First World War Poetry
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Wilfred Owen
THE GREAT THE WAR POETRY OF POETS Wilfred Owen Read by Anton Lesser POETRY 1 Preface 1:09 2 From My Diary, July 1914 1:20 3 1914 1:13 4 The Send-off 1:17 5 The Letter 1:27 6 Arms and the Boy 0:49 7 Parable of the Old Men and the Young 1:13 8 Spring Offensive 3:02 9 The Chances 0:55 10 Futility 0:54 11 S. I. W. Self Inflicted Wound 3:23 12 Has Your Soul Sipped? 1:33 13 As Bronze May Be Much Beautified 0:49 14 It Was a Navy Boy 2:37 15 Inspection 0:55 16 Anthem for Doomed Youth 1:03 17 The Unreturning 1:06 18 Le Christianisme 0:31 19 Soldier’s Dream 0:45 20 At a Calvary Near the Ancre 0:54 21 Greater Love 1:37 22 The Last Laugh 1:09 23 Hospital Barge 1:13 24 Training 0:38 25 Schoolmistress 0:42 2 26 An Imperial Elegy 0:33 27 The Calls 1:57 28 On Seeing a Piece of Our Artillery Brought into Action 1:08 29 Exposure 3:18 30 Asleep 1:45 31 The Dead-Beat 1:30 32 Mental Cases 2:14 33 Conscious 1:24 34 The Show 2:15 35 Smile, Smile, Smile 1:42 36 Disabled 3:16 37 A Terre (Being the philosophy of many soldiers) 4:13 38 Beauty (Notes for an Unfinished poem) 1:56 39 Miners 1:38 40 Cramped in That Funnelled Hole 0:41 41 The Sentry 2:16 42 Dulce et Decorum est 1:52 43 Apologia pro Poemate Meo 2:19 44 Insensibility 2:45 45 The End 1:15 46 The Next War 1:10 47 Sonnet to My Friend – With an Identity Disc 1:05 48 Strange Meeting 3:28 49 On My Songs 0:58 Total time: 79:17 3 The Great Poets The WAR Poetry OF Wilfred Owen It would surely be impossible to name a witness and report faithfully on the horror poet more closely or completely identified of omnipresent death, and commitment with any historical event than Wilfred to protest against it with all the anger he Owen is with the First World War. -
Folk and the English Radical Tradition
FOLK AND THE ENGLISH RADICAL TRADITION © 2020Brian Academy Denny of Ideas Welcome to Letters on Liberty from the Academy of Ideas. Letters on Liberty is a modest attempt to reinvigorate the public sphere and argue for a freer society. academyofideas.org.uk/letters Since its foundation in 2000, the Academy of Ideas has hosted thousands of public debates, festivals, forums and salons where people from all walks of life come together to debate often-controversial topics and to challenge contemporary knee-jerk orthodoxies. We always hold on to one defining principle: free speech allowed. academyofideas.org.uk © 2021 Academy of Ideas Ltd FOLK AND THE ENGLISH RADICAL TRADITION What are Letters on Liberty? It’s not always easy to defend freedom. Public life may have been locked down recently, but it has been in bad health for some time. Open debate has been suffocated by today’s censorious climate and there is little cultural support for freedom as a foundational value. What we need is rowdy, good-natured disagreement and people prepared to experiment with what freedom might mean today. We stand on the shoulders of giants, but we shouldn’t be complacent. We can’t simply rely on the thinkers of the past to work out what liberty means today, and how to argue for it. Drawing on the tradition of radical pamphlets from the seventeenth century onwards - designed to be argued over in the pub as much as parliament - Letters on Liberty promises to make you think twice. Each Letter stakes a claim for how to forge a freer society in the here and now. -
1/8/15 Professor Bryant, ENL 3154 (Sec. 11A8) Spring 2015 MODERN BRITISH POETRY Time & Place: T 7, R 7-8 in TUR 2306 Office: 4360 Turlington Hall Office Hours: T Per
1/8/15 Professor Bryant, ENL 3154 (sec. 11A8) Spring 2015 MODERN BRITISH POETRY Time & Place: T 7, R 7-8 in TUR 2306 Office: 4360 Turlington Hall Office Hours: T Per. 8, W Per. 7, and by appointment E-mail: [email protected] Web: http://people.clas.ufl.edu/mbryant/ DESCRIPTION This course provides in-depth analysis of W. B. Yeats, Wilfred Owen, T. S. Eliot, W. H. Auden, Stevie Smith, Philip Larkin, Ted Hughes, Linton Kwesi Johnson, and our UF colleague Michael Hofmann. We’ll also consider recent work of the current Poet Laureate, Carol Ann Duffy. In class we will examine the poets’ work, lives, and cultural contexts. As we move through the semester, gender, family, and nation become increasingly dislocated as traditional concepts of “poetry” and “British” continue to shift. Course assignments are two papers, a panel presentation, a parody, reading quizzes, and engaged participation. Our work together will sharpen your skills in literary analysis, and will offer strategies for writing more clearly and persuasively. I look forward to discussing poetry with you! BOOK LIST* W. B. Yeats, Selected Poems and Four Plays, ed. Rosenthal (Scribner) Wilfred Owen, Collected Poems (New Directions) T. S. Eliot, The Waste Land and Other Poems ed. Vendler (Signet) W. H. Auden, Selected Poems (Random/Vintage) Stevie Smith, New Selected Poems (New Directions) Philip Larkin, Collected Poems (FSG) Ted Hughes, Selected Poems, 1957-1994 (FSG) Linton Kwesi Johnson, Mi Revalueshanary Fren (Ausable) Michael Hofmann, Acrimony (Faber) Carol Ann Duffy (online poems) *Some of these are available as e-texts. Hofmann’s book is available in class if you can’t find one. -
