My Mantra Sid Dhanam

Total Page:16

File Type:pdf, Size:1020Kb

My Mantra Sid Dhanam Monday, March 1, 2010 APSARA SADHNA URVASHI SHABAR MANTRA OM NAMOH ADESH.GURUJEE KO ADESH.GURUJI KE MUNH MEIN BRAHMA UNKE MADHYAE MEINVISHNU AUR NEECHAE MAHESHWAR STHAAPIT HEIN,UNKE SARA SHARIR MEIN SARV DEV NIVAS KARTE HEIN UNKO NAMASKAR.INDRA KEE APSARA GANDHRAV KANYA URVASHI KO NAMASKAR.GAGANMANDAL MEIN GHUNGROOUOON KEE JHANKAAR AUR PAATAL MEIN SANGEET KEE LAHAR. LAHAR MEIN URVASHI KE CHARAN.CHARAN MEIN THIRKAN.THIRKAN MEIN SARP.SARP MEIN KAAMVAASNA.KAAMVAASNA MEIN KAAMDEVA.KAAMDEVA MEIN BHAVAAN SHIVA.BHAVAAN SHIV NE JAMEEN PAR URVASHI KO UTAARA.SHAMSHAAN MEIN DHOONI JAMAI.URVASHI NE NRITYAE KIYAA.SAAT DEEP NAVKHAND MEIN PHOOL KHILE,DAALI JHUMEE.POORAV PASCHIM UTTAR DAKSHIN MEIN SAB MAST BHAYAE. MASTI MEIN EK TAAL DO TAAL TEEN TAAL. MAN MEIN HILOR UTTHEE,HILOR MEIN UMANG,UMANG MEIN OZ,OZ MEIN SUNDARTAA,SUNDARTAA MEIN CHANDRAMUKHEE,CHANDRAMUKHEE MEIN SHEETALTAA,SHEETALTAA MEIN SUNGADH,SUNDAH MEIN MEIN MASTEE. YAH MASTEE URVASHI KEE MERE MAN KO BHAI. YAH MASTEE MERE SARA SHARIR MEIN ANGA ANGA MEIN LAHRAI URVASHI INDRA KEE SABHA CHOR MERE PAAS AAYE,MERI PRIYAA BANE HARDAM MERE SATH RAHE, JO KAHOON SAUH POORAU KARE,SONCHU TO HAAZIR RAHE,YADI AYESO NAA KARE TO DAS AVTAAR KEE DOHAI,GYAARAH RUDRA KEE SAUNGH ,BAARAH SURYAE KO VAJRA,TAINTEES KOTI DEVI DEVATAON KEE AAN. MERO MAN CHARE APSARA KO MERO JEEVAN USKE SHRINGAAR KO. MEREE AATMA USKE ROOP KO AUR MEIN USKO VAH MERE SAATH RAHE,DHAN,YAUVAN,SAMPATEE,SUKH DE. KAHIO KARE HUKUM MANE. ROOP YAUVAM BHAAR SE LADEE MERE SAMNE RAHE. JO AISAA NA KARE TO BHAGVAAN SHIV KO TRISHUL AUR INDRA KO VAJRA OOS PAR PARE. CHANT THE ABOVE MANTRA IN THE NIGHT WITH THE HELP OF YELLOW HAKIK ROSARY INFORNT OF URVASHI SABAR YANTRA DAILY IN THE NIGHT THEN URVASHI APPEA Urvashi Apsara Sadhana Urvashi Apsara Sadhana: Apsara Menuka Captivating Vishwamitra When we talk of divine beauty the picture of an Apsara springs to the mind, quite as if one might think of a Miss Universe or World in the context of earthly beauty. But the beauty is not just skin deep. Beauty also signifies an inner appeal that could draw crowds and make others feel as if they are being pulled by some strange magnetic force. Such very magnetism, attractiveness and hypnotic persona can be developed through the most bewildering of Sadhana – the Sadhanas of Apsaras or the divine celestial nymphs who are unparallel in the beauty and charm in the entire universe. No wonder the Apsara Menuka could captivate even a great Yogi like Vishwamitra. Not just the worldly people even great Yogis have accomplished Apsara Sadhanas to infuse liveliness, energy, charm and joy into their lives. If you think an Apsara is just some other beautiful damsel then you are wrong. She can be a great friend subtly banishing problems from your life, bringing you joy and if you are alone then arranging for a beautiful and attractive life partner for you whose nature would be compatible to your own. Another wrong notion is that only men can or should try Apsara Sadhana. Not at all, women can try it for added beauty, to gain charm, to become eloquent and proficient in arts, music and dance. Remember the great Mahabharatwarrior Arjun was trained by an Apsara in dance and music. And this was arranged by none other than Lord Krishna. Another little known fact is thatLord Krishna himself accomplished Urvashi Apsara Sadhana and no wonderthrough his charming persona he could leave even enemies bowled ever. Urvashi is the head of all Apsaras, the most beautiful, resourceful and divine of all heavenly nymphs. Urvashi means one who lives in the heart of Lord Narayan. Through her Sadhana while a man could become more handsome, and magnetic, the women