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Criticism of “Fascist Nostalgia” in the Political Thought of the New Right
ACTA UNIVERSITATIS WRATISLAVIENSIS No 3866 Studia nad Autorytaryzmem i Totalitaryzmem 40, nr 3 Wrocław 2018 DOI: 10.19195/2300-7249.40.3.6 JOANNA SONDEL-CEDARMAS ORCID: 0000-0002-3037-9264 Uniwersytet Jagielloński Criticism of “fascist nostalgia” in the political thought of the New Right The seizure of power by the National Liberation Committee on 25th April, 1945 and the establishment of the republic on 2nd June, 1946 constituted the symbolic end to Mussolini’s dictatorship that had lasted for more than 20 years. However, it emerged relatively early that fascism was not a defi nitively closed chapter in the political and social life of Italy. As early as June of 1946, after the announcement of a presidential decree granting amnesty for crimes committed during the time of the Nazi-Fascist occupation between 1943 and 1945, the country saw a withdrawal from policies repressive towards fascists.1 Likewise, the national reconciliation policy gradually implemented in the second half of the 1940s by the government of Alcide De Gasperi, aiming at pacifying the nation and fostering the urgent re- building of the institution of the state, contributed to the emergence of ambivalent approaches towards Mussolini’s regime. On the one hand, Italy consequently tried to build its institutional and political order in clear opposition towards fascism, as exemplifi ed, among others, by a clause in the Constitution of 1947 that forbade the establishment of any form of fascist party, as well as the law passed on 20th June, 1 Conducted directly after the end of WW II, the epurazione action (purifi cation) that aimed at uprooting fascism, was discontinued on 22nd June 1946, when a decree of president Enrico De Nicola granting amnesty for crimes committed during the Nazi-Fascist occupation of Italy between 1943–1945 was implemented. -
L'action Française Face À Victor Hugo Dans L'entre-Deux-Guerres1
Jordi Brahamcha-Marin (Le Mans Université) L’Action française face à Victor Hugo dans l’entre-deux-guerres1 L’histoire de l’Action française dans l’entre-deux-guerres est travaillée par un paradoxe2. D’un côté, ce mouvement, constitué autour d’un journal (fondé en 1898, devenu quotidien en 1908) et d’une ligue (fondée en 1905), ne parvient jamais vraiment à influencer le cours des événements politiques. Bien sûr, le « coup de force » souhaité par Maurras n’est pas réalisé ; en 1926, la mise à l’index, par le Saint-Siège, du quotidien L’Action française porte un coup d’arrêt à l’essor que le mouvement connaissait depuis la fin de la guerre ; dans les années trente, beaucoup de jeunes militants vont se détourner du royalisme au profit d’autres courants politiques jugés moins vieillots, et notamment des courants fascistes ; même sous le régime de Vichy, accueilli par Maurras comme une « divine surprise », les maurrassiens ne joueront qu’un faible rôle dans les sphères dirigeantes3. Les tirages du quotidien L’Action française demeurent, tout au long de la période, somme toute modestes, et tombe à quarante mille en 1939 – à comparer avec les presque deux millions de Paris-Soir, ou, en ce qui concerne la presse politique, les trois cent vingt mille exemplaires de L’Humanité, ou les cent quinze mille exemplaires du quotidien radical L’Œuvre4. De l’autre côté, Maurras et ses amis exercent un magistère intellectuel absolument incontestable, au point que le mouvement a pu exercer une certaine attraction intellectuelle sur des écrivains majeurs, comme Gide ou Proust dans les années dix. -
He Is Depending on You: Militarism, Martyrdom, and the Appeal to Manliness in the Case of France’S ‘Croix De Feu’, 1931-1940
Western University Scholarship@Western Faculty Publications History 2005 He Is Depending on You: Militarism, Martyrdom, and the Appeal to Manliness in the Case of France’s ‘Croix de Feu’, 1931-1940. Geoff Read Huron University, London, [email protected] Follow this and additional works at: https://ir.lib.uwo.ca/huronhistorypub Part of the European History Commons, and the Political History Commons Citation of this paper: Read, Geoff, "He Is Depending on You: Militarism, Martyrdom, and the Appeal to Manliness in the Case of France’s ‘Croix de Feu’, 1931-1940." (2005). Faculty Publications. 