King's Research Portal
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by King's Research Portal King’s Research Portal Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Hutton, A. N. (2016). Literature, Criticism, and Politics in the Early New Left, 1956–62. Twentieth Century British History, 27(1), 51-75. Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Edgell Rickword 1898-1982
Edgell Rickword 1898-1982 War Poet, Literary Editor, Critic and Man of Letters • John Edgell Rickword was born in Colchester, Essex. • His father was the county librarian. • Rickword was educated at Colchester Royal Grammar School. • Early reading of William Morris, H. G. Wells, Early Blatchford and others awakened Rickword’s socialist sympathies. • His wartime service radicalised him. • He was injured twice on the Western Front, losing Years one eye, and was awarded the Military Cross. • In 1919, Rickword went up to Oxford and made many literary contacts with the likes of Edmund Blunden, Robert Graves and Siegfried Sassoon. Embarking on a literary career • Rickword embarked on his literary career in the immediate post-war period, at a time when, according to critic John Lucas, there was a “widely accepted view that in the aftermath of the Great War and faced with what seemed to be a wrecked Europe, poets saw themselves as required to take on the task of saving civilisation.” - John Lucas, Poetry and Politics in the 1920s, in Starting to Explain: Essays in 20th Century British and Irish Poetry, Trent Books, (2003) • Reprint of Rickword’s first collection of verse. 1920s • This decade sees Rickword at his most productive, making his mark as a poet, critic and literary editor. • The literary journal, The Calendar of Modern Letters, is founded in March 1925 running until July 1927. Rickword is co-editor and co-founder with Douglas Garman and Bertram Higgins. Ernest Wishart establishes the publishing firm, Wishart & Co. • His biography of the French poet Rimbaud appears as Rimbaud: The Boy and the Poet (1924) • He publishes a volume of short stories, Love One Another (1929) • He publishes two volumes of poetry: Behind the Eyes (1921) and Invocation to Angels (1928) • Scrutinies By Various Writers, edited by Rickword, is published; the first of two volumes. -
The Roy Davids Collection Part III Poetry: Poetical Manuscripts and Portraits of Poets Volume I
The Roy Davids Collection Part III Poetry: Poetical Manuscripts & Portraits of Poets Volume I: A - K Wednesday 10 April 2013 at 1pm New Bond Street, London 2 | Bonhams The Roy Davids Collection Part III Poetry: Poetical Manuscripts and Portraits of Poets Volume I: A-K. Lots 1-263 Wednesday 10 April 2013 at 1pm New Bond Street, London Bonhams Customer Services Illustrations Please see back of catalogue 101 New Bond Street Monday to Friday 8.30am to 6pm Front cover: Lot 229 for Notice to Bidders London W1S 1SR +44 (0) 20 7447 7447 Back cover: Lot 224 www.bonhams.com Inside covers: Lot 151 New bidders must also provide proof Viewing of identity when submitting bids. Bids Friday 5 April 9am to 4.30pm Please see back of catalogue Failure to do this may result in your +44 (0) 20 7447 7448 Sunday 7 April 11am to 3pm for important notice to bidders bids not being processed. +44 (0) 20 7447 7401 fax Monday 8 April 9am to 4.30pm To bid via the internet Tuesday 9 April 9am to 4.30pm Live online bidding is Bidding by telephone will only be please visit www.bonhams.com available for this sale accepted on a lot with a lower Enquiries Please email [email protected] estimate in excess of £400. Please provide details of the lots Matthew Haley with “Live bidding” in the on which you wish to place bids Luke Batterham subject line 48 hours before at least 24 hours prior to the sale. Simon Roberts the auction to register for Francesca Spickernell this service. -
British Communism and the Politics of Literature, 1928-1939
