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Short Film Programme
SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 50, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger. This Oscar- Richler about how families deal with colours shifting in sync with jazz nominated film was among the first older relatives, and the emotions COSMIC ZOOM music performed by the Oscar to use computer animation. surrounding a grandmother’s death. Peterson Trio. THE LOG DRIVER’S WALTZ THE SWEATER THE BIG SNIT John Weldon 1979 3 min. Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. The McGarrigle sisters sing along to Iconic author Roch Carrier narrates A wonderfully wacky look at two the tale of a young girl who loves to a mortifying boyhood experience conflicts — global nuclear war and a dance and chooses to marry a log in this animated adaptation of his domestic quarrel — and how each is driver over more well-to-do suitors. beloved book The Hockey Sweater. resolved. Nominated for an Oscar. -
Senior 1 Art. Interim Guide. INSTITUTION Manitoba Dept
DOCUMENT RESUME ED 375 054 SO 024 441 AUTHOR Hartley, Michael, Ed. TITLE Senior 1 Art. Interim Guide. INSTITUTION Manitoba Dept. of Education and Training, Winnipeg. REPORT NO ISBN-0-7711-1162-2 PUB DATE 93 NOTE 201p.; Photographs might not produce well. AVAILABLE FROMManitoba Dept. of Education and Training, Winnipeg, Manitoba, Canada. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher)(052) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS *Art Activities; Art Appreciation; Art Criticism; *Art Education; Course Content; Curriculum Guides; Foreign Countries; Grade 9; High Schools; *Secondary School Curriculum IDENTIFIERS Manitoba ABSTRACT This Manitoba, Canada curriculum guide presents an art program that effectively bridges Canadian junior and senior high school art levels. Content areas include media and techniques, history and culture, criticism and appreciation, and design. Four core units present fundamental art knowledge through themes based on self and environmental exploration. Media and techniques used include drawing, collage, sculpture and ceramics. Four secondary units are enrichment oriented. Maskmaking expands on self-exploration by examining different faces humans present to establish identity and communication. Mass media introduces students to concepts of advertisement communication. Differences between need and want are explored. Landscape is studied as interpretations of environment as seen, remembered, or imagined. Investigation of the future allows for exploration of various scenarios with a wide variety of materials. The teaching method employed is problem solving/inquiry. Idea journals and portfolios are identified and used as evaluation tools. Appendices and bibliographies are included. (MM) ********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** 1993 Senior I Art U S. -
CBC IDEAS Sales Catalog (AZ Listing by Episode Title. Prices Include
CBC IDEAS Sales Catalog (A-Z listing by episode title. Prices include taxes and shipping within Canada) Catalog is updated at the end of each month. For current month’s listings, please visit: http://www.cbc.ca/ideas/schedule/ Transcript = readable, printed transcript CD = titles are available on CD, with some exceptions due to copyright = book 104 Pall Mall (2011) CD $18 foremost public intellectuals, Jean The Academic-Industrial Ever since it was founded in 1836, Bethke Elshtain is the Laura Complex London's exclusive Reform Club Spelman Rockefeller Professor of (1982) Transcript $14.00, 2 has been a place where Social and Political Ethics, Divinity hours progressive people meet to School, The University of Chicago. Industries fund academic research discuss radical politics. There's In addition to her many award- and professors develop sideline also a considerable Canadian winning books, Professor Elshtain businesses. This blurring of the connection. IDEAS host Paul writes and lectures widely on dividing line between universities Kennedy takes a guided tour. themes of democracy, ethical and the real world has important dilemmas, religion and politics and implications. Jill Eisen, producer. 1893 and the Idea of Frontier international relations. The 2013 (1993) $14.00, 2 hours Milton K. Wong Lecture is Acadian Women One hundred years ago, the presented by the Laurier (1988) Transcript $14.00, 2 historian Frederick Jackson Turner Institution, UBC Continuing hours declared that the closing of the Studies and the Iona Pacific Inter- Acadians are among the least- frontier meant the end of an era for religious Centre in partnership with known of Canadians. -
The Canadian Adolescent Refugee Experience
