Over the Moon in the Rocky Mountains
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List of Animated Films and Matched Comparisons [Posted As Supplied by Author]
Appendix : List of animated films and matched comparisons [posted as supplied by author] Animated Film Rating Release Match 1 Rating Match 2 Rating Date Snow White and the G 1937 Saratoga ‘Passed’ Stella Dallas G Seven Dwarfs Pinocchio G 1940 The Great Dictator G The Grapes of Wrath unrated Bambi G 1942 Mrs. Miniver G Yankee Doodle Dandy G Cinderella G 1950 Sunset Blvd. unrated All About Eve PG Peter Pan G 1953 The Robe unrated From Here to Eternity PG Lady and the Tramp G 1955 Mister Roberts unrated Rebel Without a Cause PG-13 Sleeping Beauty G 1959 Imitation of Life unrated Suddenly Last Summer unrated 101 Dalmatians G 1961 West Side Story unrated King of Kings PG-13 The Jungle Book G 1967 The Graduate G Guess Who’s Coming to Dinner unrated The Little Mermaid G 1989 Driving Miss Daisy PG Parenthood PG-13 Beauty and the Beast G 1991 Fried Green Tomatoes PG-13 Sleeping with the Enemy R Aladdin G 1992 The Bodyguard R A Few Good Men R The Lion King G 1994 Forrest Gump PG-13 Pulp Fiction R Pocahontas G 1995 While You Were PG Bridges of Madison County PG-13 Sleeping The Hunchback of Notre G 1996 Jerry Maguire R A Time to Kill R Dame Hercules G 1997 Titanic PG-13 As Good as it Gets PG-13 Animated Film Rating Release Match 1 Rating Match 2 Rating Date A Bug’s Life G 1998 Patch Adams PG-13 The Truman Show PG Mulan G 1998 You’ve Got Mail PG Shakespeare in Love R The Prince of Egypt PG 1998 Stepmom PG-13 City of Angels PG-13 Tarzan G 1999 The Sixth Sense PG-13 The Green Mile R Dinosaur PG 2000 What Lies Beneath PG-13 Erin Brockovich R Monsters, -
EE British Academy Film Awards Sunday 8 February 2015
EE British Academy Film Awards Sunday 8 February 2015 Previous Nominations and Wins in EE British Academy Film Awards only. Includes this year’s nominations. Wins in bold. Leading Actor Benedict Cumberbatch 1 nomination Leading Actor in 2015: The Imitation Game Eddie Redmayne 1 nomination Leading Actor in 2015: The Theory of Everything Orange Wednesdays Rising Star Award Nominee in 2012 Jake Gyllenhaal 2 nominations / 1 win Supporting Actor in 2006: Brokeback Mountain Leading Actor in 2015: Nightcrawler Michael Keaton 1 nomination Leading Actor in 2015: Birdman Ralph Fiennes 6 nominations / 1 win Supporting Actor in 1994: Schindler’s List Leading Actor in 1997: The English Patient Leading Actor in 2000: The End of The Affair Leading Actor in 2006: The Constant Gardener Outstanding Debut by a British Writer, Director or Producer in 2012: Coriolanus (as Director) Leading Actor in 2015: The Grand Budapest Hotel Leading Actress Amy Adams 5 nominations Supporting Actress in 2009: Doubt Supporting Actress in 2011: The Fighter Supporting Actress in 2013: The Master Leading Actress in 2014: American Hustle Leading Actress in 2015: Big Eyes Felicity Jones 1 nomination Leading Actress in 2015: The Theory of Everything Julianne Moore 4 nominations Leading Actress in 2000: The End of the Affair Supporting Actress in 2003: The Hours Leading Actress in 2011: The Kids are All Right Leading Actress in 2015: Still Alice Reese Witherspoon 2 nominations / 1 win Leading Actress in 2006: Walk the Line Leading Actress in 2015: Wild Rosamund Pike 1 nomination Leading Actress in 2015: Gone Girl Supporting Actor Edward Norton 2 nominations Supporting Actor in 1997: Primal Fear Supporting Actor in 2015: Birdman Ethan Hawke 1 nomination Supporting Actor in 2015: Boyhood J. -
Coming-Of-Age Film in the Age of Activism
