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Not Shut in by Any Fence
Utah State University DigitalCommons@USU Undergraduate Honors Capstone Projects Honors Program 5-2013 Not Shut in by Any Fence Anna Bullock Brown Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/honors Part of the Creative Writing Commons Recommended Citation Brown, Anna Bullock, "Not Shut in by Any Fence" (2013). Undergraduate Honors Capstone Projects. 630. https://digitalcommons.usu.edu/honors/630 This Thesis is brought to you for free and open access by the Honors Program at DigitalCommons@USU. It has been accepted for inclusion in Undergraduate Honors Capstone Projects by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. NOT SHUT IN BY ANY FENCE by Anna Bullock Brown Thesis submitted in partial fulfillment of the requirements for the degree of DEPARTMENT AL HONORS in English, Creative Writing in the Department of English Approxed:- Thesis/ .r;roJect Advisor Departmental Honors Advisor Dr. JenMer Sinor Dr..Phebe Jensen --,_ -----~------ Thesis '6mmittee member Thesis committee member Dr. Evelyn Funda Dr. Brock Dethier --,-- Jrn-eeto ot Honors Program Dr. Nicholas Morrison UT AH ST A TE UNIVERSITY Logan, UT Spring 2013 Not Shut In By Any Fence Anna Bullock Brown Department of English Abstract From their beginning in the mid- l 800s, zoos ( or zoological gardens as they were first known) were meant for both research and education. They offered viewers the opportunity to see animals that they otherwise would never have seen. These animals were kept in cages to protect the zoo-goers. The history of zoos demonstrates a conflicting desire between our human need to connect with animals as well as our fear (literal and metaphoric) of what that connection might mean. -
Hagenbecks „Völkerschauen“
AB SEK II Anders sein / Internationale Beziehungen / Macht und Ohnmacht / SEK II: Imperialismus Kultur und Vergnügungen /Kolonialismus / Kaiserzeit Hagenbecks „Völkerschauen“ Schon im römischen Reich und wieder im Absolutismus wurden in Europa Menschen aus entfernten Weltgegenden wegen ihrer fremden Lebensweise und ihres anderen Aussehens ausgestellt. Es waren meistens Menschen aus Ethnien, deren Gebiet erobert wurde. Eine Blüte erfuhren diese „Menschenzoos“ in der Zeit des Kolonialismus. Im deutschen Reich war der Hamburger Carl Hagenbeck ein Großunternehmer in diesem Gewerbe. Seine Anwerber begaben sich in Kolonien und abgelegene Weltgegenden und versuchten, möglichst große Gruppen der dortigen Einwohner zu einem Aufenthalt in Europa zu bewegen – mit Überredungskraft, finanziellen Anreizen und auch mittels Druck. Carl Hagenbeck eröffnete seine erste Menschenausstellung mit Lappländern 1874 in Hamburg, dann folgten Berlin und Leipzig. 1876 kamen drei „Nubier“ nach Deutschland. 1880 folgten die Inuit, von deren Aufenthalt die untenstehenden Schriftquellen stammen (Siehe auch „Zeitgenosse“ Abraham Urikab). 1884 organsierte Hagenbeck eine „Kalmücken“ (richtig Oiraten) – Schau, darauf folgte eine Ceylonschau. Alle Schauen wurden so inszeniert, dass künstliche Gebäude im „Stil“ des Herkunftslands als Behausungen zu sehen waren und die Fremden „ihre“ Handwerke, Gesänge und Tänze vorführten. Den ganzen Tag lang wurden sie bei einem künstlich wiedererschaffenen Alltagsleben angeschaut. Hagenbecks Erfolg war überragend. 1908 konnte er den Zoo -
Revisiting the Relationship Between Indigenous Agency and Museum Inventories
Revisiting the Relationship between Indigenous Agency and Museum Inventories: An Object-Centered Study of the Formation of Lübeck's Jacobsen Collection (1884/1885) from the Northwest Coast of America By Angela Hess Cover: Objects from Lübeck’s Jacobsen collection. Photo: Angela Hess, July 2019 Revisiting the Relationship between Indigenous Agency and Museum Inventories: An Object-Centered Study of the Formation of Lübeck's Jacobsen Collection (1884/1885) from the Northwest Coast of America Author: Angela Hess Student number: s2080087 MA Thesis Archaeology (4ARX-0910ARCH) Supervisor: Dr. M. De Campos Françozo Specialization: Heritage and Museum Studies University of Leiden, Faculty of Archaeology Leiden, June 5, 2020, final version 1 2 Table of Contents Acknowledgements ............................................................................................................. 