DOCSLIB.ORG

Comme Un Fleuve Sonnet 119 Sheet Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Comme Un Fleuve Sonnet 119 Sheet Music Comme Un Fleuve Sonnet 119 Sheet Music Download comme un fleuve sonnet 119 sheet music pdf now available in our library. We give you 4 pages partial preview of comme un fleuve sonnet 119 sheet music that you can try for free. This music notes has been read 2751 times and last read at 2021-09-27 10:21:03. In order to continue read the entire sheet music of comme un fleuve sonnet 119 you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Alto Voice, Choir, Voice Solo Ensemble: 4 Part, Satb Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Reel Du Fleuve La Suite Flche Reel Du Fleuve La Suite Flche sheet music has been read 5677 times. Reel du fleuve la suite flche arrangement is for Advanced level. The music notes has 5 preview and last read at 2021-09-26 08:16:13. [ Read More ] Comme La Surface D Un Lac Comme La Surface D Un Lac sheet music has been read 2388 times. Comme la surface d un lac arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-26 08:55:43. [ Read More ] Comme Raggio Di Sol Comme Raggio Di Sol sheet music has been read 2597 times. Comme raggio di sol arrangement is for Intermediate level. The music notes has 4 preview and last read at 2021-09-27 05:29:43. [ Read More ] Heureux Qui Comme Ulysse Heureux Qui Comme Ulysse sheet music has been read 4192 times. Heureux qui comme ulysse arrangement is for Beginning level. The music notes has 3 preview and last read at 2021-09-26 23:59:59. [ Read More ] Comme Un Cho 1917 Fatima 2017 Comme Un Cho 1917 Fatima 2017 sheet music has been read 2784 times. Comme un cho 1917 fatima 2017 arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-27 08:02:33. [ Read More ] Comme Un Canard Dans La Marre Comme Un Canard Dans La Marre sheet music has been read 3862 times. Comme un canard dans la marre arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-26 19:15:27. [ Read More ] Jean Thierry Boisseau Tout Au Bord Du Fleuve Assoupi For Flute And Marimba Jean Thierry Boisseau Tout Au Bord Du Fleuve Assoupi For Flute And Marimba sheet music has been read 3532 times. Jean thierry boisseau tout au bord du fleuve assoupi for flute and marimba arrangement is for Advanced level. The music notes has 5 preview and last read at 2021-09-26 22:27:19. [ Read More ] Carlos Di Sarli Comme Il Faut Tango String Quartet Carlos Di Sarli Comme Il Faut Tango String Quartet sheet music has been read 5556 times. Carlos di sarli comme il faut tango string quartet arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-26 17:42:13. [ Read More ] E Arola Carlos Di Sarli Style Comme Il Faut Tango Quartet E Arola Carlos Di Sarli Style Comme Il Faut Tango Quartet sheet music has been read 2839 times. E arola carlos di sarli style comme il faut tango quartet arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-26 12:06:33. [ Read More ] Sonnet 104 You Never Can Be Old Sonnet 104 You Never Can Be Old sheet music has been read 2740 times. Sonnet 104 you never can be old arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-24 08:21:56. [ Read More ] Tude 4 Comme Une Gigue Pour Le Pouce For The Thumb Tude 4 Comme Une Gigue Pour Le Pouce For The Thumb sheet music has been read 2168 times. Tude 4 comme une gigue pour le pouce for the thumb arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-25 02:40:41. [ Read More ] Heureux Qui Comme Ulysse Happy He Who Like Ulysses Heureux Qui Comme Ulysse Happy He Who Like Ulysses sheet music has been read 3147 times. Heureux qui comme ulysse happy he who like ulysses arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-27 01:32:31. [ Read More ] Sonnet From The Portuguese Xliii Sonnet From The Portuguese Xliii sheet music has been read 2850 times. Sonnet from the portuguese xliii arrangement is for Intermediate level. The music notes has 5 preview and last read at 2021-09-26 18:04:08. [ Read More ] Sonnet Eighteen Shall I Compare Thee Ssa Sonnet Eighteen Shall I Compare Thee Ssa sheet music has been read 3081 times. Sonnet eighteen shall i compare thee ssa arrangement is for Intermediate level. The music notes has 3 preview and last read at 2021-09-24 13:23:52. [ Read More ] Sonnet 27 Weary With Toil Sonnet 27 Weary With Toil sheet music has been read 3213 times. Sonnet 27 weary with toil arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-24 19:27:49. [ Read More ] A Summers Day Shakespeares Sonnet 18 For Chamber Orchestra A Summers Day Shakespeares Sonnet 18 For Chamber Orchestra sheet music has been read 3367 times. A summers day