Index of Watermark Classes and Subclasses

Total Page:16

File Type:pdf, Size:1020Kb

Index of Watermark Classes and Subclasses INTERNATIONAL ASSOCIATION OF PAPER HISTORIANS INTERNATIONAL STANDARD FOR THE REGISTRATION OF PAPERS WITH OR WITHOUT WATERMARKS VERSION 2.1.1 (2013) 1/84 IPH Standard 2.1.1 2013 22.10.2013 INTERNATIONAL ASSOCIATION OF PAPER HISTORIANS INTERNATIONAL STANDARD FOR THE REGISTRATION OF PAPERS WITH OR WITHOUT WATERMARKS VERSION 2.1.1 (2013) INTERNATIONAL STANDARD FOR THE REGISTRATION OF PAPERS WITH OR WITHOUT WATERMARKS 1 Introduction Practical use of the IPH Registration Standard Since Version 2.0 was published in 1997, computer The comparability of paper data is ensured even if only science has made a tremendous progress. The web and a few, incomplete data are available. In other words: PC performances, exceeding the power of the former Nothing but those data should be registrated which giant computers, have become routine. In the same are unmistakable and assignable; all other criteria time, the interest in historical paper analysis has grown may be omitted, i.e. the corresponding labels should world-wide, together with a demand for more accurate remain void. The Standard prescribes, for basic regis- results. Therefore, the IPH standard had to be revised. tration, only data which serve to identify an item and the corresponding data file. This will minimize the Many of the new watermark collections, especially in registration time involved. Europe, use criteria of their own and different digitali- zing systems. All the more, a normalization of the crite- 2 Function of the Standard ria becomes a must, especially in view of a scholarly standard of the data to be obtained, and the IPH is 2.1 Identification of papers aiming at an international recognition of its Registra- tion Standard. Up to now, potential users were profer- Historians, archivists, librarians, art historians, even ring two negative arguments: the Standard, in their criminologists make use of paper history, especially view, contained many criteria which did not refer to the watermark analysis, in order to identify and date paper specifications of their own collections, and on the other found in documents, books, manuscripts, prints, draw- hand its watermark classification scheme would be too ings, maps etc. general, not allowing any distinction of specific sub- types. Strictly speaking, however, an identification of this kind is only possible if the registration of papers is In view of those arguments, IPH makes the following carried out everywhere according to the same criteria statement: and as comprehensively as possible. The IPH Registration Standard ensures the regis- It is assumed that the registration of papers is possible tration of all historical and modern papers and on small EDP units such as personal computers without paper items, with or without watermarks. Therefore storage of image data, in addition to the traditional card some criteria are defined which apply to single pa- index. per types only. This standard is intended to be a technical standard for The IPH Registration Standard is both, a technical data recording. The exchange of data and the develop- standard of normalized criteria as well as a stand- ment of corresponding software should be based upon ard defining criteria and paper or watermark types, the recommendations of IPH (see Appendices II,1 and fixing their name and specification in the most im- II,2). Compared with the former versions (1.0 / 1992; portant languages, in order to ensure the interna- 2.0 / 1997), the version 2.1.1 / 2013 offers more precise tional compatibility of the paper data. selection possibilities and contains the criteria needed to registrate papers from Far East and from Arab coun- tries without watermarks as well as the entire illustrated index of watermark classes and subclasses. 2/84 IPH Standard 2.1.1 2013 22.10.2013 2.2 Basis of the Standard 3 Data to be registered The data marked * must be recorded with first priority as a basic This standard is based on the following conditions: registration. - Watermark is understood to be any mark 3.0 Data of the sheet Section, Code, Description, Subcodes (underlined) which appears in the sheet of paper where there is a difference in sheet thickness regardless of how it is 3.0.0* IDEN produced or of the grade of paper or depression (wire Entry number of the database (or card index) or other elevation on the mould, impression on the wet or dry sheet of paper, hand- or machine-made 3.0.1* DREV paper). Date of entry or updating (formatted DD.MM.YYYY) - With handmade paper in particular, the wa- 3.0.2* INST termark provides information about the chronological Whereabouts; institution operating the watermark data- order in the production of the sheets primarily by com- base (in abbreviated form, e.g. FPBN = Paris, Biblio- paring the small differences between the individual thèque Nationale). watermarks. Together with known dates of use or pro- IPH will keep a compulsory list of sub-codes (abbrevi- duction this results in dating sequences which can be ations) of all institutions operating a watermark data- used to draw other conclusions. base. - In order to prepare such dating sequences it is 3.0.3* SIGN necessary to record the information on each watermark Identification of the original sheet: inventory or acces- as comprehensively as possible, including technical sion number data and information on its use. e.g. Ms. Gr. 0219 - The unique paper sheet is the starting point of 3.0.4* SUBS every