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Food Aid Quality Review Phase II Closeout Report
Food Aid Quality Review Phase II Closeout Report October 2011-February 2016 This report was produced for the United States Agency for International Development. It was prepared under the terms of contract AFP-C-00-09-00016-00 awarded to the Friedman School of Nutrition Science and Policy at Tufts University. USAID Food Aid Quality Review Phase II Closeout Report Oct. 2011 – Feb. 2016 This report was made possible by the generous Recommended Citation support of the American people through the Webb, Patrick; Rogers, Beatrice; Walton, support of the US Agency for International Shelley; Boiteau, Jocelyn; Schlossman, Nina; Development (USAID) and the USAID Office of Johnson, Quentin; Koeppel, Leah; Suri, Devika; Food for Peace (FFP) of the Bureau for Langlois, Breanne; Vosti, Stephen; Rosenberg, Democracy, Conflict and Humanitarian Assistance Irwin. 2016. Food Aid Quality Review Phase II (DCHA), under the terms of Contract AFP-C-00- Close-Out Report, Report to USAID from the 09-00016-00, managed by Tufts University. Food Aid Quality Review. Boston, MA: Tufts University. The contents are the responsibility of Tufts University and its partners in the Food Aid This document may be reproduced without Quality Review (FAQR) and do not necessarily written permission by including a full citation reflect the views of the US Agency for of the source. International Development (USAID), the United States Government. For correspondence, contact: The authors have no conflict of interest to Patrick Webb declare. Friedman School of Nutrition Science and Policy August 2016 Tufts University 150 Harrison Avenue Boston, MA 02111 [email protected] Tufts Friedman School of USAID Food Aid Quality Review Phase II Closeout Report Oct. -
Driving Miss Daisy Flame.Indd
Women’s Health CLINIC FEBRUARY 2014 SEASON | YEAR A NEWSLETTER DEDICATED TO GROUPS, ORGANIZATIONS AND FRIENDS OF THE FIRESIDE THEATRE A Hilarious, Heartwarming Must-See FOR OVER THREE DECADES THE FIRESIDE HAS BEEN KNOWN FOR PRODUCING BIG, BRIGHT MUSICAL COMEDIES AND SPECTACULAR MUSICAL REVUES. MUSICAL THEATRE HAS BEEN MY SPECIALTY AND MY PASSION SINCE I SAW MY FIRST BROADWAY MUSICAL AT AGE 6. I TAKE GREAT PRIDE WHENEVER SOMEONE MARVELS AT HOW WE CAN TAKE A BIG BROADWAY MUSICAL AND PUT IT ON OUR SMALL ARENA STAGE WITHOUT LOSING ANY OF ITS WONDER. MUSICALS HAVE BEEN, WITHOUT A DOUBT, THE MAIN DISH ON THE FIRESIDE’S THEATRICAL MENU SINCE WE FIRST OPENED. Then why is it that one of the most I am very excited about directing our popular shows in Fireside history (as well production of this unforgettable play this as in theatrical history) is a three person spring. I have directed DRIVING MISS play about an elderly white woman, her DAISY twice before – once here and aging African American chauffer, and once in a theatre in Ohio and I can her beleaguered middle aged son told honestly say that of all the wonderful simply without a song or a dance in sight. shows I have directed in my 45+ years Is it because we see ourselves and our as a professional director that no other loved ones in this heart-warming tale? Is play has touched my heart more deeply “ Millions of people rank this it because it is hilariously funny without than DAISY. And I am not alone. -
Media Guide 2020
MEDIA GUIDE 2020 Contents Welcome 05 Minstrel Stakes (Group 2) 54 2020 Fixtures 06 Jebel Ali Racecourse & Stables Anglesey Stakes (Group 3) 56 Race Closing 2020 08 Kilboy Estate Stakes (Group 2) 58 Curragh Records 13 Sapphire Stakes (Group 2) 60 Feature Races 15 Keeneland Phoenix Stakes (Group 1) 62 TRM Equine Nutrition Gladness Stakes (Group 3) 16 Rathasker Stud Phoenix Sprint Stakes (Group 3) 64 TRM Equine Nutrition Alleged Stakes (Group 3) 18 Comer Group International Irish St Leger Trial Stakes (Group 3) 66 Coolmore Camelot Irish EBF Mooresbridge Stakes (Group 2) 20 Royal Whip Stakes (Group 3) 68 Coolmore Mastercraftsman