Coming-of-Age Film in the Age of Activism Agency and Intersectionality in Moonlight, Lady Bird, and Call Me By Your Name 29 – 06 – 2018 Supervisor: Anne Salden dr. M.A.M.B. (Marie) Lous Baronian [email protected] Second Reader: student number: 11927364 dr. A.M. (Abe) Geil Master Media Studies (Film Studies) University of Amsterdam Acknowledgements First and foremost, I would like to thank Marie Baronian for her first-rate supervision and constant support. Throughout this process she inspired and encouraged me, which is why she plays an important part in the completion of my thesis. I would also like to thank Veerle Spronck and Rosa Wevers, who proved that they are not only the best friends, but also the best academic proof-readers I could ever wish for. Lastly, I would like to express my gratitude towards my classmate and dear friend Moon van den Broek, who was always there for me when I needed advice (or just a hug) during these months, even though she had her own thesis to write too. Abstract The journey of ‘coming of age’ has been an inspiring human process for writers and filmmakers for centuries long, as its narrative format demonstrates great possibilities for both pedagogy and entertainment. The transformation from the origins of the genre, the German Bildungsroman, to classic coming-of-age cinema in the 1950s and 1980s in America saw few representational changes. Classic coming-of-age films relied heavily on the traditional Bildungsroman and its restrictive cultural norms of representation. However, in the present Age of Activism recent coming-of-age films seem to break with this tendency and broaden the portrayal of identity formation by incorporating diversity in its representations. -
The Importance and Achievements of Luca Guadagnino's Call Me By
To Speak or to Die: The Importance and Achievements of Luca Guadagnino’s Call Me by Your Name (2017) Treball de Fi de Grau/ BA dissertation Author: Alex Dalmau Barreal Supervisor: Dr. Sara Martín Alegre Departament de Filologia Anglesa i de Germanística Grau d‘Estudis Anglesos June 2020 CONTENTS 0. Introduction .................................................................................................................. 1 0.1 Luca Guadagnino‘s Life and Work ........................................................................ 1 0.2 Guadagnino‘s Call Me by Your Name .................................................................... 2 1. Adapting a Novel: A Work of Respect ......................................................................... 6 1.1 Differences and similarities .................................................................................... 6 1.2 Controversies while Adapting .............................................................................. 12 2. A Film with a Legacy ................................................................................................. 17 2.1 Importance within the LGBT community ............................................................ 17 2.2 Impact within the film industry ............................................................................ 21 3. Conclusions and further research ............................................................................... 27 Works Cited ................................................................................................................... -
Saddles and Side Trips Lethbridge to Fort Macleod, Cowley, and Milk River Lethbridge Spruce Meadows Let Us Take You from the Area’S Centre
Lake Louise Banff Cochrane Stoney Morley Reserve Canmore REELSeebe ADVENTURES: Saddles and Side Trips Lethbridge to Fort Macleod, Cowley, and Milk River Lethbridge Spruce Meadows Let us take you from the area’s centre . Bassano – Lethbridge (once turned into a Kansas MillicentMillicent in Winter town in the movie Amber Waves) – on 1 three cinematic tours and three side trips LongviewLongview 40 through the camera’s lens to where scenery met celluloid in Brokeback Mountain, RV and Passchendaele. Brokeback Mountain (2005) stars Jake Gyllenhaal, the late Heath Ledger and Anne Hathaway. Beginning in 1963 in Wyoming, it follows the poignant love story of two cowboys over 17 years, and Kainai the eff ect their hidden aff air had on them Nation Piikani Nation and their families. RV (2006) stars Robin Williams and Jeff Daniels. A dysfunctional family makes its way across the western U.S. as fi rst-time WatertonWaterton LakesLakes RVers. Williams, his wife and children slough off