Radio 3 Listings for 3 – 9 April 2021 Page 1 of 11
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Bbc Music Jazz 4
Available on your digital radio, online and bbc.co.uk/musicjazz THURSDAY 10th NOVEMBER FRIDAY 11th NOVEMBER SATURDAY 12th NOVEMBER SUNDAY 13th NOVEMBER MONDAY 14th NOVEMBER JAZZ NOW LIVE WITH JAZZ AT THE MOVIES WITH 00.00 - SOMERSET BLUES: 00.00 - JAZZ AT THE MOVIES 00.00 - 00.00 - WITH JAMIE CULLUM (PT. 1) SOWETO KINCH CONTINUED JAMIE CULLUM (PT. 2) THE STORY OF ACKER BILK Clarke Peters tells the strory of Acker Bilk, Jamie Cullum explores jazz in films – from Al Soweto Kinch presents Jazz Now Live from Jamie celebrates the work of some of his one of Britain’s finest jazz clarinettists. Jolson to Jean-Luc Godard. Pizza Express Dean Street in London. favourite directors. NEIL ‘N’ DUD – THE OTHER SIDE JAZZ JUNCTIONS: JAZZ JUNCTIONS: 01.00 - 01.00 - ELLA AT THE ROYAL ALBERT HALL 01.00 - 01.00 - OF DUDLEY MOORE JAZZ ON THE RECORD THE BIRTH OF THE SOLO Neil Cowley's tribute to his hero Dudley Ella Fitzgerald, live at the Royal Albert Hall in Guy Barker explores the turning points and Guy Barker looks at the birth of the jazz solo Moore, with material from Jazz FM's 1990 heralding the start of Jazz FM. pivotal events that have shaped jazz. and the legacy of Louis Armstrong. archive. GUY BARKER'S JAZZ COLLECTION: GUY BARKER’S JAZZ COLLECTION: GUY BARKER'S JAZZ COLLECTION: 02.00 - 02.00 - GUY BARKER'S JAZZ COLLECTION: 02.00 - THE OTHER SIDE OF THE POND: 02.00 - TRUMPET MASTERS (PT. 2) JAZZ FESTIVALS (PT. 1) JAZZ ON FILM (PT. -
1Er Février 2015 — 15 H Salle De Concert Bourgie Prixopus.Qc.Ca
e 18 GALA1er février 2015 — 15 h Salle de concert Bourgie prixOpus.qc.ca LE CONSEIL QUÉBÉCOIS DE LA MUSIQUE VOUS SOUHAITE LA BIENVENUE À LA DIX-HUITIÈME ÉDITION DU GALA DES PRIX OPUS 14 h : accueil 15 h : remise des prix 17 h 30 : réception à la Galerie des bronzes, pavillon Michal et Renata Hornstein du Musée des beaux-arts de Montréal Écoutez l’émission spéciale consacrée au dix-huitième gala des prix Opus, animée par Katerine Verebely le lundi 2 février 2015 à 20 h sur les ondes d’ICI Musique (100,7 FM à Montréal) dans le cadre des Soirées classiques. Réalisation : Michèle Patry La Fondation Arte Musica offre ses félicitations à tous les finalistes et aux lauréats des prix Opus de l’an 18. La Fondation est fière de contribuer à l’excellence du milieu musical québécois par la production et la diffusion de concerts et d’activités éducatives, à la croisée des arts. Au nom de toute l’équipe du Musée des beaux-arts de Montréal et de la Fondation Arte Musica, je vous souhaite un excellent gala ! Isolde Lagacé Directrice générale et artistique sallebourgie.ca 514-285-2000 # 4 Soyez les bienvenus à cette 18e édition du gala des prix Opus. Votre fête de la musique. Un événement devenu incontournable au fil des ans ! Le gala des prix Opus est l’occasion annuelle de célébrer l’excellence du travail des interprètes, compositeurs, créateurs, auteurs et diffuseurs. Tout au long de la saison 2013-2014, ces artistes ont mis leur talent, leur créativité et leur ténacité au service de la musique de concert. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
BBC Four Programme Information
