2018 ALMA Class List
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Objectivity, Interdisciplinary Methodology, and Shared Authority
ABSTRACT HISTORY TATE. RACHANICE CANDY PATRICE B.A. EMORY UNIVERSITY, 1987 M.P.A. GEORGIA STATE UNIVERSITY, 1990 M.A. UNIVERSITY OF WISCONSIN- MILWAUKEE, 1995 “OUR ART ITSELF WAS OUR ACTIVISM”: ATLANTA’S NEIGHBORHOOD ARTS CENTER, 1975-1990 Committee Chair: Richard Allen Morton. Ph.D. Dissertation dated May 2012 This cultural history study examined Atlanta’s Neighborhood Arts Center (NAC), which existed from 1975 to 1990, as an example of black cultural politics in the South. As a Black Arts Movement (BAM) institution, this regional expression has been missing from academic discussions of the period. The study investigated the multidisciplinary programming that was created to fulfill its motto of “Art for People’s Sake.” The five themes developed from the program research included: 1) the NAC represented the juxtaposition between the individual and the community, local and national; 2) the NAC reached out and extended the arts to the masses, rather than just focusing on the black middle class and white supporters; 3) the NAC was distinctive in space and location; 4) the NAC seemed to provide more opportunities for women artists than traditional BAM organizations; and 5) the NAC had a specific mission to elevate the social and political consciousness of black people. In addition to placing the Neighborhood Arts Center among the regional branches of the BAM family tree, using the programmatic findings, this research analyzed three themes found to be present in the black cultural politics of Atlanta which made for the center’s unique grassroots contributions to the movement. The themes centered on a history of politics, racial issues, and class dynamics. -
The Atlanta Preservation Center's
THE ATLANTA PRESERVATION CENTER’S Phoenix2017 Flies A CELEBRATION OF ATLANTA’S HISTORIC SITES FREE CITY-WIDE EVENTS PRESERVEATLANTA.COM Welcome to Phoenix Flies ust as the Grant Mansion, the home of the Atlanta Preservation Center, was being constructed in the mid-1850s, the idea of historic preservation in America was being formulated. It was the invention of women, specifically, the ladies who came J together to preserve George Washington’s Mount Vernon. The motives behind their efforts were rich and complicated and they sought nothing less than to exemplify American character and to illustrate a national identity. In the ensuing decades examples of historic preservation emerged along with the expanding roles for women in American life: The Ladies Hermitage Association in Nashville, Stratford in Virginia, the D.A.R., and the Colonial Dames all promoted preservation as a mission and as vehicles for teaching contributive citizenship. The 1895 Cotton States and International Exposition held in Piedmont Park here in Atlanta featured not only the first Pavilion in an international fair to be designed by a woman architect, but also a Colonial Kitchen and exhibits of historic artifacts as well as the promotion of education and the arts. Women were leaders in the nurture of the arts to enrich American culture. Here in Atlanta they were a force in the establishment of the Opera, Ballet, and Visual arts. Early efforts to preserve old Atlanta, such as the Leyden Columns and the Wren’s Nest were the initiatives of women. The Atlanta Preservation Center, founded in 1979, was championed by the Junior League and headed by Eileen Rhea Brown. -
Raise the Curtain