Living Within Hyphenated Paradoxes – The Canadian Adolescent Refugee Experience SOFIA NOORI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN SOCIAL AND POLITICAL THOUGHT YORK UNIVERSITY TORONTO, ONTARIO September 2020 © Sofia Noori, 2020 ABSTRACT In 2018, the Canadian government admitted 46,500 refugees. This followed a remarkable record resettlement of Syrian refugees in Canada from 2015–17, with just under half aged 17 or younger. This dissertation addresses how adolescent refugees negotiate the issues and aftermath of living in civil unrest, war, migration, transitory states, refugee camps, and resettlement. I analyze published memoirs and vlogs by Canadians who were adolescent refugees when they arrived in this country. By highlighting the life stories of ten Canadians who experienced varying degrees of “refugee-ness,” I argue that these asylum seekers contend with paradoxical claims to their subjectivities. While witnessing conflicts and camps traumatizes these young people, they successfully achieve independence and greater stability after settling in Canada. Shifting cultural practices informed by their native and host countries are factors that influence refugee’s sense of identity liminalities: being too young, too old, not westernized enough, not native enough, lacking schooling and wanting academic accolades. Readings of their narratives informed by psychoanalysis and postcolonial theory show that young refugees employ ancestral coping mechanisms, intellectualization, and sublimation to make meaning from their experienced losses and grief. Fanon’s and Said’s theories address the violent colonial context of exile and alienation. Anna Freud and Winnicott explain the internal mechanisms of resistance. -
Showing Our Shorts
(J1UWUe (Ju1de • GREG KLYMKIW music industry support program and represents the efforts of a Winnipeg band called The Cheer. The video has already been screened on Much Music and will be touring non-theatrically as a Showing our warm-up short to Greg Hanec's music-oriented feature Tunes A Plenty . Schizophrenic Cinema Dept. : M. B. Duggan's 23-minute drama Mike The Movie, is currently in post-production. The $60,000,00 pic takes a realistic look at the surrealistic life of a young shorts schizophrenic. Duggan, a social-worker-turned-filmmaker, spent a few pre-production weeks acquainting the cast with the ins and outs of schizophrenia and the social programmes presiding over oon Cat Meets Fish Called Wanda Dept. : With three major awards from Zagreb, Winnipeg them. The film will be released in January. animator Cordell Barker's seven-minute The Cat Came Back is warming-up the crowds nationally for the new MGM release of A Fish Called Wanda. Over three years in the making, Barker's film was produced through The National Film Board and boasts a coproducing credit from Oscar-nominated Richard Condie. Audience-reaction at Winnipeg's Polo Park CinemaT has been extremely positive. Theatre management reports that guffaws and applause are tie .ftJ-a~ee ftJ-~ btJ-tJ-i.f Nt common occurrences during the seven minutes preceding the John Cleese comedy that Cat has been paired with. Kudos are certainly in order for Famous Players for bringing back alittle showmanship into their presentation byprogr amming ashort that not only provides alittle something extra for the moviegoers' six-and-a-half bucks, but more-than-adequately warms-up the audience for the lunacy f/L~· Ttl.· II/OE() that follows in A Fish Called WalIda . -
The Global Refugee Crisis: Empirical Evidence and Policy Implications for Improving Public Attitudes and Facilitating Refugee Resettlement ∗ Victoria M
Social Issues and Policy Review, Vol. 11, No. 1, 2017, pp. 78--123 The Global Refugee Crisis: Empirical Evidence and Policy Implications for Improving Public Attitudes and Facilitating Refugee Resettlement ∗ Victoria M. Esses University of Western Ontario Leah K. Hamilton Mount Royal University Danielle Gaucher University of Winnipeg The number of refugees across the globe is at an alarming high and is expected to continue to rise for the foreseeable future. As a result, finding durable solutions for refugees has become a major challenge worldwide. The literature reviewed and policy implications discussed in this article are based on the premise that one of the major solutions to the refugee crisis must be refugee resettlement in new host countries. For such a solution to succeed, however, requires relatively favorable attitudes by members of host societies, protection of the well-being of refugees, and effective integration of refugees into new host countries. In this context, we begin by reviewing the literature on determinants of public attitudes toward refugees, the acculturation of refugees in host societies, and factors affecting refugee mental health, all of which are directly relevant to the success of the resettlement process. We then turn our attention to the policy implications of these literatures, and discuss strategies for improving public attitudes toward refugees and refugee resettlement in host countries; for improving the resettlement process to reduce ∗ Correspondence concerning this article should be addressed to Victoria M. Esses, Department of Psychology, The University of Western Ontario, 1151 Richmond St, London, Ontario, Canada N6A 5C2. Tel: 519 661–2111 ext. 84650 [e-mail: [email protected]]. -
