DOCSLIB.ORG

Annual Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annual Report Annual Report Scottsdale Center for the Performing Arts Scottsdale Museum of Contemporary Art Scottsdale Public Art 16 7380 E. Second St., Scottsdale, AZ 85251 480-994-ARTS (2787) | ScottsdaleArts.org 17 Contents FROM THE MAYOR 1 Education & Outreach Scottsdale Center for the Natalie Marsh, Director of Performing Arts Education & Outreach Ally R. Haynes-Hamblen, Director THE YEAR IN REVIEW 2 Laura Hales, Curator of Education (through January 2017) Leslie Haddad, Education Coordinator Abbey Messmer, Programming Manager Tammy Hinds, Education Coordinator Diandra Miller, Programming SCOTTSDALE CENTER Christine Harthun, Education Coordinator FOR THE PERFORMING ARTS 8 Coordinator Amy Ettinger, Film Curator Katie Boyle, Education Coordinator Elena Hale, Administrative Programming Assistant SCOTTSDALE MUSEUM OF Michael Wallot, Artist Services Manager CONTEMPORARY ART 18 Operations Judy Koval, Performing Arts Assistant Larry Edmonds, Director of Lisa Marie Wingbermuehle-Malovoz, Facilities Operations Production Manager SCOTTSDALE PUBLIC ART 30 Martin Dickey, Associate Director of John Doyle, Head House Electrician Facilities and Operations Rich Williams, House Head AV Engineer Bob Casciato, Facilities (through March 2017) Maintenance Manager EDUCATION & OUTREACH 42 Steven Brink, Stage Manager Joe Tashjian, Environmental Services Supervisor Scott Lawhead, Theater Technician PERFORMANCE MEASURES 49 Keng Cheong, Protection Services Manager Scottsdale Museum of Thomas Villegas, Protection Contemporary Art FINANCES AND FIGURES 56 Services Supervisor Sara Cochran, Ph.D., Director and Scott MacKeigan, Events and Chief Curator Facilities Representative Valerie Ryan, Museum Manager DONORS AND SUPPORTERS 62 Jeri Thompson, Operations and Claire C. Carter, Curator of Administrative Assistant Contemporary Art Jennifer McCabe, Curator of CORPORATE PARTNERS 66 Guest and Patron Services Contemporary Art Jamie Prins, Associate Director of Peter Bugg, Curator of Programming (through October 2016) BOARDS AND STAFF 68 Patron Experience Services and Scottsdale Arts Festival Manager Julie Ganas, Curator of Programming Sai Powers, Events Manager Christina Davis, Assistant Curator Anne Parker, Facilities Rentals Manager Laura Best, Exhibitions Manager William Kelly, Retail Services Manager Pat Evans, Registrar Michelle Hoxie, Assistant Retail (through November 2016) Services Manager Carrie Tovar, Registrar Samantha Snyder, Patron Services James Coyne, Lead Preparator Manager (through December 2017) Kara Chesser, Patron Services Manager Scottsdale Public Art Abigail Clarke, Assistant Patron Services Manager Donna Isaac, Vice President�Director Sean McBride, Membership Specialist Andrea Teutli, Assistant Director Public Art Whitney Nelson, Festival Coordinator Wendy Raisanen, Curator of Collections Marianna Bartoluzzi, Guest and Exhibitions Services Coordinator Kevin Vaughan-Brubaker, Carolyn Sedlak, Lead House Manager Public Art Manager Jennifer Gill, Public Art Project Coordinator Daniel Funkhouser, Public Art Preparator John Shimkus, Installations Coordinator Alice Jenkins, Administrative Assistant Cover: (through February 2018) Gina Azima, Administrative Assistant Installation of the exhibition Ocean of Light: Submergence – Amy DeCaussin, Events Assistant A Squidsoup Project at the Scottsdale Museum of Contemporary Art, (through February 2018) on view from May 6 – September 24, 2017. Colleen Donohoe, Events Assistant Photo: Julie Ganas This Page: Diavolo Architecture in Motion®, March 16-17, 2017 Photo: George Simian Contents From the Mayor FROM THE MAYOR 1 Education & Outreach Scottsdale Center for the Natalie Marsh, Director of Performing Arts Education & Outreach