_________________________________________________________________________Swansea University E-Theses British Communism and the politics of literature, 1928-1939. Bounds, Philip How to cite: _________________________________________________________________________ Bounds, Philip (2003) British Communism and the politics of literature, 1928-1939.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42543 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ BRITISH COMMUNISM AND THE POLITICS OF LITERATURE, 1928-1939 PHILIP BOUNDS SUBMITTED TO THE UNIVERSITY OF WALES IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF WALES SWANSEA 2003 ProQuest Number: 10805292 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. -
The Annotated Waste Land with Eliot's Contemporary Prose
the annotated waste land with eliot’s contemporary prose edited, with annotations and introduction, by lawrence rainey The Annotated Waste Land with Eliot’s Contemporary Prose Second Edition yale university press new haven & london First published 2005 by Yale University Press. Second Edition published 2006 by Yale University Press. Copyright © 2005, 2006 by Lawrence Rainey. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Set in Scala by Duke & Company, Devon, Pennsylvania Printed in the United States of America. Library of Congress Control Number: 2006926386 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Commit- tee on Production Guidelines for Book Longevity of the Council on Library Resources. ISBN-13: 978-0-300-11994-7 (pbk. : alk. paper) ISBN-10: 0-300-11994-1 (pbk. : alk. paper) 10987654321 contents introduction 1 A Note on the Text 45 the waste land 57 Editor’s Annotations to The Waste Land 75 Historical Collation 127 eliot’s contemporary prose London Letter, March 1921 135 The Romantic Englishman, the Comic Spirit, and the Function of Criticism 141 The Lesson of Baudelaire 144 Andrew Marvell 146 Prose and Verse 158 vi contents London Letter, May 1921 166 John Dryden 172 London Letter, July 1921 183 London Letter, September 1921 188 The Metaphysical Poets 192 Notes to Eliot’s Contemporary Prose 202 selected bibliography 251 general index 261 index to eliot’s contemporary prose 267 Illustrations follow page 74 the annotated waste land with eliot’s contemporary prose Introduction Lawrence Rainey when donald hall arrived in London in September 1951, bear- ing an invitation to meet the most celebrated poet of his age, T. -
An Analysis of Trauma and Division in World War I Poetry and Vietnam War Protest Music
Western Oregon University Digital Commons@WOU Honors Senior Theses/Projects Student Scholarship 6-30-2019 Spokesmen for Speechless Sufferers: An Analysis of Trauma and Division in World War I Poetry and Vietnam War Protest Music Nicole Caldwell Western Oregon University Follow this and additional works at: https://digitalcommons.wou.edu/honors_theses Recommended Citation Caldwell, Nicole, "Spokesmen for Speechless Sufferers: An Analysis of Trauma and Division in World War I Poetry and Vietnam War Protest Music" (2019). Honors Senior Theses/Projects. 202. https://digitalcommons.wou.edu/honors_theses/202 This Undergraduate Honors Thesis/Project is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in Honors Senior Theses/Projects by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. Spokesmen for Speechless Sufferers An Analysis of Trauma and Division in World War I Poetry and Vietnam War Protest Music By Nicole Caldwell An Honors Thesis Submitted in Partial Fulfillment of the Requirements for Graduation from the Western Oregon University Honors Program Dr. Henry Hughes, Thesis Advisor Dr. Gavin Keulks, Honors Program Director June 2019 2 ACKNOWLEDGEMENTS I would like to thank my honors program advisor at Western Oregon University, Dr. Gavin Keulks, for believing in my ability to write a thesis of such a complex nature on two 20th-century artists that few would believe have so much in common. Thank you for trusting in me. Thanks are also due to my thesis advisor, Dr. -
John Sommerfield and Mass-Observation
