Robert Brasillach and Lucien Rebatet's Ideological Reasoning For
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Criticism of “Fascist Nostalgia” in the Political Thought of the New Right
ACTA UNIVERSITATIS WRATISLAVIENSIS No 3866 Studia nad Autorytaryzmem i Totalitaryzmem 40, nr 3 Wrocław 2018 DOI: 10.19195/2300-7249.40.3.6 JOANNA SONDEL-CEDARMAS ORCID: 0000-0002-3037-9264 Uniwersytet Jagielloński Criticism of “fascist nostalgia” in the political thought of the New Right The seizure of power by the National Liberation Committee on 25th April, 1945 and the establishment of the republic on 2nd June, 1946 constituted the symbolic end to Mussolini’s dictatorship that had lasted for more than 20 years. However, it emerged relatively early that fascism was not a defi nitively closed chapter in the political and social life of Italy. As early as June of 1946, after the announcement of a presidential decree granting amnesty for crimes committed during the time of the Nazi-Fascist occupation between 1943 and 1945, the country saw a withdrawal from policies repressive towards fascists.1 Likewise, the national reconciliation policy gradually implemented in the second half of the 1940s by the government of Alcide De Gasperi, aiming at pacifying the nation and fostering the urgent re- building of the institution of the state, contributed to the emergence of ambivalent approaches towards Mussolini’s regime. On the one hand, Italy consequently tried to build its institutional and political order in clear opposition towards fascism, as exemplifi ed, among others, by a clause in the Constitution of 1947 that forbade the establishment of any form of fascist party, as well as the law passed on 20th June, 1 Conducted directly after the end of WW II, the epurazione action (purifi cation) that aimed at uprooting fascism, was discontinued on 22nd June 1946, when a decree of president Enrico De Nicola granting amnesty for crimes committed during the Nazi-Fascist occupation of Italy between 1943–1945 was implemented. -
H-France Review Volume 18 (2018) Page 1
H-France Review Volume 18 (2018) Page 1 H-France Review Vol. 18 (March 2018), No. 49 Sarah Shurts, Resentment and the Right: French Intellectual Identity Reimagined, 1898-2000. Newark/Lanham: University of Delaware Press/Rowman & Littlefield, 2017. xii + 337 pp. Notes, bibliography, and index. $110.00 U.S. (hardcover). ISBN 978-1-61149-634-5. Review by Sean Kennedy, University of New Brunswick at Fredericton. Presenting the history of French intellectuals in the modern era as a struggle between left and right is a long-established tradition, but in Resentment and the Right Sarah Shurts offers a fresh and compelling perspective. By identifying a recurring cycle of contestation over identity that ties in with long-standing debates over how to categorize the far right, the significance of the left-right dichotomy, and the character of French intellectual life, Shurts highlights the persistence of a distinctive pattern of extreme-right intellectual engagement. Ambitious in scope yet also featuring close analyses of prominent and less-prominent thinkers, her book is likely to spark further debate, and deserves considerable admiration. Well aware that she is on highly contested ground, Shurts carefully delineates her definitions of the terms ‘extreme right’ and ‘intellectual.’ With respect to the former she notes a veritable “wild west of terminology” (p. 15), the legacy of a long debate over the significance of fascism in France and the difficulties inherent in categorizing a diverse, often fractious political tradition. As for intellectuals, definitions tend to focus either upon values or sociological characteristics. Faced with various interpretive possibilities Shurts seeks to, borrowing a phrase from historian John Sweets, “hold that pendulum,” avoiding interpretive extremes.[1] In dealing with the extreme right, she concedes the findings of scholars who stress its diversity, the porosity of the left-right dichotomy as suggested by “crossover” figures, and the patterns of sociability shared by left and right-wing intellectuals. -
Charles Maurras Le Nationaliste Intégral Dans La Même Collection
