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Not Shut in by Any Fence
Utah State University DigitalCommons@USU Undergraduate Honors Capstone Projects Honors Program 5-2013 Not Shut in by Any Fence Anna Bullock Brown Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/honors Part of the Creative Writing Commons Recommended Citation Brown, Anna Bullock, "Not Shut in by Any Fence" (2013). Undergraduate Honors Capstone Projects. 630. https://digitalcommons.usu.edu/honors/630 This Thesis is brought to you for free and open access by the Honors Program at DigitalCommons@USU. It has been accepted for inclusion in Undergraduate Honors Capstone Projects by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. NOT SHUT IN BY ANY FENCE by Anna Bullock Brown Thesis submitted in partial fulfillment of the requirements for the degree of DEPARTMENT AL HONORS in English, Creative Writing in the Department of English Approxed:- Thesis/ .r;roJect Advisor Departmental Honors Advisor Dr. JenMer Sinor Dr..Phebe Jensen --,_ -----~------ Thesis '6mmittee member Thesis committee member Dr. Evelyn Funda Dr. Brock Dethier --,-- Jrn-eeto ot Honors Program Dr. Nicholas Morrison UT AH ST A TE UNIVERSITY Logan, UT Spring 2013 Not Shut In By Any Fence Anna Bullock Brown Department of English Abstract From their beginning in the mid- l 800s, zoos ( or zoological gardens as they were first known) were meant for both research and education. They offered viewers the opportunity to see animals that they otherwise would never have seen. These animals were kept in cages to protect the zoo-goers. The history of zoos demonstrates a conflicting desire between our human need to connect with animals as well as our fear (literal and metaphoric) of what that connection might mean. -
Berlin - Wikipedia
Berlin - Wikipedia https://en.wikipedia.org/wiki/Berlin Coordinates: 52°30′26″N 13°8′45″E Berlin From Wikipedia, the free encyclopedia Berlin (/bɜːrˈlɪn, ˌbɜːr-/, German: [bɛɐ̯ˈliːn]) is the capital and the largest city of Germany as well as one of its 16 Berlin constituent states, Berlin-Brandenburg. With a State of Germany population of approximately 3.7 million,[4] Berlin is the most populous city proper in the European Union and the sixth most populous urban area in the European Union.[5] Located in northeastern Germany on the banks of the rivers Spree and Havel, it is the centre of the Berlin- Brandenburg Metropolitan Region, which has roughly 6 million residents from more than 180 nations[6][7][8][9], making it the sixth most populous urban area in the European Union.[5] Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. Around one- third of the city's area is composed of forests, parks, gardens, rivers, canals and lakes.[10] First documented in the 13th century and situated at the crossing of two important historic trade routes,[11] Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933) and the Third Reich (1933–1945).[12] Berlin in the 1920s was the third largest municipality in the world.[13] After World War II and its subsequent occupation by the victorious countries, the city was divided; East Berlin was declared capital of East Germany, while West Berlin became a de facto West German exclave, surrounded by the Berlin Wall [14] (1961–1989) and East German territory. -
Afrikanisches Viertel
Afrikanisches Viertel Das Afrikanische Viertel in Berlin ist mit seiner großen Zahl an Afrika- und Standort Kolonialbezügen im Stadtbild einmalig in Deutschland. Alle Straßen und Plätze zwischen Seestraße, Müllerstraße und Volkspark Rehberge wurden in der ersten Hälfte des 20. Jahrhunderts nach afrikanischen Orten, Ländern oder Personen der deutschen Kolonialgeschichte benannt. Die Geschichte dieser Straßennamen ist alltägliche Erinnerung und Mahnung zugleich. Mit rücksichtsloser Gewalt und mit Betrug bean - spruchte das deutsche Kaiserreich zwischen 1884 und 1918 Teile Afrikas als Kolonien. Diese oft vergessene Kolonialzeit war geprägt Ein Kolonialviertel für Berlin Um die »deutschen Kolonien in Straßennamen zu vergegenwärtigen« erhielten die Straßen und durch gesetzlich sanktionierten Rassismus, Willkür und Gewalt und Plätze zwischen Müllerstraße, Seestraße und Jungfernheide über systematische Ausbeutung der afrikanischen Bevölkerung. Jahrzehnte hinweg Namen, die mit dem