Irish EBF Athasi Stakes (Group 3) 22 Coolmore Galileo Irish EBF Futurity Stakes (Group 2) 70 FBD Hotels and Resorts Marble Hill Stakes (Group 3) 24 A R M Holding Debutante Stakes (Group 2) 72 Tattersalls Irish 2000 Guineas (Group 1) 26 Snow Fairy Fillies' Stakes (Group 3) 74 Weatherbys Ireland Greenlands Stakes (Group 2) 28 Kilcarn Stud Flame Of Tara EBF Stakes (Group 3) 76 Lanwades Stud Stakes (Group 2) 30 Round Tower Stakes (Group 3) 78 Tattersalls Ireland Irish 1000 Guineas (Group 1) 32 Comer Group International Irish St Leger (Group 1) 80 Tattersalls Gold Cup (Group 1) 34 Goffs Vincent O’Brien National Stakes (Group 1) 82 Gallinule Stakes (Group 3) 36 Moyglare Stud Stakes (Group 1) 84 Ballyogan Stakes (Group 3) 38 Derrinstown Stud Flying Five Stakes (Group 1) 86 Dubai Duty Free Irish Derby (Group 1) 40 Moyglare ‘Jewels’ Blandford Stakes (Group 2) 88 Comer Group International Curragh Cup (Group 2) 42 Loughbrown -
Driving Miss Daisy – Mother &
Driving Miss Daisy 1 In the dark we hear a car ignition turn on, and then a horrible crash. Bangs and booms and wood splintering. When the noise is very loud, it stops suddenly and the lights come up on Daisy Werthan’s living room, or a portion thereof. Daisy, age 72, is wearing a summer dress and high heeled shoes. Her hair, her clothes, her walk, everything about her suggests bristle and feist and high energy. She appears to be in excellent health. Her son, Boolie Werthan 40, is a businessman, Junior Chamber of Commerce style. He has a strong capable air. The Werthans are Jewish, but they have strong Atlanta accents. DAISY. No! BOOLIE. Mama! DAISY. No! BOOLE. Mama! DAISY. I said no, Boolie, and that’s the end of it. BOOLIE. It’s a miracle you’re not laying in Emory Hospital---- or decked out at the funeral home. Look at you! You didn’t even break your glasses. DAISY. It was the car’s fault. BOOLIE. Mama, the car didn’t just back over the driveway and land on the Pollard’s garage all by itself. You had it in the wrong gear. DAISY. I did not! BOOLIE. You put it in reverse instead of drive. The police report shows that. DAISY. You should have let me keep my La Salle. BOOLIE. Your La Salle was eight years old. DAISY. I don’t care. It never would have behaved this way. And you know it. BOOLIE. Mama, cars, don’t behave. They are behaved upon. The fact is you, all by yourself, demolished that Packard. -
Driving Miss Daisy
COPYRIGHTED MATERIAL FOR RESEARCH USE ONLY: MAY NOT BE DUPLICATED 2012.3.75 MAKING OF THE MOVIE DRIVING MISS DAISY (Transcript of television program The Real Miss Daisy, produced by WAGA-TV, Channel 5, Atlanta, and broadcast in 1990 on public television.) ANNOUNCER VOICE-OVER, with animated numeral 5 rotating and coming to a stop in the center of the screen: Your regular PBS programming will not be seen tonight so that we may bring you the following special program. ANNOUNCER VOICE-OVER: This program is presented as part of WAGA-TV’s year-long project, A World of Difference, in cooperation with the Anti-Defamation League of B’nai Brith and underwritten by Georgia Power Company and the Milken Foundation. ANNOUNCER VOICE-OVER, with title displayed onscreen: The Real Miss Daisy, brought to you by True Value Hardware, your store of first choice. ANNOUNCER (LISA CLARK) VOICE-OVER, with still shot of the three principal actors in Driving Miss Daisy: Dan Aykroyd, Jessica Tandy, and Morgan Freeman: This is the story about the story of three people and the world in which they lived. Screen changes from actors’ photograph to video of three presenters, WAGA-TV journalists: Jim Kaiserski on left, Lisa Clark in center, Ken Watts on right, standing next to vintage black Cadillac [the same one used in the film?] in front of WAGA-TV studios in Atlanta. JIM KAISERSKI: It’s a story about people, it’s a story about places, it’s a story about events that were real and some that weren’t. KEN WATTS: But reality isn’t the important point; truth is. -
AUDIENCE INSIGHTS the Story Oftoulouse-Lautrec a Newmusical TABLE of CONTENTS