Olivier Dard Charles Maurras Le nationaliste intégral Dans la même collection Brian Cox, Jeff Forshaw, L’univers quantique. Tout ce qui peut arriver arrive..., 2018 Marianne Freiberger, Rachel A. Thomas, Dans le secret des nombres, 2018 Xavier Mauduit, Corinne Ergasse, Flamboyant Second Empire. Et la France entra dans la modernité..., 2018 Natalie Petiteau, Napoléon Bonaparte. La nation incarnée, 2019 Jacques Portes, La véritable histoire de l’Ouest américain, 2018 Thomas Snégaroff, Kennedy. Une vie en clair-obscur, 2017 Thomas Snégaroff, Star Wars. Le côté obscur de l’Amérique, 2018 Max Tegmark, Notre univers mathématique. En quête de la nature ultime du réel, 2018 Maquette de couverture : Delphine Dupuy ©Armand Colin, Paris, 2013, Dunod, 2019 ISBN : 978-2-10-079376-1 Du même auteur Avec Ana Isabel Sardinha-Desvignes, Célébrer Salazar en France (1930-1974). Du philosalazarisme au salazarisme français, PIE-Peter Lang, coll. «Convergences», 2018. La synarchie : le mythe du complot permanent, Perrin, coll. « Tempus », 2012 [1998]. Voyage au cœur de l’OAS, Perrin, coll. « Synthèses historiques », 2011 [2005]. Bertrand de Jouvenel, Perrin, 2008. Le rendez-vous manqué des relèves des années trente, PUF, coll. « Le nœud gordien », 2002. La France contemporaine, vol. 5, Les années 30 : le choix impossible, LGF, coll. « Livre de poche, Références histoire », 1999. Jean Coutrot, de l’ingénieur au prophète, Presses universitaires franc-comtoises, coll. « Annales littéraires de l’Université de Franche-Comté », 1999. Remerciements Si, selon la formule consacrée, les propos de cet ouvrage n’engagent que leur auteur, ils sont aussi le fruit de nom- breux échanges individuels et de réflexions collectives. Mes premiers remerciements vont à deux collègues et amis, Michel Grunewald et Michel Leymarie, qui ont suivi la rédaction de ce manuscrit et été des relecteurs très précieux. -
Ideological Mistakes of Louis Ferdinand Céline and Emil Cioran
JOURNAL OF ROMANIAN LITERARY STUDIES Issue no. 5/2014 IDEOLOGICAL MISTAKES OF LOUIS FERDINAND CÉLINE AND EMIL CIORAN Mara Magda MAFTEI Université de Paris 3 Sorbonne la Nouvelle Abstract: 2011 was a year of reference for both Emil Cioran and Louis Ferdinand Céline. We celebrated the centenary of the Romanian philosopher who chose to exile himself in Paris and also the 50-year anniversary of Céline’s death. In fact, we witnessed controversial issues in France linked to the question of whether we should include the 50th anniversary of the death of Céline among the official commemorations of 2011. While Cioran has been forgiven for having supported the Romanian far right (the Iron Guard), some French intellectuals cannot forgive Céline for his collaboration with Nazi Germany during the Second World War. In fact, the anti-Semitic rage of both Cioran and Céline cannot be ignored. Cioran and Céline gave up defending their political ideas after the defeat of Germany. But, while Cioran produced a new text on Jews in 1956, this time extremely laudatory, the extermination of Jews left Céline cold, and it is perhaps this aspect that makes him rather unique among the writers of the interwar period who were influenced by Nazi philosophy. Keywords: Louis-Ferdinand Céline, Emil Cioran, Fascism, anti-Semitism, Iron Guard 1. Philosophers in Support of The Fascist Doctrine The period between the two world wars was marked in Europe by writers’ hesitation to choose between the nationalist revolt of Germany and the philosophy of Hitler on one side and Stalinist brutality and the ideological thirst of the Russian nation on the other. -
L'action Française Face À Victor Hugo Dans L'entre-Deux-Guerres1
Jordi Brahamcha-Marin (Le Mans Université) L’Action française face à Victor Hugo dans l’entre-deux-guerres1 L’histoire de l’Action française dans l’entre-deux-guerres est travaillée par un paradoxe2. D’un côté, ce mouvement, constitué autour d’un journal (fondé en 1898, devenu quotidien en 1908) et d’une ligue (fondée en 1905), ne parvient jamais vraiment à influencer le cours des événements politiques. Bien sûr, le « coup de force » souhaité par Maurras n’est pas réalisé ; en 1926, la mise à l’index, par le Saint-Siège, du quotidien L’Action française porte un coup d’arrêt à l’essor que le mouvement connaissait depuis la fin de la guerre ; dans les années trente, beaucoup de jeunes militants