could gain beauty and charm. It is a means of driving away lethargy and infusing divine energy into the body. Though the Sadhana is known to bring even outer physical changes, its main job is to bring about an inner subtle metamorphosis due to which one overflows with a mysterious appeal that no one could possibly resist. Just imagine how easy it would then be to influence people and achieve the desired success in any sphere of life. Presented here is a very secret Urvashi Sadhana procured from a very ancient hand written text from Nepal. Try this Sadhana on any Friday in the night. Have a bath and wear beautiful clothes. Spray perfume, preferably natural, in the room and burn incense. Then sit on a Yellow mat facing North. Cover a wooden seat with yellow cloth. On heap of fragrant flowers place the Urvashi Yantra. On a mound of rice grains place the Urvashi Rosary. Light a ghee lamp. Offer vermillion, rice grains, and flowers on the Yantra and rosary. Then contemplate on the divine form of the Apsara Urvashi projecting a beautiful image in the mind. Pray for success in the Sadhana. Then chant one round ofGuru Mantra. Thereafter chant 21 rounds of the following Mantra with Urvashi rosary. Om Sam Soundarya Siddhaye Swaahaa Repeat this Sadhana for three consecutive days at the same time. Better do the Sadhana after 9 pm. On the fourth day drop the Yantra and rosary in a river or pond. Accomplishing this Sadhana means generating youthful vigor, beauty and good fortune besides inviting prosperity, comforts and wealth into one’s life. Rambha Apsara Sadhana Rambha Apsara Sadhana ( ): Rambha, The Celestial Nymph Among all the celestial nymphs, Rambha is on the first position. Apsara Rambha is regarded as well mannered and etiquette. Rambha is the synonym of happiness, enthusiasm, beauty, joy, music and politeness. Only the Rambha Apsara Sadhana is a divine key to beauty, happiness, and youthful life and to attain the magnetic personality. The old man can also be rejuvenated and revitalized to youthfulness through the divine Rambha Apsara Sadhana. This is Saumya Sadhana. Even Gods and Goddesses performed this divine Rambha Apsara Sadhanaand Many Yogis and Rishis also have done this divine Sadhana, through which they attained completeness and high pleasure in their life. One must perform this ritual to achieve desired beauty and happiness in his/her life. Rambha is actually a collective form of whole nature and beauty in the universe. Apsara Rambha is capable to captivate the highest proficient Yogi and Rishi due to her beauty, mesmerizing eyes, thick black hair, soothing and polite voice. Following are the advantages of Rambha Apsara Sadhana: Sadhak attains highest pleasure, happiness and joy in his life. He achieves full success in other Sadhanas, and in materialistic world. He/she becomes mentally and physically strong. On achieving Siddhi on Rambha Apsara Sadhana, Rambha be seated in the whole life of Sadhak as a shadow in every step in his/her life. She helps to fulfill every desire in his/her life. Sadhak will get the magnetic personality. Anyone get hypnotized and attracted towards him/her. There will be the end of ageing, diseases and ailments from the life of Sadhak. The whole life of Sadhak becomes full of love, happiness. There could not be love, enthusiasms and happiness in one’s life if he has not performed Rambha Apsara Sadhana. Sadhana Procedure: Articles needed for Rambha Apsara Sadhana: Mantra Energized Rambhotkilan Yantra Apsara Mala Saundarya Gutika and Saafalya Mudrika. This is 27 days Sadhana and should be performed at night. This Sadhana can be started on any Full Moon night, on Friday. Before performing Sadhana, take a bath and wear attractive cloths and sit on yellow