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Lesson 12: Eternity 1 Eternity • with All of God's Enemies Defeated
Lesson 12: Eternity 1 Eternity With all of God’s enemies defeated, including death, eternity is ushered in and the kingdom delivered to God the Father. o “Then comes the end, when He hands over the kingdom to God the Father, when He abolishes all rule and all authority and power. For He must reign until He puts all His enemies under His feet. The last enemy to be abolished is death. For God has put everything under His feet. But when it says ‘everything’ is put under Him, it is obvious that He who puts everything under Him is the exception. And when everything is subject to Christ, then the Son Himself will also be subject to the One who subjected everything to Him, so that God may be all in all.” (1 Corinthians 15:24-28) o There are several important concepts to note. Jesus is completely equal to the Father as part of the Triune God. “Make your own attitude that of Christ Jesus, who, existing in the form of God, did not consider equality with God as something to be used for His own advantage. Instead He emptied Himself by assuming the form of a slave, taking on the likeness of men. And when He had come as a man in His external form, He humbled Himself by becoming obedient to the point of death—even to death on a cross. For this reason God highly exalted Him and gave Him the name that is above every name, so that at the name of Jesus every knee will bow—of those who are in heaven and on earth and under the earth—and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father.” (Philippians 2:5-11) Lesson 12: Eternity 2 “In the beginning was the Word, and the Word was with God, and the Word was God…The Word became flesh and took up residence among us. -
Scheherazade
SCHEHERAZADE The MPC Literary Magazine Issue 9 Scheherazade Issue 9 Managing Editors Windsor Buzza Gunnar Cumming Readers Jeff Barnard, Michael Beck, Emilie Bufford, Claire Chandler, Angel Chenevert, Skylen Fail, Shay Golub, Robin Jepsen, Davis Mendez Faculty Advisor Henry Marchand Special Thanks Michele Brock Diane Boynton Keith Eubanks Michelle Morneau Lisa Ziska-Marchand i Submissions Scheherazade considers submissions of poetry, short fiction, creative nonfiction, novel excerpts, creative nonfiction book excerpts, graphic art, and photography from students of Monterey Peninsula College. To submit your own original creative work, please follow the instructions for uploading at: http://www.mpc.edu/scheherazade-submission There are no limitations on style or subject matter; bilingual submissions are welcome if the writer can provide equally accomplished work in both languages. Please do not include your name or page numbers in the work. The magazine is published in the spring semester annually; submissions are accepted year-round. Scheherazade is available in print form at the MPC library, area public libraries, Bookbuyers on Lighthouse Avenue in Monterey, The Friends of the Marina Library Community Bookstore on Reservation Road in Marina, and elsewhere. The magazine is also published online at mpc.edu/scheherazade ii Contents Issue 9 Spring 2019 Cover Art: Grandfather’s Walnut Tree, by Windsor Buzza Short Fiction Thank You Cards, by Cheryl Ku ................................................................... 1 The Bureau of Ungentlemanly Warfare, by Windsor Buzza ......... 18 Springtime in Ireland, by Rawan Elyas .................................................. 35 The Divine Wind of Midnight, by Clark Coleman .............................. 40 Westley, by Alivia Peters ............................................................................. 65 The Headmaster, by Windsor Buzza ...................................................... 74 Memoir Roller Derby Dreams, by Audrey Word ................................................ -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end. -
Current Lover 2015 Ed