GOODSPEED MUSICALS AUDIENCE INSIGHTS the story oftoulouse-lautrec A NewMusical TABLE OF CONTENTS MY PARIS Character Summary & Show Synopsis.........................................................................................3 The Norma Terris Theatre July 23 - Aug 16, 2015 Meet the Writers...................................................................................................................................4 _________ Director’s Vision....................................................................................................................................7 Music and Lyrics by CHARLES AZNAVOUR Author’s Notes.......................................................................................................................................8 Book by “Goodspeed to Produce...” Excerpt from The Day.....................................................................9 ALFRED UHRY Toulouse-Lautrec: Balancing Two Worlds.................................................................................10 English Lyrics and His Paris.................................................................................................................................................12 Musical Adaptation by JASON ROBERT BROWN Impressionist Impressions.............................................................................................................13 Resources......................................................................................................................14 Lighting Design by DON HOLDER Costume Design -
Horse Sale Update
Jann Parker Billings Livestock Commission Horse Sales Horse Sale Manager HORSE SALE UPDATE August/September 2021 Summer's #1 Show Headlined by performance and speed bred horses, Billings Livestock’s “August Special Catalog Sale” August 27-28 welcomed 746 head of horses and kicked off Friday afternoon with a UBRC “Pistols and Crystals” tour stop barrel race and full performance preview. All horses were sold on premise at Billings Live- as the top two selling draft crosses brought stock with the ShowCase Sale Session entries $12,500 and $12,000. offered to online buyers as well. Megan Wells, Buffalo, WY earned the The top five horses averaged $19,600. fast time for a BLS Sale Horse at the UBRC Gentle ruled the day Barrel Race aboard her con- and gentle he was, Hip 185 “Ima signment Hip 106 “Doc Two Eyed Invader” a 2009 Billings' Triple” a 2011 AQHA Sorrel AQHA Bay Gelding x Kis Battle Gelding sired by Docs Para- Song x Ki Two Eyed offered Loose Market On dise and out of a Triple Chick by Paul Beckstead, Fairview, bred dam. UT achieved top sale position Full Tilt A consistant 1D/ with a $25,000 sale price. 486 Offered Loose 2D barrel horse, the 16 hand The Beckstead’s had gelding also ran poles, and owned him since he was a foal Top Loose $6,800 sold to Frank Welsh, Junction and the kind, willing, all-around 175 Head at $1,000 or City OH for $18,000. gelding was a finished head, better Affordability lives heel, breakaway horse as well at Billings, too, where 69 head as having been used on barrels, 114 Head at $1,500+ of catalog horses brought be- poles, trails, and on the ranch. -
Creating Community Gardens Northwest Indian College Cooperative Extension Elise Krohn, Traditional Plants Educator
Creating Community Gardens Northwest Indian College Cooperative Extension Elise Krohn, Traditional plants educator Community gardens are potential places for healing. In a time when families have limited resources including time and money, community gardens can provide nutritious food and medicine. A garden is also a crossroads where diverse people come together to interact and connect. Elders can share their stories and wisdom, while youth can share their energy and enthusiasm. A garden has potential to foster community healing by bringing isolated people together over a common purpose. For many, gardening is a great way to relieve stress and to