5 Chapter One: Introduction .................................................................................................. 6 Defining the Research Scope: Aims and Objectives, Hypotheses, Limitations ............. 10 Methodology and Theoretical Frameworks .................................................................. 12 Working Definitions ...................................................................................................... 14 Outline of Chapters ....................................................................................................... 17 Chapter Two: Contexts and Concepts for the Study of the 1884/85 Jacobsen Collection19 2.1 -
955 Nohope Diceros Bicornis
species L. carinatus is distinguished from all the The bright brick-red throat, quite Merent other species of this genus, includmg even from that of the adults, was particularly re- L. cubet~siswhich is more common in Cuba, by markable. The yellow-brown tail, whch be- a particularly strong development of a com- came caudally lighter, bore more clearly than ponent of aposematic behaviour: its tail has a do those of adults the strongly defined dark definite threat function and is then rolled up cross markmgs (a phenomenon frequent in dorsally in a ring or a spiral and is carried over juvenile lizards, probably of an aposematic the back. (L.personatus also shows th~sbe- nature). The young animal was reared in haviour in a somewhat weaker form, though isolation in a separate container. The ‘rolling’ here the tad is moved more sinuously. of the tail was seen for the first time on the (Mertens, R., 1946: Die Warn- und Druh- second day of life, which, as was to be ex- Reaktionen der Reptilien. Abh. senckenberg. pected, demonstrated that this was an in- naturfi Ges. 471). herent instinctive action. When the young The hatchmg of a Roll-tailed iguana (we animal sat at rest, clmging to a sloping branch, call it hson account of its characteristic its tail lay flat, with at most the extreme end of threat behaviour) in the East Berlin Zoo must it turned upwards. However, as soon as it went be the first to be recorded in Europe. The into motion the tail with its remarkable stria- adult animals arrived on the 9th August 1962 tion was jerhly raised and rolled up high over after a tenday journey by cea. -
Human Zoos’ Exoticism, Ethnic Exhibitions and the Power of the Gaze
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archivio istituzionale della ricerca - Università di Trieste BEYOND THE ‘HUMAN ZOOS’ EXOTICISM, ETHNIC EXHIBITIONS AND THE POWER OF THE GAZE Guido Abbattista Guido Abbattista is a modern historian at the University of Trieste. He specializes in eighteenth- century historical, political and anthropological culture. He has recently researched on living ethno- exhibitions in nineteenth-twentieth century Italy and is currently working on a project on European representations of China 1750-1860. ABSTRACT This essay dwells on the concepts of ‘human zoos’ and ‘living human exhibitions’, in order to show that the first was a particular case of a larger family of cultural practices in early modern and modern Europe, where the appropriation of human ‘others’ was inspired by the will to exercise the ‘power of the gaze’. Human aliens were repeatedly and often voluntary victims of abduction from their countries of origin and public exhibition in several different venues in European cities according to widely diffused practices of ‘public othering of the human body’, which was made available to the observation of the Western gaze. The great nineteenth-twentieth century world expositions offered one of the most influential contexts for such ethno-shows, innovating the pre-existing performances in several ways, in particular by taking over the ‘human zoos’ format. It would be partial however to interpret the latter only in terms of the obvious aspects of ‘animalisation’ of human ‘others’ and racism. Public exhibitions of living humans ‘other’ were in fact complex performances involving ideas of civilizing and Christianizing tasks and occasioned unexpected reactions on both sides of the exhibitions, so that to reduce the latter to a mere expression of power and racist domination means to miss important aspects of the complex relationship between exposer and exposed. -