registration. Its data lead to conclusions concern- Number/subunit of the original sheet ing the basic production unit, the mould. e.g. fol. 96 - All data not collected on a complete sheet or 3.0.5 BIBL half-sheet have to be mentioned sub 3.0.9 as „frag- References from a Bibliography: abbreviation of the ment‟, even if the sheet (e.g. in a book) could be recon- bibliography + number of the reference quoted structed. The descriptions of original moulds have to be If there are several references, they are separated by a stored in a separate file. numeral following the code: BIBL1, BIBL2, etc. - A considerable help in preparing such regis- 3.0.6 REFE tration is the determination of the position of the mark Literature references, mentioning author (with first in the pair of moulds used for handmade paper and the name), title, year, volume, page changes of screen or dandy roll or molettes for ma- If there are several references, they are separated by a chine-made paper. Distinct differences between water- numeral following the code, e.g. REFE1, REFE2, etc. marks from a single or pair of moulds generally come from faults in the wire profile, the mould cover or the machine wire or the dandy roll as a result of continued 3.0.7 FUNC wear during production. Paper kind (general) in accordance with the end use art artist paper 1 - A short description of the object is compulso- dec decorated paper ry; the bibliographical and codicological description of dr drawing or painting paper the object has, as complete as possible, to be stored in a graph graphic paper separate data file. min minor quality, refuse oth other kinds - The source must be given sub 3.0.6 for any pr printing paper information taken from existing literature; such data sec security paper have to be earmarked by a following #. spec special watermarked paper (portrait, commemorative, etc.) - The more complete the registration of the st stamped paper information about the paper sheet, the more valuable it wr writing paper is for comparison with similar sheets. 1 IPH will publish specifications for registration of decorated papers in a separate database. 3/84 IPH Standard 2.1.1 2013 22.10.2013 3.0.8 USEP 3.0.15 TONE End use of paper Shade, given in full back backing paper (drawing or prints) book book (printed) 3.0.16 PATT doc document Pattern, given in full draw drawing A special, separate database for decorated papers is end endpaper recommended for collections containing major lots of env envelope such papers. map map (geogr.) ms manuscript (letter, bound, notebook, 3.0.17 SIDE loose note, score) Position of wire side mus music book, printed music SD wire side facing down obj paper object SU wire side facing up oth other end use SN facing not known pa paper art It is recommended to collect data with the wire side paint painting paper facing down. plain plain sheet print print (work of graphic art) The following information is important especially for shif shifu paper machine-made paper: spir spirit paper (mock money) subs paper substituting other kind of ma 3.0.18 PULP terial Type of raw materials used, given in full tec technical paper (e.g. paper for gold e.g. rags of linen, linen/linters 50:50; beating) hardwood/softwood pulp 50:50 wrap wrapping paper 3.0.18 FILL 3.0.9* STAT Fillers, given in full State of sheet e.g. starch; china clay H half sheet F fragment 3.0.19 SIZE T trimmed Type of sizing, given in full U untrimmed e.g. starch sizing; rosin sizing 3.0.10* DIMH 3.0.20 SDEG Height of the sheet (in mm) Degree of sizing FS full sized 3.0.11* DIMW HS half sized Width of the sheet (in mm) NS unsized 3.0.12 STAN 3.0.22 COAT Allocation to a (historical/local/temporary) standard Type of coating, given in full dimension with reference giving time and place of e.g. wheat starch; latex standard and the original height and width in mm (e.g. : Foolscap Folio, London 1850c., 203 x 330; 3.0.23 CMOD cf.Labarre, Dictionary, p.259) Mode of coating A absent 3.0.13 COLO D double side Colour of the sheet S single side C coloured (surface dyeing or dyed coating) 3.0.24 DYES M marbled/decorated (all varieties) Dyestuffs used, given in full; if
Recommended publications
  • Santa Ana Unified School District 1601 E. Chestnut Avenue Santa Ana, CA 92701
    Santa Ana Unified School District 1601 E. Chestnut Avenue Santa Ana, CA 92701 Annual Organizational Meeting and Regular Board Meeting Minutes Santa Ana Board of Education Tuesday, December 17, 2019 CALL TO ORDER Board President Amezcua called the Annual Organizational Meeting and Regular Board Meeting to order at 4:37 p.m. Other members in attendance were Dr. Rodriguez, Mr. Palacio, and Ms. Torres. RECESS TO CLOSED SESSION The Annual Organizational Meeting and Regular Board Meeting recessed at 4:37 p.m. to consider student matters, existing litigation, anticipated litigation, personnel matters and negotiations update. RECONVENE ANNUAL ORGANIZATIONAL MEETING AND REGULAR MEETING The Annual Organizational Meeting and Regular Board Meeting reconvened at 6:45 p.m. Cabinet members present Dr. Rasmussen, Mr. Tauer, Dr. Jimenez, Dr. Stekol, Dr. Allen, Dr. Llamas, Dr. Helguera, Mr. Roychowdhury, Mr. Williams, and Chief Smith. Dr. Martinez was absent. PLEDGE OF ALLEGIANCE Mr. Roychowdhury, Assistant Superintendent of Business Services led the Pledge of Allegiance. ACKNOWLEDGEMENT Certification of Votes from Orange County Registrar of Voters and Administration of Oath of Office to New Member to Santa Ana Unified School District Board of Education Mr. Tauer acknowledged the Certification of Votes from the Orange County Registrar of Voters for new Board Member Carolyn Torres. OATH OF OFFICE Mr. Tauer called Ms. Carolyn Torres and Albert Castillo to the podium for the Oath of Office. Mr. Castillo administered the Oath of Office to Ms. Torres. ANNUAL ORGANIZATIONAL MEETING Annual Organizational Meeting: Election of Officers, Establishment of Date, Time, and Location of Regular and Special Board Meetings for 2020, and Designate Board Representative(s) to Serve on Committees and Commissions Ms.