SOUND OF CINEMA: THE MUSIC THAT MADE THE MOVIES BBC Four Programme Information Neil Brand presenter and composer said, “It's so fantastic that the BBC, the biggest producer of music content, is showing how music works for films this autumn with Sound of Cinema. Film scores demand an extraordinary degree of both musicianship and dramatic understanding on the part of their composers. Whilst creating potent, original music to synchronise exactly with the images, composers are also making that music as discreet, accessible and communicative as possible, so that it can speak to each and every one of us. Film music demands the highest standards of its composers, the insight to 'see' what is needed and come up with something new and original. With my series and the other content across the BBC’s Sound of Cinema season I hope that people will hear more in their movies than they ever thought possible.” Part 1: The Big Score In the first episode of a new series celebrating film music for BBC Four as part of a wider Sound of Cinema Season on the BBC, Neil Brand explores how the classic orchestral film score emerged and why it’s still going strong today. Neil begins by analysing John Barry's title music for the 1965 thriller The Ipcress File. Demonstrating how Barry incorporated the sounds of east European instruments and even a coffee grinder to capture a down at heel Cold War feel, Neil highlights how a great composer can add a whole new dimension to film. Music has been inextricably linked with cinema even since the days of the "silent era", when movie houses employed accompanists ranging from pianists to small orchestras. -
Music You Know & Schubert
CONCERT PROGRAM Friday, April 29, 2016, 8:00pm MUSIC YOU KNOW: STORYTELLING David Robertson, conductor Celeste Golden Boyer, violin BERNSTEIN Candide Overture (1956) (1918-1990) PONCHIELLI Dance of the Hours from La Gioconda (1876) (1834-1886) VITALI/ Chaconne in G minor for Violin and Orchestra (ca. 1705/1911) orch. Charlier (1663-1745) Celeste Golden Boyer, violin INTERMISSION HUMPERDINCK Prelude to Hänsel und Gretel (1893) (1854-1921) DUKAS The Sorcerer’s Apprentice (1897) (1865-1935) STEFAN FREUND Cyrillic Dreams (2009) (b. 1974) David Halen, violin Alison Harney, violin Jonathan Chu, viola Daniel Lee, cello WAGNER/ Ride of the Valkyries from Die Walküre (1856) arr. Hutschenruyter (1813-1883) 23 ACKNOWLEDGMENTS This concert is part of the Wells Fargo Advisors Orchestral Series. This concert is part of the Whitaker Foundation Music You Know Series. This concert is supported by University College at Washington University. David Robertson is the Beofor Music Director and Conductor. The concert of Friday, April 29, is underwritten in part by a generous gift from Mr. and Mrs. Andrew C. Taylor. The concert of Friday, April 29, is the Joanne and Joel Iskiwitch Concert. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of the Delmar Gardens Family and are located at the Customer Service table in the foyer. 24 A FEW THINGS YOU MIGHT NOT KNOW ABOUT MUSIC YOU KNOW BY EDDIE SILVA For those of you who stayed up late to watch The Dick Cavett Show on TV, you may recognize Leonard Bernstein’s Candide Overture as the theme song played by the band led by Bobby Rosengarden. -
The André Prévost Fonds the ANDRÉ PRÉVOST FONDS
The André Prévost Fonds THE ANDRÉ PRÉVOST FONDS NUMERICAL LIST by STÉPHANE JEAN Ottawa 1997 Canadian Cataloguing in Publication Data National Library of Canada The André Prévost fonds : numerical list Issued also in French under title: Le fonds-André- Prévost, répertoire numérique. Includes index. ISBN 0-662-25324-8 CCG cat. no. SN3-316/1997E-IN 1. Prévost, André, 1934- --Archives--Catalogs. 