shakespeares sonnet 18 for chamber orchestra arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-26 06:50:14. [ Read More ] Sonnet Sonnet sheet music has been read 3114 times. Sonnet arrangement is for Intermediate level. The music notes has 4 preview and last read at 2021-09-27 13:11:23. [ Read More ] Sonnet 65 Sonnet 65 sheet music has been read 2872 times. Sonnet 65 arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-24 08:41:46. [ Read More ] Comme D Habitude A K A My Way Tenor Sax Comme D Habitude A K A My Way Tenor Sax sheet music has been read 2850 times. Comme d habitude a k a my way tenor sax arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-26 23:33:58. [ Read More ] Comme D Habitude A K A My Way Violin Piano Guitar Bass Drums Brass Comme D Habitude A K A My Way Violin Piano Guitar Bass Drums Brass sheet music has been read 2542 times. Comme d habitude a k a my way violin piano guitar bass drums brass arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-25 15:18:21. [ Read More ] Sonnet De Ptrarque B Major Sonnet De Ptrarque B Major sheet music has been read 2619 times. Sonnet de ptrarque b major arrangement is for Intermediate level. The music notes has 4 preview and last read at 2021-09-25 07:01:53. [ Read More ] Schubert Sonnet Iii In C Major For Voice Piano Schubert Sonnet Iii In C Major For Voice Piano sheet music has been read 3246 times. Schubert sonnet iii in c major for voice piano arrangement is for Beginning level. The music notes has 1 preview and last read at 2021-09-25 09:56:45. [ Read More ] Sonnet De Ptrarque B Flat Major Sonnet De Ptrarque B Flat Major sheet music has been read 2762 times. Sonnet de ptrarque b flat major arrangement is for Early Intermediate level. The music notes has 1 preview and last read at 2021-09-26 22:50:12. [ Read More ] A Christmas Sonnet A Christmas Sonnet sheet music has been read 2938 times. A christmas sonnet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-22 08:57:49. [ Read More ] Sonnet 128 William Shakespeare Satbb And Oboe Sonnet 128 William Shakespeare Satbb And Oboe sheet music has been read 3301 times. Sonnet 128 william shakespeare satbb and oboe arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-27 03:56:14. [ Read More ] Sonnet De Ptrarque A Major Bass Clef Sonnet De Ptrarque A Major Bass Clef sheet music has been read 3092 times. Sonnet de ptrarque a major bass clef arrangement is for Beginning level. The music notes has 4 preview and last read at 2021-09-27 11:23:50. [ Read More ] Comme Une Danse D Indien Et Sur Le Bord Du Yang Ts Kiang 2 Pices Pour Guitare Comme Une Danse D Indien Et Sur Le Bord Du Yang Ts Kiang 2 Pices Pour Guitare sheet music has been read 2817 times. Comme une danse d indien et sur le bord du yang ts kiang 2 pices pour guitare arrangement is for Intermediate level. The music notes has 3 preview and last read at 2021-09-26 04:58:22. [ Read More ] Sonnet 18 Shall I Compare Thee To A Summers Day Sonnet 18 Shall I Compare Thee To A Summers Day sheet music has been read 5578 times. Sonnet 18 shall i compare thee to a summers day arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-26 00:49:10. [ Read More ] Sonnet 29 When In Disgrace With Fortune Shakespeare Sonnet 29 When In Disgrace With Fortune Shakespeare sheet music has been read 5094 times.
Load more

Recommended publications
  • Booklet Shakespeare 3
    SONNET 1 From fairest creatures we desire increase, That thereby beauty’s rose might never die, But as the riper should by time decease, His tender heir might bear his memory: But thou, contracted to thine own bright eyes, Feed’st thy light’st flame with self-substantial fuel, Making a famine where abundance lies, Thyself thy foe, to thy sweet self too cruel. Thou that art now the world’s fresh ornament And only herald to the gaudy spring, Within thine own bud buriest thy content And, tender churl, makest waste in niggarding. Pity the world, or else this glutton be, To eat the world’s due, by the grave and thee. SONNET 18 Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimm’d; And every fair from fair sometime declines, By chance or nature’s changing course untrimm’d; But thy eternal summer shall not fade Nor lose possession of that fair thou owest; Nor shall Death brag thou wander’st in his shade, When in eternal lines to time thou growest: So long as men can breathe or eyes can see, So long lives this, and this gives life to thee. SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself, and curse my fate, Wishing me like to one more rich in hope, Featur'd like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings.