von Deutschland bean - spruchten »Kolonialbesitz« in Afrika verbunden waren. Spiegelbild der deutschen Sicht auf Afrika in vier Epochen Das Afrikanische Viertel, dessen Entstehung vom Berliner Magistrat ausdrücklich als Kolonialviertel geplant war, entstand um 1900 am damaligen Stadtrand Berlins. Der U- Bahnhof Seestraße war Endhaltestelle der neuen Berliner Nordsüdbahn. An das Afrikanische Viertel schlossen sich weitläufige Grünflächen und Wälder an: Die Rehberge und die Jungfernheide. In den Rehbergen plante Carl Hagenbeck die entwürdigende Ausstellung von Menschen aus Kolonien in so genannten Völkerschauen. Die Namen für Straßen und Plätze im Afrikanischen Viertel wurden nicht auf einmal vergeben. In über 50 Jahren zwischen 1899 und 1958 sind immer wieder Straßennamen mit Afrika- und Kolonialbezug hinzugekommen. Insofern spiegelt die Geschichte des Viertels den Blick auf den afrikanischen Kontinent aus vier Epochen deutscher Geschichte wider, der sich im Laufe der Zeit grundlegend verändert hat. -
Hagenbecks „Völkerschauen“
AB SEK II Anders sein / Internationale Beziehungen / Macht und Ohnmacht / SEK II: Imperialismus Kultur und Vergnügungen /Kolonialismus / Kaiserzeit Hagenbecks „Völkerschauen“ Schon im römischen Reich und wieder im Absolutismus wurden in Europa Menschen aus entfernten Weltgegenden wegen ihrer fremden Lebensweise und ihres anderen Aussehens ausgestellt. Es waren meistens Menschen aus Ethnien, deren Gebiet erobert wurde. Eine Blüte erfuhren diese „Menschenzoos“ in der Zeit des Kolonialismus. Im deutschen Reich war der Hamburger Carl Hagenbeck ein Großunternehmer in diesem Gewerbe. Seine Anwerber begaben sich in Kolonien und abgelegene Weltgegenden und versuchten, möglichst große Gruppen der dortigen Einwohner zu einem Aufenthalt in Europa zu bewegen – mit Überredungskraft, finanziellen Anreizen und auch mittels Druck. Carl Hagenbeck eröffnete seine erste Menschenausstellung mit Lappländern 1874 in Hamburg, dann folgten Berlin und Leipzig. 1876 kamen drei „Nubier“ nach Deutschland. 1880 folgten die Inuit, von deren Aufenthalt die untenstehenden Schriftquellen stammen (Siehe auch „Zeitgenosse“ Abraham Urikab). 1884 organsierte Hagenbeck eine „Kalmücken“ (richtig Oiraten) – Schau, darauf folgte eine Ceylonschau. Alle Schauen wurden so inszeniert, dass künstliche Gebäude im „Stil“ des Herkunftslands als Behausungen zu sehen waren und die Fremden „ihre“ Handwerke, Gesänge und Tänze vorführten. Den ganzen Tag lang wurden sie bei einem künstlich wiedererschaffenen Alltagsleben angeschaut. Hagenbecks Erfolg war überragend. 1908 konnte er den Zoo -
Revisiting the Relationship Between Indigenous Agency and Museum Inventories
Revisiting the Relationship between Indigenous Agency and Museum Inventories: An Object-Centered Study of the Formation of Lübeck's Jacobsen Collection (1884/1885) from the Northwest Coast of America By Angela Hess Cover: Objects from Lübeck’s Jacobsen collection. Photo: Angela Hess, July 2019 Revisiting the Relationship between Indigenous Agency and Museum Inventories: An Object-Centered Study of the Formation of Lübeck's Jacobsen Collection (1884/1885) from the Northwest Coast of America Author: Angela Hess Student number: s2080087 MA Thesis Archaeology (4ARX-0910ARCH) Supervisor: Dr. M. De Campos Françozo Specialization: Heritage and Museum Studies University of Leiden, Faculty of Archaeology Leiden, June 5, 2020, final version 1 2 Table of Contents Acknowledgements ............................................................................................................. 5 Chapter One: Introduction .................................................................................................. 6 Defining the Research Scope: Aims and Objectives, Hypotheses, Limitations ............. 10 Methodology and Theoretical Frameworks .................................................................. 12 Working Definitions ...................................................................................................... 14 Outline of Chapters ....................................................................................................... 17 Chapter Two: Contexts and Concepts for the Study of the 1884/85 Jacobsen Collection19 2.1 -
955 Nohope Diceros Bicornis