2. National Library of Canada. Music Division--Archives-- Catalogs. I. Jean, Stéphane, 1964- II. Title. ML136.O88P945 1997 016.78’092 C97-900182-X Cover: Prélude pour deux pianos of André Prévost, D4,65 Cover design: Denis Schryburt © Her Majesty the Queen in Right of Canada (1997), as represented by the National Library of Canada. This publication may be reproduced without permission provided the source is fully acknowledged. However, reproduction of this publication, in whole or in part, for the purpose of resale or redistribution requires prior written permission from the National Library of Canada, Ottawa, Canada K1A 0N4. Cat. no. SN3-316/1997E-IN ISBN 0-662-25324-8 2 “...now men can only sing out their anguish and somehow sublimate it with hope; for they have acquired the certain knowledge that their sole salvation lies in acceptance and losing themselves in the world. They triumph over their condition by facing it.” (translation) André Prévost, Fantasmes, 1963. 3 4 TABLE OF CONTENTS Page INTRODUCTION 7 A TRIBUTE... 9 ABBREVIATIONS AND ACRONYMS 11 ABOUT THE FONDS 13 DESCRIPTION OF THE FONDS 17 MUS 264/A Correspondence 17 MUS 264/B Studies 24 -
A Dictionary of Cultural and Critical Theory, Second Edition
a dictionary of CULTURAL AND CRITICAL THEORY Second Edition Editors MICHAEL PAYNE JESSICA RAE BARBERA Advisory Board Simon Frith Henry Louis Gates, Jr David Rasmussen Janet Todd A John Wiley & Sons, Ltd., Publication a dictionary of CULTURAL AND CRITICAL THEORY Second Edition a dictionary of CULTURAL AND CRITICAL THEORY Second Edition Editors MICHAEL PAYNE JESSICA RAE BARBERA Advisory Board Simon Frith Henry Louis Gates, Jr David Rasmussen Janet Todd A John Wiley & Sons, Ltd., Publication This second edition first published 2010 © 2010 Blackwell Publishing Ltd, except for editorial material and organization © 2010 Michael Payne and Jessica Rae Barbera; “Ordinary Language Criticism” © 2010 Toril Moi; “Graphic Narrative” © 2010 Hillary Chute (adapted from “Comics as Literature?: Reading Graphic Narrative” © 2008 MLA) Edition history: Blackwell Publishing Ltd (1e, 1996) Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientific, Technical, and Medical business to form Wiley-Blackwell. Registered Office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom Editorial Offices 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell. The right of Michael Payne and Jessica Rae Barbera to be identified as the author of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. -
13 November 2009 Page 1 of 41
Radio 3 Listings for 7 – 13 November 2009 Page 1 of 41 SATURDAY 07 NOVEMBER 2009 4.42am Gombert, Nicolas (c.1495-c.1560): Benedicto mensae SAT 01:00 Through the Night (b00nkyd1) BBC Singers Including: Bo Holten (conductor) 1.00am 4.52am Sweelinck, Jan Pieterszoon (1562-1621): Christe qui lux es et Bizet, Georges (1838-1875): Andante molto (3rd mvt from the dies Symphonic Suite Roma) 1.05am Slovak Radio Symphony Orchestra, Bratislava Sweelinck: Echo Fantasia in D minor Oliver Dohnanyi (conductor) 1.10am Bull, John (c.1562-1628): Salvator mundi 5.01am 1.14am Massenet, Jules (1842-1912): Meditation (Thais) Sweelinck: Toccata in D minor Marie Berard (violin) 1.17am Canadian Opera Company Orchestra Scheidemann, Heinrich (c.1596-1663): Ballet in D minor Richard Bradshaw (conductor) (Klavierboek van Anna Maria van Eyl - 1671) 1.19am 5.07am Reinken, Johan Adamszoon (1643(?)-1722): Hollandische Caldara, Antonio (1670-1736): Pietro and Maddalena's duet: Vi Nachtigahl sento, o Dio; Chorus Di quel sangue (La Passione di Gesu 1.23am Christo - 1730) Reincken, Johann Adam (1643?-1722): Toccata in G minor Maddalena ...... Ann Monoyios (soprano) 1.29am Pietro ...... Michael Chance (countertenor) Reincken: Fuga in G minor Hugo Distler Chor 1.35am La Stagione Frankfurt Schildt, Melchior ? (1593-1667): Ach Gott, vom Himmel sieh' Michael Schneider (conductor) darein (choral fantasy) Pieter Dirksen (organ of Grote of St-Jan Baptistkerk in Wijk Bij 5.20am Duurstede, Netherlands - built by Albert Kiespenning c. 1615) Rameau, Jean-Philippe (1683-1764): L'entretien -