Ally R. Haynes-Hamblen, Director THE YEAR IN REVIEW 2 Laura Hales, Curator of Education (through January 2017) Leslie Haddad, Education Coordinator Abbey Messmer, Programming Manager Tammy Hinds, Education Coordinator Diandra Miller, Programming SCOTTSDALE CENTER Christine Harthun, Education Coordinator FOR THE PERFORMING ARTS 8 Coordinator Amy “MostEttinger, Livable Film Curator City” Katie Boyle, Education Coordinator ElenaU.S. Hale, Conference Administrative of Mayors Programming Assistant SCOTTSDALE MUSEUM OF MichaelW.J. Wallot, “JIM” Artist LANE Services Manager Operations CONTEMPORARY ART 18 Judy Koval, PerformingMayor Arts Assistant Larry Edmonds, Director of Lisa Marie Wingbermuehle-Malovoz, Facilities Operations ProductionWELCOME Manager SCOTTSDALE PUBLIC ART 30 Martin Dickey, Associate Director of John Doyle, Head House Electrician Facilities and Operations The City of Scottsdale is proud of itsRich reputation Williams, as House a community Head AV Engineer that places great value on the Bob Casciato, Facilities (through March 2017) Maintenancearts. Our residents Manager and visitors enjoy a remarkable variety of arts experiences from world-class EDUCATION & OUTREACH 42 Steven Brink, Stage Manager Joe Tashjian, Environmental performances, films and exhibitionsScott to inspiring Lawhead, worksTheater of Technician public art embedded throughout our Servicescommunity. Supervisor Quality arts education and outreach programs – many offered free of charge – also PERFORMANCE MEASURES 49 Keng Cheong, Protection Servicesserve thousands Manager of students and lifelongScottsdale learners. Museum of Thomas Villegas, Protection Contemporary Art FINANCES AND FIGURES 56 ServicesThese Supervisorarts offerings are made possibleSara through Cochran, a Ph.D., unique Director partnership and between the City of Scottsdale Scottand MacKeigan, nonprofit Events Scottsdale and Arts. Led by Chiefan all-volunteer Curator board of trustees and funded through a Facilities Representative Valerie Ryan, Museum Manager DONORS AND SUPPORTERS 62 Jeri Thompson,combination Operations of public and and private investment, Scottsdale Arts manages three of the City’s premier cultural assets—Scottsdale Center forClaire the C. Performing Carter, Curator Arts, of Scottsdale Museum of Contemporary Administrative Assistant Contemporary Art Art (SMoCA), and Scottsdale PublicJennifer Art. Internationally McCabe, Curator recognized of events such as Canal CORPORATE PARTNERS 66 GuestConvergence and Patron and Services the Scottsdale Arts FestivalContemporary engage Art an ever-growing audience, making this an Jamieinvestment Prins, Associate of increasing Director of value to ourPeter city. Bugg, This Curator organization’s of Programming innovative programs truly enhance (through October 2016) BOARDS AND STAFF 68 PatronScottsdale’s Experience desirability Services and as a place in which to live and visit. Scottsdale Arts Festival Manager Julie Ganas, Curator of Programming Sai Powers, Events Manager Christina Davis, Assistant Curator AnneWe Parker, invite Facilities you to Rentals explore Manager the informationLaura Best, outlined Exhibitions in this Manager Annual Report to learn more about WilliamScottsdale Kelly, Retail Arts’ Services outstanding Manager offeringsPat andEvans, to Registrar make the arts part of your Scottsdale experience! Michelle Hoxie, Assistant Retail (through November 2016) Services Manager Carrie Tovar, Registrar SamanthaSincerely, Snyder, Patron Services James Coyne, Lead Preparator Manager (through December 2017) Kara Chesser, Patron Services Manager Scottsdale Public Art Abigail Clarke, Assistant Patron Services Manager Donna Isaac, Vice President�Director Sean McBride, Membership Specialist Andrea Teutli, Assistant