    [Show full text]
  • Teaching Shakespeare's Sonnets
    Teaching Shakespeare’s Sonnets: time as fracture in sonnets 18, 60 and 63 Miguel Martínez López UNIVERSITY OF GRANADA Literary studies on the Sonnets before the seventies were usually part of larger works on Sha- kespeare or on the sonnet. Specialization and detailed analyses of individual and groups of sonnets is absolutely necessary before attempting any further generalizations, which so far have led nowhere.1 In this paper I suggest a possible approach to the discussion of Shakespeare’s poetic stance as regards the intellectual metamorphosis of human apprehension of time at the dawn of the Modern Age. My reading and analysis of three of the «time-sonnets» (nos. 18, 60 & 73) is set within the context of a final-year or graduate class, minimally fluent in rhetoric, in basic medieval and Renaissance philosophy and in the intellectual history of this period.2 My central contention is that Shakespeare superbly epitomizes in his poetry and drama the fear of death resulting from a radical change in the apprehension of time: time passus (the form typical of the M. A.) becomes now time fractus.3 Humankind is and has always been fearful of death (the ultimate consequence of the passing of time) but there is a historical period -broadly between the mid-fourteenth century and the mid-seventeenth century- in which existential anguish has been at its highest. For three centuries, a series of endless calamities assaulted Europe: the Black Death, the Hundred-Year War, the invasions of the Turks, the Great Schism of the Reformation… . In the Autumn of the M.
    [Show full text]
  • Poetry As Correspondence in Early Modern England
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Unfolding Verse: Poetry As Correspondence In Early Modern England Dianne Marie Mitchell University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Mitchell, Dianne Marie, "Unfolding Verse: Poetry As Correspondence In Early Modern England" (2017). Publicly Accessible Penn Dissertations. 2477. https://repository.upenn.edu/edissertations/2477 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2477 For more information, please contact [email protected]. Unfolding Verse: Poetry As Correspondence In Early Modern England Abstract This project recovers a forgotten history of Renaissance poetry as mail. At a time when trends in English print publication and manuscript dissemination were making lyric verse more accessible to a reading public than ever before, writers and correspondents created poetic objects designed to reach individual postal recipients. Drawing on extensive archival research, “Unfolding Verse” examines versions of popular poems by John Donne, Ben Jonson, Mary Wroth, and others which look little like “literature.” Rather, these verses bear salutations, addresses, folds, wax seals, and other signs of transmission through the informal postal networks of early modern England. Neither verse letters nor “epistles,” the textual artifacts I call “letter-poems” proclaim their participation in a widespread social
    [Show full text]
  • Exploring Shakespeare's Sonnets with SPARSAR
    Linguistics and Literature Studies 4(1): 61-95, 2016 http://www.hrpub.org DOI: 10.13189/lls.2016.040110 Exploring Shakespeare’s Sonnets with SPARSAR Rodolfo Delmonte Department of Language Studies & Department of Computer Science, Ca’ Foscari University, Italy Copyright © 2016 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract Shakespeare’s Sonnets have been studied by rhetorical devices. Most if not all of these facets of a poem literary critics for centuries after their publication. However, are derived from the analysis of SPARSAR, the system for only recently studies made on the basis of computational poetry analysis which has been presented to a number of analyses and quantitative evaluations have started to appear international conferences [1,2,3] - and to Demo sessions in and they are not many. In our exploration of the Sonnets we its TTS “expressive reading” version [4,5,6]1. have used the output of SPARSAR which allows a Most of a poem's content can be captured considering full-fledged linguistic analysis which is structured at three three basic levels or views on the poem itself: one that covers macro levels, a Phonetic Relational Level where phonetic what can be called the overall sound pattern of the poem - and phonological features are highlighted; a Poetic and this is related to the phonetics and the phonology of the Relational Level that accounts for a poetic devices, i.e. words contained in the poem - Phonetic Relational View.