Bbc Radio 3 - Sounds of Shakespeare April – May 2016
BBC RADIO 3 - SOUNDS OF SHAKESPEARE APRIL – MAY 2016 MONDAY 18TH – FRIDAY 22ND APRIL Essential Classics Monday 18th - Friday 22nd April 0900 - 1200 In the week leading up to the Shakespeare 400 anniversary, the guest on Radio 3’s morning programme is Adrian Lester OBE, acclaimed for his performances as Henry V and Othello at the National Theatre – winning the Evening Standard Best Actor award. He’ll talk about Shakespeare, his life as an actor and choose some fascinating music. Producer: Sarah Devonald, Somethin’Else Composer of the Week Monday 18th - Friday 22nd April 1200 – 1300 William Byrd There is frustratingly little evidence that William Byrd was personally acquainted with his fellow Elizabethan, William Shakespeare. Although, a tantalising reference to “the bird of loudest lay” in Shakespeare’s sonnet, The Phoenix and the Turtle hints that they may have been more than mere contemporaries. As a Roman Catholic in Elizabethan England, William Byrd was persecuted by the state and often forced to tread a dangerous path between his personal convictions and his duty to the Queen. His musical talent and his strength of character enabled him not just to survive, but thrive. Despite his trials, he was, and continues to be, celebrated as the greatest British musician of his age. SOUNDS OF SHAKESPEARE LIVE 22nd – 24th April, Stratford-upon-Avon Radio 3 broadcasts live all weekend from its pop-up studio at the Royal Shakespeare Company’s The Other Place theatre in Stratford-upon-Avon and at venues across the town. Actors, musicians, poets, singers and orchestras perform a huge range of songs, film scores, jazz, chamber music, choral works and world music - all inspired by Shakespeare's works. -
For the Fallen Matthew Trusler, Ashley Wass & Petroc Trelawny for the Fallen
FOR THE FALLEN MATTHEW TRUSLER, ASHLEY WASS & PETROC TRELAWNY FOR THE FALLEN For the Fallen brings together ten of the nation’s most powerful poems about war and remembrance, and combines them with specially chosen pieces of music performed by Matthew Trusler, violin, and Ashley Wass, piano. Featuring beloved works such as Laurence Binyon’s poignant Ode to Remembrance (“as the stars that are starry in the time of our darkness, to the end, to the end, they remain”), paired with Debussy’s Clair de Lune; Rupert Brooke’s patriotic sonnet The Soldier, partnered with Elgar’s Chanson de Nuit; WB Yeats’ An Irish Airman Foresees His Death, combined with Copland’s Violin Sonata (composed in memory of a pilot lost in battle); and Edward Thomas’ Adlestrop (“farther and farther, all the birds of Oxfordshire and Gloucestershire”), accompanied by Vaughan Williams’ The Lark Ascending, this promises to be a memorable evening of thought-provoking verse and inspiring music. Narrating the poems will be Petroc Trelawny, the much-loved BBC television and radio presenter. PROGRAMME MCMXIV - Philip Larkin 5 Melodies, Op. 35b - Sergei Prokofiev In Flanders Fields - John McRae Romanian Folk Dances - Bela Bartok The Soldier - Rupert Brooke Chanson de Nuit - Edward Elgar Drummer Hodge - Thomas Hardy Violin Sonata, 2nd movement - Leos Janacek For the Fallen - Lawrence Binyon Clair de Lune - Claude Debussy Dulce Et Decorum Est - Wilfred Owen Violin Sonata No. 1, 2nd movement - Sergei Prokofiev Adlestrop - Edward Thomas The Lark Ascending - Ralph Vaughan Williams An Irish Airman Foresees His Death - WB Yeats Violin Sonata, 1st movement - Aaron Copland And Death Shall Have No Dominion - Dylan Thomas Violin Sonata, 3rd movement - Leos Janacek Charge Of The Light Brigade - Alfred Tennyson Scherzo FAE - Johannes Brahms MATTHEW TRUSLER Matthew Trusler has developed a reputation as one of Britain’s leading violinists, performing with many of the world’s great orchestras, and receiving huge critical acclaim for his diverse recordings. -