mat facing east. Light a ghee lamp and place a steel plate in front. Then take rose petals on both hands and offer prayers to Rambha chanting thus. ||O Rambhe Aagachchh Purnna Youvan Samstute|| Chant this Mantra minimum 101 times and put each petal of Rose on the plate on each chanting. In this way cover the whole plate with the petals of rose and flowers. Then place the Apsara Rosary on the mound of rose petals on the plate. And spray the natural perfume on your seat. Then place the Rambhotkilan Yantraon pink cloth and also place Saundarya Gutika and Saafalya Mudrika right and left of the Yantra respectively. Then worship Sadgurudev and chant one round of Guru Mantra. Then worship the Yantra with rice grains colored with pink color chanting following Mantra. Om Divyaayei Namah, Om Vaagishwaryei Namah, Om Saundarya Priyaayei Namah, Om Youvan Priyaayei Namah, Om Saubhagyadaayei Namah, Om Aarogya Pradaayei Namah, Om Praanpriyaayei Namah, Om Urjaswalaayei Namah, Om Devpriyaayei Namah, Om Aishwaryapradaayei Namah, Om Dhandaayei Rambhaayei Namah. Then chant 5 rounds of the following Mantra with Apsara Rosary, Mantra: Om Hreem Ram Rambhe! Aagachchha Aagyaam Paalaya Manovaanchhitam Dehi Ayeim Om Swahaa ॐ ! ॐ Every day, perform this Sadhana praying Rambha Apsara and each day take two garland of rose. Wear one garland self and another on the Yantra. During 27 days of this Sadhana, new and divine experiences will felt by the Sadhak. Most of the Sadhak has seen and experienced the divine form and appearance of Rambha. After the accomplishment of this Sadhana, Sadhak should wear Mudrika on Anamika finger and rest of the articles should be dropped in the river or pond.This Sadhana is really effective and if done with full faith and devotion, whole desires will be fulfilled in no time. Kamdev Rati Sadhana Be Live, be beautiful! Kamdev Rati Sadhana: Kamdev Yantra Beauty and love form the essence of life and everyone in the world wishes to experience these two treasures. These are two elements that make life worth it and keep a person feeling youthful and energetic even though one might have crossed one’s prime of life.
Recommended publications
  • The Epic Imagination in Contemporary Indian Literature
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School May 2017 Modern Mythologies: The picE Imagination in Contemporary Indian Literature Sucheta Kanjilal University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the South and Southeast Asian Languages and Societies Commons Scholar Commons Citation Kanjilal, Sucheta, "Modern Mythologies: The pE ic Imagination in Contemporary Indian Literature" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6875 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Modern Mythologies: The Epic Imagination in Contemporary Indian Literature by Sucheta Kanjilal A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a concentration in Literature Department of English College of Arts and Sciences University of South Florida Major Professor: Gurleen Grewal, Ph.D. Gil Ben-Herut, Ph.D. Hunt Hawkins, Ph.D. Quynh Nhu Le, Ph.D. Date of Approval: May 4, 2017 Keywords: South Asian Literature, Epic, Gender, Hinduism Copyright © 2017, Sucheta Kanjilal DEDICATION To my mother: for pencils, erasers, and courage. ACKNOWLEDGEMENTS When I was growing up in New Delhi, India in the late 1980s and the early 1990s, my father was writing an English language rock-opera based on the Mahabharata called Jaya, which would be staged in 1997. An upper-middle-class Bengali Brahmin with an English-language based education, my father was as influenced by the mythological tales narrated to him by his grandmother as he was by the musicals of Broadway impressario Andrew Lloyd Webber.