    [Show full text]
  • The Integrity of a Shakespeare Sonnet L
    CHAPTER I THE INTEGRITY OF A SHAKESPEARE SONNET L. C. Knights has described Shake-speares Sonnets as "a miscellane- ous collection of poems, written at different times, for different purposes, and with very different degrees of poetic intensity."' This means, as Knights perfectly understood, that whereas each individual sonnet is a dis- cernible product of Shakespeare's art, the collection taken as a whole is not;* or, to focus this more sharply, that the poet's artistic responsibility be- gins and ends within the bounds of each sonnet. The separate sonnets reflect upon one another, of course, just as Shakespeare's separate plays do; and, again as in the case of the plays, Shakespeare has sometimes suggested sub- stantial links between different ones of them. The formal and expressive outlines of the individual sonnets are emphatic, however, and, as this chap- ter will argue, decisive. "The first necessity of criticism" is then, as Knights pointed out, "to assess each poem independently on its own merits.'" Knights's position is enhanced by a valuable observation recently made by Stephen Booth that "most of the sonnets become decreasingly complex as they proceed."-' As a "token demonstration" of their decreasing figurative complexity, Booth cites the fact that the conventional figure of time or death as an old man makes six of its seven appearances in the whole collection either within a third quatrain or a couplet; his individual discussions of Sonnets 12, 60, and 73 provide examples of more general poetic decline. Testimony for Booth's observation-and for Knights's point-is supplied by G.
    [Show full text]
  • New Sonnets.Indd
    Contents ____________________________________________ About This Volume . vii THE AUTHOR & HIS WORK Biography of William Shakespeare . 3 Shakespeare the Poet . 7 Introduction to Shakespeare's Sonnets . 14 The Lasting Allure of Shakespeare's Sonnets . 18 HISTORICAL & LITERARY CONTEXTS English Poetry in the Sixteenth Century . 29 Does Shakespeare's Life Matter? . 41 The Sins of the Sonnets . 51 Shakespeare (Not?) Our Contemporary: His Sonnets and More Recent Examples . 65 CLOSE READINGS OF 25 SONNETS Sonnet 1 . 75 Sonnet 18 . 77 Sonnet 19 . 79 Sonnet 20 . 81 Sonnet 29 . 83 Sonnet 30 . 85 Sonnet 31 . 87 Sonnet 53 . 89 Sonnet 54 . 91 Sonnet 57 . 93 Sonnet 73 . 95 Sonnet 90 . 97 Sonnet 94 . 99 Sonnet 97 . 101 Sonnet 98 . 103 Sonnet 102 . 105 Sonnet 104 . 107 Sonnet 106 . 109 Sonnet 109 . 111 Sonnet 116 . 113 Sonnet 129 . 115 Sonnet 130 . 117 Sonnet 141 . 119 v Sonnet 146 . 121 Sonnet 151 . 123 CRITICAL READINGS 1: FORM & TECHNIQUE The Form of Shakespeare's Sonnets . 127 Vocabulary and Chronology: The Case of Shakespeare's Sonnets . 137 Sound and Meaning in Shakespeare's Sonnets . 149 Ambiguous Speaker and Storytelling in Shakespeare's Sonnets . 170 Secrets of the Dedication to Shakespeare's Sonnets . 183 CRITICAL READINGS 2: MAIN THEMES Four Pivotal Sonnets: Sonnets 20, 62, 104, 129 . 195 Shakespeare's Sonnets and the History of Sexuality . 207 Shylock in Love: Economic Metaphors in Shakespeare's Sonnets . 223 Hoarding the Treasure and Squandering the Truth: Giving and Posessing in Shakespeare's Sonnets to the Young Man. .235 Without Remainder: Ruins and Tombs in Shakespeare's Sonnets . 245 Ecosystemic Shakespeare: Vegetable Memorabilia in the Sonnets .