Current Lover 2015 ed. © madbeanpedals FX Type: Flanger Based on the EHX® Electric Mistress™ 3.35” W x 2.8” H Terms of Use: You are free to use purchased Current Lover circuit boards for both DIY and small commercial operations. You may not offer Current Lover boards for resale or as part of a “kit” in a commercial fashion. Peer to peer re-sale is, of course, okay. B.O.M. Resistors Resistors Caps Diodes R1 5k6 R26 30k C1 39n D1 1n914 R2 1M R27 3k9 C2 47n D2 1N4007 R3 5k6 R28 47k C3 1n D3 1N5817 R4 1M R29 27k C4 100n D4 LED R5 470R R30 15k C5 10uF Transistors R6 4k7 R31 33k C6 680pF Q1 2N3904 R7 100k R32 62k C7 68n Q2 2N5087 R8 5k6 R33 1M2 C8 220n IC's R9 100k R34 3k9 C9 47n IC1 4558 R10 82k R35 10k C10 47n IC2 MN3007 R11 4k7 R36 1k C11 3n3 IC3 CD4049 R12 4k7 R37 4k7 C12 2n2 IC4 CD4013 R13 47k R38 200k C13 220n IC5 LM324 R14 10k R39 200k C14 100pF IC6 LM311 R15 8k2 R40 1k C15 1uF IC7 4558 R16 13k R41 22R C16 33uF Switch R17 470R R42 22R C17 33uF FILTER DPDT R18 470R C18 1uF Trimmers R19 10k C19 1uF CLOCK 10k R20 470R C20 22pF T1 10k R21 100k C21 220uF BIAS 100k R22 39k C22 100n VOL 50k R23 24k C23 100uF Pots R24 8k2 C24 100uF RANGE 100kB R25 10k C25 10uF RATE 1MC FDBK 10kB - Important update: A few people have had problems biasing the CL due to the value of R10 (82k). -
User's Manual
USER’S MANUAL Important Safety Instructions Warning! • To reduce the risk of fire or electrical shock, do not 1 Read these instructions. expose this equipment to dripping or splashing and 2 Keep these instructions. ensure that no objects filled with liquids, such as vases, 3 Heed all warnings. are placed on the equipment. 4 Follow all instructions. • Do not install in a confined space. 5 Do not use this apparatus near water. 6 Clean only with dry cloth. Service 7 Do not block any ventilation openings. Install in accor- • All service must be performed by qualified personnel. dance with the manufacturer’s instructions. 8 Do not install near heat sources such as radiators, heat Caution: registers, stoves, or other apparatus (including ampli- You are cautioned that any change or modifications fiers) that produce heat. not expressly approved in this manual could void your 9 Only use attachments/accessories specified by the authority to operate this equipment. manufacturer. 10 Refer all servicing to qualified service personnel. When replacing the battery follow the instructions on Servicing is required when the apparatus has been battery handling in this manual carefully. damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been EMC/EMI exposed to rain or moisture, does not operate normally, This equipment has been tested and found to comply with or has been dropped. the limits for a Class B Digital device, pursuant to part 15 of the FCC rules. 2 These limits are designed to provide reasonable protection against harmful interference in residential installations. -
“The Angels of Saint Francis” by Jeff Frank June 21,2008 “I Have Seen
“The Angels of Saint Francis” by Jeff Frank June 21,2008 “I have seen and met Angels wearing the disguise of ordinary people living ordinary lives” Traci Chapman Dedicated to all the Angels in hospitals and everywhere, Disguised as humans. Angels at the party…Laura, Guy, Sandy, Judi, Ray, Karen and Gary, Tom, Jeanne, Carol, Margie, the waitress Angels in the Ambulance….Rita Wyatt, Luke Hardcastle, Al Tedesco, Mike Bouche and Terry, Tracy Martin Angels of St. Francis…. Genessa, Lilly, O’Ramas, Paul, Lynette, Maria, Joseph, Tara, Asha, Sherry, Terry, Steve, Bob Quinn, Jack Soterakis, Rocky Colangelo, George Petrussian, Vinnie Jamm, Jacklyn Thoresz, Mike Como, Dr. Hoch, Angela, Robyn, Barbara, Dorothy, Dorothea, Dolores, Erica, Eric, Dan, Richland, Vera, Michael, Tara, Rochelle, Elishia, Nellini, Mark, H. Sinan Berkay, Erin Rose, Joseph, Richard, Asha, Tamar, Maura, Mary Claire, Arcie, Melissa, LaToya, Mary, Michael, Rose, Francine, Andy, Willie Pete, Catherine, Christine, Mark, Carrie, Susanna, Debbie, Theresa, Sophe, Victoria, Francine, Juan, Adrianna, Jennifer, Francine, Christine. My Family Angels… Jennifer, Mark, Claire, Daphne and John, Elizabeth (Jean, Mike, Pat, Jan, Mary Jane, Kelly, Mark) Angel Drivers… Robert Burton, Steve Cholette The Angels of rehab…. Nancy, Kathleen, Alana, Jessica, Peggy and Ann My guardian Angel and body elemental, all the arch angels that worked with me, Michael, Azerial, Raphael, Gabriel, Urial For all the Green Guerrillas and friends and strangers who prayed for me when it was needed. My special thanks to Hilda Charlton, Sai Babba, Mother Mary, AmmaChi, Guru Bawa Muhaiyaddeen, Buddha, the Lords of Karma,Babba Ji, The Ascended Masters, Glycol, Ishmatalda, Serapis Bey, St. -