Director Public Art Whitney Nelson, Festival Coordinator Mayor Jim Lane Wendy Raisanen, Curator of Collections Marianna Bartoluzzi, Guest and Exhibitions Services Coordinator Kevin Vaughan-Brubaker, Carolyn Sedlak, Lead House Manager Public Art Manager Jennifer Gill, Public Art Project Coordinator Daniel Funkhouser, Public Art Preparator John Shimkus, Installations Coordinator Alice Jenkins, Administrative Assistant Cover: (through February 2018) Gina Azima, Administrative Assistant Installation of the exhibition Ocean of Light: Submergence – Amy DeCaussin, Events Assistant A Squidsoup Project at the Scottsdale Museum of Contemporary Art, (through February 2018) on view from May 6 – September 24, 2017. Colleen Donohoe, Events Assistant Photo: Julie Ganas City of Scottsdale 3939 Drinkwater Boulevard Scottsdale, AZ 85251 This Page: 480-312-2433 | 480-312-2738 FAX | [email protected] | ScottsdaleAZ.gov Diavolo Architecture in Motion®, March 16-17, 2017 Photo: George Simian THE YEAR IN REVIEW From the CEO and Board of Trustees Chair It is our pleasure to report on the accomplishments of the 2016-17 fiscal year. We are proud of the exceptional level of artistic programming of our organization and the diverse events and activities that are produced for the benefit of our community. These innovative and impressive programs take place in every corner of our city, from its theaters, galleries and classrooms, to its parks, streets and neighborhoods. All told, Scottsdale Arts presented and hosted 2,363 events in 2016-17, serving 441,538 patrons. Highlights and Achievements • Scottsdale Center for the Performing Arts (the Center) had a total of 19 sold-out performances representing a wide range of genres and artists. • The Scottsdale Arts Festival received three awards from the International Festivals & Events Association. • Scottsdale Museum of Contemporary Art’s (SMoCA) exhibition, Ocean of Light: Submergence by the UK artists collective Squidsoup, achieved all-time records in attendance of 50,832, and social media impressions of 1,789,979, as well as increased website traffic of more
Load more

Recommended publications
  • Acquisitions
    Acquisitions as of June 30, 2009 African and David Soltker and Irving Dobkin Feldstein Endowment Fund for endowments (2008.206). Decorative Arts (2008.558). Amerindian Art North American Furniture African Mexico Artist unknown, Tea Table, Bwa, Dossi, Burkina Faso, Teotihuacan, Figurine, c. 1750/90, mahogany: Roger and Butterfly Mask, early/mid-20th a.d. 400, greenstone: gift of J. Peter McCormick endow- cen., wood and pigment: Charles Ethel F. and Julian R. Goldsmith ments; restricted gift of Jamee J. H. and Mary F. S. Worcester (2008.675). Tlatilco, Female and Marshall Field, and Carol Collection Fund (2008.190). Edo, Figurines, c. 500 b.c., ceramic W. Wardlaw (2009.58); Stand, Benin City, Nigeria, Container and pigment: gift of Ethel F. and 1790/1810, birch: gift of Jamee J. in the Form of a Leopard Head, Julian R. Goldsmith (2008.676–78). and Marshall Field (2008.679). early 21st cen., brass: gift of Omo Vladimir Kagan, Occasional N’Oba N’Edo Uku Akpolokpolo, United States Table, c. 1952, walnut and brass: Oba of Benin (2008.674). The Orbit Fund (2009.232). Navajo, northern Arizona or Mahdiyya State, Sudan, Tunic Walter von Nessen, manufactured New Mexico, Concho Belt, (Jibbeh), 1885/99, cotton: African by Nessen Studio, Inc., Occa- 1880/95, silver and leather: and Amerindian Curator’s Discre- sional Table, c. 1931, aluminum, Auxiliary Board of the Art tionary, Holly and David Ross, Bakelite, and iron: Quinn E. Institute of Chicago (2009.572); Arnold H. Crane, African and Delaney Fund (2009.156). Bow Guards (Ketoh), 1900/20, Amerindian Art Purchase, and silver, leather, turquoise, and O.
