Tivoli (Vaudeville Circuit)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mjngay Publishing Company Box 3765 G.P.O
•I IF ALADDIN ~OULD ~~~L(t~K-IN'' AT AARDS If only the wonderful lamp could be placed at the disposal of Mingay Publishing Company Pty. Ltd., HERE it is-the story I promised you last time . .. they could satisfy the demands of their clients who are eagerly awaiting delivery of the Broadcasting . the greatest 8 p.m. line-up in the hist ory of the Edition and Periodical & Miscellaneous Media Edition of the AUSTRALIAN ADVERTISING RATE &. busmess. DATA SERVICE (AARDS). But even the wonders of modern production efficiency have their limits, especially with present·day shortages, controls, lack of material supplies and rehabilitation problems. None the less, every effort is being made to expedite the date. of publication of these two editions of It's a reshuffle of 2UW's night programme to make 8 p.m . on 2UW a ~'must listen" date. Look at the the AARDS Service. shows:- Broadcasting AARDS should be ready next month Mondays: "The Persil Show" with Monte Richardson Subscribers to the AARDS Service have found the Newspaper Edition a definite means of increasing , I efficiency in the planning of space advertising campaigns. Likewise in their respective fields the * Tuesdays: "Opera for the People" Broadcasting Edition and the Periodical & Miscellaneous Media Edition will provide the same efficiency as afforded subsc·ribers by Newspaper AARDS. Wednesdays: "All-Austral ian Hit Parade" ; : Thursdays: "Australia's Amateur Hour" Fridays: "The Telegraph" Sports Parade Place your Subscription now for each edition of the Saturdays: "The Atlantic -Show" with Bob Dyer AUSTRALIAN ADVERTISING RATE J.ND DATA SERVICE Sundays: "The Lux Radio Theatre." '~ "Opera for the People" is just about the finest Subscription to each edition of AARDS is:- musical half-hour you've ever heard. -
Australian Radio Series
Radio Series Collection Guide1 Australian Radio Series 1930s to 1970s A guide to ScreenSound Australia’s holdings 1 Radio Series Collection Guide2 Copyright 1998 National Film and Sound Archive All rights reserved. No reproduction without permission. First published 1998 ScreenSound Australia McCoy Circuit, Acton ACT 2600 GPO Box 2002, Canberra ACT 2601 Phone (02) 6248 2000 Fax (02) 6248 2165 E-mail: [email protected] World Wide Web: http://www.screensound.gov.au ISSN: Cover design by MA@D Communication 2 Radio Series Collection Guide3 Contents Foreword i Introduction iii How to use this guide iv How to access collection material vi Radio Series listing 1 - Reference sources Index 3 Radio Series Collection Guide4 Foreword By Richard Lane* Radio serials in Australia date back to the 1930s, when Fred and Maggie Everybody, Coronets of England, The March of Time and the inimitable Yes, What? featured on wireless sets across the nation. Many of Australia’s greatest radio serials were produced during the 1940s. Among those listed in this guide are the Sunday night one-hour plays - The Lux Radio Theatre and The Macquarie Radio Theatre (becoming the Caltex Theatre after 1947); the many Jack Davey Shows, and The Bob Dyer Show; the Colgate Palmolive variety extravaganzas, headed by Calling the Stars, The Youth Show and McCackie Mansion, which starred the outrageously funny Mo (Roy Rene). Fine drama programs produced in Sydney in the 1940s included The Library of the Air and Max Afford's serial Hagen's Circus. Among the comedy programs listed from this decade are the George Wallace Shows, and Mrs 'Obbs with its hilariously garbled language. -
Bert Button Comments on Radio – 1985