reconnect with nature. If you are planning a community garden remember that it does not have to be big or complex to be successful. Starting simple and slowly working up to something elaborate is usually wise. A garden is sustainable when it is supported by a number of people in the community, not just one or two people. This will probably be the greatest challenge to keeping the garden alive. A garden can be creatively planned around what will be most fun and functional. Garden designs are often based on themes including medicine, cooking, food, and art. If you have many weavers in your community, you might want to grow basketry plants. If people are interested in making medicine, you may choose to plant medicinal herbs. If cooking is a big interest, a kitchen garden can be deliciously useful. Some of the best gardens mix themes, so you can plant vegetables, flowers and medicinal herbs together. Creativity can be far more useful than money when it comes to starting a garden. -
ISES 2017 Down Under Proceedings.Pdf
ISES 2017ISES DOWN 2017 UNDER DOWN UNDER 13th INTERNATIONAL13th INTERNATIONAL EQUITATION SCIENCE EQUITATION SCIENCE CONFERENCE CONFERENCE 22nd-26th November 222017nd-26 th November 2017 Charles Sturt University,Charles WaggaSturt University, Wagga, Australia Wagga Wagga , Australia EQUITATION SCIENCEEQUITATION IN PRACTICE: SCIENCE IN PRACTICE: COLLABORATION,COLLABORATION, COMMUNICATION COMMUNICATION & & CHANGE CHANGE Proceedings editedProceedings by edited by Hayley Randle | NHayleyatalie RandleWaran | LizzieNatalie Ken Warant | Lizzie Kent Hosted by Hosted by 10070NAT Diploma of Equitation Science A nationally recognised qualification in Equitation Science for horse riders, handlers and coaches. Subject areas include: Learning theory | Biomechanics | Ethology | In-hand training Under-saddle training | Jumping | Foundation training | Coaching Conflict resolution | First aid | Risk management and much more.... Written and directed by Dr Andrew McLean, a recognised world leader in the practical application of learning theory in horse training. “Delivered online and through practical workshops, it’s the ultimate equine qualification emphasising the welfare of horses and the safety of people” www.esi-education.com | [email protected] | +61 477 000 145 RTO TOID 41254 International Society for Equitation Science Presents 13th International Equitation Science Conference 22nd–25th November 2017 Charles Sturt University, Australia Equitation Science in Practice: Collaboration, Communication and Change Proceedings edited by Dr Hayley Randle Prof. Natalie Waran Lizzie Kent Proceedings production: Charles Sturt University Printery 1 This work is subject to copyright. All rights are reserved, whether the whole or part of the material is concerned. Nothing from this publication may be translated, reproduced, stored in a computerised system or published in any form or in any manner, including electronic, mechanical, reprographic or photographic, without prior written permission from the publisher. -
Hates Hollywood Star
CONSIGNOR’S LIST MAY 14, 2020 SELLER TAG NO ALBRECHT, MEGAN 15 ALDAZ, CARLOS 118 BAR D RANCH 59,68,76 BLANEK, CHARLIE 30, 31 CASSINGHAM, JESSE 51 CHOPELAS, JOHN 48 COLEMAN, JOANNE 47 CRISSLER, DONNIE 83,114 DAVIS, BRUCE 69, 87 DUTCHOVER, JAMES 7 EASLEY, DANNY 4,13,50,112 FRANZOY, LAUREN 52, 75 GONZALEZ, GUSTAVO 2,9,16,25,32,39,46,53,60,67,74,81,88,95,102,109,116 GONZALEZ, PANCHO 5,23,42,57,77,97 HARRELL, KIPP 96 HATLEY, COLEE 12, 21, 93,119 HATLEY, COOPER 27,70,92,107 IGLESIAS, VICTOR 19 J & M HORSES 36,44,49,64,72,86 MATHEWS, JAKE 17, 62, 84, 98 MAY, ZARY 6, 40 MAYFIELD, SYLVESTER 8, 26, 55, 79 MCCORMICK, TIM 90,93,111 MCPHAIL, CHEYENNE 3, 14,24, 35, 45, 110 NAVARETTE, JUAN 18,61,80, 105 PETTIGREW, ROBIN 29 PITILLO, DEE 78, 89, 100 RESSOR, CODY 11, 28, 65, 82, 91 RIOS, JASON 1 S & M HORSES 71 SAMIENEGO, CARLITOS 99 SANCHEZ, JAVIER 108 SCHNEIDER, CODY 56, 66 SPEER, COY 34, 58 SPEER, JERRY 10, 20, 43 TAYLOR, CLARE 101 THORNTON, CAMRON 63 TRIANGLE HORSES 54 TWO TOM RANCH 22,33,41,85,94,103 WALDEN, G. R. 37, 73 WRIGHT, LONNIE 38 WELCOME We would like to take this opportunity to thank you for attending our RIO GRAND CLASSIC SALE. If we can be of assistance in any way, either before, during, or after the sale, please feel free to ask any of us. Thank you. TERMS & CONDITIONS OF SALE PLEASE READ & FAMILARIZE YOURSELF WITH THE TERMS & CONDITIONS OF THIS SALE. -