    [Show full text]
  • The Auction Will Take Place at 9 A.M. (+8 G.M.T.) Sunday 18Th October 2020 at 2/135 Russell St, Morley, Western Australia
    The Auction will take place at 9 a.m. (+8 G.M.T.) Sunday 18th October 2020 at 2/135 Russell St, Morley, Western Australia. Viewing of lots will take place on Saturday 17th October 9am to 4pm & Sunday 18th October 7:00am to 8:45am, with the auction taking place at 9am and finishing around 5:00pm. Photos of each lot can be viewed via our ‘Auction’ tab of our website www.jbmilitaryantiques.com.au Onsite registration can take place before & during the auction. Bids will only be accepted from registered bidders. All telephone and absentee bids need to be received 3 days prior to the auction. Online registration is via www.invaluable.com. All prices are listed in Australian Dollars. The buyer’s premium onsite, telephone & absentee bidding is 18%, with internet bidding at 23%. All lots are guaranteed authentic and come with a 90-day inspection/return period. All lots are deemed ‘inspected’ for any faults or defects based on the full description and photographs provided both electronically and via the pre-sale viewing, with lots sold without warranty in this regard. We are proud to announce the full catalogue, with photographs now available for viewing and pre-auction bidding on invaluable.com (can be viewed through our website auction section), as well as offering traditional floor, absentee & phone bidding. Bidders agree to all the ‘Conditions of Sale’ contained at the back of this catalogue when registering to bid. Post Auction Items can be collected during the auction from the registration desk, with full payment and collection within 7 days of the end of the auction.
    [Show full text]
  • User Guide Guide to the Machine
    User Guide Guide to the Machine Loading Paper Printing Documents Copying Originals Scanning from a Computer Configuring the Machine Using Smart Organizing Monitor Maintaining the Machine Troubleshooting Appendix For safe and correct use, be sure to read "Safety Information" before using the machine. TABLE OF CONTENTS 1. Guide to the Machine How to Read This Manual.................................................................................................................................5 Introduction.....................................................................................................................................................5 Legal Prohibition.............................................................................................................................................5 Disclaimer........................................................................................................................................................5 Model Names................................................................................................................................................6 Guide to Components........................................................................................................................................7 Exterior............................................................................................................................................................7 Interior.............................................................................................................................................................8
    [Show full text]
  • Beyond Salsa for Ensemble a Guide to the Modern Cuban Rhythm Section
    BEYOND SALSA FOR ENSEMBLE A GUIDE TO THE MODERN CUBAN RHYTHM SECTION PIANO • BASS • CONGAS • BONGÓ • TIMBALES • DRUMS VOLUME 1 • EFECTOS KEVIN MOORE REVISION 1.0 ©2012 BY KEVIN MOORE SANTA CRUZ, CA ALL RIGHTS RESERVED No part of this publication may be reproduced in whole or in part, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopy, recording or otherwise, without written permission of the author. ISBN‐10: 146817486X ISBN‐13/EAN‐13: 978‐1468174861 www.timba.com/ensemble www.timba.com/piano www.timba.com/clave www.timba.com/audio www.timba.com/percussion www.timba.com/users/7 [email protected] cover design: Kris Förster based on photos by: Tom Ehrlich photo subjects (clockwise, starting with drummer): Bombón Reyes, Daymar Guerra, Miguelito Escuriola, Pupy Pedroso, Francisco Oropesa, Duniesky Baretto Table of Contents Introduction to the Beyond Salsa Series .............................................................................................. 12 Beyond Salsa: The Central Premise .................................................................................................. 12 How the Series is Organized and Sold .......................................................................................... 12 Book ......................................................................................................................................... 12 Audio .......................................................................................................................................