    [Show full text]
  • Wish You All a Very Happy Diwali Page 2
    Hindu Samaj Temple of Minnesota Oct, 2012 President’s Note Dear Community Members, Namaste! Deepavali Greetings to You and Your Family! I am very happy to see that Samarpan, the Hindu Samaj Temple and Cultural Center’s Newslet- ter/magazine is being revived. Samarpan will help facilitate the accomplishment of the Temple and Cultural Center’s stated threefold goals: a) To enhance knowledge of Hindu Religion and Indian Cul- ture. b) To make the practice of Hindu Religion and Culture accessible to all in the community. c) To advance the appreciation of Indian culture in the larger community. We thank the team for taking up this important initiative and wish them and the magazine the Very Best! The coming year promises to be an exciting one for the Temple. We look forward to greater and expand- ed religious and cultural activities and most importantly, the prospect of buying land for building a for- mal Hindu Temple! Yes, we are very close to signing a purchase agreement with Bank to purchase ~8 acres of land in NE Rochester! It has required time, patience and perseverance, but we strongly believe it will be well worth the wait. As soon as we have the made the purchase we will call a meeting of the community to discuss our vision for future and how we can collectively get there. We would greatly welcome your feedback. So stay tuned… Best wishes for the festive season! Sincerely, Suresh Chari President, Hindu Samaj Temple Wish you all a Very Happy Diwali Page 2 Editor’s Note By Rajani Sohni Welcome back to all our readers! After a long hiatus, we are bringing Samarpan back to life.
    [Show full text]
  • Novellus 2 Annual Student Magazine 1
    UM-DAE CENTER FOR EXCELLENCE IN BASIC SCIENCES 2 0 NOVELLUS 2 ANNUAL STUDENT MAGAZINE 1 7th Issue Acknowledgements We express our gratitude to CEBS for the continued support of our endeavor even amidst the pandemic. We are grateful to Dr. V.L Sirisha, who has supported the club and has been an integral cog in the publication process of this magazine. We also extend our heartfelt gratitude to the faculty, students, and administrative staff for taking their time to submit wonderful contributions amidst the existing dificult situation. ~Team Novellus Chairman’s Message Director’s Message During the Covid-19 pandemic period, over the past turbulent months when the educational institutions had to switch to online learning, and training the students I am delighted to learn that the Literature and Science Club of UM-DAE CEBS is on best possible practices, it is very admirable and encouraging to note that the bringing out the 7th Issue of Novellus- a students’ magazine, for the academic year Team Novellus and the students of CEBS maintained the tradition of publishing 2020-2021. The magazine is a ine collection of diferent activities and expressions Novellus. I congratulate them for their dedication and courageous eforts in these of literary side of our students. times of stress, anxiety, and restricted outdoor activities. It has been a tough year for all of us due to COVID-19 pandemic caused by an The articles chosen relect the balanced emotional and intellectual approach of our invisible SARS-CoV-2 virus. Its ease of transmission and severity of infection has students who have also given due recognition to the overwhelming physical and posed unexpected and unprecedented challenges hampering normal functioning psychological toll that challenged the Frontline Workers.
