January Veteran's Newsletter
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PARKSIDE UNIT 3 HEALTH: Putting the Truth About Drugs to Use NAME
PARKSIDE UNIT 3 HEALTH: Putting the Truth about Drugs to Use NAME: _______________ ROOM: __________ DUE DATE: MAY 15, 2020 Assignments: Lesson # 1: Considering your response The statements below represent 9 common lies about drugs. They are often used to persuade young people to begin or continue to take illegal street drugs or to abuse prescription drugs. As you read each lie, think about how you would respond if a friend seriously said one of these to you. 9 Lies About Drugs: 1) Drugs make you feel better. 2) Drugs make you more creative. 3) Marijuana is better for you than tobacco. 4) Drugs make you more fun to be with. 5) Drugs wear off and don’t cause any permanent damage to your body. 6) Drugs give you energy. 7) Prescription drugs can’t hurt you. 8) You can stop taking drugs whenever you want. 9) Alcohol isn’t really a drug. Write one true statement about drugs that you could use to contradict each lie listed above (“contradict” means “to speak against”). Do not use the same “speak against” statement more than once. You will write 9 different “speak against” statements to respond to the 9 different lies listed in lesson 1. Lesson # 2: The aftermath of bad choices Read the song lyrics to Hurt more than once. As you read, think how the lyrics relate to a life lived and the meaning it is trying to communicate to its readers and listeners. As you read the lyrics for understanding, think about your written responses to these 3 prompts: 1) Identify and write about the song lyrics you believe tell about drug abuse. -
Tribute to Three Giants Figures of the Sixties' Pop
TRIBUTE TO THREE GIANTS FIGURES OF THE SIXTIES’ POP MUSIC IN THE 50th ANNIVERSAIRE OF THEIR DEATH. ALAN WILSON, JIMI HENDRIX AND JANIS JOPLIN: ASTROLOGICAL REVIEW OF THREE 27’ CLUB MEMBERS. We were at the end of the “sixties”, a remarkable decade of 20th century for popular music, revolutionary movements, technological achievements and radical changes in human relationships. It was also the time of “hippie liberation”, the spread of drugs through young people. Everything was fine when, just in the span of thirty days, three outstanding members of musical background suddenly died. 1970, September the 3th: Alan Wilson, “Canned Heat” guitar, harmonica and vocal, commit suicide at home of another member group, Bob Hite, in Topanga Canyon, California. An overdose was the cause of his death. He was 27 years old. 1970, September the 18th: Jimi Hendrix, one of the bests guitarrist of all times, share his last night with Monica Dannemann in Samarkand Hotel, London. When she woke up Jimi was inconscious, yet breathe. He was moved at St. Mary Abbot Hospital, but he was not alive. The cause of his death: asphyxia per vomit. His partner declared that Jimi had had seven tablets of Vesparax, a barbituric, say, 18 times the recommended dose. He was 27 years old. 1970, October the 4th: Janis Joplin, a singer and contraculture icon of the sixties was found dead in her hotel room, at Los Angeles, just when she was going to record the vocal part of Buried Alive in the Blues next morning. A portent, maybe a synchronicity. The official cause of her death was an heroine overdose, probably combined with alcohol effects. -
Elvis Trivia – 2017 Name/Dept: ______
Elvis Trivia – 2017 Name/Dept: ___________________ 1.Elvis would be _______ years old on January 8, 2017? A)80 B)79 C)83 D)82 2. “The Guest House” at Graceland will have a grand-opening in March of 2017. How many rooms are in this new hotel? A)650 B)150 C)454 D)630 3. 2017 marks the ________ anniversary of Elvis’ death? A)40 B)45 D)50 E)35 4. This member of Elvis’ inner circle met Elvis while they were in the army. He was named his road manager and a best man at his wedding. _______ died in November of 2016. A)George Klein B)Red West C)Joe Esposito D)Charlie Hodge 5. December of 2016 marked the 60th anniversary of the “Million Dollar Quartet” jam session at Sun Studio. The members included Elvis, Johnny Cash, Jerry Lee Lewis and _______? A)BB King B)Carl Perkins C)Sammy Davis, Jr D)Dean Martin 6. In celebration of the democratic process, Elvis Presley Enterprises launched the “Elvis For President” campaign last year. One of the reasons Elvis would make a good president includes the fact that he starred alongside this president’s daughter in “Kissin’ Cousins”. (She had a supporting role): A)Richard Nixon B)Gerald Ford C)Lyndon Johnson D)Ronald Reagan 7. This Waikiki Beach hotel in Oahu – was the filming site for Elvis’ film - “Blue Hawaii”: A)The Outrigger B)Hilton Hawaiian Village C)The Palms D)The Ritz Carlton 8. Elvis appeared on Frank Sinatra’s Variety TV show. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