    [Show full text]
  • Aug-Sept 2016
    The Goodnewsletter A Newsletter for Members of St. Ann, St. Vincent de Paul & St. Patrick Parishes Stannlenox.org/[email protected] 134 Main St., Lenox, MA 01240 (413) 637-0157 Volume 4 - Issue 2 September 2016 A NOTE FROM OUR PASTOR . On June 20th, our first parish meeting was held in the Family Center. There were some 55 people in attendance. To prepare for the parish meeting a survey was posted on the parish website and available for parishioners to answer. Some submitted an available paper survey. The results are posted on the parish web site and will remain available for anyone to consult throughout the year. Some 58 persons answered the survey. The results ran to some 50+ pages. A synthesis of the material will be posted on the website soon. However, I urge everyone to read the survey responses. All of the responses were well thought out and cogently expressed. There seems to be a remark- able consensus on many mattes and a thoughtful disagreement on others. At the parish meeting, fortunately, it turns out; I was not able to present a synthesis of the survey because I could not hook up my laptop to the projector. As a happy consequence the conversation among the participants begins right away, based upon what they wanted to express and not as a response to my presentation. The conversation was spirited and fruitful. Participants focused on three overriding issues: faith formation, stabilizing our financial situation, and outreach in general but particularly to youth and young adults. A variety of views were expressed and differences were very respectfully express and received.
    [Show full text]
  • Booklet the Urban Cultures of Global Prayers
    the Urban Cultures of Global Prayers ausstellungsbegleiter | exhibition booklet 04 Einleitung 05 Introduction 08 power, enterprise, staging, communitas, rupture, (trans)mission 23 Gilles Aubry 26 Sabine Bitter / Helmut Weber 28 Lía Dansker 30 Aryo Danusiri 32 Katja Eydel 34 Frida Hartz 36 Magdalena Kallenberger / Dorothea Nold 38 Verónica Mastrosimone 40 Sevgi Ortaç 42 Rika collective 44 Sandra Schäfer 46 Surabhi Sharma 48 Jens Wenkel / Lagos Film Workshop 50 Paola Yacoub 54 Impressum / Imprint Einleitung 4 In Lagos fasst die größte Pfingstkirche fünfmal mehr Gläubige als das weltgrößte Fußballstadion; am Rande der Metropole entsteht eine eigene City of God. In Beirut übernehmen islamistische Einrichtungen den Wiederaufbau kriegszerstörter Viertel und kontrollieren die Wohnungsversorgung. In Rio de Janeiro werden Kinos zu Kirchen konvertiert, während in Mumbai öffentliche Räume zeitweise als Bühne für religiöses Theater dienen. Über Lautsprecher und Plakate, mittels eigener Fernseh- sender und Radiostationen tragen religiöse Bewegungen und Organisationen ihre Botschaften in den städtischen Raum hinein. Mit Motorradkolonnen, Shows oder Prozessionen demonstrieren sie physische Präsenz auf Straßen und Plätzen. Durch die Umwandlung von Industriebauten und Vergnügungsstätten in sakrale Räume sowie die Errichtung neuer Gotteshäuser erweitern sie ihr Territorium. Neue religiöse Bewegungen und Organisationen spielen in den Großstädten der Welt offensichtlich eine immer wichtigere Rolle. Sie verändern die urbane Topogra- fie, sie treten als wirtschaftliche
    [Show full text]
  • What They Wear the Observer | FEBRUARY 2020 | 1 in the Habit
    SPECIAL SECTION FEBRUARY 2020 Inside Poor Clare Colettines ....... 2 Benedictines of Marmion Abbey What .............................. 4 Everyday Wear for Priests ......... 6 Priests’ Vestments ...... 8 Deacons’ Attire .......................... 10 Monsignors’ They Attire .............. 12 Bishops’ Attire ........................... 14 — Text and photos by Amanda Hudson, news editor; design by Sharon Boehlefeld, features editor Wear Learn the names of the everyday and liturgical attire worn by bishops, monsignors, priests, deacons and religious in the Rockford Diocese. And learn what each piece of clothing means in the lives of those who have given themselves to the service of God. What They Wear The Observer | FEBRUARY 2020 | 1 In the Habit Mother Habits Span Centuries Dominica Stein, PCC he wearing n The hood — of habits in humility; religious com- n The belt — purity; munities goes and Tback to the early 300s. n The scapular — The Armenian manual labor. monks founded by For women, a veil Eustatius in 318 was part of the habit, were the first to originating from the have their entire rite of consecrated community virgins as a bride of dress alike. Belt placement Christ. Using a veil was Having “the members an adaptation of the societal practice (dress) the same,” says where married women covered their Mother Dominica Stein, hair when in public. Poor Clare Colettines, “was a Putting on the habit was an symbol of unity. The wearing of outward sign of profession in a the habit was a symbol of leaving religious order. Early on, those the secular life to give oneself to joining an order were clothed in the God.” order’s habit almost immediately.