131 John Sommerfield and Mass-Observation Nick Hubble Brunel University When the name of John Sommerfield (1908-1991) appears in a work of literary criticism it is usually either in connection with a specific reference to May Day, his experimental proletarian novel of 1936, or as part of a list containing some or all of the following names: Arthur Calder-Marshall, Jack Lindsay, Edgell Rickword, Montagu Slater, Randall Swingler and Amabel Williams-Ellis. As part of this semi-autonomous literary wing of the Communist Party, Sommerfield played his full role in turn on the Left Review collective in the 1930s, in various writers’ groups such as the Ralph Fox Group of the 1930s and the Realist Writers’ Group launched in early 1940, and on the editorial commission of Our Time in the late 1940s, before leaving the Party in 1956. However, significantly for the argument that follows concerning Sommerfield’s capacity to record the intersubjective quality of social existence, he was as much known for his pub going and camaraderie as his politics, with Dylan Thomas once saying “if all the party members were like John Sommerfield, I’d join on the spot” (Croft 66). Doris Lessing came to know him in the early 1950s, after he approached her to join the current incarnation of the Communist Party Writers’ Group, and she describes him fondly in her memoirs: “He was a tall, lean man, pipe- smoking, who would allow to fall from unsmiling lips surreal diagnoses of the world he lived in, while his eyes insisted he was deeply serious. -
Eric Walter White
Eric Walter White: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: White, Eric Walter, 1905-1985 Title: Eric Walter White Papers Dates: 1913-1985, 1987 Extent: 54 document boxes, 9 oversize boxes, 3 galley folders (gf) (27.76 linear feet) Abstract: The papers of British musicologist, composer, translator, editor, poet, writer, and arts administrator Eric Walter White date from 1913 to 1987 and consist primarily of manuscripts, correspondence, and research materials related to his works on English opera, including his books on Benjamin Britten, Igor Stravinsky, and Michael Tippett. Also present are manuscripts and clippings of his poetry, short stories, reviews, articles, and lectures; papers related to his involvement with various arts organizations; and his personal correspondence, diaries, notebooks, photographs, and similar material. Call Number: Manuscript Collection MS-4489 Language: English, French, German, and Italian Access: Open for research Administrative Information Acquisition: Purchase, 1992 (R12571) Processed by: Katherine Mosley, 2011 Repository: The University of Texas at Austin, Harry Ransom Center White, Eric Walter, 1905-1985 Manuscript Collection MS-4489 Biographical Sketch Musicologist, composer, translator, editor, poet, writer, and arts administrator Eric Walter White was born in Bristol, England, on September 10, 1905. He was the first of three sons born to Percy Walter White, a doctor, and Ethalind Charlotte Chambers White, a singer before her marriage. He was educated at Clifton College, Bristol (1916-1924) and Balliol College, Oxford (1924-1927). After receiving his B.A. from Oxford in English Language and Literature, with honors, White worked in Berlin and Potsdam as an English tutor for the Louis Hagen family. -
T H E S I S W I L F R E D O W E N a S a P a C I F I
M. A. THESIS W I L F R E D OWEN AS A PACIFIST Universidade Federal de Santa Catarina Departamento de Língua e Literatura Estrangeiras W I L F R E D OWEN AS A PACIFIST Tese submetida à Universidade Federal de Santa Catarina para a obtenção do grau de Mestre em Artes LONI KREIS TAGLIEBER Fevereiro, 1976 Esta Tese foi julgada adequada para a obtenção do título de MESTRE EM ARTES Especialidade Língua Inglesa e Literatura Correspondente e aprovada em sua forma final pelo Programa de Pos-Graduação Prof. Thofnas Eddie Cowin, MA Orientador Prof. Paulxno Vandresen, PhD Integrador do Curso Apresentada perante a Comissão Examinadora composta dos pro fessores: Prof. Thbmas Eddie Cowin, MA Pres. Prof. Arnold Selig Gosens te in, PhD _______ ^ ,_________________________ Prof. ^John Bruce Derrick, PhD Ao meu esposo José Erno Ãs minhas filhas Martina Karina Kelly Agradecimentos à Universidade Federal de Santa Catarina, em especial ao Departamento de Língua e Literatura Estrangeira que me proporcionou as condições para desenvolver es te trabalho. Ao Professor Thomas Eddie Cowin pela dedicação e com - preensão com que me orientou. A todos aqueles que de alguma forma contribuiram para que este trabalho pudesse ser realizado. TABLE OF CONTENTS Abstract________________________________ __________ 1. Introductory 1.1. Statement of Purpose_______ ______________________ ^ 1.2. Previous Scholarship to Owen's Pacifism________ 2 1.3. War and Pacifism___________________________ _ 7 1.4. The First World War________________________ ^ Bibliographical References______ .________________ 26 2. The Poet and His Time 2.1. Family _______________________________________ 28 2.2. Education______________________________ . 28 2.3. Religion and Philosophy______________________ 34 2.4. Political Ideas __________________________________ *+1 Bibliographical R e f e r e n c e s _______________ 45 3.