The Relationship Between Fame and Fortune in Performance Related Careers with A
International Journal of Health and Economic Development, 6(2), 36-46, July 2020 36 The Relationship between Fame and Fortune in Performance Related Careers with a Shorter Life Expectancy due to Accidents, Addiction, Homicide and Suicide S. Eric Anderson, Ginny Sim La Sierra University, Riverside, California, USA [email protected] Abstract Around 92% of the US population dies from natural causes. However, only 49% of famous musician stars die from natural causes resulting in performance related careers being one of the most dangerous professions in the United States. According to this study, musicians were 20 times more likely to die from an addiction, four times more likely to die from an accident, six times more likely to die of homicide and four times more likely to die of suicide than the general population. Why do dangerous profession lists fail to include musicians in the high risk career list categories? It is not the profession that is dangerous, but primarily the personality type gravitating towards the profession that creates risk. Should certain personality types be directed to non-performance related careers? Probably not, since performing on stage may be a more effective intervention than psychiatric treatment. Keywords: Accidents, Alcohol, Anxiety, depression, homicide, musicians and suicide. Introduction Is there a relationship between fame in performance related careers with the shorter life expectancy due to accidents, drug overdose, homicide and suicide? The number of musicians, Elvis Presley, Janis Joplin, Jimi Hendrix, Keith Moon, Sid Vicious, Kurt Cobain, Amy International Journal of Health and Economic Development, 6(2), 36-46, July 2020 37 Winehouse, Michael Jackson, Whitney Houston and Prince who died of addiction is staggering. -
Recognizing Outstanding Cleveland Heights Artists in Honor of the City's
1996 season “Recognizing Outstanding Cleveland Heights Artists in Honor of the City’s 75th Anniversary” Lawrence Baker, David Haberman Carolyn Anderson, curator Audrey Feinberg Art Gallery, June 8-July 7 Gallery talk by artists on June 8, 7pm Free admission Latin Jazz Day Pedro Guzman “El Jibaro Jazz,” Seis Del Solar, La Orquesta Sabor Latino Co-sponsored by Northeast Ohio Jazz Society and the Lila Wallace-Reader’s Digest National Jazz Network (a program of the New England Foundation for the Arts in cooperation with Arts Midwest), WCPN, Free Times, and WNWV Evans Amphitheater, June 9 $16/14/12 advance, $18/16/14 day of show Children 15 & under $5 in advance with purchase of adult ticket; $7 day of show Contra Dancing Evans Amphitheater, June 11, 18, 25, July 9, 16 $5 each date (no discounts) The Fantasticks Book & Lyrics by Tom Jones • Music by Harvey Schmidt Directed by Victoria Bussert, Theater Artistic Director Alma Theater, June 13-July 21 Co-sponsored by WCLV and WKSU Preview June 13 $5. $14/12 advance, $16/14 day of show Picnic in the Park: The YARD and Friends in concert Co-sponsored by Friends of Cain Park Evans Amphitheater, June 14 Free admission Those Darn Accordions Evans Amphitheater, June 15 $10/8/6 advance, $12/10/8 day of show Jazz in the Afternoon: The Eddie Baccus Quintet Co-sponsored by Northeast Ohio Jazz Society and WCPN 90.3 FM Alma Theater, June 16 The U.S. Recording Companies furnish funds in whole or in part for the instrumental music for this performance through the Music Performance Trust Funds, as arranged by Local No. -
The Racialization of Jimi Hendrix Marcus K
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2007 The Racialization of Jimi Hendrix Marcus K. Adams Follow this and additional works at: http://commons.emich.edu/honors Part of the African American Studies Commons Recommended Citation Adams, Marcus K., "The Racialization of Jimi Hendrix" (2007). Senior Honors Theses. 23. http://commons.emich.edu/honors/23 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. The Racialization of Jimi Hendrix Abstract The period of history immediately following World War Two was a time of intense social change. The nde of colonialism, the internal struggles of newly emerging independent nations in Africa, social and political changes across Europe, armed conflict in Southeast Asia, and the civil rights movement in America were just a few. Although many of the above conflicts have been in the making for quite some time, they seemed to unite to form a socio-political cultural revolution known as the 60s, the effects of which continues to this day. The 1960s asw a particularly intense time for race relations in the United States. Long before it officially became a republic, in matters of race, white America collectively had trouble reconciling what it practiced versus what it preached. Nowhere is this racial contradiction more apparent than in the case of Jimi Hendrix. Jimi Hendrix is emblematic of the racial ideal and the racial contradictions of the 1960s. -