the bonds of the city to fi nd km 10 20 30 mi 10 20 themselves in the great outdoors, while encountering merry mayhem – and Jeff Southern Alberta’s own style of frontier Film Location Daniels – along the way. history, set amid unspoiled natural beauty, has made it a favourite backdrop for movies, Drive-by Film Location Passchendaele (2008) stars Paul Gross, from exacting period pieces to sweeping “big who also directed. Beginning in 1917 in country” dramas. Photo Opportunity Calgary, it tells the story of Canadians who Walk or Hike Experience fought in Belgium at the First World War’s bloodiest confrontation. -
A Social Network Analysis of Coproduction Relationships in High Grossing Versus Highly Lauded Films in the U.S
International Journal of Communication 5 (2011), 1014–1033 1932–8036/20111014 Producing Quality: A Social Network Analysis of Coproduction Relationships in High Grossing Versus Highly Lauded Films in the U.S. Market JADE L. MILLER Tulane University While mainstream U.S. film production has been derided as following a “lowest common denominator” blockbuster-style logic, the industry has actually produced both popular and highly regarded productions. To imagine an alternative (lower cost, higher quality) Hollywood of the future, this article set out to examine the network structure of coproductions in both high grossing and in highly lauded films in the U.S. market for a recent five-year period. Using social network analysis, this study shows that the funding structures of both types of films were less centralized, dense, and clustered than is commonly believed. Coproduction networks of highly lauded films, however, did exhibit structural differences from their high grossing counterparts that suggest more collaboration and penetrability. If the future of film production looks like the structures of the alternative Hollywood described here, we may see a more cooperative, dispersed, and international industrial structure for the future. If one looks at the funding structure of most films released in American theaters, a pattern of familiar names quickly emerges: Paramount, Universal, MGM, and those of other major movie studios. It’s no secret that the majority of films that achieve mass domestic (and international) promotion and distribution are usually associated with a small elite: an oligarchy of production and distribution, headed by a small group of risk-adverse and notoriously nervous executives. -
Constituting Brokeback Mountain(S): Rhetorical
CONSTITUTING BROKEBACK MOUNTAIN(S): RHETORICAL STRATEGY IN THE LGBT MOVEMENT by JON B. HOFFMAN (Under the Direction of Christine Harold) ABSTRACT This project contributes to the study of modern social movements by analyzing two strands of rhetoric around the movie Brokeback Mountain and their implications for the LGBT movement. I identify the key distinction as one of rhetorical strategy as opposed to an ethical orientation for which Michael Warner has argued. Through close textual analysis, I outline the limits and possibilities of both assimilationist and integrationist rhetoric as strategic options for LGBT advocacy. I argue that rather than privileging one over the other, a more effective political discourse must be self-conscious of the strategic value of any given rhetoric. INDEX WORDS: Brokeback Mountain, Gay, Lesbian, LGBT, Rhetoric, Public Sphere CONSTITUTING BROKEBACK MOUNTAIN(S): RHETORICAL STRATEGY IN THE LGBT MOVEMENT by JON B. HOFFMAN B.A., Luther College, 2005 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2007 © 2007 Jon B. Hoffman Some Rights Reserved Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License CONSTITUTING BROKEBACK MOUNTAIN(S): RHETORICAL STRATEGY IN THE LGBT MOVEMENT by JON B. HOFFMAN Major Professor: Christine Harold Committee: John Murphy Vanessa Beasley Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2007 TABLE OF CONTENTS -