species L. carinatus is distinguished from all the The bright brick-red throat, quite Merent other species of this genus, includmg even from that of the adults, was particularly re- L. cubet~siswhich is more common in Cuba, by markable. The yellow-brown tail, whch be- a particularly strong development of a com- came caudally lighter, bore more clearly than ponent of aposematic behaviour: its tail has a do those of adults the strongly defined dark definite threat function and is then rolled up cross markmgs (a phenomenon frequent in dorsally in a ring or a spiral and is carried over juvenile lizards, probably of an aposematic the back. (L.personatus also shows th~sbe- nature). The young animal was reared in haviour in a somewhat weaker form, though isolation in a separate container. The ‘rolling’ here the tad is moved more sinuously. of the tail was seen for the first time on the (Mertens, R., 1946: Die Warn- und Druh- second day of life, which, as was to be ex- Reaktionen der Reptilien. Abh. senckenberg. pected, demonstrated that this was an in- naturfi Ges. 471). herent instinctive action. When the young The hatchmg of a Roll-tailed iguana (we animal sat at rest, clmging to a sloping branch, call it hson account of its characteristic its tail lay flat, with at most the extreme end of threat behaviour) in the East Berlin Zoo must it turned upwards. However, as soon as it went be the first to be recorded in Europe. The into motion the tail with its remarkable stria- adult animals arrived on the 9th August 1962 tion was jerhly raised and rolled up high over after a tenday journey by cea. -
Human Zoos’ Exoticism, Ethnic Exhibitions and the Power of the Gaze
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archivio istituzionale della ricerca - Università di Trieste BEYOND THE ‘HUMAN ZOOS’ EXOTICISM, ETHNIC EXHIBITIONS AND THE POWER OF THE GAZE Guido Abbattista Guido Abbattista is a modern historian at the University of Trieste. He specializes in eighteenth- century historical, political and anthropological culture. He has recently researched on living ethno- exhibitions in nineteenth-twentieth century Italy and is currently working on a project on European representations of China 1750-1860. ABSTRACT This essay dwells on the concepts of ‘human zoos’ and ‘living human exhibitions’, in order to show that the first was a particular case of a larger family of cultural practices in early modern and modern Europe, where the appropriation of human ‘others’ was inspired by the will to exercise the ‘power of the gaze’. Human aliens were repeatedly and often voluntary victims of abduction from their countries of origin and public exhibition in several different venues in European cities according to widely diffused practices of ‘public othering of the human body’, which was made available to the observation of the Western gaze. The great nineteenth-twentieth century world expositions offered one of the most influential contexts for such ethno-shows, innovating the pre-existing performances in several ways, in particular by taking over the ‘human zoos’ format. It would be partial however to interpret the latter only in terms of the obvious aspects of ‘animalisation’ of human ‘others’ and racism. Public exhibitions of living humans ‘other’ were in fact complex performances involving ideas of civilizing and Christianizing tasks and occasioned unexpected reactions on both sides of the exhibitions, so that to reduce the latter to a mere expression of power and racist domination means to miss important aspects of the complex relationship between exposer and exposed. -
POST-COLONIAL GHOSTS on the LOOSE in EUROPE Margarida Calafate Ribeiro 1
FILHOS DE IMPÉRIO E PÓS-MEMÓRIAS EUROPEIAS CHILDREN OF EMPIRES AND EUROPEAN POSTMEMORIES ENFANTS D’EMPIRES ET POSTMÉMOIRES EUROPÉENNES Saturday, 5th May 2018 untitled | 2018 | Ana Vidigal POST-COLONIAL GHOSTS ON THE LOOSE IN EUROPE Margarida Calafate Ribeiro 1 The 100th anniversary of the Battle of the Lys fell on April 9, 2018. The presidents of Portugal and France as well as the Prime Minister António Costa took part in the celebrations and the television and the newspapers marked the event emphatically. Marcelo Rebelo de Sousa stressed the significance of the human sacrifice involved, and the need to recognise it; Emmanuel Macron described the Portuguese