vont se détourner du royalisme au profit d’autres courants politiques jugés moins vieillots, et notamment des courants fascistes ; même sous le régime de Vichy, accueilli par Maurras comme une « divine surprise », les maurrassiens ne joueront qu’un faible rôle dans les sphères dirigeantes3. Les tirages du quotidien L’Action française demeurent, tout au long de la période, somme toute modestes, et tombe à quarante mille en 1939 – à comparer avec les presque deux millions de Paris-Soir, ou, en ce qui concerne la presse politique, les trois cent vingt mille exemplaires de L’Humanité, ou les cent quinze mille exemplaires du quotidien radical L’Œuvre4. De l’autre côté, Maurras et ses amis exercent un magistère intellectuel absolument incontestable, au point que le mouvement a pu exercer une certaine attraction intellectuelle sur des écrivains majeurs, comme Gide ou Proust dans les années dix. -
Jean Cocteau's the Typewriter
1 A Queer Premiere: Jean Cocteau’s The Typewriter Introduction Late in April 1941, toward the close of the first Parisian theatre season fol- lowing the Defeat, Jean Cocteau’s La Machine à écrire (The Typewriter) opened, then closed, then reopened at the Théâtre Hébertot. Written in the style of a detective drama, the play starred the actor generally known—at least in the entertainment world at the time—as Cocteau’s sometime lover and perpetual companion, Jean Marais, as identical twin brothers. The re- views are curiously reticent about what exactly occurred at the Hébertot, and historians and critics offer sometimes contradictory pieces of a puzzle that, even when carefully put together, forms an incomplete picture. The fragments are, however, intriguing. Merrill Rosenberg describes how, on the evening of April 29, 1941, the dress rehearsal (répétition génerale), sponsored “as a gala” by the daily Paris-Soir and attended by various “dig- nitaries,” caused in the Hébertot’s auditorium a demonstration by members of the Parti Populaire Français (PPF). This disruption prompted Vichy’s ambas- sador to Paris, Fernand de Brinon, to order the withdrawal of the production (“Vichy’s Theatrical Venture” 136). Francis Steegmuller describes the disor- der that greeted the Typewriter premiere and the revival of Les Parents Terribles (at the Gymnase later that year): “stink bombs exploded in the theatres, and hoodlums filled the aisles and climbed onto the stage, shouting obscenities at Cocteau and Marais as a couple” (442).1 Patrick Marsh too notes that these plays “were seriously disrupted by violent scenes fomented by fascist sym- pathizers and members of the Parti Populaire Français” (“Le Théâtre 1 2 THE DRAMA OF FALLEN FRANCE Français . -
He Is Depending on You: Militarism, Martyrdom, and the Appeal to Manliness in the Case of France’S ‘Croix De Feu’, 1931-1940
Western University Scholarship@Western Faculty Publications History 2005 He Is Depending on You: Militarism, Martyrdom, and the Appeal to Manliness in the Case of France’s ‘Croix de Feu’, 1931-1940. Geoff Read Huron University, London, [email protected] Follow this and additional works at: https://ir.lib.uwo.ca/huronhistorypub Part of the European History Commons, and the Political History Commons Citation of this paper: Read, Geoff, "He Is Depending on You: Militarism, Martyrdom, and the Appeal to Manliness in the Case of France’s ‘Croix de Feu’, 1931-1940." (2005). Faculty Publications. 5. https://ir.lib.uwo.ca/huronhistorypub/5 Document generated on 01/16/2019 2:26 p.m. Journal of the Canadian Historical Association He Is Depending on You: Militarism, Martyrdom, and the Appeal to Manliness in the Case of France’s ‘Croix de Feu’, 1931-1940. Geoff Read Article abstract Volume 16, Number 1, 2005 This article examines the masculine discourse of the Croix de URI: id.erudit.org/iderudit/015734ar Feu, France’s largest political formation in the late 1930s, https://doi.org/10.7202/015734ar against the examples of the republican conservative parties – the Fédération Républicaine, the Alliance Démocratique, and the Parti Démocrate Populaire – as well the Socialist and See table of contents Communist left. The author argues, based on the François de La Rocque papers, the movement’s newspaper, Le Flambeau, the archives of key political figures, as well as the other parties’ presses, that while the Croix de Feu’s preferred masculinity was similar to that found on the republican right in many Publisher(s) regards, the movement, borrowing heavily from the masculinist aesthetic of the far-left, was engaged in the The Canadian Historical Association / La Société historique du construction of a fascist “new man.” He is Depending on You, Canada therefore, maintains that the Croix de Feu was typically fascist in its masculine discourse, synthesizing social conservatism with a radical élan. -