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New forms of masculinity in Miscellaneous Western films: The end of the David Blanco-Herrero Marlboro Man? https://orcid.org/0000-0002-7414-2998 [email protected] Universidad de Salamanca Abstract Westerns are one of the most masculine and stereotypical of film Laura Rodríguez-Contreras genres. In a social and film context where gender equality is https://orcid.org/0000-0002-3080-9420 increasingly important, it is worth looking at the evolution of the [email protected] genre in recent years. Especially because, as André Bazin said, the Universidad de Salamanca Western is “cinema par excellence” (1966) and its analysis allows a reflection on cinema itself. Taking the figure of the Marlboro Man Begoña Gutiérrez-San-Miguel as a prototype, this study carries out an analysis of three selected https://orcid.org/0000-0003-1254-258X case studies: Brokeback Mountain , Jane Got a Gun and Godless , [email protected] Universidad de Salamanca two films and a miniseries with main characters that do not follow heteronormative masculinity. Ang Lee’s work broke new ground not only in Westerns but also in industrial cinema by making Submitted August 14th, 2019 homosexuality visible, while Gavin O’Connor’s showed the Approved possibility of a woman playing the leading role in a classic September 2nd, 2020 Western. The miniseries produced by Netflix combines both by giving leading roles to female characters, some of them gay, while © 2021 reflecting on homosexuality. It was noted that the portrayal of Communication & Society masculinity in Western films remains valid in all three cases, but it ISSN 0214-0039 E ISSN 2386-7876 allows women and homosexuals to access leading roles, often by doi: 10.15581/003.34.2.1-14 acquiring typically masculine attributes. -
American Myth-Busting
Linfield University DigitalCommons@Linfield Faculty Publications Faculty Scholarship & Creative Works 2012 American Myth-Busting Joe Wilkins Linfield College, [email protected] Follow this and additional works at: https://digitalcommons.linfield.edu/englfac_pubs Part of the Film and Media Studies Commons, and the Nonfiction Commons DigitalCommons@Linfield Citation Wilkins, Joe, "American Myth-Busting" (2012). Faculty Publications. Published Version. Submission 17. https://digitalcommons.linfield.edu/englfac_pubs/17 This Published Version is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Published Version must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. MEDIA THE ARTS much sway in our contemporary cul- American Myth-Busting tural psyche, consider instead Rambo, or A the latest iteration of Die Hard, or even new breed ofwesterns tells it like it is The Hurt Locker- really any big-screen BY JOE WILKINS affair featuring an honorable, lonely, de- cidedly masculine hero staring down the bad guys. Truly, many of the shoot' em-up GROWING UP ON THE PLAINS of eastern history ofcivilization , the event which in blockbusters we see each summer are di- Montana, I saw my fair share of westerns. spite of stupendous difficulties was con- rect mythological descendants of those We didn't have a VCR when I was a boy, and summated more swiftly, more completely, dime-novel westerns, which posited that, my mother didn't allow us to watch much more satisfactorily than any like event with right intention, violence will lead to TV, but westerns were part ofthe general at- since the westward migration began-I stability and community; that the present mosphere. -
Abstract Taiwanese Identity and Transnational Families
ABSTRACT TAIWANESE IDENTITY AND TRANSNATIONAL FAMILIES IN THE CINEMA OF ANG LEE Ting-Ting Chan, Ph.D. Department of English Northern Illinois University, 2017 Scott Balcerzak, Director This dissertation argues that acclaimed filmmaker Ang Lee should be regarded as a Taiwanese transnational filmmaker. Thus, to best understand his work, a Taiwanese sociopolitical context should be employed to consider his complicated national identity as it is reflected in his films across genres and cultures. Previous Ang Lee studies see him merely as a transnational Taiwanese-American or diasporic Chinese filmmaker and situate his works into a