Revision Worksheet Subject – E.V.S. Lesson - 10 (Clothes of Different State)

Total Page：16

File Type：pdf, Size：1020Kb

Revision Worksheet Subject – E.V.S. Lesson - 10 (Clothes of Different State) A. Choose the correct answers- 1. The woman of___ wear puanchei. a. Odisha b.Bihar c.Mizoram 2. The most popular dress of the people of Jammu and Kashmir is__________. a. phiran b.chunri c.Odhni. 3. In_______kurta is known as punjabi. a. Gujarat b. Rajasthan c.West Bengal 4. In the_________, men wear a type of sarong called Lungi. a. Western States b. Southern States c. North-East 5. ____are the things worn to cover our body. a. clothes b. bangle c. necklace 6. In Madhya Pradesh, men wear a type of turban called____. a. lungi b. saree c. safa 7. A common practice of a particular place is called____. a.attire b.customs c.traditional customs 8. The traditional dress of women of Assam is____. a.mekhlachador b. dhoti-kurta c. saree 9. Maharashtrian men wear dhoti and a type of shirt called_____. a.phiran b. pheta c. safa 10.Pathani suit, is popularly known as___. a.Pagdi b.choli c.khan dress B. Answer the following questions briefly. Q1. Why do we wear clothes? Q2. Why do clothes differ from state to state? Q3. What do people of the North-Eastern states wear? Q4. What do women of Bihar and Odisha wear? Q5. What do men of Rajasthan wear? Answer key 1. c 2. a 3. c 4. b 5. a 6. c 7. b 8. a 9. b 10. c Ans 1. We wear clothes to cover, protect and decorate our body. Ans 2. Clothes Differ from state to state because the style of clothes that people wear depends on the region they live in and the customs and traditions they follow. Ans 3. The people of North-Eastern states wear ankle length colourful jackets, skirts and traditional caps. Ans 4. The women of Bihar and Odisha wear light cotton garments like saree. Ans 5. The men of Rajasthan wear bright and colourful clothes. .

Copy Link

Recommended publications

Calling Sehmat
HARINDER SIKKA CALLING SEHMAT PENGUIN BOOKS Contents Prologue 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 Epilogue Acknowledgements Follow Penguin Copyright PENGUIN BOOKS CALLING SEHMAT Harinder Sikka is currently the group director, strategic business, Piramal Group. After graduating from Delhi University, he joined the Indian Navy. He was commissioned in January 1981 and took premature retirement in 1993 as a Lieutenant Commander. He recently produced a film, Nanak Shah Fakir, which won acclaim at the international film festivals in Cannes, Toronto and Los Angeles. The film won three national awards, including the Nargis Dutt Award for best feature film on national integration. Calling Sehmat is his second book. It is being made into a film, Raazi, by Meghna Gulzar, scheduled for release in May 2018. Sikka lives in New Delhi with his family. Prologue In the semi-darkness of dawn the muezzin called out, ‘Allahu Akbar, Allahu Akbar . .’ His passionate, full-throated appeal to the Almighty broke the stillness of the new day and slowly Maler Kotla began to stir. As if on cue, the sun gasped through the horizon, flushing the rapidly brightening sky with redness. Yet another day crept into the lives of its residents. Except for one. Standing tall and in full glory, the white marble haveli surrounded by lush green lawns had lost its main occupant in the wee hours. For the villagers, especially the women, it was not a mere structure of stone but a symbol of peace, a shrine which they could visit any time and be heard.
[Show full text]
The Dress Code for Women at Shanti Bhavan, Like Many
The dress code for women at Shanti Bhavan, like many places throughout rural South India is relatively conservative: absolutely no shoulders, no cleavage, looser clothing (ie. no leggings and no tight tops) and nothing above the knees. Female Teachers’ Typical Clothing Many professional women wear kurtas, or long dresses with high slits at the sides which are paired with leggings or pants. Kurtas are also often worn with scarves that are draped across the shoulders as a display of modesty. This article of clothing is often worn by teachers, as it is often considered to be casual yet appropriate in the workspace. One important thing to note is that men also wear kurtas in India: in fact, traditionally women would wear the female version called kurtis while men wore kurtas. However, the term kurta is often used for the clothing article that both men and women wear. Volunteers and teachers are often recommended to wear kurtas while at the school—although wearing a kurta is not compulsory. In lieu of wearing kurtas, typically business-casual styles of dress (as long as they adhere to the rules of no exposed shoulders, cleavage, or knees) is acceptable. You will often see volunteers wearing trousers with a blouse, or long skirts paired with both a blouse and scarf. This is an example of a kurta, notice the high slit at the sides (often seen in kurtas) Aunties and Female Maintenance Workers’ Typical Clothing The aunties, who are the caretakers of the children, often wear traditional clothes, whether they wear kurtas or saris (a cropped blouse that often stops underneath the bustline and is paired with a nine-yard long fabric which is wrapped around the lower part of the body and draped over one shoulder).