    [Show full text]
  • South Asia Multidisciplinary Academic Journal , Book Reviews | 2014 Thinking the Difference: on Feminism and Postcolony [Review Essay] 2
    South Asia Multidisciplinary Academic Journal Book Reviews Thinking the Difference: On Feminism and Postcolony [review essay] Anne Castaing Édition électronique URL : http://journals.openedition.org/samaj/3689 ISSN : 1960-6060 Éditeur Association pour la recherche sur l'Asie du Sud (ARAS) Référence électronique Anne Castaing, « Thinking the Difference: On Feminism and Postcolony [review essay] », South Asia Multidisciplinary Academic Journal [En ligne], Book Reviews, mis en ligne le 18 février 2014, consulté le 30 avril 2019. URL : http://journals.openedition.org/samaj/3689 Ce document a été généré automatiquement le 30 avril 2019. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Thinking the Difference: On Feminism and Postcolony [review essay] 1 Thinking the Difference: On Feminism and Postcolony [review essay] Anne Castaing RÉFÉRENCE Haase-Dubosc, Danielle; Marcelle, Marie E. John; Melkotte, Marini Rama; Tharu, Susie Enjeux contemporains du féminisme indien, Paris: Éditions de la Maison des sciences de l’Homme, 2002, 445 pages. Van Woerkens, Martine Nous ne sommes pas des fleurs: deux siècles de combats féministes en Inde, Paris: Albin Michel, 2010, 363 pages. 1 The recent publication in France of two volumes on South Asian feminism and its reception in the West—Danielle Haase-Dubosc et al.’s Enjeux contemporains du féminisme indien (2002) and Martine Van Woerkens’ Nous ne sommes pas des fleurs: deux siècles de combats féministes en Inde (2010)—has raised several key
    [Show full text]
  • Hinduism and Hindu Philosophy
    Essays on Indian Philosophy UNIVE'aSITY OF HAWAII Uf,FU:{ Essays on Indian Philosophy SHRI KRISHNA SAKSENA UNIVERSITY OF HAWAII PRESS HONOLULU 1970 Library of Congress Catalog Card Number 78·114209 Standard Book Number 87022-726-2 Copyright © 1970 by University of Hawaii Press All Rights Reserved Printed in the United States of America Contents The Story of Indian Philosophy 3 Basic Tenets of Indian Philosophy 18 Testimony in Indian Philosophy 24 Hinduism 37 Hinduism and Hindu Philosophy 51 The Jain Religion 54 Some Riddles in the Behavior of Gods and Sages in the Epics and the Puranas 64 Autobiography of a Yogi 71 Jainism 73 Svapramanatva and Svapraka!;>atva: An Inconsistency in Kumarila's Philosophy 77 The Nature of Buddhi according to Sankhya-Yoga 82 The Individual in Social Thought and Practice in India 88 Professor Zaehner and the Comparison of Religions 102 A Comparison between the Eastern and Western Portraits of Man in Our Time 117 Acknowledgments The author wishes to make the following acknowledgments for permission to reprint previously published essays: "The Story of Indian Philosophy," in A History of Philosophical Systems. edited by Vergilius Ferm. New York:The Philosophical Library, 1950. "Basic Tenets of Indian Philosophy," previously published as "Are There Any Basic Tenets of Indian Philosophy?" in The Philosophical Quarterly. "Testimony in Indian Philosophy," previously published as "Authority in Indian Philosophy," in Ph ilosophyEast and West. vo!.l,no. 3 (October 1951). "Hinduism," in Studium Generale. no. 10 (1962). "The Jain Religion," previously published as "Jainism," in Religion in the Twentieth Century. edited by Vergilius Ferm.