broader spectrum of either Asian-American culture or Chinese national cinema. In contrast, this dissertation argues his films are best understood through a direct reference to Taiwan’s history, politics, and society. The chapters examine eight of Lee’s films that best explain his Taiwanese national identity through different cultural considerations: Pushing Hands (1992) and Eat Drink Man Woman (1994) are about maternity; The Wedding Banquet (1993) and Brokeback Mountain (2005) consider homosexuality; The Ice Storm (1997) and Taking Woodstock (2009) represent a collective Taiwanese view of America; and Crouching Tiger, Hidden Dragon (2000) and Lust, Caution (2007) reflect and challenge traditions of Taiwan Cinema. The eight films share three central leitmotifs: family, a sympathetic view of cultural outsiders, and a sympathy for the losing side. Through portraying various domestic relations, Lee presents archetypal families based in filial piety, yet at the same time also gives possible challenges represented by a modern era of equal rights, liberalism, and individualism – which confront traditional Taiwanese-Chinese family views. -
Best Picture Winners: Ordered from Most to Least Surprising
Best Picture winners: ordered from most to least surprising Year Actual Winner Prob Predicted Winner Prob Ratio 1948 Hamlet 0.01 Johnny Belinda 0.97 0.01 2004 Million Dollar Baby 0.01 The Aviator 0.97 0.01 1981 Chariots of Fire 0.01 Reds 0.88 0.01 2016 Moonlight 0.02 La La Land 0.97 0.02 1967 In the Heat of the Night 0.02 The Graduate 0.94 0.02 1956 Around the World in 80 Days 0.02 The King and I 0.82 0.02 1951 An American in Paris 0.02 A Place in the Sun 0.76 0.03 2005 Crash 0.03 Brokeback Mountain 0.91 0.03 1943 Casablanca 0.03 The Song Of Bernadette 0.90 0.03 1998 Shakespeare in Love 0.10 Saving Private Ryan 0.89 0.11 2015 Spotlight 0.06 The Revenant 0.56 0.11 1952 The Greatest Show on Earth 0.07 The Quiet Man 0.53 0.13 1992 Unforgiven 0.10 The Crying Game 0.72 0.14 2006 The Departed 0.10 Babel 0.69 0.14 1968 Oliver! 0.13 The Lion in Winter 0.77 0.17 1977 Annie Hall 0.13 The Turning Point 0.58 0.22 2012 Argo 0.17 Lincoln 0.37 0.46 1941 How Green Was My Valley 0.21 Sergeant York 0.42 0.50 2001 A Beautiful Mind 0.23 The Fellowship of the Ring 0.40 0.58 1969 Midnight Cowboy 0.35 Anne of the Thousand Days 0.49 0.71 1995 Braveheart 0.30 Apollo 13 0.40 0.75 1945 The Lost Weekend 0.33 The Bells Of St. -
A.I. Artifical Intelligence About a Boy Abraham Lincoln: Vampire Hunter
A.I. Artifical Intelligence Almost Holy The Art of Racing in the Rain About A Boy Aloha The Artist Abraham Lincoln: Alone in Berlin Vampire Hunter As Time Goes By: The Already Tomorrow in Complete Series Abyss Hong Kong Atomic Blonde Across the Universe Amelie Atonement Ad Astra American Assassin Au Revoir Les Enfants Adam's Rib American Gods: Season 1 The Autobiography of Miss Adaptation The Americans: Seasons 1- Jane Pittman 3 After the Wedding Avatar The American Side The Aftermath Away from Her American Sniper The Age of Adaline Baby Driver Amistad Albert Nobbs Back to the Future II An American in Paris Alien Balzac and the Little Anatomy of a Murder Chinese Seamstress Alien:Covenant And the Band Played On Band of Brothers Alien 3 And Then There Were Bandits Alien Resurrection None The Band's Visit Aliens Angel Has Fallen Bang the Drum Slowly All About Eve Angels in America Barefoot Contessa All Creatures Great and Annie Hall Small Battlestar Galactica: Anywhere But Here Seasons 1-4.5 All My Friends Are Funeral Singers The Apartment Beast All of My Heart: Inn Love Approaching the Unknown Beatriz At Dinner All of My Heart: The Apocalypse Now A Beautiful Day in the Wedding Neighborhood Apollo 13 All the Money in the World Because I Said So Argo All the President's Men Becoming Jane Arn: The Knight Templar Before I Fall Black Hawk Down Bridesmaids Before Midnight Black or White Brigadoon Before Sunrise Black Panther Bridge of Spies Before Sunset Black Swan The Bridge on the River Kwai Being 17 Blade Runner Brightburn Bella Blade Runner