[Show full text]
Chikankari Embroidery of Lucknow the Craft of Floral Embroidery by Sakshi Gambhir IDC, IIT Bombay
D’source 1 Digital Learning Environment for Design - www.dsource.in Design Resource Chikankari Embroidery of Lucknow The craft of floral embroidery by Sakshi Gambhir IDC, IIT Bombay Source: http://www.dsource.in/resource/chikankari-em- broidery-lucknow 1. Introduction 2. Place 3. People 4. Process 5. Products 6. Contact Details D’source 2 Digital Learning Environment for Design - www.dsource.in Design Resource Introduction Chikankari embroidery of Chikankari is an ancient form of white floral embroidery, intricately worked with needle and raw thread on a va- Lucknow riety of fabrics like cotton, muslin, silk, organza etc. There are 36 types of stitches used in chikan work.The word The craft of floral embroidery ‘chikan’ is probably a derivative from the Persian word ‘chikin’ or ‘chikeen’ which means a kind of embroidered fab- by ric.It is said to have been originally introduced by NoorJehan, the beautiful wife of the Mughal emperor Jahangir. Sakshi Gambhir Since then it has evolved and attained its glory and perfection in Lucknow, the capital of Uttar Pradesh. Today it IDC, IIT Bombay is a practiced tradition and an important commercial activity in the city and around. Source: http://www.dsource.in/resource/chikankari-em- broidery-lucknow/introduction 1. Introduction 2. Place 3. People 4. Process 5. Products 6. Contact Details D’source 3 Digital Learning Environment for Design - www.dsource.in Design Resource Place Chikankari embroidery of Lucknow is a lovely old city and has the most spectacular gardens, palaces, fine architectural mosques and tem- Lucknow ples. It is synonymous withcultural finesse, social warmth and an enduring love for gracious living.Chowk, as the The craft of floral embroidery name suggests, is a street in old Lucknow with the distinction of being the oldest in the city.
[Show full text]
ABC Schedules Black Workshop WEDNESDAY — MAY 4 Workshop *3: "Black Religion" by Douglas F.Gonzalez Keynote Address Speaker: Dr
,Black Revolution: Where Do We Go From Here, ABC schedules Black Workshop WEDNESDAY — MAY 4 Workshop *3: "Black Religion" by Douglas F.Gonzalez Keynote Address Speaker: Dr. Joseph Thompson, Speaker: Dick Gregory Doctor of Religious The Association of Black 8:15 p.m. — C.C. auditorium Philosophy. Collegians at Allegheny College Reception: Black Cultural 2:30 p.m. — Black Cultural Center will begin its seventh annual Center (Murray Hall) Black Workshop: Tuesday, May Immediately following Keynot Address. Dramatic Presentation: "Life of 3, with an opening convocation a King" at 7:00 p.m. in the C.C. THURSDAY — MAY 5 8:15 p.m. — C.C. auditorium Auditorium. Black Orchid Dance Show 8:15 p.m. — C.C. auditorium Cabaret: Live band and disco. The theme of this year's 11:00 p.m. — South Dining workshop is, "Black Revolution: FRIDAY — MAY 6 Hall Where Do We Go From Here?" Workshop*1: "Black Econom- SUNDAY MAY 8 Black Workshop chairman Hale ics" Gospel Concert Dick Gregory will present the keynote address for Black Thompson advises that, "It is Speaker: Dean John McCray Conducted by: -Rev. Paul Mason workshop tommorrow evening at 8:15 p.m. in the C. C. Auditor- ium. essentail for all Allegheny stu- 3:30 p.m. — Black Cultural and the First University dents to participate in this year's Center Church Choir. 3:00 p.m. — C.C. activities workshop, for there's a need to Schreiber relates Colloquy Black Orchid Dance Show room. realize the changes which have 8:15 p.m. — C.C. auditorium taken place in the methods of According to ABC, past Black Workshops at Allegheny to own work black revolution.