BERT BUTTON COMMENTS ON RADIO – 1985 Willie Fennell: actor of radio, films, theatre. In the post war years over 60% of radio features were imported from America and the United Kingdom. A Parliamentary Standing Committee on Broadcasting was concerned about Australian artists only participating in about 30% of locally recorded programs. It was about that time that the “Colgate Palmolive Show” was formed, which included Jack Davey, Bob Dyer, Roy Rene, Joy Nicholls, Kitty Bluett, Hal Lashwood, Dick Bentley, George Foster and Willie Fennell. Willie’s main claim to popularity was the expression “Ow are yer mate” and it could be claimed that his being typed this way did not do justice to the real ability he possessed. Perhaps the first public indication of this was when he starred in “Life with Dexter” and since then he has successfully participated in a number of TV and theatrical productions. Willie was always a fairly quiet unassuming person; not easily cultivated as a friend, but an individual who would always leave his mark in the field of entertainment. Whilst he recollects with pleasure his participation in several top rating radio shows such as “Calling The Stars” (his first appearance in radio), “Ada and Elsie”, and “The Cashmere Bouquet Show”, I’ve always felt that Willie Fennell obtained more satisfaction from his association with theatrical and film productions, although he also obviously enjoyed facing up to large audiences in club shows. Now in his sixties, Willie Fennell has been associated with several commercial and ABC TV programs such as “No. 96” and “Young Doctors”, and also stars in theatrical productions and the occasional film. -
Balwyn Historical Society Newsletter Jan.– Feb
Balwyn Historical Society Newsletter Jan.– Feb. 2020 Meetings Thursday February 13 2020 – 8pm Speaker: Robin Kelly Topic: From Brass Bands to Brass Beds Robin will speak about growing up in Deepdene, her ten-year career as a singer with musical stars such as Barry Crocker, the Bee Gees, Johnny O’Keefe and Helen Reddy and her 48 year career as an antique dealer at Robin Hood Antiques in Deepdene and Canterbury. _____________________________________________________ Thursday March 13 2020 – 8pm Speaker: Euan Warmsley Topic: My Uncle and other Dunera Friends Euan Warmsley will speak about the early lives and later experiences of his uncle and five friends who were among the boat-load of mainly German-Jewish internees sent from England to Australia during WW2. These men were later referred to as the “Dunera Boys” after the name of the ship on which they were transported. _________________________________________________________ Thursday April 9 2020 – 8pm Speaker: TBA Topic: TBA Meetings are held at the Balwyn Evergreen Centre, 45 Talbot Avenue, Balwyn Email: [email protected] website: www.vicnet.net.au/~balwynhs 1 Recent Speaker: Peter Smith OAM Pete Smith was educated at Wesley College and on leaving school joined the ABC in 1956, initially as a messenger boy, before announcing on the home service and on Radio Australia. In the early years of television Pete appeared on Channel 2, where he was an announcer, variety host, and compere of his own Saturday afternoon “Sports View Hit Parade”. In 1964, Pete joined Channel 9 and Graham Kennedy’s "In Melbourne Tonight" (IMT) presenting commercials, appearing in comedy sketches and sometimes acting as compere. -
Ephemera Collection Finding Aid
EPHEMERA COLLECTION FINDING AID Tivoli Theatres Performing Arts Programs and Ephemera (PROMPT) Australian Collection Development The Tivoli was established by English music hall comedian Harry Rickards in 1893, following the success of his ʺNew Tivoli Minstrel and Grand Specialty Companyʺ(Sydney, 1892), and grew to be the major outlet for variety theatre and vaudeville in Australia for over 70 years. “The Tiv” operated under a range of names with the shows managed and produced variously by Harry Rickards, H.D. McIntosh, H.G. Musgrove, Connors & Paul, Frank Neil, Wallace R. Parnell, Bruce Carroll and David N. Martin. The Tivoli Circuit grew to include Melbourne, Adelaide, Brisbane and Perth by the turn of the century, promoting a broad spectrum of both local and international vaudeville acts including comedians, dancers, acrobats, ventriloquists, and scantily‐clad chorus girls who where colloquially known as the “Tivoli Tappers”. This list includes Tivoli vaudeville circuit shows as well as performances at the Tivoli theatres (i.e. venue hire arrangements). Content Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance. The list is based on imperfect holdings, and is updated as gaps in the Library’s holdings are filled. Unless otherwise stated, all entries are based on published programs in the PROMPT collection. Access The Tivoli PROMPT files may be accessed through the Library’s Petherick Reading Room by eCallslip request: http://nla.gov.au/nla.cat‐vn3531752 www.nla.gov.au Creative Commons Attribution-NonCommercial-ShareAlike 2.1 Australia February 2012 PROMPT Ephemera Collection Finding Aid Tivoli Theatres Arrangement Programs in the National Library’ PROMPT collection are arranged by entrepreneur and/or management company name. -