    [Show full text]
  • HOGUE-DISSERTATION-2019.Pdf (1.297Mb)
    LEAF, BARK, THORN, ROOT: ARBOREAL ECOCRITICISM AND SHAKESPEAREAN DRAMA by Jason Charles Hogue DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington May, 2019 Arlington, Texas Supervising Committee: Amy L. Tigner, Supervising Professor Stacy Alaimo Jacqueline Fay ABSTRACT Leaf, Bark, Thorn, Root: Arboreal Ecocriticism and Shakespearean Drama Jason Charles Hogue, Ph.D. The University of Texas at Arlington, 2019 Supervising Professor: Amy L. Tigner Leaf, Bark, Thorn, Root traces the appearance of trees and their constituent parts in five Shakespearean plays: Macbeth, The Tempest, 3 Henry VI, Richard III, and As You Like It. The dissertation shows how these plays reveal arboreal agencies intra-acting with the characters of the play-texts by assessing the mergings of human and arboreal bodies, as well as instances of hacking and hewing inflicted across these bodies. Taking a posthumanist approach informed by ecomaterialism, critical plant studies, and affect theory, I argue that these sites of painful human- arboreal encounter in Shakespeare’s plays initiate potentials for thinking-with and feeling-with, across not only species (in the spirit of Donna Haraway’s Companion Species Manifesto) but also across biological kingdoms. Throughout the dissertation, I complicate philosopher Michael Marder’s theories of plant-thinking via these early modern depictions of and relations to trees, whose complex existences inform the texts in multiple registers. The trees of Shakespeare offer ways into theorizing plant-being that not only reflect early modern preoccupations but also resonate across the centuries, potentially serving as a bridge between historicist and presentist methodological concerns, a useful nexus for facing looming ecological issues like climate change, the effects of which long-lived trees bear bodily witness in their annual growth rings and in the shifting of leaf longevity.
    [Show full text]
  • Lecture -10 Shakespearian Sonnets Sonnet
    1 LECTURE -10 SHAKESPEARIAN SONNETS SONNET - 65 Since brass, nor stone, nor earth, nor boundless sea, But sad mortality o'ersways their power, How with this rage shall beauty hold a plea, Whose action is no stronger than a flower? O how shall summer’s honey breath hold out Against the wrackful siege of batt'ring days, When rocks impregnable are not so stout, Nor gates of steel so strong but time decays? O fearful meditation! Where, alack, Shall time’s best jewel from time’s chest lie hid? Or what strong hand can hold his swift foot back? Or who his spoil or beauty can forbid? O none, unless this miracle have might, That in black ink my love may still shine bright. Structure Sonnet 65 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form, abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The first line exemplifies a regular iambic pentameter: × / × / × / × / × / Since brass, nor stone, nor earth, nor boundless sea, (65.1) / = ictus, a metrically strong syllabic position. × = nonictus. The tenth line exhibits a rightward movement of the third ictus (the resulting four- position figure, × × / / , is sometimes referred to as a minor ionic): × / × / × × / / × / Shall Time's best jewel from Time's chest lie hid? (65.10) 2 This figure may also be detected in lines eleven and fourteen, along with an initial reversal in line three.
    [Show full text]
  • Suggested Sonnets the English-Speaking Union National Shakespeare Competition INDEX of SUGGESTED SONNETS
    Suggested Sonnets The English-Speaking Union National Shakespeare Competition INDEX OF SUGGESTED SONNETS Below is a list of suggested sonnets for recitation in the ESU National Shakespeare Competition. Sonnet First Line Pg. Sonnet First Line Pg. 2 When forty winters shall besiege thy brow 1 76 Why is my verse so barren of new pride 28 8 Music to hear, why hear’st thou music sadly? 2 78 So oft have I invok’d thee for my muse 29 10 For shame deny that thou bear’st love to any, 3 83 I never saw that you did painting need 30 12 When I do count the clock that tells the time 4 90 Then hate me when thou wilt, if ever, now, 31 14 Not from the stars do I my judgment pluck, 5 91 Some glory in their birth, some in their skill, 32 15 When I consider everything that grows 6 97 How like a winter hath my absence been 33 17 Who will believe my verse in time to come 7 102 My love is strengthened, though more weak… 34 18 Shall I compare thee to a summer’s day? 8 104 To me, fair friend, you never can be old, 35 20 A woman’s face with Nature’s own hand painted 9 113 Since I left you, mine eye is in my mind, 36 23 As an unperfect actor on the stage 10 116 Let me not to the marriage of true minds 37 27 Weary with toil, I haste me to my bed, 11 120 That you were once unkind befriends me now, 38 29 When in disgrace with fortune and men’s eyes 12 121 ’Tis better to be vile than vile esteemed, 39 30 When to the sessions of sweet silent thought 13 124 If my dear love were but the child of state, 40 34 Why didst thou promise such a beauteous day 14 126 O thou, my lovely boy, who in thy power 41 40 Take all my loves, my love, yea, take them all.