[Show full text]
A Dictionary of Kashmiri Proverbs & Sayings
^>\--\>\-«s-«^>yss3ss-s«>ss \sl \ I'!- /^ I \ \ "I I \ CORNELL UNIVERSITY LIBRARY Cornell University Library PN 6409.K2K73 A dictionary of Kashmiri proverbs & sayi 3 1924 023 043 809 Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924023043809 — : DICTIONARY KASHMIRI PROVERBS & SAYINGS Explained and Illustrated from the rich and interesting Folklore of the Valley. Rev. J. HINTON KNOWLES, F.R.G.S., M.R.A.S., &c., (C. M. S.) MISSIONARY TO THE KASHMIRIS. A wise man will endeavour " to understand a proverb and the interpretation." Prov. I. vv. 5, 6. BOMBAY Education Society's Press. CALCUTTA :—Thackbb, Spink & Co. LONDON :—Tetjenee & Co. 1885. \_All rights reserved.'] PREFACE. That moment when an author dots the last period to his manuscript, and then rises up from the study-chair to shake its many and bulky pages together is almost as exciting an occasion as -when he takes a quire or so of foolscap and sits down to write the first line of it. Many and mingled feelings pervade his mind, and hope and fear vie with one another and alternately overcome one another, until at length the author finds some slight relief for his feelings and a kind of excuse for his book, by writing a preface, in which he states briefly the nature and character of the work, and begs the pardon of the reader for his presumption in undertaking it. A winter in Kashmir must be experienced to be realised.
[Show full text]
Sai World Wide
+91-8049186518 Sai World Wide https://www.indiamart.com/runakofashion/ We “Sai World Wide” are a Sole Proprietorship firm that is an affluent manufacturer of a wide array of Men's Sherwani, Men's Kurta Pajama, Men's Pathani Suit, Men's Suits etc. About Us Incepted in the year 2013 at Ahmedabad (Gujarat, India), we “Sai World Wide” are a Sole Proprietorship firm that is an affluent manufacturer and exporter of a wide array of Men's Sherwani, Men's Kurta Pajama, Men's Pathani Suit, Men's Suits etc. We design the offered products as per the latest fashion trends and deliver these at the users’ premises within the assured time frame. Under the supervision of, “Mr. Dhruvil Patel” (Proprietor), we have gained huge success in this field. We ensure clients comfort by accepting payments through various modes. For more information, please visit https://www.indiamart.com/runakofashion/profile.html INDO WESTERN SHERWANI O u r P r o d u c t R a n g e Black Indo Western Sherwani Elegant Black Indo Western Sherwani Designer Indo Western Purple Indo Western Sherwani Sherwani MEN'S KURTA PAJAMA O u r P r o d u c t R a n g e Fancy Kurta Pajama Designer Kurta Pajama Men's Kurta Pajama Trendy Men's Kurta Pajama MEN'S PATHANI SUIT O u r P r o d u c t R a n g e Designer Pathani Suit Fancy Pathani Suit Latest Pathani Suit Pathani Suit MEN'S DESIGNER KURTA O u r P r o d u c t R a n g e Mens Designer Kurta Trendy Men's Kurta Wedding Men's Kurtas Men's Cotton Kurta MEN'S SHERWANI O u r P r o d u c t R a n g e Men's Sherwani Semi Sherwani Men's Wedding Sherwani
[Show full text]
Bangladesh! Bangladesh Is a Beautiful South Asian Country Lying in the Bay of Bengal
Welcome to Bangladesh! Bangladesh is a beautiful South Asian country lying in the Bay of Bengal. The national language is Bengali, or Bangla. The tiny country houses the world’s longest sea beach, as well as 165 million people, making it one of the most population dense countries in the world. “Bangla” Traditional Dishes Ilish Mach Bhuna (Hilsha Curry) Ingredients: 1.Hilsha fish - 7 to 8 pieces 2.Finely chopped onion - 1 cup 3.Ground turmeric - 1 teaspoon 4.Chili powder - 1 teaspoon 5.Sliced green chili - 4 to 5 6.Salt - as needed 7.Mustard Oil - ½ cup (veg. oil would work too) Preparation: 1.Clean the fish pieces in water and drain it all out and pat dry. 2.Marinate the fish with turmeric, chili powder and salt. Keep aside. 3.Heat oil in a pan and brown the onion. 4.Add ½ cup of water. 5.Once the water starts boiling, add in the fish pieces and stir gently. 6.Mix in the green chili and keep covered. 7.After 2 to 3 minutes, turn the fist pieces over. 8.Keep covered over low heat. 9.Turn off the heat once the water starts drying up and the gravy thickens slightly 10.Serve hot. Note: Ingredients can be found at Indian grocery stores or at the International Food Bazaar in Kent, WA Men’s Clothing Women’s Clothing Lungi: Sari: a loop of cloth, similar to a skirt or sarong Long piece of cloth, wrapped and tucked around waist, then draped off of shoulder Kurta: loose, collarless, jersey-like shirt Salwar kameez: three piece outfit including a long tunic, Panjabi: trousers that are wider at waist and narrow similar to a kurta, but fancier as it is worn at the ankles and a long scarf or shawl on special occasions Fun Facts! 1) Bangladesh has the longest female-led government! 2) The Bangladesh flag is a very simple design, yet symbolizes a lot 3) The currency of Bangladesh is called “taka” Places To Visit + Fun Things To Do National Parliament House Cox’s Bazar Beach Bangladesh on a map Nafakhum Waterfalls Tea Garden Cultural Artifacts ● Festival Props ● Alponna (street design) ● Rickshaw Detailing ● Dolls dressed as traditional brides.