Colonial Exhibitions, 'Völkerschauen' and the Display of the 'Other' by Anne Dreesbach
Colonial Exhibitions, 'Völkerschauen' and the Display of the 'Other' by Anne Dreesbach The term 'Völkerschau' became common in the 19th century and denoted the exhibition of members of particular ethnic groups, above all for commercial reasons. The term is primarily used in scholarly research to distinguish Hagenbeck-in- fluenced exhibitions from those that came earlier. Between the founding of the Reich and the 1930s, there were about 400 'Völkerschauen' in Germany. Each exhibition followed a certain presentation model, which drew upon the stereo- types about the various populations being depicted. In a recursive 'cycle of stereotypes', the exhibition affirmed and ac- tivated the visitors' already ingrained prejudices and encouraged them to form new ones. In the wake of talking films and, later, long-distance tourism, 'Völkerschauen' disappeared from the German public eye in the 1930s. TABLE OF CONTENTS 1. Beginnings 2. The structure of a 'Völkerschau' 3. Advertising and mode of presentation 4. 'Völkerschauen' and colonial propaganda 5. 'Völkerschauen' and science 6. The end of the 'Völkerschau' 7. Appendix 1. Sources 2. Bibliography 3. Notes Indices Citation Beginnings The practice of putting 'exotic' people on display began in Europe in the early modern period, when European explor- ers (ᇄ Media Link #ab) made their way to every corner of the globe. Sailors brought people with them from the newly explored areas, much as they might present foreign objects, plants and animals to prove the exoticism and wealth of previously unknown countries.1 These 'exotic' people were then exhibited by their 'discoverers' at royal courts or public fairs. Christopher Columbus (1451–1506) (ᇄ Media Link #ac) himself brought seven 'Arawak Indians' of the West Indies (ᇄ Media Link #ad) home to Europe from his first trip (ᇄ Media Link #ae). -
Festivals and Ceremonies of the Alaskan Eskimos: Historical and Ethnographic Sources, 1814-1940
Festivals and Ceremonies of the Alaskan Eskimos: Historical and Ethnographic Sources, 1814-1940 Jesús SALIUS GUMÀ Department of Prehistory, Universitat Autònoma de Barcelona AGREST Research Group [email protected] Recibido: 15 de octubre de 2012 Aceptado: 16 de enero de 2013 ABSTRACT The main objective of this article is to shed light on the festive and ceremonial events of some of the Eskimo cultures of Alaska through a review of the ethnohistorical documents at our disposal. The study centers on the ancient societies of the Alutiiq, Yup’ik and a part of the Inupiat, communities that share a series of com- mon features, and sees their festive and ceremonial activities as components of the strategies implemented to maintain control over social reproduction. This review of the historical and ethnographic sources identifies the authors and the studies that provide the most pertinent data on the subject. Key words: Ethnohistory, social reproduction, musical behaviors, Alaska Eskimo. Festivales y ceremonias de los esquimales de Alaska: fuentes históricas y etnográficas, 1814-1940 RESUMEN El objeto de este artículo es arrojar luz sobre las fiestas y ceremonias de algunas culturas esquimales de Alaska a través de la revisión de documentos etnohistóricos a nuestra disposición. La investigación se centra sobre las antiguas sociedades de los alutiiq, yup’ik y parte de los inupiat, comunidades que tienen una serie de rasgos comunes y contemplan sus actividades festivas y ceremoniales como parte de estrategias para mantener el control sobre la reproducción social. Esta revisión de fuentes históricas y etnográficas identifica a los autores y a los estudios que proporcionan los datos más significativos sobre el tema. -
Anthropology and the Racial Politics of Culture