military cemetery of Richebourg as a “symbol not of nationalist rancour but of European friendship and solidarity,” designating the “shared past” as a space of public memory for future generations. Along the same lines, António Costa underlined during the closing ceremony that “a hundred years later, we celebrate peace and reconciliation between European peoples and our desire to build a common future together.” An exhibition opened, Roots, focussed on the descendants of the Portuguese soldiers buried in Richebourg and on very different memories of this familial, national and European history. POST-COLONIAL GHOSTS ON THE LOOSE IN EUROPE The exhibition called on us to re-interrogate this conjoined past in its organic relation to the present in Portugal, in France and in Europe. In European history, 1918 marks the end of the war and with it the disintegration of three great empires - Germanic, Austro-Hungarian and Russian - and the emergence of nine states - Austria, Hungary, Yugoslavia, Czechoslovakia, Poland, Lithuania, Latvia, Estonia and Finland. -
Colonial Exhibitions, 'Völkerschauen' and the Display of the 'Other' by Anne Dreesbach
Colonial Exhibitions, 'Völkerschauen' and the Display of the 'Other' by Anne Dreesbach The term 'Völkerschau' became common in the 19th century and denoted the exhibition of members of particular ethnic groups, above all for commercial reasons. The term is primarily used in scholarly research to distinguish Hagenbeck-in- fluenced exhibitions from those that came earlier. Between the founding of the Reich and the 1930s, there were about 400 'Völkerschauen' in Germany. Each exhibition followed a certain presentation model, which drew upon the stereo- types about the various populations being depicted. In a recursive 'cycle of stereotypes', the exhibition affirmed and ac- tivated the visitors' already ingrained prejudices and encouraged them to form new ones. In the wake of talking films and, later, long-distance tourism, 'Völkerschauen' disappeared from the German public eye in the 1930s. TABLE OF CONTENTS 1. Beginnings 2. The structure of a 'Völkerschau' 3. Advertising and mode of presentation 4. 'Völkerschauen' and colonial propaganda 5. 'Völkerschauen' and science 6. The end of the 'Völkerschau' 7. Appendix 1. Sources 2. Bibliography 3. Notes Indices Citation Beginnings The practice of putting 'exotic' people on display began in Europe in the early modern period, when European explor- ers (ᇄ Media Link #ab) made their way to every corner of the globe. Sailors brought people with them from the newly explored areas, much as they might present foreign objects, plants and animals to prove the exoticism and wealth of previously unknown countries.1 These 'exotic' people were then exhibited by their 'discoverers' at royal courts or public fairs. Christopher Columbus (1451–1506) (ᇄ Media Link #ac) himself brought seven 'Arawak Indians' of the West Indies (ᇄ Media Link #ad) home to Europe from his first trip (ᇄ Media Link #ae). -
PS32 Colonial Past in the Neo-Colonial Present 08:30 - 10:40 Friday, 20Th April, 2018 Meeting Room 6 Track Track 5
PS32 Colonial Past in the Neo-Colonial Present 08:30 - 10:40 Friday, 20th April, 2018 Meeting Room 6 Track Track 5 08:35 - 08:55 PS32 Colonial Carcerality and the Neocolonial Indian Prison Mira Rai Waits Appalachian State University, Boone, USA Abstract Nestled within the elite Alipore district of Kolkata, capital of the Indian state of West Bengal, is the Alipore Central Jail. Still in use today, Alipore functions simultaneously as a memorial to anti-colonial resistance and as a testament to the lasting legacy of colonial infrastructure in the neocolonial setting. Constructed in 1910 using a radial plan, Alipore was commissioned to replace the dilapidated buildings of the old Alipore Jail, built a hundred years earlier. With its “modern” plan, this new Alipore promised to provide a more secure prison facility for Calcutta, which had become especially politically-charged, during the growing turbulence of the nationalist movement. In the decades that followed, many of the most prominent figures of the movement would reside within the jail as political prisoners. Today the cells that once contained these leaders have been repurposed as memorials; busts sit atop pedestals inside the cells with commemorative plaques marking the leaders’ dates of incarceration. When the British left India in 1947, the leaders of India’s newly-independent government, many of whom were political prisoners, viewed the reform of the colonial prison system as a top priority. Jail committees were formed and the Indian government sought the help of the UN to improve prison designs and management in the immediate aftermath of independence, however the vast majority of Indian states including, West Bengal, continue to this day to utilize colonial buildings and the colonial model of management. -