    [Show full text]
  • Unit -3 Shakespeare : W.H. and Dark Lady 3.1 Objectives : 3.2
    Unit -3 qqq Shakespeare : W.H. and Dark Lady Structure 3.1 Objectives 3.2 Shakespeare : Life and Works 3.3 Shakespeare’s Sonnets 3.4 The Text: W.H. 3.4.1 Sonnet I 3.4.2 Sonnet LV (55) 3.4.3 Sonnet CXVI (116) 3.4.4 Sonnet 126 3.5 The Text: Dark Lady 3.5.1 Sonnet CXXX (130) 3.5.2 Sonnet CXXXVIII (138) 3.6 Conclusion 3.7 Questions 3.8 Reference 3.1 qqq Objectives : I welcome you to this Unit but not without some hesitation. Some of you, 1 am afraid, may want to question the relevance as well as the utility of an introduction to William Shakespeare for, generally speaking, neither in your school nor in your college have you been too far away from the Bard of Avon. You could not have been. A student of English Literature cannot perhaps hope to graduate without reading Shakespeare because it will mean studying the human body and not learning about the heart and the circulatory system. Yet I feel that I should introduce or rather re-introduce Shakespeare to make you aware of certain facts/issues/controversies. 3.2 qqq Shakespeare : Life and Works From your study of Shakespeare at the undergraduate level, you know that a great deal 70 of mystery shrouds the poet-dramatist and his identity itself has been in question for many hundred years now. It has almost turned into a literary detective story, with enthusiasts trying to unveil the truth about a man known to have been born in Stratford-upon-Avon on 23 April 1564 and baptized on the 26th.
    [Show full text]
  • Reading Shakespeare's Sonnets: John Benson and the 1640 Poems
    This is a repository copy of Reading Shakespeare's sonnets: John Benson and the 1640 poems. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/79005/ Article: Shrank, C. (2009) Reading Shakespeare's sonnets: John Benson and the 1640 poems. Shakespeare, 5 (3). 271 - 291 . ISSN 1745-0918 https://doi.org/10.1080/17450910903138054 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Reading Shakespeare’s Sonnets: John Benson and the 1640 Poems Cathy Shrank (University of Sheffield) [Printed in Shakespeare, 5:3 (2009),271-291; URL: http://dx.doi.org/10.1080/17450910903138054] John Benson’s 1640 edition of Shakespeare’s Poems has found little critical favour in the centuries since its production.1 Benson reorders the sonnets (merging many into longer poems), adds descriptive titles, and publishes them alongside other poems – some of which are not by Shakespeare – from sources such as The Passionate Pilgrime and Englands Helicon.2 The work also includes an appendix of poems ‘By other Gentlemen’, such as Ben Jonson, John Milton, Francis Beaumont and Robert Herrick.
    [Show full text]
  • SUGGESTED SONNETS 2015 / 2016 Season the English-Speaking Union National Shakespeare Competition INDEX of SUGGESTED SONNETS
    SUGGESTED SONNETS 2015 / 2016 Season The English-Speaking Union National Shakespeare Competition INDEX OF SUGGESTED SONNETS Below is a list of suggested sonnets for recitation in the ESU National Shakespeare Competition. Sonnet First Line Pg. Sonnet First Line Pg. 2 When forty winters shall besiege thy brow 1 76 Why is my verse so barren of new pride 28 8 Music to hear, why hear’st thou music sadly? 2 78 So oft have I invok’d thee for my muse 29 10 For shame deny that thou bear’st love to any, 3 83 I never saw that you did painting need 30 12 When I do count the clock that tells the time 4 90 Then hate me when thou wilt, if ever, now, 31 14 Not from the stars do I my judgment pluck, 5 91 Some glory in their birth, some in their skill, 32 15 When I consider everything that grows 6 97 How like a winter hath my absence been 33 17 Who will believe my verse in time to come 7 102 My love is strengthened, though more weak… 34 18 Shall I compare thee to a summer’s day? 8 104 To me, fair friend, you never can be old, 35 20 A woman’s face with Nature’s own hand painted 9 113 Since I left you, mine eye is in my mind, 36 23 As an unperfect actor on the stage 10 116 Let me not to the marriage of true minds 37 27 Weary with toil, I haste me to my bed, 11 120 That you were once unkind befriends me now, 38 29 When in disgrace with fortune and men’s eyes 12 121 ’Tis better to be vile than vile esteemed, 39 30 When to the sessions of sweet silent thought 13 124 If my dear love were but the child of state, 40 34 Why didst thou promise such a beauteous day 14 126 O thou, my lovely boy, who in thy power 41 40 Take all my loves, my love, yea, take them all.
    [Show full text]