    [Show full text]
  • LUXE Relocation Guide Optimized
    Greater Phoenix RelocationPresented by Guide First American Title Jay Martinez, PLLC Real Estate Professional Principal | Broker | CDPE PHOENIX CAMELBACK OFFICE 800.519.5893 2201 E. Camelback Road, Suite 120 [email protected] Phoenix, AZ 85016 www.LuxeRealEstateGroup.com 602.954.3644 We’reThink called First for aFirst…… reason. TTNumber One in Maricopa County. TTNumber One in market share. The first title company established in Arizona over 120 years ago. That’s why we’re capable and ready to help you at every turn. With our combination of people, technology and innovation, we’ve got the ways and means to make it happen. Whether your needs are for title, escrow, property research, sales and marketing, subdivision trust, foreclosure or discounted rates, think of us first. With convenient offices throughout Maricopa County and more than 30 offices statewide, we can handle your Real Estate transactions quickly and easily. When it comes to your Title Insurance and Escrow needs, “Think First, Think First American” JANETTE WALLER VP MARICOPA COUNTY SCOTT GODDARD RESALE MANAGER STATE SALES MANAGER On behalf of First American Title, we proudly present our Phoenix-Metro Relocation Guide. If you are moving, or planning to move to the Valley of the Sun, this guide will give you some important informationWelcome you’ll need to start your new to life here. Phoenix! Our Valley continues to grow in popularity as a destination for visitors and new residents alike, and it’s easy to see why with 300 days of sunshine every year! The Arizona climate offers outdoor enthusiasts the ultimate playground. In the warmer months, Valley residents visit the nearby mountains and lakes to enjoy hiking and water sports.
    [Show full text]
  • Arizona Relocation Guide
    ARIZONA RELOCATION GUIDE WELCOME TO THE VALLEY OF THE SUN Landmark Title is proud to present the greatest selection of golf courses. As the following relocation guide! If you are cultural hub of the Southwest, Phoenix is thinking of moving to the Valley of the also a leader in the business world. Sun, the following will help you kick The cost of living compared with high start your move to the wonderful quality of life is favorable com- greater Phoenix area. pared to other national cities. FUN FACT: Arizona is a popular destination and is We hope you experience and growing every year. There are plenty of enjoy everything this state that Arizona’s flag features a copper-colored activities to partake in, which is easy to we call home, has to offer. star, acknowledging the state’s leading do with 300+ days of sunshine! role in cooper when it produced 60% of the total for the United States. There is something for everyone; the outdoor enthusiast, recreational activities, hospitality, dining and shopping, not to mention the nation’s 3 HISTORY OF THE VALLEY Once known as the Arizona Territory, built homes in, what was known as, By the time the United States entered WW the Valley of the Sun contained one Pumkinville where Swilling had planted II, one of the 7 natural wonders of the of the main routes to the gold fields in the gourds along the canal banks. Duppa world, the Grand Canyon, had become California. Although gold and silver were presented the name of Phoenix as related a national park, Route 66 was competed discovered in some Arizona rivers and to the story of the rebirth of the mythical and Pluto had been discovered at the mountains during the 1860’s, copper bird born from the ashes.