5. https://ir.lib.uwo.ca/huronhistorypub/5 Document generated on 01/16/2019 2:26 p.m. Journal of the Canadian Historical Association He Is Depending on You: Militarism, Martyrdom, and the Appeal to Manliness in the Case of France’s ‘Croix de Feu’, 1931-1940. Geoff Read Article abstract Volume 16, Number 1, 2005 This article examines the masculine discourse of the Croix de URI: id.erudit.org/iderudit/015734ar Feu, France’s largest political formation in the late 1930s, https://doi.org/10.7202/015734ar against the examples of the republican conservative parties – the Fédération Républicaine, the Alliance Démocratique, and the Parti Démocrate Populaire – as well the Socialist and See table of contents Communist left. The author argues, based on the François de La Rocque papers, the movement’s newspaper, Le Flambeau, the archives of key political figures, as well as the other parties’ presses, that while the Croix de Feu’s preferred masculinity was similar to that found on the republican right in many Publisher(s) regards, the movement, borrowing heavily from the masculinist aesthetic of the far-left, was engaged in the The Canadian Historical Association / La Société historique du construction of a fascist “new man.” He is Depending on You, Canada therefore, maintains that the Croix de Feu was typically fascist in its masculine discourse, synthesizing social conservatism with a radical élan. -
[email protected] Vichy, Crimes Against Humanity
Henry Rousso Institut d’histoire du temps présent (CNRS, Paris) [email protected] Vichy, Crimes against Humanity, and the Trials for Memory Department of French-Italian, Department of History The University of Texas at Austin Lecture given at 9/11/2003 I would like to begin this talk about the way France coped with its past by making some general statements. Why it may be interesting to study the Vichy legacy, except of course if you are impassionned by French History? Why the history of the memory of the “Dark Years”, the years of the Nazi Occupation, may have some interest for other periods or other situations, in contemporary history? Why to study preciseley how the representations of the past or the behaviour towards the past has evolved from 1944, the Liberation, to the present days, may have a universal meaning ? We can propose several answers : - We may learn a lot in studying the “Dark years” because it’s a period in which a great power, the second world power at that time in terms of political and economic influence, collapsed in six weeks, after a brutal and unexpected agression against its territory. The panic of the defeat, the disarray coming from the vanishing of the State and of other authorities, led to a strong support for a dictatorship, the Vichy Regime, which abolished most of the political rights. The new regime, using the fear of most of the population, declared that France was no more a Republic, and that she had a lot of ennemies : not the Nazi Occupiers, but the Jews, the Foreigners, the Free- Masons, all kind of opponents: in short, for Vichy, one of the result of the defeat, ennemies were at home. -
Utopian Aspirations in Fascist Ideology: English and French Literary Perspectives 1914-1945
Utopian Aspirations in Fascist Ideology: English and French Literary Perspectives 1914-1945 Ashley James Thomas Discipline of History School of History & Politics University of Adelaide Thesis presented as the requirement for the degree of Doctor of Philosophy in the Faculty of Humanities and Social Sciences University of Adelaide March 2010 CONTENTS Abstract iii Declaration iv Acknowledgments v Chapter One: Introduction 1 Chapter Two: Interpreting Fascism: An Evolving 26 Historiography Chapter Three: The Fascist Critique of the Modern 86 World Chapter Four: Race, Reds and Revolution: Specific 156 Issues in the Fascist Utopia Chapter Five: Conclusion 202 Bibliography 207 ABSTRACT This thesis argues that utopian aspirations are a fruitful way to understand fascism and examines the utopian ideals held by a number of fascist writers. The intention of this thesis is not to define fascism. Rather, it is to suggest that looking at fascism’s goals and aspirations might reveal under-examined elements of fascism. This thesis shows that a useful way to analyse the ideology of fascism is through an examination of its ideals and goals, and by considering the nature of a hypothetical fascist utopia. The most common ways of examining fascism and attempting to isolate its core ideological features have been by considering it culturally, looking at the metaphysical and philosophical claims fascists made about themselves, or by studying fascist regimes, looking at the external features of fascist movements, parties and governments. In existing studies there is an unspoken middle ground, where fascism could be examined by considering practical issues in the abstract and by postulating what a fascist utopia would be like. -