Simon and Garfunkel.Pptx
Simon & Garfunkel Created by Group 2 Kao-wei Chen, Rebecca Galarowicz, Bri@any Kelly, David Oberg, Nikolas Sell Kao-wei Chen Why Simon & Garfunkel? They were one of the first folk performers make it big in the music industry and became future role models for the upcoming generaon of folk rock singers. http://en.wikipedia.org/wiki/File:SimonandGarfunkel.jpg Background Informaon • Real Names • Paul Simon • Art Garfunkel • Both were born 1941, sll alive today • First met each other in elementary school • Realized their potenKal when singing together Doo-wop songs found on the radio at an early age h@p://www.last.fm/music/Simon+&+Garfunkel/ +images/138461 Beginning of Simon & Garfunkel • At age 16, they recorded their first single composed by Simon Ktled ‘’Hey Schoolgirl’’ • Peaked at the top 50 on the Billboard under Tom & Jerry • Late 50s/early 60s- both worked together ocassionally but were solo acts during this me • 1964, release of their debut album ‘’Wednesday Morning, 3 A.M.’’ • release did poorly • 1964-1965, Tom Wilson, a folk-rock producer, revised Simon’s & Garfunkel’s track Ktled ‘’The Sound of Silence’’ and released it in the market • Track rose to #1 in 1965 • Song was edited by incorporang electric bass, guitar and drums The High & End Life of S&G v 1966, placed 3 albums and four singles in the top 30 of the Billboard v E.g. ‘’The Sound of Silence’’, ‘’I Am A Rock’’, and ‘’Parsely, Sage, Rosemary & Thyme’’ v 1966-1969, their career was at a turning point v WriKng of songs and recording significantly took longer v Simon’s & Garfunkel’s -
“Mama Tried”--Merle Haggard (1968) Added to the National Registry: 2015 Essay by Rachel Rubin (Guest Post)*
“Mama Tried”--Merle Haggard (1968) Added to the National Registry: 2015 Essay by Rachel Rubin (guest post)* “Mama Tried” original LP cover When Merle Haggard released “Mama Tried” in 1968, it quickly became his biggest hit. But, although in terms of broad reception, the song would be shortly eclipsed by the controversies surrounding Haggard’s “Okie from Muskogee” (released the next year), “Mama Tried” was a path-breaking song in several significant ways. It efficiently marked important, shaping changes to country music made by the generation of musicians and audiences who came of age post-World War II (as did Haggard, who born in 1937). “Mama Tried,” then, encompasses and articulates developments of both Haggard’s career and artistic focus, and the direction of country music in general. Indeed, Haggard’s own story usefully traces the trajectory of modern country music. Haggard was born near the city of Bakersfield, California, in a converted boxcar. He was born two years after his parents, who were devastated Dust Bowl “Okies,” traveled there from East Oklahoma as part of the migration most famously represented by John Steinbeck in “Grapes of Wrath” (1939)--an important novel that presented and commented on the class-based contempt that “Okies” faced in California. Haggard confronted this contempt throughout his career (and even after his 2016 death, the class- based contempt continues). His family (including Haggard himself) took up a range of jobs, including agricultural work, truck-driving, and oil-well drilling. Labor remained a defining factor of Haggard’s music until he died in 2016, and he frequently found ways to refer to his musicianship as work (making a sharp joke on an album, for instance, about the connection between picking cotton and picking guitar). -
Biography: Willie Nelson