    [Show full text]
  • Communication & Media Studies
    COMMUNICATION & MEDIA STUDIES BOOKS FOR COURSES 2011 PENGUIN GROUP (USA) Here is a great selection of Penguin Group (usa)’s Communications & Media Studies titles. Click on the 13-digit ISBN to get more information on each title. n Examination and personal copy forms are available at the back of the catalog. n For personal service, adoption assistance, and complimentary exam copies, sign up for our College Faculty Information Service at www.penguin.com/facinfo 2 COMMUNICaTION & MEDIa STUDIES 2011 CONTENTS Jane McGonigal Mass Communication ................... 3 f REality IS Broken Why Games Make Us Better and Media and Culture .............................4 How They Can Change the World Environment ......................................9 Drawing on positive psychology, cognitive sci- ence, and sociology, Reality Is Broken uncov- Decision-Making ............................... 11 ers how game designers have hit on core truths about what makes us happy and uti- lized these discoveries to astonishing effect in Technology & virtual environments. social media ...................................13 See page 4 Children & Technology ....................15 Journalism ..................................... 16 Food Studies ....................................18 Clay Shirky Government & f CognitivE Surplus Public affairs Reporting ................. 19 Creativity and Generosity Writing for the Media .....................22 in a Connected age Reveals how new technology is changing us from consumers to collaborators, unleashing Radio, TElEvision, a torrent
    [Show full text]
  • Bisbee, Arizona Field Trip
    Mesa Community College urban bicycle tour March 5 & 6, 2011 Trip Leaders: Steve Bass and Philip Clinton FIELD TRIP OBJECTIVES 1. to observe the distribution of human activities and land uses 2. to observe the distribution of biotic, geologic, and atmospheric phenomena 3. to interact with the human and natural environment 4. to gain an appreciation of the diversity of the Phoenix Metropolitan area 5. to build a community of learners in a relaxed setting FIELD TRIP RULES 1. All participants must wear an approved helmet while cycling and a seat belt when traveling by motor vehicle. 2. Use of audio headsets is prohibited while cycling. 3. Participants will travel as a group and stop for discussions along the way. 4. Obey all traffic rules and ride defensively. This is not a race. 5. Pack it in – pack it out. Leave no trash along the route. Itinerary (all times are approximate) Saturday March 5 8 am Depart MCC (arrive by 7:30 am to load gear and to enjoy breakfast) 10 am Snack Break near Camelback Colonnade Mall 12 pm Picnic lunch at Cortez Park 2 pm Arrive at GCC 3 pm Arrive at White Tank Mountain Regional Park 6 pm Dinner Cookout followed by sitting around the campfire & smores Sunday March 6 7 am Breakfast (and stretching) 8 am Depart White Tank Mountain Regional Park by van 9 am Depart GCC by bicycle 10 am Tour the Bharatiya Ekta Mandir Hindu and Jain Temple 12 pm Snack at Encanto Park 1 pm Lunch at South Mountain Community College 3 pm Arrive at MCC 1 SATURDAY ROUTE Begin at the Dobson & Southern campus of Mesa Community College.
    [Show full text]
  • Street Art Rising Marshall Soules—[email protected]
    Vol 1 No 2 (Autumn 2020) Online: jps.library.utoronto.ca/index.php/nexj Visit our WebBlog: newexplorations.net Street Art Rising Marshall Soules—[email protected] This illustrated article discusses the various manifestations of street art—graffiti, posters, stencils, social murals—and the impact of street art on urban environments. Continuing perceptions of street art as vandalism contributing to urban decay neglects to account for street art’s full spectrum of effects. As freedom of expression protected by law, as news from under-privileged classes, as images of social uplift and consciousness-raising, and as beautification of urban milieux, street art has social benefits requiring re-assessment. Street art has become a significant global art movement. Detailed contextual history includes the photographer Brassai's interest in Parisian graffiti between the world wars; Cézanne’s use of passage; Walter Benjamin's assemblage of fragments in The Arcades Project; the practice of dérive (passage through diverse ambiances, drifting) and détournement (rerouting, hijacking) as social and political intervention advocated by Guy Debord and the Situationist International; Dada and Surrealist montage and collage; and the art of Quebec Automatists and French Nouveaux réalistes. Present street art engages dynamically with 20th C. art history. The article explores McLuhan’s ideas about the power of mosaic style to subvert the received order, opening spaces for new discourse to emerge, new patterns to be discovered. The author compares street art to advertising, and raises questions about appropriation, authenticity, and style. How does street art survive when it leaves the streets for galleries, design shops, and museums? Street art continues to challenge communication strategies of the privileged classes and elected officials, and increasingly plays a reconstructive role in modulating the emotional tenor of urban spaces.