10 Years of Lave & Shows
Outline of the LAVE (Life And Values Education) PROGRAMS developed for NCSY by Rabbi Dr. N. Amsel (2002) Below is the outline of the NCSY LAVE Programs. Each lesson consists of a description of the video, goals of the lesson, a step-by-step Q&A and sources in English and Hebrew. For more information about this program, contact Rabbi Nachum Amsel TOPIC TRIGGER VIDEO YEAR I 1. Relationship to Elders and Sensitivity to All Others The Shopping Bag Lady 2. Choices and Priorities in Judaism The Bill Cosby Show 3. Tzedaka, Chesed and Charity: What’s the Difference? Clown 4. Prejudice By and Against Jews Barney Miller 5. Business Ethics and Stealing Archie Bunker: Brings home drill 6. Personal Antisemitism and the Jewish Reaction Archie Bunker: JDL YEAR II 1. Jewish Identity Archie Bunker: Stephanie’s Jewish 2. Snitching: Right or Wrong? One Day At a Time 3. Jewish Prayer and Self-Actualization Taxi 4. Shul Vandalism: The New Antisemitism? Archie Bunker 5. Lashon Hara and the Jewish Concept of Speech Facts of Life YEAR III 1. Israel and Jewish Identity (Double Lesson) Cast a Giant Shadow: (First scene) 2. Cheating and Honesty Better Days 3. Death and Shiva in Judaism Facts of Life 4. The Jewish Attitude to Wealth and Money Twilight Zone 5. Understanding the Palestinian Uprising 48 Hours: (20 minute clip) 6. Being Different and Being Jewish Molly's Pilgrim YEAR IV 1. The Jewish Attitude to Senility Grandma Never Waved Back 2-3. Bad Things Happen to Good People: Some Jewish Approaches Webster 4. Jewish Attitudes to the Mentally Handicapped Kate and Allie 5. -
ASF 2015 Study Materials for by Alfred Uhry
ASF 2015 Study Materials for Welcome to 1947 1972 1876 Driving Miss Daisy by Alfred Uhry Director John Manfredi Study Materials written by Susan Willis Set Design John Manfredi ASF Dramaturg Costume Design Elizabeth Novak [email protected] Lighting Design Tom Rodman Contact ASF: 1.800.841-4273, www.asf.net ASF/ 1 Driving Miss Daisy by Alfred Uhry Welcome—Let's Take A Drive Together Alfred Uhry is almost as good a chauffeur as Hoke Coleburn. He transports us not only through the span of 25 years in the lives of three characters but also through the transformation of an entire era in the South. He negotiates Characters these changes with smooth, effortless turns, with Daisy Werthan, a widow aged pungent, realistic dialogue, and with detailed 72 to 97 during play character development. To be subject to Uhry’s Boolie Werthan, her son, aged dramatic drive is pure pleasure. 40 to 65 during play Driving Miss Daisy is a memory play, almost Hoke Coleburn, Miss Daisy's a scrapbook of moments. In it Uhry depicts a chauffeur, aged 60 to 85 world he knows well, the world of Atlanta and during play the Reform Jewish community he grew up in, Uhry on the Play and the South the world that shaped him and which he has “I thought somebody should tell what the Setting: Atlanta, Georgia, evoked in shaping this play. Uhry not only creates South was really like,” Alfred Uhry claims as he between 1948 and 1973, memorable onstage characters, but intriguing describes his impetus for writing the play: and on Alabama highways offstage characters as well, for who does not I was tired of all these stereotypes—that white to Mobile enjoy imagining Boolie’s wife Florine or Idella people were running around being openly with her fabled coffee? hostile and rude toward black people, and The strength of Uhry's story, as he realizes, that black people were standing there with is what he calls its truth.