Real-Time VST Guitar Effects Processor By: Henry Chen, Derrick Louie, Terri Huang Advisor: Dr
Real-Time VST Guitar Effects Processor By: Henry Chen, Derrick Louie, Terri Huang Advisor: Dr. Sophocles J. Orfanidis Project Background DSP Block Diagram Graphical User Interface -Address the demands of traveling musicians (guitarists) by giving them near-studio recording experience through user-friendly guitar effects --Ensure device compatibility on any Windows device (32-bit or 64-bit) without utilizing 32-bit ADC external signal processing devices 44100Hz VST 448 Sample Buffer -Develop optimization skills and minimize memory-allocation problems faced in the industry Buffer -Accumulate C++ and Matlab/Simullink JUCE Gain/Equalizer programming experience Plug-In (Master Volume) Wrapper Design Abstract Guitar Effect(s) Frequency Responses Fuzz Distortion Fuzz Distortion Frequency Response By utilizing the VST-Host, we can interact 0 with the soundcard by establishing a signal Saturates Input -Non-Linear Effect(s) -10 sampling rate and an audio buffer size. For •Fuzz- Saturates input signal before -20 the accuracy purpose of our project, we going through an amplifier. For ease -30 -40 utilized the smallest sampling rate possible of control and usage, this method was (dB) at 44100Hz. After undergoing testing, we -50 selected over other distortion effects. had concluded that the buffer size of 448 -60 -70 samples worked best with most computers. -Delay Effect(s) Processed Signal Original Signal -80 The bulk of the Discrete –Time Signal Echo •Echo- Copies original buffer, delays 0 10 20 30 40 50 60 70 80 90 100 (Hz) Processing is carried out by JUCE wrapper, Flanger Frequency Response by a variable, and output with the -22 in which we programmed our guitar effects original buffer -24 and Audio GUI. -
Realguitar 5 User's Manual
REALGUITAR 5 USER'S MANUAL COPYRIGHT © 2004-2021 BY MUSICLAB, INC. TABLE OF CONTENTS ABOUT THE PROGRAM .................................................................................................................................................. 3 WHAT’S NEW IN REALGUITAR 5 ............................................................................................................................. 5 INSTALLING REALGUITAR ............................................................................................................................................. 6 Installing RealGuitar PC version ..................................................................................................................... 6 Installing RealGuitar Mac version .................................................................................................................. 6 Launching RealGuitar .............................................................................................................................................. 6 Managing Sound Bank ........................................................................................................................................... 7 REALGUITAR STEEL STRING ....................................................................................................................................... 8 Virtual Fretboard .......................................................................................................................................................... 8 Virtual Keyboard .......................................................................................................................................................... -
Atomic Amps) to Accommodate Two Used Instead of (Or in Addition To) Manual Level Compensation
