<<

PAGE 5 The D C Thomson archive is one of the largest and most

significant business archives in the UK. It holds and the records of the company and its published titles: from the Courier and to the Scots mag- azine, and from Jackie to . The material co- vers everything from business ledgers to letters from readers, from the Beatles to Take That. Moreover, it’s an unusual mix, of business and art: not just the print ver- sions of our titles but the artworks that went into making them too. The D C Thomson material ranges from the earliest edition of (in 1739) – cur- rently the world’s oldest magazine – to the photographs taken for the latest edition of . The latter forms part of our photographs collections - one of the largest photographic archives in , with every- thing from glass plate negatives of the Royal Family to images of the Beatles, the Who, Elton John and Bowie playing in Dundee’s Caird Hall.

One of the most exciting things about the D C Thomson is that it contains material that forms the backdrop to al- most everyone’s lives. Who doesn’t remember reading and when they were young? Who didn’t want to get away with Dennis and Gnasher’s men- acing manners? Personally, I always wanted to be Min- nie the Minx: I have the hair for it…. The reactions of the public at the Beanotown Exhibition that was part of the Southbank Festival of Neighbourhood earlier this year, certainly demonstrated the bond between the widest range of people and the material that the DC Thomson Archive holds and it will be interesting to see how this bond can be developed in the future.

Of course, with any business archive the principle object of the department is to make the collection work effec- tively for the business. That’s why I’m also currently in- vestigating what commercial opportunities the archive offers. Here, I have the opportunity to work with our li- cencing department and combine the archivist’s knowledge of the collections and their management with specialist expertise that can set the possibilities of the collection free and ensure its connection to the core work of the business, something that archives can strug- gle with on a daily basis.

I’ve just recently started in my post as Archives Manager but am already discovering extraordinary material every day, material such as the letterbook from the Sunday Post Archive. It contains a letter from a sub-editor to a woman in Canada. She has been out of contact with her mother in Glasgow for some years and wants to know how she is. What else would she do but write to - day Post for help? And what else would they do but go and find her mother for her and see how she is? This also goes for the Jackie’s ‘Cathy and Claire’ - we’ve kept their (anonymised) replies to readers (and yes, they did reply to everyone that wrote in).

Like most archivists with a passion for the collections in their care, I could go on and on! What will I find next? Only time (and the archive) will tell…

DC THOMSON & CO LTD: ARCHIVING THE NEWSPAPER STAND NEWSPAPER THE ARCHIVING LTD: CO & THOMSON DC By LIZA GIFFEN Archives Manager, DC Thomson & Co Ltd