The-Magic-Spark-1973
THE MAOe gPARK 50 YEARS OF RADIO IN AUSTRALIA R.R.WALKER One of the amenities which our modern world takes so much for granted is radio. Yet it is a highly complex and sophisticatedbusi- ness which requires technical pro- ficiency,outstanding personalities and polished showmanship. Radio in Australia began fifty years ago with crystal sets and pri- vate licences. In a comparatively short time it has developed into a vast wave of sound which rolls in from widely separated cities and towns throughout the country. To celebrate radio's Golden Jubi- lee, R. R. Walker, who has had much to do with the world of radio, has set down here a full and col- ourful description of this popular medium. He recalls the challenges of War and television;the financial and production triumphs and failures; the characters - Jack Davey, Bob Dyer, Norman Banks - and count- less other guests, invited and un- invited, to Australian living rooms. More than a history, this book is alsoa personal record of times past and present - and a forecast of things to come. Jacket Design: 0. J. Dale PRINTED IN AUSTRALIA $5.95 Pricerecommended butnotobligatory THE MAGIC SPARK The story of the first fifty years of Radio in Australia R. R. Walker MELBOURNE THE HAWTHORN PRESS First Published 1973 © R. R. Walker SBN 7256 0116 7 Registeredatthe GPO Melbourne for transmission by post asa book Wholly set up and printed inAustralia by The Hawthorn Press Pty Ltd 601 Little Bourke StreetMelbourne 3000 THE MAGIC SPARK By the same author COMMUNICATORS - People, Practices, Philosophies in -
Western Australia to Communicate with South Africa, Java, Holland, England, and America
W.A. A.M. Radio Stations. Part of the most comprehensive list ever compiled of Australian A.M. broadcasting stations. 6AG Perth 1923. Broadcast station owned by Walter Coxon. Transmitter at Highgate. Originally licensed as Morse code station XYK at Darlington. Walter was the first person in Western Australia to communicate with South Africa, Java, Holland, England, and America. In October 1918 Walter was the first in Australia to demonstrate music and speech broadcasts, from one side of the Perth Agricultural Show to the other. He often broadcast concerts from his lounge room. Appointed President of the Wireless Institute of Australia (W.A. Division). He was the first person in Australia to use a water-cooled transmitter valve, and was described as “The Father of Radio in Western Australia”. He was the first Chief Engineer of 6WF, and later designed and equipped commercial stations 6ML, 6BY, and 6AM. Walter also pioneered the technical work for the Royal Flying Doctor Radio Service throughout Western Australia. 6AB Kalgoorlie 1923. Broadcast station owned by Clyde Cecil who was the grandfather of John Cecil; current manager (2007) of 6AL. Clyde was a School of Mines teacher, and built the first aeroplane in Kalgoorlie. 6BN Perth 05-12-1923. Broadcast station owned by A. Stevens with weekly broadcasts until 6WF opened. Transmitter at South Perth. Heard over 600 kilometres away while using only one watt. 6AM Perth. Broadcast station owned by Peter Kennedy. Transmitter at Mt Lawley. He relayed a message to King George V from the Wireless Institute of Australia on 7-8-1925. -
Stars Come out for the Palais
ON STAGE The Summer 2008 newsletter of Vol.9 No.1 Stars come out for the Palais atchdog group for the St Kilda their plan was announced. around one million dollars has already triangle development, unChain UnChain St Kilda is a diverse group been pledged. WSt Kilda, has come to the aid of campaigning for an urgent rethink of the Each donor has already picked out their the Palais Theatre, and is recruiting stage, overall development of what is known as favourite seat and if each seat was sold in screen and rock stars into the action. the St Kilda triangle. this way the result would be $13.5 million Actor Rachel Griffiths, a St Kilda native