ANTHROPOLOGY AND THE RACIAL POLITICS OF CULTURE Lee D. Baker Anthropology and the Racial Politics of Culture Duke University Press Durham and London ( 2010 ) © 2010 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by C. H. Westmoreland Typeset in Warnock with Magma Compact display by Achorn International, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. Dedicated to WILLIAM A. LITTLE AND SABRINA L. THOMAS Contents Preface: Questions ix Acknowledgments xiii Introduction 1 (1) Research, Reform, and Racial Uplift 33 (2) Fabricating the Authentic and the Politics of the Real 66 (3) Race, Relevance, and Daniel G. Brinton’s Ill-Fated Bid for Prominence 117 (4) The Cult of Franz Boas and His “Conspiracy” to Destroy the White Race 156 Notes 221 Works Cited 235 Index 265 Preface Questions “Are you a hegro? I a hegro too. Are you a hegro?” My mother loves to recount the story of how, as a three year old, I used this innocent, mis pronounced question to interrogate the garbagemen as I furiously raced my Big Wheel up and down the driveway of our rather large house on Park Avenue, a beautiful tree-lined street in an all-white neighborhood in Yakima, Washington. It was 1969. The Vietnam War was raging in South- east Asia, and the brutal murders of Malcolm X, Martin Luther King Jr., Medgar Evers, and Bobby and John F. Kennedy hung like a pall over a nation coming to grips with new formulations, relations, and understand- ings of race, culture, and power. -
Curriculum Vitae
NINA BERMAN School of International Letters and Cultures Arizona State University [email protected] https://ninaaberman.wordpress.com/author/ninaaberman/ EDUCATION 1989-1994: Ph.D., Department of German, University of California, Berkeley Dissertation: Orientalismus, Kolonialismus und Moderne: Zum Bild des Orients in der deutschen Kultur um 1900. Committee: Anton Kaes (director), W. Daniel Wilson, David Lloyd 1987-89: M.A., Department of German, San Francisco State University, San Francisco 1980-83: B.A. (Zwischenprüfung in German, Arabic, and History), Georg-August-Universität, Göttingen, Germany EMPLOYMENT 2016--: Professor of International Letters and Cultures, Arizona State University; Director of the School of International Letters and Cultures 2008--2016: Professor of Comparative Studies, Ohio State University 2001–08: Associate Professor, joint position in Department of Comparative Studies and Department of Germanic Languages and Literatures (2004-08), Associate Professor, Department of Germanic Languages and Literatures, Ohio State University, Columbus (2001-04); adjunct appointment with Department of Near Eastern Languages and Cultures (2004--); associated with Center for African Studies and Middle East Studies Center 1994-2001: Associate Professor (2000-2001), Assistant Professor (1994-2000), Department of Germanic Studies, University of Texas, Austin; affiliated with the Center for Middle Eastern Studies, Comparative Literature, Islamic Studies, and Women’s Studies, University of Texas, Austin BOOKS Germans on the Kenyan Coast: Land, Charity, and Romance. Bloomington: Indiana University Press, 2017. German Literature on the Middle East: Discourses and Practices, 1000-1989. Ann Arbor: University of Michigan Press, 2011. 323 pp. Outstanding Academic Title 2012, Choice. Impossible Missions? German Economic, Military, and Humanitarian Efforts in Africa. Lincoln, NE: University of Nebraska Press, 2004. -
Colonial Exhibitions and Human Zoos
Colonial Exhibitions From Wikipedia, the free encyclopedia A colonial exhibition was a type of international exhibition intended to boost trade and bolster popular support for the various colonial empires during the New Imperialism period, which started in the 1880s with the scramble for Africa. The British Empire Exhibition of 1924–5 ranked among these expositions, but perhaps the most notable was the rather successful 1931 Paris Colonial Exposition, which lasted six months and sold 33 million tickets. Paris's Colonial Exhibition debuted on 6 May 1931, and encompassed 110 hectares of the Bois de Vincennes. The exhibition included dozens of temporary museums and façades representing the various colonies of the European nations, as well as several permanent buildings. Among these were the Palais de la Porte Dorée, designed by architect Albert Laprode, which then housed the Musée permanent des Colonies, and serves today as the Cité nationale de l'histoire de l'immigration. An anti-colonial counter-exhibition was held near the 1931 Colonial Exhibition, titled Truth on the Colonies and was organized by the French Communist Party. The first section was dedicated to the crimes made during the colonial conquests, and quoted Albert Londres and André Gide's criticisms of forced labour while the second one made an apology of the Soviets' "nationalities' policy" compared to "imperialist colonialism". Germany and Portugal also staged colonial exhibitions, as well as Belgium, which had a Foire coloniale as late as 1948. Human zoos were featured in some of these exhibitions, such as in the Parisian 1931 exhibition. Through the 1950s, Africans and Native Americans Were Kept In Zoos As Exhibits By M.B. -