JAN-FEB 2016 THEAtlanta OFFICIAL VISITORS GUIDE OF AtLANTA CoNVENTI ON &Now VISITORS BUREAU ATLANTA.NET RAISE THE CURTAIN THE NEW YEAR USHERS IN EXCITING NEW ADDITIONS TO SOME OF AtLANTA’S FAVORITE ATTRACTIONS INCLUDING THE WORLDS OF PUPPETRY MUSEUM AT CENTER FOR PUPPETRY ARTS. B ARGAIN BITES SEE PAGE 24 V ALENTINE’S DAY GIFT GUIDE SEE PAGE 32 SOP RTS CENTRAL SEE PAGE 36 ATLANTA’S MUST-SEA ATTRACTION. In 2015, Georgia Aquarium won the TripAdvisor Travelers’ Choice award as the #1 aquarium in the U.S. Don’t miss this amazing attraction while you’re here in Atlanta. For one low price, you’ll see all the exhibits and shows, and you’ll get a special discount when you book online. Plan your visit today at GeorgiaAquarium.org | 404.581.4000 | Georgia Aquarium is a not-for-profit organization, inspiring awareness and conservation of aquatic animals. F ATLANTA JANUARY-FEBRUARY 2016 O CONTENTS en’s museum DR D CHIL ENE OP E Y R NEWL THE 6 CALENDAR 36 SPORTS OF EVENTS SPORTS CENTRAL 14 Our hottest picks for Start the year with NASCAR, January and February’s basketball and more. what’S new events 38 ARC AROUND 11 INSIDER INFO THE PARK AT our Tips, conventions, discounts Centennial Olympic Park on tickets and visitor anchors a walkable ring of ATTRACTIONS information booth locations. some of the city’s best- It’s all here. known attractions. Think you’ve already seen most of the city’s top visitor 12 NEIGHBORHOODS 39 RESOURCE Explore our neighborhoods GUIDE venues? Update your bucket and find the perfect fit for Attractions, restaurants, list with these new and improved your interests, plus special venues, services and events in each ’hood. -
Influencersnfluencers
Professionals MA 30 The of the year IInfluencersnfluencers december 2015 1. GEOFFREY JOHN DAVIES on the cover Founder and CEO The Violin Channel 2. LEILA GETZ 4 Founder and Artistic Director 3 Vancouver Recital Society 1 5 3. JORDAN PEIMER Executive Director ArtPower!, University of CA, San Diego 2 4. MICHAEL HEASTON 10 11 Director of the Domingo-Cafritz Young 6 7 9 Artist Program & Adviser to the Artistic Director Washington National Opera Associate Artistic Director Glimmerglass Festival 15 8 5. AMIT PELED 16 Cellist and Professor Peabody Conservatory 12 6. YEHUDA GILAD 17 Music Director, The Colburn Orchestra The Colburn School 13 Professor of Clarinet 23 Colburn and USC Thornton School of Music 14 7. ROCÍO MOLINA 20 Flamenco Dance Artist 22 24 8. FRANCISCO J. NÚÑEZ 19 21 Founder and Artistic Director 18 Young People’s Chorus of New York City 26 25 9. JON LIMBACHER Managing Director and President St. Paul Chamber Orchestra 28 10. CHERYL MENDELSON Chief Operating Officer 27 Harris Theater for Music and Dance, Chicago 30 11. MEI-ANN CHEN 29 Music Director Chicago Sinfonietta and 18. UTH ELT Memphis Symphony Orchestra R F Founder and President 24. AFA SADYKHLY DWORKIN San Francisco Performances President and Artistic Director 12. DAVID KATZ Sphinx Organization Founder and Chief Judge 19. HARLOTTE EE The American Prize C L President and Founder 25. DR. TIM LAUTZENHEISER Primo Artists Vice President of Education 13. JONATHAN HERMAN Conn-Selmer Executive Director 20. OIS EITZES National Guild for Community Arts Education L R Director of Arts and Cultural Programming 26. JANET COWPERTHWAITE WABE-FM, Atlanta Managing Director 14. -
Program Book
52nd ANNUAL CONFERENCE THE LOEWS ATLANTA HOTEL ATLANTA’S MIDTOWN DISTRICT, GEORGIA CREATIVITY, IDENTITY AND SOCIAL JUSTICE The College of the Arts Salutes the International Council of Fine Arts Deans for enhancing fine arts leadership in higher education! More than 100 full-time 2,700 students in our Nine degree options offer faculty members four schools: more than 50 individual Art program concentrations at Fashion Design and Merchandising the baccalaureate through Music Theatre and Dance doctoral levels. College of the Arts John R. Crawford, Dean www.kent.edu/artscollege 330-672-27601 @artsatKSU More than 100,000 people attend the concerts, plays and exhibitions of the college annually. TRANSFORMING LIVES THROUGH THE ARTS Kent State University, Kent State and KSU are registered trademarks and may not be used without permission. Kent State University, WWW.ICFAD.ORG an equal opportunity, affirmative action employer, is committed to attaining excellence through the recruitment and retention of a diverse workforce. 15-COTA-00146-021 ICFAD’s 52nd ANNUAL CONFERENCETHE ARTS: The College of the Arts Crossroads of the CreativeAtlanta, Economy Georgia Salutes the International Council of Fine Arts Deans for enhancing fine arts leadership in higher education! WELCOME FROM THE PRESIDENT More than 100 full-time 2,700 students in our Nine degree options offer faculty members four schools: more than 50 individual Dear ICFAD members, Additionally, three well known institutions of President: John Crawford Art program concentrations at higher education are located here: Georgia Dean, College of the Arts Fashion Design and Merchandising Kent State University the baccalaureate through Welcome to Atlanta, GA for the 52nd annual Institute of Technology, John Marshall Law Music conference of the International Council of School, and the Atlanta division of the Theatre and Dance doctoral levels. -