No 61 a Rayons Ouverts
Chroniques de la Bibliothèque nationale du Québec No 61 À rayonsAutomne 2004 ouverts Sommaire 3 Éditorial DOSSIER DIFFUSION : LES COLLECTIONS 4 Les collections de la Bibliothèque nationale du Québec dans la Grande Bibliothèque Les composantes déjà existantes 7 La collection nationale : un patrimoine culturel pour tous 9 Les collections de la Bibliothèque centrale de Montréal : des trésors de collections ! 11 Les nouvelles acquisitions de la collection universelle de prêt et de référence de la Grande Bibliothèque Les nouvelles collections 14 Collection numérique de diffusion : la Grande Bibliothèque à l’ère électronique 15 Actualités et nouveautés à la Grande Bibliothèque 16 La collection multilingue 17 Un nouveau lieu d’accueil pour les cinéphiles : la vidéothèque de la Grande Bibliothèque 18 Coup d’œil sur les collections du Service québécois du livre adapté L’organisation des collections 19 Une priorité nouvelle : le regroupement et la mise en valeur des collections 22 Des collections dans l’espace La Vie de la BNQ 23 L’opérette au Québec, hier et aujourd’hui Entretien avec Clermont Tremblay 26 Acquisitions 2002-2004 à la Section des archives privées 36 Les aménagements extérieurs de la Grande Bibliothèque Un peu d’histoire 30 100 ans d’histoire à voir ! La Bibliothèque centrale de Montréal 34 Au tournant du xxe siècle : la timide éclosion des bibliothèques publiques 38 Expositions et événements Rubriques 12 Comptes rendus de lectures 21 Jeux de mots 31 Trucs pratiques Cette publication est réalisée par La revue À rayons ouverts, chroniques de la Bibliothèque nationale la Bibliothèque nationale du Québec. du Québec est publiée trimestriellement et distribuée gratuitement Nous tenons à remercier les artistes ainsi à toute personne qui en fait la demande. -
Eurovision Choir 2019: Press Handbook
PRESS HANDBOOK Eurovision Choir 2019 Press, Delegation & Production Handbook DISTRIBUTION: Press, Delegations, Production Dear friends, It is with great pride and excitement that I welcome you to the second edition of Eurovision Choir, here in Gothenburg. Those of us who were fortunate enough to be involved in the production during Latvian Television’s first edition in Riga hold many fond memories of launching Eurovision’s newest competition format. The show was spectacular, the choirs stunning and the music sublime. But what remains most strongly in my memory is the unique atmosphere of the backstage area around the show. I recall a festive atmosphere, almost a party, as nine choirs traded songs across the dressing room walls. And indeed, this is a festival – a festival of the beauty and diversity of choral singing in Europe, and of what can be achieved by joining our voices. So it seems true – singing is good for the soul. Thanks to those of you who have made the journey to attend Eurovision Choir 2019 in Gothenburg. Good luck to all the choirs taking part and enjoy the show! Jon Ola Sand Executive Supervisor, Eurovision Song Contest & Eurovision Live Events. Eurovision Choir 2019 Press, Delegation & Production Handbook DISTRIBUTION: Press, Delegations, Production Contents Press Handbook.................................................................................................................... 4 Eurovision Choir .....................................................................................................................................................