Best Picture Winners: Ordered from Most to Least Surprising
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
List of Animated Films and Matched Comparisons [Posted As Supplied by Author]
Appendix : List of animated films and matched comparisons [posted as supplied by author] Animated Film Rating Release Match 1 Rating Match 2 Rating Date Snow White and the G 1937 Saratoga ‘Passed’ Stella Dallas G Seven Dwarfs Pinocchio G 1940 The Great Dictator G The Grapes of Wrath unrated Bambi G 1942 Mrs. Miniver G Yankee Doodle Dandy G Cinderella G 1950 Sunset Blvd. unrated All About Eve PG Peter Pan G 1953 The Robe unrated From Here to Eternity PG Lady and the Tramp G 1955 Mister Roberts unrated Rebel Without a Cause PG-13 Sleeping Beauty G 1959 Imitation of Life unrated Suddenly Last Summer unrated 101 Dalmatians G 1961 West Side Story unrated King of Kings PG-13 The Jungle Book G 1967 The Graduate G Guess Who’s Coming to Dinner unrated The Little Mermaid G 1989 Driving Miss Daisy PG Parenthood PG-13 Beauty and the Beast G 1991 Fried Green Tomatoes PG-13 Sleeping with the Enemy R Aladdin G 1992 The Bodyguard R A Few Good Men R The Lion King G 1994 Forrest Gump PG-13 Pulp Fiction R Pocahontas G 1995 While You Were PG Bridges of Madison County PG-13 Sleeping The Hunchback of Notre G 1996 Jerry Maguire R A Time to Kill R Dame Hercules G 1997 Titanic PG-13 As Good as it Gets PG-13 Animated Film Rating Release Match 1 Rating Match 2 Rating Date A Bug’s Life G 1998 Patch Adams PG-13 The Truman Show PG Mulan G 1998 You’ve Got Mail PG Shakespeare in Love R The Prince of Egypt PG 1998 Stepmom PG-13 City of Angels PG-13 Tarzan G 1999 The Sixth Sense PG-13 The Green Mile R Dinosaur PG 2000 What Lies Beneath PG-13 Erin Brockovich R Monsters, -
EE British Academy Film Awards Sunday 12 February 2017 Previous Nominations and Wins in EE British Academy Film Awards Only
EE British Academy Film Awards Sunday 12 February 2017 Previous Nominations and Wins in EE British Academy Film Awards only. Includes this year’s nominations. Wins in bold. Years refer to year of presentation. Leading Actor Casey Affleck 1 nomination 2017: Leading Actor (Manchester by the Sea) Andrew Garfield 2 nominations 2017: Leading Actor (Hacksaw Ridge) 2011: Supporting Actor (The Social Network) Also Rising Star nomination in 2011, one nomination (1 win) at Television Awards in 2008 Ryan Gosling 1 nomination 2017: Leading Actor (La La Land) Jake Gyllenhaall 3 nominations/1 win 2017: Leading Actor (Nocturnal Animals) 2015: Leading Actor (Nightcrawler) 2006: Supporting Actor (Brokeback Mountain) Viggo Mortensen 2 nominations 2017: Leading Actor (Captain Fantastic) 2008: Leading Actor (Eastern Promises) Leading Actress Amy Adams 6 nominations 2017: Leading Actress (Arrival) 2015: Leading Actress (Big Eyes) 2014: Leading Actress (American Hustle) 2013: Supporting Actress (The Master) 2011: Supporting Actress (The Fighter) 2009: Supporting Actress (Doubt) Emily Blunt 2 nominations 2017: Leading Actress (Girl on the Train) 2007: Supporting Actress (The Devil Wears Prada) Also Rising Star nomination in 2007 and BAFTA Los Angeles Britannia Honouree in 2009 Natalie Portman 3 nominations/1 win 2017: Leading Actress (Jackie) 2011: Leading Actress (Black Swan) 2005: Supporting Actress (Closer) Meryl Streep 15 nominations / 2 wins 2017: Leading Actress (Florence Foster Jenkins) 2012: Leading Actress (The Iron Lady) 2010: Leading Actress (Julie -
EE British Academy Film Awards Sunday 8 February 2015
EE British Academy Film Awards Sunday 8 February 2015 Previous Nominations and Wins in EE British Academy Film Awards only. Includes this year’s nominations. Wins in bold. Leading Actor Benedict Cumberbatch 1 nomination Leading Actor in 2015: The Imitation Game Eddie Redmayne 1 nomination Leading Actor in 2015: The Theory of Everything Orange Wednesdays Rising Star Award Nominee in 2012 Jake Gyllenhaal 2 nominations / 1 win Supporting Actor in 2006: Brokeback Mountain Leading Actor in 2015: Nightcrawler Michael Keaton 1 nomination Leading Actor in 2015: Birdman Ralph Fiennes 6 nominations / 1 win Supporting Actor in 1994: Schindler’s List Leading Actor in 1997: The English Patient Leading Actor in 2000: The End of The Affair Leading Actor in 2006: The Constant Gardener Outstanding Debut by a British Writer, Director or Producer in 2012: Coriolanus (as Director) Leading Actor in 2015: The Grand Budapest Hotel Leading Actress Amy Adams 5 nominations Supporting Actress in 2009: Doubt Supporting Actress in 2011: The Fighter Supporting Actress in 2013: The Master Leading Actress in 2014: American Hustle Leading Actress in 2015: Big Eyes Felicity Jones 1 nomination Leading Actress in 2015: The Theory of Everything Julianne Moore 4 nominations Leading Actress in 2000: The End of the Affair Supporting Actress in 2003: The Hours Leading Actress in 2011: The Kids are All Right Leading Actress in 2015: Still Alice Reese Witherspoon 2 nominations / 1 win Leading Actress in 2006: Walk the Line Leading Actress in 2015: Wild Rosamund Pike 1 nomination Leading Actress in 2015: Gone Girl Supporting Actor Edward Norton 2 nominations Supporting Actor in 1997: Primal Fear Supporting Actor in 2015: Birdman Ethan Hawke 1 nomination Supporting Actor in 2015: Boyhood J. -