    [Show full text]
  • Applying Kenneth Burke's Theory to the Adbusters Anti-Consumerism Campaign
    Rochester Institute of Technology RIT Scholar Works Theses 1-1-2006 Perspective by incongruity in visual advertising: Applying Kenneth Burke's theory to the Adbusters anti-consumerism campaign Elizabeth B. Gorman Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Gorman, Elizabeth B., "Perspective by incongruity in visual advertising: Applying Kenneth Burke's theory to the Adbusters anti-consumerism campaign" (2006). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Perspective by Incongruity 1 Running head: PERSPECTIVE BY INCONGRUITY Perspective by Incongruity in Visual Advertising: Applying Kenneth Burke's Theory to the Adbusters Anti-Consumerism Campaign A Thesis Presented to The Faculty of the Department of Communication Rochester Institute of Technology In Partial Fulfillment of the Master of Science Degree in Communication & Media Technologies by Elizabeth B. Gorman August 15, 2006 Thesis/Dissertation Author Permission Statement Title of thesis or dissertation: Perspective by Incongruity in Visual Advertising: Applying Kenneth Burke's Theory to the Adbusters Anti-Consumerism Campaign Name of author: Elizabeth B. Gorman Degree: Master of Science Program: Communication & Media Technologies College: Liberal Arts I understand that I must submit a print copy of my thesis or dissertation to the RIT Archives, per current RIT guidelines for the completion of my degree. I hereby grant to the Rochester Institute of Technology and its agents the non-exclusive license to archive and make accessible my thesis or dissertation in whole or in part in all forms of media in perpetuity.
    [Show full text]
  • ACTIVITIES in and AROUND the PHOENIX METRO AREA MUSEUMS ZOOS and AQUARIUMS Phone: (623) 977-5000 Toll Free: 1-844-4 SUN CITY W
    Phone: (623) 977-5000 Toll Free: 1-844-4 SUN CITY Web Page: www.suncityaz.org E-mail: [email protected] ACTIVITIES IN AND AROUND THE PHOENIX METRO AREA ADOBE MOUNTAIN DESERT RAILROAD PARK DEER VALLEY PETROGLYPH PRESERVE 23280 N 43rd Ave., Phoenix, 623-670-1904 3711 W Deer Valley Rd., Glendale, 623-582-8007 www.adobemtndesertrrpark.com/ www.shesc.asu.edu/dvpp APE INDEX ROCK CLIMBING GYM MYSTERY CASTLE 9700 N 91st Ave., #18, Peoria, 623-242-9164 800 E Mineral Rd., Phoenix www.apeindex.net/ www.mymysterycastle.com/ ARROWHEAD TOWNE CENTER MODEL RAILROAD DISPLAY 7700 W Arrowhead Towne Center, Glendale, 623-227-4227 10600 W Peoria Ave., Sun City, 623-876-3044 www.arrowheadtownecenter.com/ www.sunaz.com/model-railroad-club-of-sun-city CERRETA CANDY COMPANY TALIESIN WEST 5345 W Glendale Ave., Glendale, 623-930-9000 12345 N Taliesin Dr., Scottsdale, 480-627-5375 www.cerreta.com/ www.franklloydwright.org/taliesin-west/ CHALLENGER SPACE CENTER WESTGATE ENTERTAINMENT DISTRICT 17835 N 44th St., Phoenix, 623-322-2001 6751 N Sunset Blvd., Glendale, 623-385-7502 www.azchallenger.org/ www.westgateaz.com/ MUSEUMS ARIZONA CAPITOL MUSEUM MUSEUM OF NATURAL HISTORY 1700 W Washington St., Phoenix, 602-926-3620 53 N MacDonald St., Mesa, 480-644-2230 www.azlibrary.gov/azcm www.arizonamuseumofnaturalhistory.org/ ARIZONA SCIENCE CENTER MUSICAL INSTRUMENT MUSEUM 600 E Washington St., Phoenix, 602-716-2000 4725 E Mayo Blvd., Phoenix, 480-478-6000 www.azscience.org/ www.mim.org/ HALL OF FLAME-MUSEUM OF FIRE FIGHTING PHOENIX ART MUSEUM 6101 E. Van Buren St., Phoenix,