    [Show full text]
  • ESSENCE of VAMANA PURANA Composed, Condensed And
    ESSENCE OF VAMANA PURANA Composed, Condensed and Interpreted By V.D.N. Rao, Former General Manager, India Trade Promotion Organisation, Pragati Maidan, New Delhi, Union Ministry of Commerce, Govt. of India 1 ESSENCE OF VAMANA PURANA CONTENTS PAGE Invocation 3 Kapaali atones at Vaaranaasi for Brahma’s Pancha Mukha Hatya 3 Sati Devi’s self-sacrifice and destruction of Daksha Yagna (Nakshatras and Raashis in terms of Shiva’s body included) 4 Shiva Lingodbhava (Origin of Shiva Linga) and worship 6 Nara Narayana and Prahlada 7 Dharmopadesha to Daitya Sukeshi, his reformation, Surya’s action and reaction 9 Vishnu Puja on Shukla Ekadashi and Vishnu Panjara Stotra 14 Origin of Kurukshetra, King Kuru and Mahatmya of the Kshetra 15 Bali’s victory of Trilokas, Vamana’s Avatara and Bali’s charity of Three Feet (Stutis by Kashyapa, Aditi and Brahma & Virat Purusha Varnana) 17 Parvati’s weds Shiva, Devi Kaali transformed as Gauri & birth of Ganesha 24 Katyayani destroys Chanda-Munda, Raktabeeja and Shumbha-Nikumbha 28 Kartikeya’s birth and his killings of Taraka, Mahisha and Baanaasuras 30 Kedara Kshetra, Murasura Vadha, Shivaabhisheka and Oneness with Vishnu (Upadesha of Dwadasha Narayana Mantra included) 33 Andhakaasura’s obsession with Parvati and Prahlaad’s ‘Dharma Bodha’ 36 ‘Shivaaya Vishnu Rupaaya, Shiva Rupaaya Vishnavey’ 39 Andhakaasura’s extermination by Maha Deva and origin of Ashta Bhairavaas (Andhaka’s eulogies to Shiva and Gauri included) 40 Bhakta Prahlada’s Tirtha Yatras and legends related to the Tirthas 42 -Dundhu Daitya and Trivikrama
    [Show full text]
  • Glories of Sri Nara-Narayana Rishi - Part 1
    Glories of Sri Nara-Narayana Rishi - Part 1 Date: 2015-03-08 Author: Vaijayantimala devi dasi Hare Krishna Prabhujis and Matajis, Please accept my humble obeisances! All glories to Srila Prabhupada and Srila Gurudev! In the eleventh canto, fourth chapter of Srimad Bhagavatam, Sage Drumila explains the incarnations of Godhead and he describes Nara-Narayana Rishi who is perfectly peaceful and is the best of sages, born as the son of Dharma and his wife Murti, the daughter of Daksha. Nara-Narayana rishi taught the devotional service of the Lord, by which material work ceases, and He Himself perfectly practiced this knowledge. He is living even today, His lotus feet served by the greatest of saintly persons. King Indra became fearful, thinking that Nara-Narayana Rishi would become very powerful by His severe penances and seize Indra's heavenly kingdom. Thus Indra, not knowing the transcendental glories of the incarnation of the Lord, sent Cupid and his associates to the Lord's residence in Badarikashrama. As the charming breezes of spring created a most sensuous atmosphere, Cupid himself attacked the Lord with arrows in the form of the irresistible glances of beautiful women. We learn a few things from this pastime. 1. The world is a mirror of our consciousness: Here we see that King Indra, not understanding the glories of the Lord, who has got the supreme opulence of renunciation, was placing the Personality of Godhead on the same level as he himself, considering the Lord an ordinary enjoyer who would be attracted by mundane sex life. It is very nicely mentioned in the purport to SB 11.4.7, "Indra's plot to cause the fall down of Nara-Narayana rishi could not affect the Lord, but it reveals the shortsightedness of Indra himself.