Driving Miss Daisy Flame.Indd
Women’s Health CLINIC FEBRUARY 2014 SEASON | YEAR A NEWSLETTER DEDICATED TO GROUPS, ORGANIZATIONS AND FRIENDS OF THE FIRESIDE THEATRE A Hilarious, Heartwarming Must-See FOR OVER THREE DECADES THE FIRESIDE HAS BEEN KNOWN FOR PRODUCING BIG, BRIGHT MUSICAL COMEDIES AND SPECTACULAR MUSICAL REVUES. MUSICAL THEATRE HAS BEEN MY SPECIALTY AND MY PASSION SINCE I SAW MY FIRST BROADWAY MUSICAL AT AGE 6. I TAKE GREAT PRIDE WHENEVER SOMEONE MARVELS AT HOW WE CAN TAKE A BIG BROADWAY MUSICAL AND PUT IT ON OUR SMALL ARENA STAGE WITHOUT LOSING ANY OF ITS WONDER. MUSICALS HAVE BEEN, WITHOUT A DOUBT, THE MAIN DISH ON THE FIRESIDE’S THEATRICAL MENU SINCE WE FIRST OPENED. Then why is it that one of the most I am very excited about directing our popular shows in Fireside history (as well production of this unforgettable play this as in theatrical history) is a three person spring. I have directed DRIVING MISS play about an elderly white woman, her DAISY twice before – once here and aging African American chauffer, and once in a theatre in Ohio and I can her beleaguered middle aged son told honestly say that of all the wonderful simply without a song or a dance in sight. shows I have directed in my 45+ years Is it because we see ourselves and our as a professional director that no other loved ones in this heart-warming tale? Is play has touched my heart more deeply “ Millions of people rank this it because it is hilariously funny without than DAISY. And I am not alone. -
Cultural Commentary: Affectional Preference on Film: Giggle and Lib Joseph J
Bridgewater Review Volume 1 | Issue 2 Article 9 Dec-1982 Cultural Commentary: Affectional Preference on Film: Giggle and Lib Joseph J. Liggera Bridgewater State College Recommended Citation Liggera, Joseph J. (1982). Cultural Commentary: Affectional Preference on Film: Giggle and Lib. Bridgewater Review, 1(2), 21-22. Available at: http://vc.bridgew.edu/br_rev/vol1/iss2/9 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. CULTURAL COMMENTARY Affectional Preference on Film: Giggle and Lib omantic attachments on screen the romantic man whose passionate desire With the great artist abandoning R these days require at least a hint of is for a person unquestionably of the romantic love--Bergman has lately something kinky to draw the pop audience opposite sex. So straight are his lusts that announced that his next two films will be his which in the days of yesteryear thrilled to no one seemed to notice the dilemma posed last--leaving the field to an oddity like Allen Bogart and Bacall, but which now winks in Manhattan of a man in his mid-forties or television's "Love Boat", the pop knowingly at Julie Andrews in drag. having physical congress with a fifteen year audience, which never warmed to Bergman Something equally aberrant, in fact moreso, old. This year, A -Midsummer Night's Sex or his like anyway, might find solace in Blake more blatant and proselytizing, quickens Comedy renders two points of sexual Edwards, an intriguing director whose last the mental loins of the liberal film-going metaphysics for those still lost in memories three films and his wife's, Julie Andrews, mind; anything less denies the backbone of a gender-differentiated past, the first changing image in them illustrate a syn upon which liberal sentiments are oddly enough insisted upon by the women: if thesis of audience demands with a structured. -
Film Studies and a Programme of Activities and Resources to Prepare You to Start an a Level in Film Studies in September
A Level FilmA LevelStudies Geography Transition Booklet Transition Booklet 2021 This pack contains information about A Level Film Studies and a programme of activities and resources to prepare you to start an A Level in Film Studies in September. Please use this during the summer term and the summer holidays to prepare for your A Level course. 1 Please note the compulsory summer work which starts on page 3 About the course: The specification we teach is produced by Eduqas. The unit code is A670QS A (A level) and a full copy of this specification and other useful information is available at: https://www.eduqas.co.uk/qualifications/film-studies-as-a-level/#tab_overview The course consists of the study of eleven films over three components: Component 1: Varieties of Film Making Component 2: Global Filmmaking Perspectives Component 3: Non-examination assessment Films: Bonnie and Clyde (Penn, 1967) Vertigo (Hitchcock, 1958) The films of Buster Keaton (Keaton, 1915-1930) La La Land (Chazelle, 2016) Beasts of the Southern Wild (Zeitlin, 2012) Stories we Tell (Polly, 2012) This is England (Meadows, 2006) Trainspotting (Boyle, 1996) Pan’s Labyrinth (Del Toro, 2006) City of God (Mereilles, 2002) Pulp Fiction (Tarantino, 1994) Learners will study all of their chosen films in relation to the following core study areas. Area 1. The key elements of film form: cinematography, mise-en-scène, editing, sound and performance Area 2. Meaning and response: how film functions as both a medium of representation and as an aesthetic medium Area 3. The contexts of film: social, cultural, political, historical and institutional, including production. -