Fulton County Cultural Summary
Fulton County cultural summary Regional Arts and Culture Forums Research Initiative The development of ARC’s Fifty Forward Plan and Plan 2040 places emphasis on the value of arts & culture to the region. It includes a call for “systematic annual data collection and analysis regarding the development of the creative economy in Georgia” and the development of a The Creative Industries in 2011 regional cultural master plan. Fulton County, GA Fulton County Summary This Creative Industries report offers a research-based approach to understanding the scope and economic importance of the arts in Fulton County, GA. The creative industries are composed of arts Few precedents exist of comprehensivebusinesses regional that range cooperationfrom non-profit museums, to symphonies,foster arts and theaters and to culture. for-profit film, Toarchitecture, that and advertising companies. Arts businesses and the creative people they employ stimulate innovation in end, the Atlanta Regional Commissiontodays contracted global marketplace. with the Metro Atlanta Arts & Culture Coalition from July to December of 2011 to conductNationally, the there areresearch 756,007 businesses contained in the U.S. in involved this in thedocument. creation or distribution The of following the arts. They employ 2.99 million people, representing 4.14 percent of all businesses and 2.17 percent of all information is a summary of the data employees,collected respectively. on Fulton The source County. for these data is Dun & Bradstreet, the most comprehensive and trusted source for business information in the U.S. For additional information on Fulton AsCounty of January and 2011, Fultonthe restCounty, of GA the is home 10 to Metro 4,965 arts-related Atlanta businesses counties that employ see the 29,817 people. -
Poets, Artists & Madmen
POETS, ARTISTS & MADMEN tlanta’s art scene is on the verge of something significant — teetering between mak- ing it and breaking it. Long Aregarded as a creative hodgepodge, the city’s poets, artists and madmen have worked tirelessly in the last year to help redefine the city’s artistic identity. They attracted international attention with the colossal grassroots street art conference Living Walls, improved our public art profile with gloATL and Art on the Belt- line, and cultivated the kind of TV- and filmmaking-friendly environment that’s allowed for the conversion of Lakewood Fairgrounds into a Hollywood-worthy soundstage, and the local filming of AMC’s “The Walking Dead.” So what does the future hold for the arts in Atlanta? Can we build on the mo- mentum we’ve recently gained? Judging tara from the last year’s creative outpouring, -LY the scales are tipped in the right direction. NNE — Debbie MichauD PI XL E Y GLOATL: Critics Pick for Best Dance Company POETS, ARTISTS & MADMEN MIKE GERMON BEST TREND IN THE ARTS BEST NEIGHBORHOOD BEST EMERGING VISUAL ARTIST Atlanta’s art scene has experienced a changing of the FOR ARTISTS LUCHA RODRIGUEZ’s examination of the body as a guard over the past couple of years: The collective has be- There’s a fairly reliable life cycle applicable to art- web of thoughts and organs manifests itself in the ethereal come king. And while the twenty- and thirtysomethings ists’ neighborhoods: In the beginning, no one gives a delicacy of her voluminous hand-cut paper installations behind the city’s nascent art co-ops, galleries and organi- shit about them, not even the artists. -
THE SOCIAL and CIVIC IMPACTS of ROBERT WINSHIP WOODRUFF in the CITY of ATLANTA DURING the 1960S