Résumés Français Des Différentes
Résumés.qxp 15/05/2012 14:29 Page 1 Maurrassisme et littérature Résumés Martin Motte Mistral-Maurras : les enjeux d’une filiation Charles Maurras fut-il le fils spirituel de Frédéric Mistral ou détourna-t-il l’héritage du grand poète provençal ? La question ne peut être directement tranchée par comparaison de leurs idées politiques, celles de Mistral ayant été très fluctuantes. Le détour par la littérature s’avère en revanche plus fructueux, puisque c’est sur ce terrain-là qu’ils se sont rencontrés. Pour Maurras, la poésie de Mistral était l’antidote au nihilisme romantique et, de façon analogue mais sur un plan collectif, une forme d’action civique. L’engagement du jeune Mistral au sein du Félibrige se fit sous ces auspices, mais il se rendit vite compte que les hiérarques du mouvement étaient trop proches de la République jacobine pour ne pas trahir le rêve de Mistral ; aussi se convertit- il au monarchisme, persuadé que seul un roi pourrait restaurer les libertés régionales. En somme, Maurras pensait accomplir le mistralisme par les voies du politique. Mais il ne put jamais rallier Mistral à ses vues, car de nombreuses questions les divisaient – et d’abord le fait que le poète abhorrait la politique. Leurs désaccords sur des enjeux annexes masquent toutefois une grande proximité quant à la façon d’articuler littérature et engagement civique, qu’ils avaient tendance à rapprocher jusqu’à les confondre. Cela explique que confrontés à des cir- constances tragiques, la révolte des vignerons languedociens pour Mistral, le 6 février 1934 pour Maurras, l’un et l’autre se soient repliés sur l’écriture. -
The Vichy Regime and I Ts National Revolution in the Pol I Tical Wri Tings of Robert Bras Illach, Marcel Déat, Jacques Doriot, and Pierre Drieu La Rochelle
The Vichy regime and i ts National Revolution in the pol i tical wri tings of Robert Bras illach, Marcel Déat, Jacques Doriot, and Pierre Drieu La Rochelle. Sean Hickey Department of History McGill University, Montreal September, 1991 A thesis submi tted to the Facul ty of Graduate St.udies and f{esearch in partial fulfj lIment of the requirements of the degree ot Master of Arts (c) 2 ABSTRACT This thesis examines the campaign wagp~ against Vichy's National Revolution by Robert Brasillach, Marcel Déat, Jacques Doriot, and Pierre Drieu La Rochelle. It explores the particular issues of contention separating Vichy and the Paris ultras as weIl as shedd':'ng light on the final evolutiou of a representative segment of the fascist phenomenon in France • . l 3 RESUME Cette thèse est une étude de la rédaction politique de Robert Brasillach, Marcel Déat, Jacques Doriot, et Pierre Drieu La Rochelle contre la ~9volution nationale de Vichy. Elle examine la critique des "collabos" envers la politique du gouvernement P~tainist et fait rapport, en passant, de l'ere finale d'un a3pect du phenomène fasciste en France. 4 TABLE OF CONTENTS Introduction 5 Chapt.er One: "Notre Avant-Guerre" 9 Chapt.er Two: At the Crossroads 3.1 Chapt.er Three: Vichy- Society Recast 38 Chapter Four: Vichy- Society purged 61 Chapt.er Five: Vichy- Legacy of Defeat 79 Conclusion 101 Bibliography 109 • 5 l NTRODUCT l ON To date, historians of the French Collaboration have focussed largely on three over lapPing relat ionshi ps: t.hat between the Vichy regime and Naz1 Germany, that beLween t.he latter and the Paris ultras, and the vanous struggles for power and influence within each camp.: As a resull ot tlllS triparti te fixation, the relatlonship between Vichy and the ultras has received short shift. -
Cabinet Du Ministre De L'instruction Publique (1940-1944, 1950)