[Show full text]
Ancient Civilizations Huge Infl Uence
India the rich ethnic mix, and changing allegiances have also had a • Ancient Civilizations huge infl uence. Furthermore, while peoples from Central Asia • The Early Historical Period brought a range of textile designs and modes of dress with them, the strongest tradition (as in practically every traditional soci- • The Gupta Period ety), for women as well as men, is the draping and wrapping of • The Arrival of Islam cloth, for uncut, unstitched fabric is considered pure, sacred, and powerful. • The Mughal Empire • Colonial Period ANCIENT CIVILIZATIONS • Regional Dress Harappan statues, which have been dated to approximately 3000 b.c.e. , depict the garments worn by the most ancient Indi- • The Modern Period ans. A priestlike bearded man is shown wearing a togalike robe that leaves the right shoulder and arm bare; on his forearm is an armlet, and on his head is a coronet with a central circular decora- ndia extends from the high Himalayas in the northeast to tion. Th e robe appears to be printed or, more likely, embroidered I the Karakoram and Hindu Kush ranges in the northwest. Th e or appliquéd in a trefoil pattern. Th e trefoil motifs have holes at major rivers—the Indus, Ganges, and Yamuna—spring from the the centers of the three circles, suggesting that stone or colored high, snowy mountains, which were, for the area’s ancient inhab- faience may have been embedded there. Harappan female fi gures itants, the home of the gods and of purity, and where the great are scantily clad. A naked female with heavy bangles on one arm, sages meditated.
[Show full text]
Rural Mothers' Preferences for Pre-Adolescent Children's Garments
© Kamla-Raj 2011 Stud Home Com Sci, 5(3): 157-160 (2011) Rural Mothers’ Preferences for Pre-adolescent Children’s Garments Prem Lata and Parveen Punia Department of Clothing and Textiles, CCSHAU, Hisar, Haryana, India KEYWORDS Preadolescence. Dresses . Clothing. Kids Wear. Sew ABSTRACT Preadolescence is a period when puberty growth spurts begin and conformity to peer group standards is very important to the child. The present study was conducted in Hisar city of Haryana state and its surrounding villages to find out the preferences of rural mothers while selecting garments for the pre- adolescent boys and girls. Market survey was done to enlist the available garments for this age group. For that purpose, eight retail stores offering kids wear were visited. It was found that fifteen types of dresses were available for both the sexes. The preferences for garments were taken from 100 rural women. Salwar-suit and pyjami-suit were found to be the most preferred dresses for girls by rural mothers while for boys’ pant- shirt and kurta-pyjama were most preferred. INTRODUCTION tremendous amounts of business. Retail busi- ness must focus on the most important factor in Preadolescence is the period of human de- the Indian mind-set, that is, value for money. velopment just preceding adolescence, specifi- Indian consumers are ready to pay almost any cally the period between the approximate ages amount of money for a product or service as long of 9 and 12 (www.merriamwebster.com). Ac- as they feel they are getting good value for cording to DeBord (2008), there are several money.
[Show full text]
Mens Kurta Pyjama
+91-8048079141 Silk India International Limited https://www.silk-india.in/ We are engaged in manufacturing and supplying a trendsetting collection of Ladies, Men’s & Kids Wear. Our impeccable range of fashionable wear, supplied to leading designers, boutiques across the country. About Us Established in 2002, Silk India International Limited has carved a niche in the Indian textile industry for manufacturing and supplying an exquisite range of Ladies, Men’s & Kids Wear. Our collection includes Designer Party Wear Anarkali Suit, Party Wear Designer Sarees and Fancy Sarees, among many others. Our range of apparels, available in a variety of colours, designs, embroidery and patterns, can be made-to-order as per client specifications. Since our talented Designers, Weavers and Tailors utilise only optimum quality Matka silk, Tussar silk, Noil Silk and Raw Silk to manufacture our Product Line, we have earned the trust of a vast clientele that includes India’s leading designers, boutiques and shopping malls. We work with only trusted vendors and reputed craftsmen, who aid us in our endeavour of attaining a global presence. Our trendsetting range of garments are designed with the help of high-tech machines, while complying with industry set guidelines. Our enormous production facility enables us to fulfil bulk orders without breaking a sweat. Besides production and packaging, we also priories our R&D unit – who are constantly ideating and implementing new designs – to keep abreast with changing trends. We have also invested in a team that ensures timely packaging and handling of products, proving end-to-end service to our valuable customers.