NAHLAH AYED FOREIGN CORRESPONDENT | the NATIONAL a Beginning, a Middle and an End: Canadian Foreign Reportage Examined
School of Journalism 34th Annual James M. Minifie Lecture NAHLAH AYED FOREIGN CORRESPONDENT | THE NATIONAL A beginning, a middle and an end: Canadian foreign reportage examined. March 12, 2014 QUESTION AUTHORITY Study Journalism at the University of Regina Learn to craft stories for all forms of media. Stories that engage. Stories that inform. Stories that empower the public. Stories that build a stronger democracy. www.uregina.ca/arts/journalism • [email protected] • 306-585-4420 A beginning, a middle and an end: Canadian foreign reportage examined. It’s a real honour to be here in Regina and especially to give the Minifie lecture. James M. Minifie embodied the best of Canadian foreign journalism. He was an early integrator who filed for both radio and TV and I’m sure would have also filed for online had it existed. The story of my coming to give this lecture is a little bit like the job that we do, a little like doing foreign correspondence. Just like foreign correspondence, every obstacle that could possibly be thrown in my way happened! I felt like I was being tested – the way we are with every single story we file. Even the very last leg of this journey, coming from Toronto just a few hours ago, I barely made it out. It was wet snow and a huge lineup of planes being de- iced. I couldn’t believe we made it out. So, just like every story we file, the object, as painful as it can be, is to make deadline – no matter what. The idea is that an imperfect but accurate and complete story on the air is better than no story. -
AWNMAG5.05 Cover
Table of Contents AUGUST 2000 VOL.5 NO.5 5 Editor’s Notebook Go Web Young (Wo)Man, Go Web 7 Letters: [email protected] InternetCOMIC BOOKS Animation 8 Your Move… Jacquie Kubin looks at how and why packaged gaming companies are adding on-line elements to their business plans. 12 Alter-Net-ive Worlds How would the world of animation be different if instead of being a new tool the Web was an old one? Get ready for some pretty wild “classics.” Martin “Dr. Toon” Goodman takes us theorizing… 16 The Aesthetics of Internet Animation Think Web tools are restrictive creatively? Think again! Chris Lanier, creator of Wildbrain’s Romanov, explains why, in the vein of comics, they are actually a source of freedom. 2000 20 Is There Life Beyond Flash? Flash is the leading tool for Internet animation, but there are a few other options for production and augmentation. Here industry leaders reveal their secrets from high tech 3D software to good, old-fashioned talent. 23 Getting Started On-Line So you want to get into this Internet game? Two of AtomStudios’ animators, Kwesi Ako Kennedy and James Dalby, not only tell you how, but offer tips for success. ComputerADULT ANIMATION Animation 25 Vancouver’s Mainframe Entertainment Since their first 3D CGI television show, the groundbreaking Reboot, Mainframe Entertainment has been producing quality children’s television. Don Perro goes for a tour and finds they are working on more than television now. 29 Writing for CGI:A Talk With Ian Boothby UGUST Ian Boothby, co-writer of Casper’s Haunted Christmas, gives us some insight on the pitfalls and joys of writing for CGI. -
Short Film Programme
SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 43, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger and poverty. This Richler about how families deal with colours shifting in sync with jazz Oscar-nominated film was among older relatives, and the emotions COSMIC ZOOM music performed by the Oscar the first to incorporate computer- surrounding a grandmother’s death. Peterson Trio. animation technology. THE SWEATER THE BIG SNIT THE LOG DRIVER’S WALTZ Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. John Weldon 1979 3 min. Iconic author Roch Carrier narrates A wonderfully wacky look at two Kate and Anna McGarrigle sing a mortifying boyhood experience conflicts — global nuclear war and a along to the tale of a young girl who in this animated adaptation of his domestic quarrel — and how each is loves to dance and chooses to marry beloved book The Hockey Sweater. resolved. Nominated for an Oscar. a dancing log driver over her more well-to-do suitors. -
Animerte Perler - Animasjonsklassikere Fra National Film Board of Canada [DVD] Animerte Perler - Animasjonsklassikere Fra National Film Board of Canada [DVD]