Clemson University TigerPrints All Theses Theses 5-2007 The oS cial and Civic Impacts of Robert Winship Woodruff in the itC y of Atlanta During the 1960s Andrew Land Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the United States History Commons Recommended Citation Land, Andrew, "The ocS ial and Civic Impacts of Robert Winship Woodruff in the itC y of Atlanta During the 1960s" (2007). All Theses. 103. https://tigerprints.clemson.edu/all_theses/103 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. THE SOCIAL AND CIVIC IMPACTS OF ROBERT WINSHIP WOODRUFF IN THE CITY OF ATLANTA DURING THE 1960s A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts History by Andrew Cromer Land May 2007 Accepted by: Dr. H. Roger Grant, Committee Chair Dr. Jerome V. Reel, Jr. Dr. Paul C. Anderson ABSTRACT Robert Winship Woodruff was born December 6, 1889, and died March 7, 1985. For more than sixty‐two years he headed the Coca‐Cola Company, headquartered in Atlanta, Georgia. Woodruff amassed a tremendous fortune and was for years the richest man in Georgia and one of the wealthiest in the South. His wealth made him extremely powerful in political circles, and he came to dominate the city of Atlanta in a way unlike any other private citizen in any other comparable American city of the time. -
FALL 2010 a Choice to Change the World
THE ALUMNAE MAGAZINE OF SPELMAN COLLEGE VOLUME 121 NUMBER 1 FALL 2010 A Choice to Change the World SPELMAN Messenger EDITOR Jo Moore Stewart COPY EDITOR Janet M. Barstow GRAPHIC DESIGN Garon Hart EDITORIAL COMMITTEE Eloise A. Alexis, C’86 Joyce Davis Tomika DePriest, C’89 Kassandra Kimbriel Jolley Renita Mathis Sharon E. Owens, C’76 Kenique Penn, C’2000 WRITERS Tomika DePriest, C’89 Renita Mathis Lorraine Robertson Angela Brown Terrell PHOTOGRAPHERS Spelman College Archives Curtis McDowell, Professional Photography Julie Yarbrough, C’91 The Spelman Messenger is published twice a year (Fall and Spring) by Spelman College, 350 Spelman Lane, S.W., Atlanta, Georgia 30314- 4399, free of charge for alumnae, donors, trustees and friends of the College. Recipients wishing to change the address to which the Spelman Messenger is sent should notify the editor, giving both old and new addresses. Third-class postage paid at Atlanta, Georgia. Publication No. 510240 CREDO The Spelman Messenger, founded in 1885, is dedicated to participating in the ongoing education of our readers through enlightening articles designed to promote lifelong learning. The Spelman Messenger is the alumnae magazine of Spelman College and is committed to educating, serving and empowering Black women. SPELMAN VOLUME 121, NUMBER 1 Messenger FALL 2010 ON THE COVER Kiran Ahuja, C’93 PHOTO OF KIRAN AHUJA COURTESY OF U.S. DEPARTMENT OF EDUCATION 8 True Blue in the White House BY TOMIKA DEPRIEST, C’89 Contents 12 Alumnae on Capitol Hill BY RENITA MATHIS 31 Reunion 2010 2 Voices 4 Books & Papers 18 Alumnae Notes 35 In Memoriam It is not the strongest of the species that survive, nor the most intelligent, but the one most responsive to change. -
Serafin Ensemble 2019-2020 Roster Artists Kate Ransom, Artistic Director
Kate Ransom, violin & artistic director Hailed in The New York Times for "impassioned" playing and "clear articulation and unity of purpose," violinist Kate Ransom is a distinguished chamber musician, recitalist, and teacher who has presented hundreds of concerts in major chamber music concert halls in North America and Europe. Ms. Ransom is artistic director of Serafin Ensemble and Serafin Summer Music, an outgrowth of Serafin String Quartet, which has been lauded by Gramophone and Fanfare Magazine for the 2013 Naxos release of early works by Pulitzer Prize–winning composer Jennifer Higdon and by The Strad Magazine and American Record Guide for their 2010 Centaur debut release. As founding and six-year member of the Alexander String Quartet, she received first prize and audience prize at the London String Quartet Competition and toured internationally. She is a frequent collaborator with other artists and ensembles and has concertized with David Coucheron, Charles Abramovic, Steven Tenenbom, Sadao Harada, Eliot