[Show full text]
Annual Report 2012 13.Pdf
12 Annual Report 13 Mahindra & Mahindra Financial Services Limited ADAM SAAB JAGAT SINGH KARAMJIT SINGH Village - Manvi, Taluka - Manvi, Village - Jubbli, The Chopal, Village - Jeondan, Taluka - Rampura Phul, District - Raichur, Karnataka, District - Shimla, Himachal Pradesh, District - Bhatinda, Punjab, Pin code - 584 123 Pin code - 171 210 Pin code - 151 103 o ENVISION. ELEVATE. o EMPOWER. RAJENDRA KUMAR MEENA DADARAO BABARAO HOLGANDE NANDESWAR DAIMARY Village - Chatrapura, Village - Gondala, Post Office - Khudaj, Village - Nalbari, Post Office - Khanpura, Taluka - Sengaon, District - Hingoli, Post Office - Kacharison, District - Jhalawar, Rajasthan, Maharashtra, Pin code - 431 542 District - Sonitpur, Assam, Pin code - 326 038 Pin Code - 784 117 o MAHINDRA FINANCE o o CONTENTS o GROUP STRUCTURE 02 38 81 Mahindra 37 79 172 & Mahindra Limited CORPORATE STATUTORY FINANCIAL OVERVIEW REPORTS STATEMENTS 02 Corporate Information 38 Directors’ Report Standalone 03 Envision. Elevate. Empower 50 Report on Corporate Governance 81 Independent Auditors’ Report 04 Paving the Road to Rural 70 Management Discussion and 84 Balance Sheet Empowerment Analysis 85 Statement of Profit and Loss 06 Core Philosophy 86 Cash Flow Statement 08 Presence 88 Significant Accounting Policies and Mahindra & 12 Financial Highlights Notes Mahindra 16 Operational Highlights 127 Statement Pursuant to Section 212 Financial 20 Supporting Dreams with a Services Deadline Consolidated Limited 22 No Customer is Ever Remote 129 Independent Auditors’ Report (51.2%) 26 Thinking
[Show full text]
View/Download
VISION Government Polytechnic, Aurangabad will be world class technical institute pursuing for excellence, catering to the needs of global community, striving for its harmonious development by inculcating lifelong learning skills to serve for the socio economic development having concerned for ecology and social harmony MISSION To create multi disciplinary best citizens to suit local, state, National and International needs having scientific temperament , moral ethics , values and multi facetted proactive personality by providing excellent education system ii Date CERTIFICATE This is to certify that the Curriculum of Diploma in Dress Designing and Garment Manufacturing Programme has been implemented with effect from 2011-2012. This Curriculum Document contains pages from to and from to Head of In Charge Principal Dress Designing and Curriculum Development Cell Government Polytechnic Garment Manufacturing Government Polytechnic Aurangabad Aurangabad Aurangabad iii Date CERTIFICATE This is to certify that the Curriculum of Diploma in Dress Designing and Garment Manufacturing Programme of Govt. Polytechnic Aurangabad (An Autonomous Institute of Govt. of Maharashtra), which has been implemented with effect from 2011-12 academic year, is equivalent to Diploma in Dress Designing and Garment Manufacturing Programme Implemented by Maharashtra State Board of Technical Education, therefore Equivalence is hereby granted. Member Member Member ( ) ( ) ( ) Member Member Member ( ) ( ) ( ) Member Member Member ( ) ( ) ( ) Member Secretary Chairman ( ) ( ) iv Index SR. CONTENTS COURSE PAGE CODE NO. NO. 1. Scope of Diploma In Dress Designing & Garment Mfg. ------ 8-12 2. Strategy adopted for Curriculum Development ------------- 13-16 3. Sample Path -10th Pass -------------- 17 4. Level Wise Course Structure --------------- 18-24 5. Semester Wise Course Structure -------------- 25-30 6. Basic Drawing-I [BDR-I ] 5D101 31-32 7.
[Show full text]