Nottuswara Sahityam with Notation

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¯a h M m i a m v U R i ´s ¯a T A ¯e ˙m T T it s I v a U S ¯e ˙n . s g S ¯K a ¯ı V ¯ I h ta AMI D u ´s ( ) g y W S u a IT N r m H NOTATIO u a ¯ıg .l¯e ´sr s ¯e ar iv v¯a i ´s dh in. ¯ar ¯up ¯ej idr ana ¯ec ni r prad ¯ejanani | cintitar¯ tha

c February 2008

(TYPESET USING LATEX2ε AND PSTricks)

PPN From Subbarama¯ Dıks¯ .itar’s Prathamabh¯ aya¯ pustakamu

Not¯.t.u svarams— Muttusvami¯ Dıks¯ .itar

These are called jati¯ svarams. Gamakams do not occur specifically in these not¯..tu svarams. All these svarams are (in) those of ´sankar˙ abharan¯ . a ragam¯ . They will be in ti´sragati, or catura´sragati. In the sahityam¯ s of not¯..tu svarams, although in some places, long text syllables have been provided for short svara syllables, these long texts syllables should be contracted/abbreviated so as to fit the short svara syllables and the sounds of the sahityam¯ s should be sung as appropriate. These svara sahityam¯ s are not only easy to sing and play on the v¯ın. a, but are also charming and very useful to beginners practising the first exercises.

1 ´saktisahita gan. apatim — ti´sram

2 guruguha padapankaja˙ — ti´sram

3 guruguha sarasija — catura´sram

4 vara´sivabala¯ m˙ — catura´sram

∩· g m g m D P | g pPMR | s g s g S k ha ri ha ra mo¯ dam˙ | ham˙ sa¯ nam˙ dam˙ | ha sa su mu kham˙ k

5 mucukundavarada— ti´sram

∩· _ _ k S ^ S ^ S ro¯ k

6 som¯ askanda¯ m˙ — ti´sram

7 parvat¯ ıpat¯ e¯ — catura´sram

· S· P · m | P · m | P · #m P | g m r s n. nN. k pa¯ rva | t¯ı pa | te¯ sa da¯ | pa¯ la ya¯ ´su ´sam˙ bho¯ k

8 cintayeha¯ m˙ sada¯ — catura´sram

1somasundara¯ m˙ 2bho¯mk˙ ar¯ a¯

SS · m | P d N · | P d p | D n S˙ · k cim˙ ta¯ ma | n. ¯ı sva ru¯ | pam˙ ta¯m˙ d. a | ve¯ ´svaram˙ k

s˙ N r˙ e˙ | n d P · | m p d m P k G · m P k ´sa¯m˙ tam˙ mu ni | sa hi tam˙ | sa gu ru gu ham˙ k sam˙ ka ram˙ k

P · p P | D · p M | P · m G | M · g R k sam˙ ta tam˙ | sa¯m˙ ba m¯ı | ám˙ mu da¯ | bha¯ va ye¯ k

S · r G | R · g M | G · m P | D · n S˙ k dhya¯m˙ ta va | rjam˙ ni ra¯ | dha¯ ra ma¯ | ka¯ ´sana¯ k

6 P d p | m g R | g m p m g r G k P p d k ka¯m˙ ta ha | ri nu tam˙ | ka ra dhr˙ ta mr˙ ga me¯ k ka¯m˙ ta hr˙ k

∩· n s˙ d p | G · p P · m | g · r S k da ye¯ ´siva | ka¯ ma sum˙ da | r¯ı pa tim˙ k

9 pıtavarn¯ . am — ti´sram

10 sakalasuravinuta — catura´sram

∩· · S· g r s n S· g M · r | GSR | S g r s n S k ta hr˙ da ya e¯ ka bho¯ ga | da¯ ya ka¯ | nam˙ da ka ra vi bho¯ k

11 kañc¯ ı´sa¯ m˙ — ti´sram

∩· S · P g | S · P g | g m r s nn | S · k ka¯ ma¯ di | s.a t.co¯ ra | vr˙ tti ma ham˙ tya | je¯ k