Animerte perler - Animasjonsklassikere fra National Film Board of Canada [DVD] Animerte perler - Animasjonsklassikere fra National Film Board of Canada [DVD] Animerte perler samler 14 animerte kortfilmer produsert av National Film Board of Canada i tidsrommet 1949-1993. Utgivelsen er en tidløs animert fest! Animerte perler Diverse regissører National Film Board of Canada 1949-1993 Norsk filminstitutt 4:3 Fullskjerm Dolby 2.0 131 min. 2 6 Blame Canada Det er ikke mulig å overdrive hvilken rolle National Film Board of Canada (NFB) har spilt i å utvikle en alternativ rute for animasjonsfilmskapere som ønsker å skape et kunstuttrykk på siden av Disney og de andre dominerende amerikanske studioene. Etter etableringen på slutten av 1930-tallet har NFB produsert mer enn 13.000 dokumentarfilmer, animerte og live-action kortfilmer og tatt med Oscar-statuetten hvem til Canada 12 ganger, inkludert en æresoscar i 1988. Da Norman McLaren ble ansatt ved NFB i 1941 startet også animasjonsproduksjonen og som følge av McLarens pionerarbeid, økte anseelsen til NFB, og særlig animasjonsdivisjonen, betraktelig. Med utgivelsen av Animerte perler har Norsk filminstitutt samlet 14 animerte kortfilmer produsert av NFB i tidsrommet 1949-1993, og viser med dette hvilken sterk posisjon NFB har innen internasjonal animasjon og hvordan de har jobbet målrettet og metodisk over lang tid for å bli en ledende produsent av den frie, kunstneriske animerte kortfilmen. Første del av utgivelsen er naturlig nok viet Norman McLaren - banebrytende dokumentarist og animasjonsfilmskaper, som ikke bare har skapt en rekke fabelaktige produksjoner, men langt på vei satt standarden for filmproduksjonen hos National Film Board of Canada. -
Final Programme 0.Pdf
NOTES Director’s Welcome — 4 Message du Directeur — 5 Thank you / Remerciements — 6 Our Sponsors / Nos Partenaires — 7 I N D E X Summary | Day 1 — 8 Sommaire | Jour 1 — 9 Summary | Day 2 — 10 Sommaire | Jour 2 — 11 Programme 9/02/2017 | Day 1 — 12 Programme 9/02/2017 | Jour 1 — 13 Programme 10/02/2017 | Day 2 — 14-15 Programme 10/02/2017 | Jour 2 — 16-17 Speaker Biographies | — 18-46 Biographies des conférenciers MISC Staff / Équipe IÉCM — 47 NOTES Director’s Welcome — 4 Message du Directeur — 5 Thank you / Remerciements — 6 Our Sponsors / Nos Partenaires — 7 I N D E X Summary | Day 1 — 8 Sommaire | Jour 1 — 9 Summary | Day 2 — 10 Sommaire | Jour 2 — 11 Programme 9/02/2017 | Day 1 — 12 Programme 9/02/2017 | Jour 1 — 13 Programme 10/02/2017 | Day 2 — 14-15 Programme 10/02/2017 | Jour 2 — 16-17 Speaker Biographies | — 18-46 Biographies des conférenciers MISC Staff / Équipe IÉCM — 47 Dear Friends and Colleagues, NOTES In celebration of Canada’s 150th anniversary, I am delighted to welcome you to the McGill Institute for the Study of Canada’s 22nd annual conference. The annual conference is the centrepiece initiative of MISC’s public outreach mandate, and is tasked with investigating themes and topics that bear on pressing matters of public policy. These confer- ences are non-partisan events, open to the public, and are designed to stimulate debate and encourage frank and open dis- cussion in an atmosphere of honest intellectual inquiry. With Donald Trump now in the White House and Britain’s plan to exit the EU underway, the wave of anti-immigrant sentiment that fueled both shows every sign of expanding across Europe. -
The Richard Condie Fonds and Archiving Animation
Animation Matters: The Richard Condie fonds and Archiving Animation by Erin Acland A Thesis submitted to the Faculty of Graduate Studies of the University of Manitoba in partial fulfillment of the requirements of the degree of MASTER OF ARTS Department of History (Archival Studies) Joint Master's Program University of Manitoba/ University of Winnipeg Winnipeg, Manitoba Copyright © 2016 by Erin Acland i TABLE OF CONTENTS Abstract..............................................................................................................................ii Acknowledgements...........................................................................................................iv Introduction........................................................................................................................1 Chapter One: The History and Functions of Animation and Animation Archives...........9 Chapter Two: Richard Condie and the History of the Record.........................................45 Chapter Three: Media of Communication and Preservation of Records of Animation..68 Conclusion........................................................................................................................98 Bibliography...................................................................................................................100 ii ABSTRACT Animation simultaneously functions as commercial asset, fine art form, mode of communication, and shaper of culture, and so its archives is worth preserving. A precursory analysis of animation