Utopian Aspirations in Fascist Ideology: English and French Literary Perspectives 1914-1945
Utopian Aspirations in Fascist Ideology: English and French Literary Perspectives 1914-1945 Ashley James Thomas Discipline of History School of History & Politics University of Adelaide Thesis presented as the requirement for the degree of Doctor of Philosophy in the Faculty of Humanities and Social Sciences University of Adelaide March 2010 CONTENTS Abstract iii Declaration iv Acknowledgments v Chapter One: Introduction 1 Chapter Two: Interpreting Fascism: An Evolving 26 Historiography Chapter Three: The Fascist Critique of the Modern 86 World Chapter Four: Race, Reds and Revolution: Specific 156 Issues in the Fascist Utopia Chapter Five: Conclusion 202 Bibliography 207 ABSTRACT This thesis argues that utopian aspirations are a fruitful way to understand fascism and examines the utopian ideals held by a number of fascist writers. The intention of this thesis is not to define fascism. Rather, it is to suggest that looking at fascism’s goals and aspirations might reveal under-examined elements of fascism. This thesis shows that a useful way to analyse the ideology of fascism is through an examination of its ideals and goals, and by considering the nature of a hypothetical fascist utopia. The most common ways of examining fascism and attempting to isolate its core ideological features have been by considering it culturally, looking at the metaphysical and philosophical claims fascists made about themselves, or by studying fascist regimes, looking at the external features of fascist movements, parties and governments. In existing studies there is an unspoken middle ground, where fascism could be examined by considering practical issues in the abstract and by postulating what a fascist utopia would be like. -
Vichy Against Vichy: History and Memory of the Second World War in the Former Capital of the État Français from 1940 to the Present
Vichy against Vichy: History and Memory of the Second World War in the Former Capital of the État français from 1940 to the Present Audrey Mallet A Thesis In the Department of History Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (History) at Concordia University Montreal, Quebec, Canada, and Paris I Panthéon-Sorbonne December 2016 © Audrey Mallet, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Audrey Mallet Entitled: Vichy against Vichy: History and Memory of the Second World War in the Former Capital of the État français from 1940 to the Present and submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. G. LeBlanc External Examiner Dr. E. Jennings External to Program Dr. F. Chalk Examiner Dr. D. Peschanski Examiner Dr. C. Claveau Thesis Co-Supervisor Dr. N. Ingram Thesis Co-Supervisor Dr. H. Rousso Approved by: Dr. B. Lorenzkowski, Graduate Program Director December 5, 2016 Dr. A. Roy, Dean, Faculty of Arts & Science Abstract Vichy against Vichy: History and Memory of the Second World War in the Former Capital of the État français from 1940 to the Present Audrey Mallet, Ph.D. Concordia University & Paris I Panthéon Sorbonne, 2016 Following the June 22, 1940 armistice and the subsequent occupation of northern France by the Germans, the French government left Paris and eventually established itself in the city of Vichy. -
Je Suis Partout