    [Show full text]
  • HIGHSCHOOLS in GANJAM DISTRICT, ODISHA, INDIA Block Type of High Sl
    -1- HIGHSCHOOLS IN GANJAM DISTRICT, ODISHA, INDIA Block Type of High Sl. Block G.P. Concerned Village Name of the School Sl. School 1 1 Aska Aska NAC Aska Govt. Girl's High School, Aska Govt. 2 2 Aska Aska NAC Aska Harihar High School, Aska Govt. 3 3 Aska Aska NAC Aska Tech High School, Aska Govt. 4 4 Aska Munigadi G. P. Munigadi U. G. Govt. High School, Munigadi Govt. U.G. 5 5 Aska Mangalpur G. P. Mangalpur Govt. U. G. High School, Mangalpur Govt. U.G. 6 6 Aska Khaira G. P. Babanpur C. S. High School, Babanpur New Govt. 7 7 Aska Debabhumi G. P. Debabhumi G. P. High School, Debabhumi New Govt. 8 8 Aska Gunthapada G. P. Gunthapada Jagadalpur High School, Gunthapada New Govt. 9 9 Aska Jayapur G. P. Jayapur Jayapur High School, Jayapur New Govt. 10 10 Aska Bangarada G. P. Khukundia K & B High School, Khukundia New Govt. 11 11 Aska Nimina G. P. Nimina K. C. Girl's High School, Nimina New Govt. 12 12 Aska Kendupadar G. P. Kendupadar Pragati Bidyalaya, Kendupadar New Govt. 13 13 Aska Baragam Baragam Govt. U.G. High School, Baragam NUG 14 14 Aska Rishipur G.P. Rishipur Govt. U.G. High School, Rishipur NUG 15 15 Aska Aska NAC Aska N. A. C. High School, Aska ULB 16 16 Aska Badakhalli G. P. Badakhalli S. L. N. High School, Badakhalli Aided 17 17 Aska Balisira G. P. Balisira Sidheswar High School, Balisira Aided 18 18 Aska GangapurG. P. K.Ch. Palli Sudarsan High School, K.Ch.
    [Show full text]
  • Download/Poverty/33EF03BB-9722-4AE2-ABC7-AA2972D68AFE/Archives-2018/Global POVEQ IND
    religions Article Hardwar: Spirit, Place, and Politics Vikash Singh * and Sangeeta Parashar * Department of Sociology, College of Humanities and Social Sciences, Montclair State University, 1 Normal Ave, Montclair, NJ 07043, USA * Correspondence: [email protected] (V.S.); [email protected] (S.P.) Received: 5 December 2018; Accepted: 10 February 2019; Published: 18 February 2019 Abstract: This article describes the narratives and projections that shaped the contested character of Hardwar and the river Ganges as symbols par excellence of the Hindus’ claim to India’s sacred geography over the last two hundred years. It deliberates on the tactics and practices through which Hardwar’s ancient and legendary status has been employed to assert Hindu identity and territorial claims vis-à-vis the colonial administrators, but also to exclude the country’s Muslim and Christian populace. The purifying, divine land of Hardwar enabled the nationalist imagination and struggle for a Hindu India, even as it was instituted as a site for the internal purification of Hinduism itself, to mirror its glorious past. The article describes the contests and claims, based on religion and class, as well as the performance of socio-economic and existential anxieties that the sacred quality of Hardwar and the river Ganges continues to authorize and enable in post-colonial India. For this, we draw particularly on the Kanwar Mela, an annual event in which millions of mostly poor young men carry water from the river Ganges on foot, and often over long distances. We deliberate on the significance of the sacred water, rituals, and the journey in reinforcing these pilgrims’ perceptions of the self, and their moral claims over the nation and its territory.
    [Show full text]
  • Part 1: the Beginning of Mahabharat
    Mahabharat Story Credits: Internet sources, Amar Chitra Katha Part 1: The Beginning of Mahabharat The story of Mahabharata starts with King Dushyant, a powerful ruler of ancient India. Dushyanta married Shakuntala, the foster-daughter of sage Kanva. Shakuntala was born to Menaka, a nymph of Indra's court, from sage Vishwamitra, who secretly fell in love with her. Shakuntala gave birth to a worthy son Bharata, who grew up to be fearless and strong. He ruled for many years and was the founder of the Kuru dynasty. Unfortunately, things did not go well after the death of Bharata and his large empire was reduced to a kingdom of medium size with its capital Hastinapur. Mahabharata means the story of the descendents of Bharata. The regular saga of the epic of the Mahabharata, however, starts with king Shantanu. Shantanu lived in Hastinapur and was known for his valor and wisdom. One day he went out hunting to a nearby forest. Reaching the bank of the river Ganges (Ganga), he was startled to see an indescribably charming damsel appearing out of the water and then walking on its surface. Her grace and divine beauty struck Shantanu at the very first sight and he was completely spellbound. When the king inquired who she was, the maiden curtly asked, "Why are you asking me that?" King Shantanu admitted "Having been captivated by your loveliness, I, Shantanu, king of Hastinapur, have decided to marry you." "I can accept your proposal provided that you are ready to abide by my two conditions" argued the maiden. "What are they?" anxiously asked the king.