    [Show full text]
  • Phoenix & Scottsdale Cedar City Ut 666 Points of Interest 93 St
    FREE TAKE ONE! PHOENIX & SCOTTSDALE CEDAR CITY UT 666 POINTS OF INTEREST 93 ST. GEORGE LAKE POWELL NV 9 64 Ortega’s Chase Field- Heard Museum 15 PAGE 160 Home of the Arizona Diamondbacks Located in downtown Phoenix, Heard Museum LAKE MEAD GRAND CANYON Retractable-roof stadium in the heart of features exhibits of Native American cultures and 666 downtown Phoenix that serves as the home of the arts, including the world’s largest kachina doll Arizona Arizona Diamondbacks. Arrange a tour by calling collection. Open daily. 2301 North Central Avenue. 93 89 NM (602) 462-6799. 401 East Jefferson. (602) 252-8848 191 (602) 514-8400 KINGMAN Pueblo Grande Museum 40 FLAGSTAFF Camelback Mountain Come and enjoy the old ancient Hohokam ruins, 95 SEDONA 40 The Finest in Handcrafted Indian Jewelry, The city’s most famous landmark resembles a 1,000 years old! Features workshops, tours and a crouching camel. In the mountain’s Echo Canyon Lake Indian Art and Crafts. museum store containing Indian arts and crafts. Havasu 89 recreation area, red cliffs and hiking areas attract 180 191 Open Monday-Saturday 9-4:45 and Sundays CA 93 outdoor enthusiasts. East McDonald Drive and 1-4:45. 4619 East Washington Street, Phoenix. 17 Tatum Boulevard. (602) 256-3220 60 Show this ad for (602) 495-0901 BLYTHE 60 60 Visitor Services Old Town Scottsdale Desert Botanical Garden PHOENIX Hitchin’ posts and wood front shops are Offers the world’s largest collection of desert YUMA 10 COOLIDGE 70 20% reminiscent of the old west as it was, and plants in a natural setting.
    [Show full text]
  • Lollesgard Postcards Collection
    ARIZONA HISTORICAL SOCIETY 949 East Second Street Library and Archives Tucson, AZ 85719 (520) 617-1157 [email protected] PC 238 Lollesgard Postcard Collection 1935 - 1957 DESCRIPTION The Lollesgard Postcard collection represents the remaining stock from the Lollesgard Specialty Company of Tucson Arizona. The collection contains two distinct parts one with postcards and greeting cards and a second portion of photographs and negatives. The postcards consist of real cards (primarily from the Frashers Inc.), linen or art cards, and chrome cards. The cards were produced from the late 1940s to the 1970s. All have divided backs. Nineteen postcard scrapbooks contain representative samples of postcards available for customer purchase. Five boxes consist of loose cards representing stock cards carried by store. These cards have been arranged by postcard type and then topically by major theme or city for which they represent. Two small boxes house greeting cards with western themes also sold by Lollesgard. The photos and negatives represent images taken or purchased by Lollesgard for consideration in postcard development. Most of the images were not developed into cards and are therefore unique to the postcard portion of the collection. They have been arranged topically as they originally came. 42 Boxes, 21 linear ft. BIOGRAPHICAL NOTE Holger A. “Lolly” Lollesgard was the founder and owner of the Lollesgard Specialty Co. Inc. of Tucson Arizona. He was born in 1893 and was a descendant of the pioneer Alstrup family of Chicago and the Von de Reke Lollesgard family of Denmark. He graduated from the University of Chicago in 1915 and participated in World War I with the 303rd Cavalry Regiment.