JE SUIS PARTOUT JE SUIS PARTOUT : Hebdomadaire nationaliste, antisémite, antiparlementariste d’actualités mondiales, de littérature, d’art, etc. Je suis partout paraît du 29 novembre 1930 au 16 août 1944. Fondé en 1930 par les éditions Arthème Fayard, Pierre Gaxotte en est le premier directeur de 1930 à 1937. La vocation initiale de Je suis partout est de rendre compte des événements internationaux. Relativement neutre politiquement au départ, les positions du journal et de ses collaborateurs changent peu à peu. En 1932, ils s’orientent vers le fascisme. Le journal devient un organe anticommuniste, antiparlementariste, opposé à la démocratie et adepte de l’idée de la « décadence » de la France. En 1936, la ligne politique de Je suis partout se rapproche du nazisme. Arthème Fayard abandonne le journal à ses rédacteurs qui s’associent (Pierre Gaxotte est à la tête du journal et Charles Lesca en est l'actionnaire principal). De 1937 à 1943, Robert Brasillach devient rédacteur en chef. A partir des accords de Munich (septembre 1938), la ligne du journal est favorable à un certain pacifisme. Cependant de septembre 1939 à juin 1940, les rédacteurs du journal se font les apôtres d’une France victorieuse, affirment leur confiance en l’armée, expriment un antigermanisme et un anticommunisme certains et se défient des parlementaires. Robert Brasillach est mobilisé fin août 1939 et fait prisonnier le 22 juin 1940. En son absence Alain Laubreaux et Charles Lesca dirigent le journal. Ils sont arrêtés en mai 1940. Je Suis Partout cesse de paraître jusqu’au 7 février 1941 en zone occupée. -
The Religious Issue in Lucien Rebatet's Les Deux Étendards
Studies in 20th Century Literature Volume 25 Issue 2 Article 5 6-1-2001 Modern Literature and Christianity: The Religious Issue in Lucien Rebatet's Les Deux étendards Pascal A. Ifri Washington University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the French and Francophone Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Ifri, Pascal A. (2001) "Modern Literature and Christianity: The Religious Issue in Lucien Rebatet's Les Deux étendards ," Studies in 20th Century Literature: Vol. 25: Iss. 2, Article 5. https://doi.org/10.4148/ 2334-4415.1509 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Modern Literature and Christianity: The Religious Issue in Lucien Rebatet's Les Deux étendards Abstract Although Lucien Rebatet's Les Deux étendards (The Two Standards) has been hailed by a number of critics as one of the best novels written in France since World War II, it is surrounded by a wall of silence because its author actively supported the Nazi movement before and during the war. Yet the novel does not deal with politics but with love, art, and religion. Based on real events, it is the story of a love triangle involving Michel, who has lost his Catholic faith, Régis, who studies to become a Jesuit priest, and Anne- Marie, a young student who shares a mystical love with Régis and also intends to join a religious order. -
Racial Motivations for French Collaboration During The
Clemson University TigerPrints All Theses Theses 5-2008 Racial Motivations for French Collaboration during the Second World War: Uncovering the Memory through Film and Memoirs Daniela Greene Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the European History Commons Recommended Citation Greene, Daniela, "Racial Motivations for French Collaboration during the Second World War: Uncovering the Memory through Film and Memoirs" (2008). All Theses. 383. https://tigerprints.clemson.edu/all_theses/383 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. RACIAL MOTIVATIONS FOR FRENCH COLLABORATION DURING THE SECOND WORLD WAR: UNCOVERING THE MEMORY THROUGH FILM AND MEMOIRS _________________________________________ A Thesis Presented to the Graduate School of Clemson University _________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts History _________________________________________ by Daniela Greene August 2008 _________________________________________ Accepted by: Dr. Alan Grubb, Committee Chair Dr. Roger Grant Dr. Donald McKale Abstract After France was defeated by the Germans in June 1940, several politicians of the Third Republic formed a new government under Marshal Philippe Pétain in Vichy. The men in the new regime immediately began to make social and political changes which, in their mind, were long overdue. They believed that they could negotiate with the occupation officials in the North and maintain France‟s sovereignty, at least in the “free” Southern zone. They also believed, as did a large part of the French people, that the inadequacies of the republican system had lost France the war.