    [Show full text]
  • Menaka's Choice As a Feminist Revisionist Mythological
    Journal of Critical Reviews ISSN- 2394-5125 Vol 7, Issue 9, 2020 MENAKA’S CHOICE AS A FEMINIST REVISIONIST MYTHOLOGICAL LITERATURE Ayuta Mohanty1, Dr. S. D. Chaudhuri2 1PhD Scholar, School of Humanities & Social Sciences, KIIT UNIVERSITY 2Assistant Professor, School of Humanities & Social Sciences, KIIT UNIVERSITY Received: 24.03.2020 Revised: 22.04.2020 Accepted: 25.05.2020 Abstract In patriarchal societies, mythological literature are generally composed by male authors. As a result, it almost always concentrates on the male protagonist and his adventures. The role that women play in these epics can be grouped into the following three categories: a) passive onlookers, b) receivers of the male action, and c) causes of the troubles faced by the male protagonists/ characters. Such biased depiction affects the mentality of our society as these values get embedded within our psyche and shapes our thoughts and perspectives and ultimately becomes a social tradition. Partially in an attempt to change this outlook, some Indian women writers have started a fresh and subversive trend by recreating mythological texts from the point of view of the female characters. These recreations or retellings help us to understand these epics from quite a dissimilar perspective, because when the perception of the narrator changes, the way a reader perceives a narrative is bound to change as well. This paper focuses on one such novel, Menaka’s Choice by Kavita Kane, that focuses on the perspective of Menaka and highlights her strengths and weakness that led her to make certain decisions that changed her course of life as well as that of others related to her.
    [Show full text]
  • Giving Voice to the Voiceless: a Clash of Dominant and Divergent Idea in Sita’S Sister and Menaka’S Choice by Kavitha Kane
    Quest Journals Journal of Research in Humanities and Social Science Volume 6 ~ Issue 12 (2018)pp.:06-09 ISSN(Online):2321-9467 www.questjournals.org Research Paper Giving Voice To The Voiceless: A Clash Of Dominant And Divergent Idea In Sita’s Sister And Menaka’s Choice By Kavitha Kane Lavanya R.Mohan Research Scholar Mar Thoma College, Thiruvalla M.G University, Kottayam Corresponding Author: Lavanya R.Mohan ABSTRACT: Literature always have the provision for taking different themes and subjects which tend to establish certain ideologies. Such ideologies sometimes establish a deep connection with the everyday rendering of society with an ability to influence them. In modern times such ideologies make a connection with both similar and contradictory concepts which are prevalent in the society and draw divergent ideas out of both similarities and differences. Indian literature also has that provision which derive themes and idea from both the modern and ancient periods. Sometimes they render a re-reading of ancient myths and tales and present them in modern context. Through this, they put forth a particular ideology which contradict the dominant ideology and create divergent ideology from them. My paper aims to study such a rereading in Indian English literature through the examination of the novels Sita’Sister and Menaka’s Choice by Kavitha Kane, which are published in the years 2014 and 2015 respectively. The novels portray the women characters who were left with no choice except to obey the norms established by the male dominated society. Both the novels explore the voice of the female characters Urmila and Menaka, who are placed within the margins of patriarchal society where ideas were determined by men, which emerged as dominant, as seen in ancient scriptures like Ramayana and Mahabharatha.
    [Show full text]