Curriculum Vitae
NINA BERMAN School of International Letters and Cultures Arizona State University [email protected] https://ninaaberman.wordpress.com/author/ninaaberman/ EDUCATION 1989-1994: Ph.D., Department of German, University of California, Berkeley Dissertation: Orientalismus, Kolonialismus und Moderne: Zum Bild des Orients in der deutschen Kultur um 1900. Committee: Anton Kaes (director), W. Daniel Wilson, David Lloyd 1987-89: M.A., Department of German, San Francisco State University, San Francisco 1980-83: B.A. (Zwischenprüfung in German, Arabic, and History), Georg-August-Universität, Göttingen, Germany EMPLOYMENT 2016--: Professor of International Letters and Cultures, Arizona State University; Director of the School of International Letters and Cultures 2008--2016: Professor of Comparative Studies, Ohio State University 2001–08: Associate Professor, joint position in Department of Comparative Studies and Department of Germanic Languages and Literatures (2004-08), Associate Professor, Department of Germanic Languages and Literatures, Ohio State University, Columbus (2001-04); adjunct appointment with Department of Near Eastern Languages and Cultures (2004--); associated with Center for African Studies and Middle East Studies Center 1994-2001: Associate Professor (2000-2001), Assistant Professor (1994-2000), Department of Germanic Studies, University of Texas, Austin; affiliated with the Center for Middle Eastern Studies, Comparative Literature, Islamic Studies, and Women’s Studies, University of Texas, Austin BOOKS Germans on the Kenyan Coast: Land, Charity, and Romance. Bloomington: Indiana University Press, 2017. German Literature on the Middle East: Discourses and Practices, 1000-1989. Ann Arbor: University of Michigan Press, 2011. 323 pp. Outstanding Academic Title 2012, Choice. Impossible Missions? German Economic, Military, and Humanitarian Efforts in Africa. Lincoln, NE: University of Nebraska Press, 2004. -
Colonial Exhibitions and Human Zoos
Colonial Exhibitions From Wikipedia, the free encyclopedia A colonial exhibition was a type of international exhibition intended to boost trade and bolster popular support for the various colonial empires during the New Imperialism period, which started in the 1880s with the scramble for Africa. The British Empire Exhibition of 1924–5 ranked among these expositions, but perhaps the most notable was the rather successful 1931 Paris Colonial Exposition, which lasted six months and sold 33 million tickets. Paris's Colonial Exhibition debuted on 6 May 1931, and encompassed 110 hectares of the Bois de Vincennes. The exhibition included dozens of temporary museums and façades representing the various colonies of the European nations, as well as several permanent buildings. Among these were the Palais de la Porte Dorée, designed by architect Albert Laprode, which then housed the Musée permanent des Colonies, and serves today as the Cité nationale de l'histoire de l'immigration. An anti-colonial counter-exhibition was held near the 1931 Colonial Exhibition, titled Truth on the Colonies and was organized by the French Communist Party. The first section was dedicated to the crimes made during the colonial conquests, and quoted Albert Londres and André Gide's criticisms of forced labour while the second one made an apology of the Soviets' "nationalities' policy" compared to "imperialist colonialism". Germany and Portugal also staged colonial exhibitions, as well as Belgium, which had a Foire coloniale as late as 1948. Human zoos were featured in some of these exhibitions, such as in the Parisian 1931 exhibition. Through the 1950s, Africans and Native Americans Were Kept In Zoos As Exhibits By M.B.