Fisk, and members of the Cleveland and Philadelphia Orchestras, Atlanta Symphony, Eroica Trio, Empire Brass Quintet and Orion, Attacca, and Vega String Quartets. Ms. Ransom’s recital and solo performances include the Bach Concerto for Two Violins; complete Brahms violin sonatas in Pennsylvania, Texas, and Delaware; complete violin Beethoven sonatas in Delaware, Florida, Pennsylvania, and Vermont; and the Mozart Symphonie Concertante in Delaware. She has recorded for Gallo, CRI, Centaur, Klavier and Naxos. Ms. Ransom has been an adjunct violin instructor at University of Delaware and she has held visiting artist positions at Brevard College and Lehigh University. She has also held Ensemble-in-Residence positions at University of Delaware, St. -
Public Art Master Plan
CITY OF ATLANTA PUBLIC ART MASTER PLAN A project of the City of Atlanta Department of Parks, Recreation and Cultural Affairs BUREAU OF CULTURAL AFFAIRS Camille Russell Love, Director Initial Document prepared December 1994 by Project for Public Spaces, New York, NY Final Editing by the Atlanta Master Plan Task Force Eddie M. Granderson, Project Director October 15, 2001 © 2001 ATLANTA PUBLIC ART MASTER PLAN City of Atlanta Bill Campbell, Mayor Atlanta City Council Hon. Robert “Robb” L. Pitts, President Hon. Vern McCarty, District 1 Hon. Debi Starnes, District 2 Hon. Michael Bond, District 3 Hon. Cleta Winslow, District 4 Hon. Sherry Dorsey, District 5 Hon. Cathy Woolard, District 6 Hon. Lee Morris, District 7 Hon. Clair Muller, District 8 Hon. Felicia Moore, District 9 Hon. C.T. Martin, District 10 Hon. Jim Maddox, District 11 Hon. Derrick Boazman, District 12 Hon. “Able” Mable Thomas, Post 1 Hon. Julia Emmons, Post 1 Hon. Doug Alexander, Post 3 Department of Parks, Recreation and Cultural Affairs Karl McCray, Acting Commissioner Bureau of Cultural Affairs Camille Russell Love. Director City of Atlanta Department of Parks, Recreation and Cultural Affairs BUREAU OF CULTURAL AFFAIRS City Hall East 675 Ponce de Leon Ave., 5th Floor Atlanta, GA 30308 Phone: (404) 817-6815 Fax: (404) 817-6827 www.bcaatlanta.org [email protected] I ATLANTA PUBLIC ART MASTER PLAN TABLE OF CONTENTS Preface ..................................................................................................................................................... -
NEW YORK PHILHARMONIC's 175Th BIRTHDAY December 7, 2017
FOR IMMEDIATE RELEASE September 27, 2017 Contact: Katherine E. Johnson (212) 875-5700; [email protected] NEW YORK PHILHARMONIC’S 175th BIRTHDAY December 7, 2017 175th BIRTHDAY CONCERTS Led by Former Music Director ALAN GILBERT With Philharmonic Musicians as Soloists Homage to Inaugural Concert and to the Musicians of the Orchestra December 6–9, 2017 NEARLY 100 HISTORIC RADIO BROADCAST PERFORMANCES TO BE RELEASED FOR STREAMING FOR FIRST TIME NEW YORK PHILHARMONIC LEON LEVY DIGITAL ARCHIVES TO RELEASE ALL 19TH CENTURY MATERIALS ON DECEMBER 7 Fifth Release in a Multi-Year Project Funded by the LEON LEVY FOUNDATION ARCHIVAL EXHIBIT The New York Philharmonic at 175: A History of Innovation November 17, 2017–January 20, 2018 FREE INSIGHTS AT THE ATRIUM “Inside the Orchestra: Yesterday, Today, and Imagining the Future” With New York Philharmonic Musicians December 5, 2017 The New York Philharmonic will celebrate its 175th birthday with a subscription program led by former Music Director Alan Gilbert; nearly 100 historic radio broadcast performances released for streaming for the first time; a New York Philharmonic Digital Archives release of all of the Orchestra’s archival material from the 19th century; a New York Philharmonic Archives exhibit, The New York Philharmonic at 175: A History of Innovation; and a free Insights at the Atrium event, “Inside the Orchestra: Yesterday, Today, and Imagining the Future,” with Philharmonic musicians. More 175th birthday activities will be announced at a later date. The New York Philharmonic, the oldest symphony orchestra in the United States and one of the oldest in the world, presented its inaugural concert 175 years ago, on December 7, 1842, in the Apollo Rooms in downtown Manhattan.