Cabinet du ministre de l'Instruction publique (1940-1944, 1950) Répertoire numérique (F/17/13333-F/17/133395) Par I. Vernus Archives nationales (France) Pierrefitte-sur-Seine XXe siècle 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_005513 Cet instrument de recherche a été encodé en 2011 par l'entreprise diadeis dans le cadre du chantier de dématérialisation des instruments de recherche des Archives Nationales sur la base d'une DTD conforme à la DTD EAD (encoded archival description) et créée par le service de dématérialisation des instruments de recherche des Archives Nationales 2 Archives nationales (France) Préface Annexes Liens : Liens annexes : • Annexes 3 Archives nationales (France) INTRODUCTION Référence F/17/13333-F/17/133395 Niveau de description fonds Intitulé Cabinet du ministre de l'Instruction publique Date(s) extrême(s) 1940-1944, 1950 Localisation physique Pierrefitte DESCRIPTION Présentation du contenu Introduction Bien que déjà analysés dans l'Etat sommaire des versements, supplément aux T.I, II et III, Paris, 1962, pp. 395 à 398, ces dossiers, en raison de leur importance historique et, partant, de l'intérêt qu'ils suscitent auprès des chercheurs, ont fait l'objet d'un nouveau travail d'inventaire. Le parti a été pris de rédiger des analyses détaillées de chaque article, sans toutefois modifier l'ordre de classement initial des cartons et des dossiers ; aussi les références données dans les ouvrages parus antérieurement à cette publication demeurent-elles valables. Cependant, le souci de faire apparaître la structure originelle du fonds en rapprochant les dossiers de même nature a conduit à multiplier les notes infrapaginales. -
The Germans in France During World War II: Defeat, Occupation, Liberation, and Memory UCB-OLLI Bert Gordon [email protected] Winter 2020
The Germans in France During World War II: Defeat, Occupation, Liberation, and Memory UCB-OLLI Bert Gordon [email protected] Winter 2020 Introduction Collaboration, Resistance, Survival: The Germans in France During World War II - Defeat, Occupation, Liberation, and Memory Shortly before being executed for having collaborated with Nazi Germany during the German occupation of France in the Second World War, the French writer Robert Brasillach wrote that “Frenchmen given to reflection, during these years, will have more or less slept with Germany—not without quarrels—and the memory of it will remain sweet for them.” Brasillach’s statement shines a light on a highly charged and complex period: the four-year occupation of France by Nazi Germany from 1940 through 1944. In the years since the war, the French have continued to discuss and debate the experiences of those who lived through the war and their meanings for identity and memory in France. On 25 August 2019, a new museum, actually a transfer and extension of a previously existing museum in Paris, was opened to commemorate the 75th anniversary of the liberation of the French capital. Above: German Servicewomen in Occupied Paris Gordon, The Germans in France During World War II: Defeat, Occupation, Liberation, and Memory Our course examines the Occupation in six two-hour meetings. Each class session will have a theme, subdivided into two halves with a ten-minute break in between. Class Schedule: 1. From Victory to Defeat: France emerges victorious after the First World War but fails to maintain its supremacy. 1-A. The Interwar Years: We focus on France’s path from victory in the First World War through their failure to successfully resist the rise of Nazi Germany during the interwar years and their overwhelming defeat in the Second. -
The Rural Fantasies of Jean Giono
H-France Salon Volume 2 13 H-France Salon, Volume 2, Issue 1, No. 3 The following essay was prepared in response to Meaghan Emery’s article and Richard Golsan’s response to that article published in French Historical Studies 33:4 (Fall 2010) and Emery’s response to Golsan’s response published in H-France Salon vol. 2, issue 1, #2 The Rural Fantasies of Jean Giono Julian Jackson* Almost no aspect of the Occupation excites more passionate debate than the positions taken up by artists and intellectuals. We want to know how, and why, so many writers collaborated - to understand their intellectual trajectories. Recently we have had fascinating studies of Bernard Faÿ, a close friend of Gertrude Stein, who was also a fanatical anti-Freemason and became director of the Bibliothèque national under Vichy, and of Ramon Fernandez (by his son the novelist Dominique) who moved from being one of the stars of the French literary scene in the 1920s to being a fascist collaborator after 1940.1 Of all the purge trials that took place in 1945, none excites more interest than that of the