Already the group Human Nature, with which to refurbish the heritage theatre. now resident in Los Angeles, and her performers Bruce Springsteen, Shannon Noll, By doing so, unChain St Kilda says, the mother Anna Griffiths, unChain St Kilda’s David Campbell, and Rachel Griffiths pressure to pay for renovations will be taken spokeswoman, have hit on the idea of herself, have promised their financial support, off the St Kilda triangle developers, Citta raising money to restore the theatre by selling unChain St Kilda reports. Promoter Paul Properties, obviating the need for around its 2700 seats at $5000 each. They led a Dainty has confirmed that the Rolling 180 shops, pubs and nightclubs in the * rally at the theatre on 28 December when Stones would add their support. A total of Twin icons: The Palais Theatre, St Kilda, with its neighbour, Luna Park. (Picture: Frank Van Straten) development and thereby reducing the need for an over-sized project to pay for it. -
PHILIPS VALVE for Every Socket in Your Receiver 4R,R UAL TRIODE ME1001
VOL. 1 No. 5 NOVEMBER, 1949 Registered at G.P.O., Sydney, for transmission by post as a periodical New Zealand. % \ \ ‘ 3 Circulating throughout Australia and 1 3 " There's a PHILIPS VALVE for every socket in your receiver 4r,r UAL TRIODE ME1001 Upper Frequency Limit 3,750 Mc/S (8 cm.) HE ME1001 is the first of a series of Mullard Disc Seal Triodes speci- Tally designed for U.H.F. applica- Illustration slightly. larger than full size tions. It may be used equally well as oscillator or amplifier in C.W. or pulse transmitting systems. Adequate cooling and low inductance are combined in the PRINCIPAL C H AR ACTERISTICS design of the anode and grid discs to give Heater Voltage 6.3V. an anode dissipation of 10 watts and an Heater Current 0.4A, upper frequency limit (as an oscillator) Max. Anode Voltage 350V. of 3750-3500 Mc/S (8-83 cm.). When Max. Anode Dissipation 10W. used in a co-axial line circuit with an anode input of 10 watts, the output power Max. Anode Current 50mA. is approximately 0.5 watts at 10 cm. 150mA. Max Peak Anode Current (3000 Mc/S). Power output (at 3000 Mc/s) 0.5 W. Full technical details of the ME1001 Power output (at 500 Mc/s) 3.5 W. and other special Mullard VHF valves 6mA/V. Mutual Conductance will be gladly supplied on application. Amplification Factor 30 The ME1001 is available ex stock. Mullard ther mionie valves e electron, tubes Mallard Australia Pty. Ltd., 35-43 Clarence St., Sydney, Tel. -
Tivoli (Vaudeville Circuit)
AUSTRALIAN EPHEMERA COLLECTION FINDING AID TIVOLI (VAUDEVILLE CIRCUIT) PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 The Tivoli was established by English music hall comedian Harry Rickards in 1893, following the success of his "New Tivoli Minstrel and Grand Specialty Company"(Sydney, 1892), and grew to be the major outlet for variety theatre and vaudeville in Australia for over 70 years. “The Tiv” operated under a range of names with the shows managed and produced variously by Harry Rickards, H.D. McIntosh, H.G. Musgrove, Connors & Paul, Frank Neil, Wallace R. Parnell, Bruce Carroll and David N. Martin. The Tivoli Circuit grew to include Melbourne, Adelaide, Brisbane and Perth by the turn of the century, promoting a broad spectrum of both local and international vaudeville acts including comedians, dancers, acrobats, ventriloquists, and scantily-clad chorus girls who were colloquially known as the “Tivoli Tappers”. This list includes Tivoli vaudeville circuit shows as well as performances at the Tivoli theatres (i.e. venue hire arrangements).The list is based on imperfect holdings and is updated as gaps in the Library’s holdings for this artist are filled. CONTENT Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance. The list is based on imperfect holdings, and is updated as gaps in the Library’s holdings are filled. Unless otherwise stated, all entries are based on published programs in the PROMPT collection. ACCESS The Tivoli (vaudeville circuit) PROMPT files may be accessed through the Library’s Special Collections Reading Room by eCallslip request: http://nla.gov.au/nla.cat-vn3531752 Programs in the National Library’ PROMPT collection are arranged by entrepreneur and/or management company name.