USER MANUAL V 4.0 TABLE OF CONTENTS INTRODUCTION . .. .. .. .. .. 4-5 CONNECTORS . 6, 7, 9, 11 CONNECTION DIAGRAM . 8,10 EFFECTS & SIGNAL CHAIN . 12 BLOCK DESCRIPTIONS . 12-15 CABINET MODELING . 13-14 QUICK EDIT - TWEAK KNOBS . 14 DEEP EDIT - PRESET PARAMETERS . 15 AMPS . .. .. .. .. .. .. .. .. 16 FX-LOOP . 17 SAVING PRESETS . 19 DEFAULT PRESET ON POWER-UP . 20 DISCARD EDIT? CONFIRM . 20 PARAMETER SETTINGS . .. .. .. 21-45 FOOTSWITCHES . .. .. .. .. .. 46-48 FOOTSWITCH MODES . 46-48 PROGRAMMING FOOTSWITCHES . 46-48 GLOBAL SETTINGS . 49-50 TUNER . 51 CLIP WARNING . 51 EXPRESSION PEDALS . 52-54 MIDI . 55-57 3 INTRODUCTION AMPLIFIRE12 ADDITIONAL Features: • 12 fully programmable footswitches for ultimate control Thank you for purchasing AMPLIFIRE, a world-class amp tone and multi-effects pedal/processor . A powerful and portable device, it is small enough to fit in a • 2 dedicated expression control inputs gig bag yet potent enough to please even the most discriminating tube amp and effects aficionados . • 1/4” professional headphone jack We designed AMPLIFIRE as an instrument that we, as guitar players, wanted for • Large easy to read LCD display ourselves . This meant it had to sound/feel authentic and amazing while being easy-to-use, portable and road-rugged . • Ultra rugged extruded aluminum case AMPLIFIRE is equally capable of being a complete rig replacement or part of a • Power Switch larger pedal board and/or outboard processing rig . HERE ARE SOME HIGHLIGHTS: • All new, state-of-the-art amp modeling based on Studio Devil’s highly acclaimed and patented technology Enjoy! • Blazing dual-DSP powered hardware allowing for complex and detailed algorithms • Stereo 1024-point cabinet impulses (IRs) with ability to upload 3rd-party IRs • Robust effects selection including drive, modulation, delay, reverb, compression, eq, gate, etc . -
S H a P E S O F a P O C a Ly P
Shapes of Apocalypse Arts and Philosophy in Slavic Thought M y t h s a n d ta b o o s i n R u s s i a n C u lt u R e Series Editor: Alyssa DinegA gillespie—University of Notre Dame, South Bend, Indiana Editorial Board: eliot Borenstein—New York University, New York Julia BekmAn ChadagA—Macalester College, St. Paul, Minnesota nancy ConDee—University of Pittsburg, Pittsburg Caryl emerson—Princeton University, Princeton Bernice glAtzer rosenthAl—Fordham University, New York marcus levitt—USC, Los Angeles Alex Martin—University of Notre Dame, South Bend, Indiana irene Masing-DeliC—Ohio State University, Columbus Joe pesChio—University of Wisconsin-Milwaukee, Milwaukee irina reyfmAn—Columbia University, New York stephanie SanDler—Harvard University, Cambridge Shapes of Apocalypse Arts and Philosophy in Slavic Thought Edited by Andrea OppO BOSTON / 2013 Library of Congress Cataloging-in-Publication Data: A bibliographic record for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved. ISBN 978-1-61811-174-6 (cloth) ISBN 978-1-618111-968 (electronic) Book design by Ivan Grave On the cover: Konstantin Juon, “The New Planet,” 1921. Published by Academic Studies Press in 2013 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Forgiving Others Lesson 34
Forgiving Others Lesson 34 Purpose To encourage class members to seek the peace that comes from forgiving others. Preparation 1. Prayerfully study Genesis 45:1–15; Matthew 5:43–45; 18:21–22; Luke 15:11–32; 1 Nephi 7:8–21; Moroni 6:8; Doctrine and Covenants 64:9–10. 2. Write each of the following scripture references on a separate piece of paper: Moroni 6:8; Matthew 18:21–22; Doctrine and Covenants 64:9–10; Matthew 5:43–45. 3. Materials needed: a. A piece of paper from which to make a paper airplane (see page 198). b. Adhesive tape. c. A coin, small rock, or other small weight. d. A set of scriptures and a scripture marking pencil for each class member. Continue to encourage class members to bring their own scriptures to class each week. Note to the teacher When we burden ourselves with anger, hate, and vengeance, we forfeit the blessings of having the guidance of the Holy Spirit. We invite the spirit of the adversary into our lives and thus limit our own progress toward exaltation when we are unforgiving. We invite the Holy Spirit into our lives when we follow the example of Jesus Christ and truly forgive. Suggested Lesson Development We Have Been Commanded to Forgive All People Discussion • What does it mean to forgive someone? and quotation After class members have a chance to respond, ask a class member to read the following statement by Elder Richard G. Scott of the Quorum of the Twelve Apostles: “Forgiveness . allows the love of God to purge your heart and mind of the poison of hate.