    [Show full text]
  • Art and Architecture 2013
    Art and Architecture 2013 Books for Courses ART & FEATURED TITLES ARCHITECTURE 2013 Will Gompertz WHAT ARE YOU LOOKING AT? THE SURPRISING, SHOCKING, AND SOMETIMES CONTENTS STRANGE STORY OF 150 YEARS OF MODERN ART ART HISTORY 3 “Gompertz has an uncanny knack for making CRITICISM & THEORY 6 difficult art (and ideas) easy….A lively, witty ac- ART & LITERATURE 9 count of the major moments and movements of DESIGN 12 the past 150 years.”—Associated Press ARCHITECTURE 13 See Art History, page 3 ART TECHNIQUE 15 CREATIVE INSPIRATION 16 GENERAL INTEREST 20 REFERENCE 24 Ellen Forney MARBLES INDEX 25 MANIA, DEPRESSION, MICHELANGELO, AND ME COLLEGE FACULTY 26 A Graphic Memoir INFORMATION SERVICE (CFIS) PERSONAL COPY FORM 27 “Brutally honest and deeply moving, the book is by EXAMINATION COPY FORM 28 turns dark, mordant, and hilarious. One of this year’s best American memoirs.”—Philadelphia Inquirer See Art and Literature, page 9 Click on the 13-digit ISBN for more information on any title. Simon Garfield To order examination or per- JUST MY TYPE sonal copies of any of the titles Foreword by Dava Sobel listed in this catalog, please “Garfield’s engaging history of letter design will complete the appropriate form be eye candy....[Just My Type is] stuffed with at the back of the catalog. fascinating bits of information...lively, richly illustrated.”—NPR For personal service, adoption See Design, page 12 assistance, and complimentary exam copies, please sign up for our College Faculty Information Keri Smith Service at: THE POCKET SCAVENGER www.penguin.com/facinfo Keri Smith, bestselling author of Wreck This Journal, returns with an exploration into the creative process and chance that sends readers on an unusual scavenger hunt to collect random items.
    [Show full text]
  • Offeror: We6t Lttte {).Ed Leskost !} I
    Offer and Acceptance State of Arizona State Procurement Office PAGE (i) SOLICITATION NO.: ADSP016-00005912 Request 1 100 N. 15th Ave. Suite 201 for Qualifications: 2016 Annual Professional Phoenix, AZ 85007 Services List OF Offeror: We6t lttte {).ed Leskost_!} I OFFER TO THE STATE OF ARIZONA: The Undersigned hereby offers and agrees to furnish the material, service or construction in compliance with all terms, conditions, specifications and amendments in the Solicitation and any written exceptions in the offer. Signature also certifies Small Business status. Westlake Reed Leskosky Company Name One East Camelback Road , Suite 690 Peter W. Rutti, AlA Address Printed Name Phoenix AZ. 85012-1668 Principal City State Zip Title Phone: 602.212.0451 x6802 [email protected] Fax: 602.212.0451 Contact Email Address By signature in the Offer section above, the Offeror certifies: 1. The submission of the Offer did not involve collusion or other anti competitive practices. 2. The Offeror shall not discriminate against any employee or applicant for employment in violation of Federal Executive Order 11246, State Executive Order 2009-9 or A.R.S. §§ 41-1461 through 1465. 3. The Offeror has not given, offered to give, nor intends to give at any time hereafter any economic opportunity, future employment, gift, loan, gratuity, special discount, trip, favor, or service to a public servant in connection with the submitted offer. Failure to provide a valid signature affirming the stipulations required by this clause shall result in rejection of the offer. Signing the offer with a false statement shall void the offer, any resulting contract and may be subject to legal remedies provided by law.
    [Show full text]