12 ´srı¯ ´sankaravara˙ — ti´sram

P. · | ´sr¯ı |

13 santatam˙ pahi¯ ma¯m˙ — ti´sram

3% : ∩· RSN. | S · p d. n. : | S ·- r g m k . : sa rva¯ dha¯ | re¯ ja na ni : | re¯ ja na ni k

PPP | P · m G | MMM | M · g R | cim˙ ti ta¯ | rtha pra de¯ | ci dru¯ pi | n. ¯ı ´sive¯ |

14 ´syamal¯ .e¯ mın¯ aks¯ . i — catura´sram

P p p | M m m | G g g | R r r | pa¯ ma ra | mo¯ ca ni | pam˙ ka ja | lo¯ ca ni |

15 kamalasana¯ — catura´sram

3due to software limitations, we have used %x x x x -to indicate a grouping, instead of the notation xz x}| x x{ used by Subbarama¯ D¯ıks.itar in the book

9 ∩· · S· p m G g m R | r g S S S k r g M m p G | g m R R R k ka ma la¯ sa na vam˙ | di ta pa¯ da¯ bje¯ k ka ma n¯ı ya ka ro¯ | da ya sa¯ mra¯ jye¯ k

p m G g m R | r g S S S k r g m g r s n. s | r g S S S k ka ma la¯ na ga re¯ | sa ka la¯ ka¯ re¯ k ka ma la na ya na dhr˙ ta | ja ga da¯ dha¯ re¯ k

p m G s˙ n D | d p p m g m R k p m G s˙ n d p | m g R R R k ka ma le¯ vi ma le¯ | gu ru gu ha ja na n¯ı k ka ma la¯ pa ti nu ta | hr˙ da ye¯ ma¯ ye¯ k

p m g p m g r m | g r S S S k g m P P P | SPPP˙ k ka ma la ´sa´sivi ja ya | va da ne¯ me¯ ye¯ k ka ma le¯m˙ dra¯ n. ¯ı | va¯ gde¯ v¯ı ´sr¯ı k

S˙ P P d p | m g M R R k g m P P P | SPPP˙ k gau r¯ı pu¯ ji ta | hr˙ da ya¯ nam˙ de¯ k ka ma la¯ ks.¯ı pa¯ | hi ka¯ ma¯ ks.¯ı k

· · S˙ P g m p m | g r S S S S k ka¯ me¯ ´svra va ra | sa ti ka lya¯ n. i k

16 samag¯ anapriy¯ e¯ — ti´sram

· S· S · r G S · r G | G · g m p g m R k sa¯ ma ga¯ na pri ye¯ | ka¯ ma ko¯ t.i ni la ye¯ k

∩· N. · s R N. · s R | P · m g m r g S k sam˙ ka r¯ı sum˙ da r¯ı | sa¯ ra ta ra la ha r¯ı k

S˙ · n d D · p M | M · g R R · s N. k cam˙ d. i ke¯ ni rma le¯ | ka¯ mi n¯ı mo¯ di n¯ı k

10 · · P · m g m g m | r g S S k pa¯ hi gu ru gu ha | ja na n¯ı k

17 he¯ may¯ e¯ — ti´sram

18 vande¯ mın¯ aks¯ . i — catura´sram

∩· s g s g | s r g m P _ P k m g r s g r s n | _ k ^ . S ^ S br˙m˙ de¯ sa kte¯ | gu ru gu ha pa¯ k li ni ja la ru ha ca ra | k n. e¯

19 paradevat¯ e¯ — ti´sram

· S· p m | pa ra |

20 sada´sivaj¯ ey¯ e¯ — catura´sram

∩· · · s R g g r S r g m | ∵ k S r g m g r g m g R r s N. sa da¯ ´si va ja¯ ye¯ vi ja ye¯ | k sa ra si ja pa da yu ga l.e¯ sa ka l.e¯

srgm DN DM grsn. | SP Srg mggr rsN. k va da na ka ra¯m˙ bo¯ je¯ ta¯ ra ya ´siva | va¯ ma¯m˙ ke¯ va ra ka ra vi dhr˙ ta ´suke¯ k

