Heimat in the Cold War: West Germany’S Multimedial Easts, 1949-1989
HEIMAT IN THE COLD WAR: WEST GERMANY’S MULTIMEDIAL EASTS, 1949-1989 A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Yuliya H. Komska January 2009 © 2009 Yuliya H. Komska HEIMAT IN THE COLD WAR: WEST GERMANY’S MULTIMEDIAL EASTS, 1945-1989 Yuliya H. Komska, Ph. D. Cornell University 2009 As a result of two world wars, decolonization, and labor migration in the twentieth century the notion of belonging underwent a radical transformation. This dissertation examines how the German concept of Heimat, an arguably untranslatable term that connotes localized belonging, was politically and culturally affected by the Cold War. The dissertation focuses on the role of Sudeten Germans, ethnic Germans expelled from postwar Czechoslovakia, in forging a link between Heimat, border tropes, and the physical landscape of the Iron Curtain between West Germany and Czechoslovakia. It interrogates this linkage, which allowed the expellees to fashion Heimat into an intermedial site of Cold War aesthetics, a linchpin between the postwar era and the Cold War, and an idiom of international law. Chapter One reframes current public and academic discussions of ‘Germans as victims.’ It moves beyond a German-Jewish dyad to consider how Sudeten Germans engaged Palestine’s political, cultural, and religious meanings in order to re- imagine Palestine as a quintessential homeland. Chapter Two reconsiders the role of nostalgia in processes of sensory and, above all, visual contact with Heimat as documented in Sudeten German borderland photography, travel reports, and poetry published during the Cold War.
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