th June Photograph by Kate Griffin The exciting young duo The Drystones make their What we say: Readifolk debut on 8th April. Since their last visit to Readifolk, Folklaw have continued to wow audiences throughout the UK and Europe. Don't What they say: miss this opportunity of seeing this exciting band. Still in their early twenties, Drystones from Somerset play a lively mix of their own interpretations of traditional folk Hear More: songs and tunes and original compositions. They are www.folklaw.co.uk very accomplished on violin, guitar and whistle. At www.youtube.com/watch?v=Yl­hhM_apa0 Glastonbury Festival 2013 they were Steve Lamacq's www.youtube.com/watch?v=8LizYFVwAn8 "recommendation of the day". For a duo they make a lot of sound! The exciting young duo Harbottle & Jonas make their What others say: first appearance at Readifolk on 29th April. "Absolutely blown away by their energy" ­ Will Lang, Halsway Manor Centre for Folk Arts. "The Drystones What they say: demonstrate a sophisticated musical maturity that is far Harbottle & Jonas are a stunning young folk duo based in beyond their ages" ­ Roy Spencer, Folk Radio UK. "To Totnes. Their music is eclectic and is always describe their instrumental style as spirited and animated accompanied with a great story.
    [Show full text]
  • A-Level Music Transition Pack
    A-level Music Transition pack The musical adventure begins… – 2 – Introduction So you’ve chosen A-level music? Welcome to the start of a new musical adventure! We hope that you will find the following pages useful in preparing for the start of this exciting course. We’ve answered some common questions, set out the requirements of the syllabus and listed some music to listen to and some terms to get familiar with. There’s a lot to explore so jump in – and if you have any questions then please don’t hesitate to talk to us! Ms Fewkes, Mrs Whitestone & Mr Rous Contents Introduction......................................................................................................................................................................... 3 FAQs ....................................................................................................................................................................................... 4 Why would I choose music A-level? ....................................................................................................................... 4 What can I do with A-level music after sixth form? ........................................................................................ 4 Who will teach me? ...................................................................................................................................................... 4 Which specification will we follow? .......................................................................................................................
    [Show full text]