Race, Empire and Inherited Histories: Readings of Kafka, Schnitzler and Heyse
Race, Empire and Inherited Histories: Readings of Kafka, Schnitzler and Heyse by Vasuki Shanmuganathan A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Germanic Languages & Literatures and Women & Gender Studies Institute University of Toronto © Copyright by Vasuki Shanmuganathan 2016 Race, Empire and Inherited Histories: Readings of Kafka, Schnitzler and Heyse Vasuki Shanmuganathan Doctor of Philosophy in German Literature, Culture and Theory Department of Germanic Languages & Literatures and Women & Gender Studies Institute University of Toronto 2016 Abstract My dissertation examines the discourses of empire during the shift from aesthetic to biopolitical ways of reading race, which influenced nineteenth and twentieth century German language writings. Seemingly disparate novellas from Paul Heyse and Arthur Schnitzler and a short story from Franz Kafka serve to illustrate how race was locally defined through the narrative of inherited histories in the German and Austro-Hungarian Empires. “Inherited histories” is a term which privileges heredity, race and kinship networks as sites to study empire during a period when national and linguistic terms of defining bodies were different. In collocation, the first historical exploration of German and Austrian family business networks in colonial Ceylon and an autobiography from John George Hagenbeck show how views on race were globally ordered through colonialism but also blurred in order to accommodate trade. Additional materials such as postcards, photographs and stagings of ethnographic exhibits further inform the unstable constructions of race in the through kinship networks and heredity. There are three key contributions this dissertation makes to race, sexuality and colonial studies. The first section shows how the German and Austro-Hungarian Empire did not require formal colonies, ii comparable to the British or French regimes, to own businesses in colonial Ceylon. -
Care of Collections from Colonial Contexts
E-reader for the guidelines Care of Collections from Colonial Contexts Guidelines for German Museums Care of Collections from Colonial Contexts Click here for the Guidelines for German Museums: Care of Collections from Colonial Contexts Tis E-reader complements and supplements the guidelines of Care of Collections from Colonial Contexts 2 IMPRINT CONTENTS E-reader 4 CARE OF COLLECTIONS FROM COLONIAL Care of Collections from Colonial Contexts CONTEXTS: AN E-READER TO COMPLEMENT AND SUPPLEMENT THE GUIDELINES Publisher: German Museums Association (German Museums Association) 5 LEGEND OF SYMBOLS USED Copyediting (German edition): CONTEXTA. Dr Anette Nagel and Petra Oerke GbR 6 EXAMPLES FROM MUSEUM PRACTICE Translation: Tradukas GbR 7 Collecting and Preserving Design: MATTHIES WEBER & SCHNEGG 9 Researching Title photo: Provenance researcher Ndzodo Awono with a leopard figurine from Cameroon, 20 Exhibiting and Educating Übersee-Museum Bremen Photo: Volker Beinhorn 36 Returning 60 POLICIES, GUIDELINES AND RECOMMENDATIONS The E-reader is also available in German and French. 61 International Agreements and Declarations 63 Guidelines on the Participation of Indigenous Communities (Indigenous Engagement Policies) 69 State-Sponsored Programmes 71 Museum Guidelines and Recommendations Sponsored by 80 Overview of Further Policies and Guidelines Issued by Individual Museums 84 NATIONAL LEGISLATION 90 DATABASES © German Museums Association, 94 FURTHER READING Berlin, February 2021 99 CREDITS ISBN 978-3-9822232-0-9 CARE OF COLLECTIONS FROM COLONIAL CONTEXTS: LEGEND OF SYMBOLS USED AN E-READER TO COMPLEMENT AND SUPPLEMENT THE GUIDELINES Tis E-reader complements and expands on the Guidelines for German Museums. COLLECTING INT INTERNATIONAL EXAMPLES FROM Care of Collections from Colonial Contexts, 3rd edition 2021.