BIOGRAPHY: WILLIE NELSON OUTLAW LEGEND Willie Nelson’s talents as a singer and songwriter have reached into almost every corner of country music for almost 60 years. During the 1970s, he and Waylon Jennings were considered the most important figures in the Outlaw movement. Born into the Great Depression on April 30, 1933, in tiny Abbott, Texas, he was raised by his paternal grandparents. He started writing poems at age five. His grandfather gave him a guitar at age seven, and he soon started writing songs. In his twenties, Nelson scraped by as a radio disc jockey and door-to-door salesman while trying The Outlaws, a collection of songs that became the to break into the Texas music scene. After his first country album to be certified platinum, with songwriting began to attract attention, he moved more than one million in sales. The album featured to Nashville in 1960, and he was hired for $50 a Nelson-Jennings duets, launching them as one of week as a songwriter while he struggled to launch country’s most famous duos. a recording career. Like Jennings, Nelson moved away from the Outlaw But even as he wrote hit after hit for other artists, image by the end of 1970s, but he continued to Nelson’s bluesy singing clashed with pop-country blaze his own path. In 1978, he released an album styles of the 1960s. After his home burned down that featured pop standards, which went on to in 1970, he moved back to Texas, hoping to build multi-platinum success. By the 1980s, he was acting a regional performing career. -
Types and Meaning of Metaphor in Song Lyrics by Selena Gomez
TYPES AND MEANING OF METAPHOR IN SONG LYRICS BY SELENA GOMEZ Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in Department of English Education By : DYAH AYU EVI PUJI LESTARI A320150096 DEPARTMENT OF ENGLISH EDUCATION SCHOOL OF TEACHER TRAINING AND EDUCATION UNIVERSITAS MUHAMMADIYAH SURAKARTA 2020 i ii iii TYPES AND MEANING OF METAPHOR IN SONG LYRICS BY SELENA GOMEZ Abstrak Penelitian ini berjudul Types and Meaning of Metaphor in Song Lyrics by Selena Gomez. Penelitian ini bertujuan untuk (1) mengidentifikasi tipe-tipe metaphor yang digunakan pada lirik lagu Selena Gomez, (2) menganalisis makna metaphor yang digunakan dalam lirik lagu Selena Gomez. Metode yang digunakan dalam penelitian ini adalah metode kulaitatif. Sumber data diambil dari Sembilan lagu. Teori yang digunakan dalam penelitian ini adalah teori metaphor dari Lakoff dan Johnson (1980). Penelitian ini diawali dengan mengidentifikasi metaphor sesuai teori Lakoff dan Johnson (1980). Kemudian data yang terkumpul dianalisis untuk menemukan makna dari setiap metaphor. Hasil penelitian ini terdapat tiga tipe metaphor dalam lagu Selena Gomez yaitu structural metaphor, orientational metaphor, and ontological metaphor. Metafora Ontologis adalah yang paling sering digunakan dalam lirik lagu. Dari tiga puluh data ada dua puluh metafora ontologis. Sedangkan jenis metafora yang jarang digunakan adalah metafora struktural dan metafora orientasi. Tujuh data adalah jenis metafora struktural (23%), tiga data adalah metafora orientasi (10%), dan dua puluh data adalah metafora ontologis (67%). Kedua, jenis makna, ada tujuh jenis makna yaitu makna konseptual, makna konotatif, makna sosial, makna afektif, makna yang direfleksikan, makna kolokatif, makna tematik. Penelitian ini menemukan tiga jenis makna. Ada 11 makna konseptual (37%), kemudian 18 makna konotatif (60%), dan 1 makna kolokatif (3%). -
Interview with Corey Washington, Independent Scholar on Jimi Hendrix Seretha D
Williams: Interview with Corey Washington, Independent Scholar on Jimi Hend Interview with Corey Washington, Independent Scholar on Jimi Hendrix Seretha D. Williams (3/6/2019) Most people in Augusta, GA, know Corey Washington. He is a popular history teacher, beloved by his students and their parents. He is a patron of music, attending local cultural events and supporting the burgeoning live music scene in the region. He is an independent author and expert on the life and music of Jimi Hendrix. Having seen him at the Augusta Literary Festival on multiple occasions and purchased one of his books on Hendrix for a friend, I decided to reach out to Mr. Washington for an interview on Hendrix, whom scholars describe as an icon of Afrofutur- ism. 1. How did you first become interested in Jimi Hendrix? I always have to mention the name of a disgraced individual Hulk Hogan, who was later exposed as a racist. But he was the one that hipped me to Hendrix because of his ring entrance music: “Voodoo Child.” The song opened with some weird scratching sounds, which I later learned was Jimi’s pre- cursor to a DJ scratching. He was manipulating the wah-wah pedal to get those sounds from his guitar. That drew me in, and I’ve been collecting his music and researching him ever since. That was in 1996. Follow ups: Washington grew up listening to Disco, House, and Hip-Hop. Born in 1976, Washington identifies a cultural “dead spot” for Hendrix between 1976 and 1990. I asked him why he thought that was.