12 d d N d n s˙ n D · n S˙ | r˙ g˙ R˙ s˙ r˙ G˙ R˙ · s˙ N k sa da ye¯ gu ru gu ha se¯ vi te¯ | ´sa´si´se¯ ka ra sam˙ bha¯ vi te¯ k

· S· s˙ r˙ s˙ n S n d N d n s˙ N | s˙ snn˙ ddmm ggrr ssN. k sa da¯ rn. a va ma dhya ga te¯ ti la li te¯ | ´subha ka ra su ra nu ta mu ra ha ra mu di te¯ k

21 pahi¯ durge¯ — catura´sram

· · p d p m | g m g r S k gu ru gu ha | ja na ni ma¯m˙ k

22 may¯ e¯ citkale¯ — ti´sram

˙ ∩· S p d p m | g m r S · k ma¯ ra ja na ni | k vi s.n. u ja¯ ye¯

23 vagd¯ evi¯ mamava¯ — catura´sram

_ _ p ss n S˙ ^ S k r g m p g m r s | R ^ R d p m g | m r g s r g m p k va rn. a ma ya¯ k vi la si ta pa da ka ma | le¯ va ra ma dhu | ra ka vi ja na mu di ta k

24 ramacandra¯ m˙ — catura´sram

14 | p n S k | p n S k P p p d d . . P p p d d . . ma¯ ru ti yu ktam˙ | dh¯ı mam˙ tam˙ k ma¯ ni ta bha ktam˙ | ´sr¯ı mam˙ tam˙ k

· S· P p p d d | p n. S k P p p d d | p n S˙ k ka¯ ma gu rum˙ s¯ı | ta¯ ra¯ mam˙ k kau stu bha bhu¯ s.am˙ | vam˙ de¯ ham˙ k

25 rama¯ janardana¯ — ti´sram

26 da´sarath¯ e¯ — ti´sram

27 pahi¯ ma¯m˙ janak¯ ıvallabha¯ — ti´sram

28 dınabandh¯ o¯ — ti´sram

∩· S · S · k p g p p g p | D · p m g | m r m m r m k de¯ hi k ja¯ na k¯ı na¯ ya ka¯m˙ | bho¯ ja¯ na na | sa¯ dhu sam˙ ra ks.a n. a¯ k

· · P · m g r | g m p d p m | g m r S · S k pa¯m˙ ga¯ khi la | de¯ va ta¯ sa¯ rva bhau | ma¯ di vam˙ dya k

29 pankajamukha˙ — ti´sram

30 varadaraja¯ — ti´sram

17 ∩· · · m m m g m p m g | R n S · k m m m g m p m g | S k . R n. S vi hi ta mu ra ha ra mu | kum˙ da ´sr¯ı k vi hi ta mu ra ha ra mu | kum˙ da ´sr¯ı k

31 santana¯ saubhagya¯ — ti´sram

_ _ · S· d P d P | m g r s s s | S ^ S ^ S k kum˙ dam˙ da ya¯ | sa¯ ga ram˙ pa¯ da pa | dmam˙ k

32 jagadı´sa¯ — catura´sram

∩· k p s g s | | p s g s k g s S . r s g s . k ni tyam˙ ´suddham˙ | bu ddham˙ mu ktam˙ | sa tyam˙ ni rvi k la ks.a n. am˙

| p d p m | g r S k r s g s ...... ka lpa ni s.pra¯ | pam˙ ca ma¯ nam˙ | da ma jam˙ k

r s g s | p s g s | r s r m | g r s n | . .

18 · · s n d p | D s n s r | g s g m S k . . . .

33 añjan¯ eya¯ m˙ — ti´sram

These not¯..tu svarams and sahityam¯ s should not only be sung and every letter played on the v¯ın. a, but the playing should also be embellished by putting one or two m¯ıt.us in the mandra pañcamam and mandra s.ad. am strings in places where long syllables or jad. d. a aks.arams (aks.arams in which two consonents occur without a vowel in between) without mising the time duration and without deviating from the ragam¯ and with changes in the left hand actions as beﬁtting the occasion.

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