novelist Robert Brasillach.2 These were three writers openly committed to collaboration, but even more interesting are the more ambiguous cases. For example, the German historian Ingrid Galster has done very effective detective work on the wartime conduct of Jean-Paul Sartre.3 Pierre Hebey has provided an excellent study of the reasons why so many French writers went on writing for the prestigious Nouvelle revue française during the Occupation despite the fact it was edited by the fascist Drieu La Rochelle.4 The most sophisticated general account of writers in the war is that provided by Gisèle Sapiro who uses a sociological analysis inspired by Pierre Bourdieu to explain their choices.5 Our fascination with this issue derives partly from the high status that France has attached to its intellectuals. -
TABLE ALPHABÉTIQUE Par Gilbert Cahen, Alexandre Labat Et Gabrielle Vilar
MINISTÈRE DES AFFAIRES CULTURELLES DIRECTION DES ARCHIVES DE FRANCE ÉTAT SOMMAIRE DES VERSEMENTS FAITS AUX ARCHIVES NATIONALES par les ministères et les administrations qui en dépendent (SÉRIE F) TABLE ALPHABÉTIQUE par Gilbert Cahen, Alexandre Labat et Gabrielle Vilar PARIS IMPRIMERIE NATIONALE 1972 1 « État sommaire des versements faits aux Archives nationales… ». Table de la série F. 1972. ATTENTION : cette table renvoie aux n° des volumes imprimés (chiffres romains) et aux n° des pages de ces volumes imprimés (chiffres arabes) AVERTISSEMENT Le manuscrit des trois premiers tomes de l'État sommaire de la série F, commencé par Mme Gabrielle Vilar, poursuivi et achevé par M. Gilbert Cahen, était pratiquement prêt pour l'impression quand a paru, en 1962, un volume supplémentaire contenant d'importantes additions et quelques corrections aux états des diverses séries traitées dans ces trois tomes. Pour éviter au chercheur la nécessité de consulter systématiquement et successivement deux tables distinctes, il a été décidé d'incorporer à la table déjà rédigée les références à extraire du volume récemment publié. Cette dernière partie du travail est l'œuvre du signataire de la présente note, qui tient à s'excuser auprès de ses prédécesseurs pour les modifications qu'il a parfois dû apporter à leur manuscrit, afin de l'adapter aux matières nouvelles qu'il y avait lieu d'y ajouter, et auprès des chercheurs pour les imperfections qui s'attachent inévitablement à toute entreprise de ce genre surtout quand elle est collective. On comprendra aisément en effet que les trois rédacteurs successifs n'ont pu résoudre exactement de la même façon tous les menus problèmes que soulève la rédaction d'une table alphabétique quelque peu développée. -
The Infected Republic: Damaged Masculinity in French Political Journalism 1934-1938
The Infected Republic: Damaged Masculinity in French Political Journalism 1934-1938 Emily Ringler Submitted for Honors in the Department of History April 30, 2010 TABLE OF CONTENTS Acknowledgements 3 Introduction 4 Chapter I: Constructing and Dismantling Ideals of French Masculinity in the Third Republic 10 Man and Republic: the Gendering of Citizenship 10 Deviance and Degenerates in the Third Republic 14 The Dreyfus Affair and Schisms in Ideals of Masculinity 22 Dystopia and Elusive Utopia: Masculinity and Les Années Folles 24 Political Instability and Sexual Symbolism in the 1930s 29 Chapter II: The Threat of the Other: Representations of Damaged Masculinity on the Right 31 Defining the Right Through Its Uses of Masculinity 31 Images of the Other 33 The Foreign Other as the Embodiment of Infection 36 Sexualizing Jewish Otherness 39 The Infected Republic: The Disease of the Other and the Decline of the Nation 42 Conclusion: Republicanism on the Extreme Right? 47 Chapter III: The Threat of the Crowd: Representations of Damaged Masculinity on the Left 49 Crowd Psychology in the Third Republic 49 Threat of Fascist Contagion in Leftist Journals 55 Crowd Psychology and the Deviance of the Leagues 59 Conclusion: Infection and the Threat of the Crowd 66 Conclusion 67 Bibliography 69 2 ACKNOWLEDGEMENTS Completing this thesis would not have been possible without the advice, input and support of too many people to name. First and foremost, I would like to thank my advisors, Ari Sammartino in the fall and Len Smith in the spring. Their comments on my research and numerous drafts were always highly helpful, informed and encouraging, and I would have been completely lost without their support.