    [Show full text]
  • How Do Cardinals Choose Which Hat to Wear?
    How Do Cardinals Choose Which Hat to Wear? By Forrest Wickman March 12, 2013 6:30 PM A cardinal adjusts his mitre cap. Photo by Alessia Pierdomenico/Reuters One-hundred-fifteen Roman Catholic cardinals locked themselves up in the Vatican today to select the church’s next pope. In pictures of the cardinals, they were shown wearing a variety of unusual hats. How do cardinals choose their hats? To suit the occasion, to represent their homeland, or, sometimes, to make a personal statement. Cardinals primarily wear one of three different types. The most basic hat is a skullcap called the zucchetto (pl. zucchetti), which is a simple round hat that looks like a beanie or yarmulke. Next is the collapsible biretta, a taller, square-ridged cap with three peaks on top. There are certain times when it’s customary to put on the biretta, such as when entering and leaving church for Mass, but it’s often just personal preference. Cardinals wear both of these hats in red, which symbolizes how each cardinal should be willing to spill his blood for the church. (The zucchetto is actually worn beneath the biretta.) Some cardinals also wear regional variations on the hat, such as the Spanish style, which features four peaks instead of three. On special occasions, such as when preparing to elect the next leader of their church, they may also wear a mitre, which is a tall and usually white pointed hat. The mitre is the same style of cap commonly worn by the pope, and it comes in three different styles with varying degrees of ornamentation, according to the occasion.
    [Show full text]
  • E6 D20 Stalker Zone Stalker
    E6 D20 Stalker Zone Stalker. Enjoy your stay. Welcome to the D20 Stalker Game supplement for the D20 Modern system. The Zone: was relatively peaceful until sometime Before the 1986 disaster, the remote areas around 2001, when a bus full of tourists in around Chernobyl and Pripyat were used the zone disappeared. The incident by the Soviet Union for research and prompted the government to fully restrict development of psychotropic weapons the zone to civilians. In 2011, stalkers and study of the noospher[1] One of the reported encountering zombies who spoke earliest such programs was undertaken at garbled English, revealing the fate of the Limansk-13, a secret city where top Soviet tourists. scientists experimented with radiowaves, The first experiment in affecting human in order to harness them as a tool, to psyche on a massive scale took place on create unflinching loyalty to the Union in March 4, 2006[3]. It lasted two full hours all affected people. before it was shut down, likely due to However, the research was not safe. A unforeseen developments. A month later, surge in energy consumption during one on April 12, the experiment was performed of the experiments on April 26, 1986 was again and this time it continued until its one of the main reasons Reactor 4 completion[4]. However, it did not have the exploded. In response to the incident, the desired effect - instead, the generators USSR evacuated Pripyat and settlements in created a rift in the noosphere, allowing it the neighboring areas, until the Zone to directly affect the biosphere, creating a became almost totally deserted, save for a large area where physical laws were few die hard citizens (including the outright broken and mysterious Forester) and scientific teams working in phenomena not understood by modern secret laboratories.
    [Show full text]
  • Progress in Printing and the Graphic Arts During the Victorian
    CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Ik Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924032192373 Sir G. Hayter, R./l. Bet* Majesty Queen Tictorta in Coronation Robes. : progress in printing and the 6raphic Hrts during the Victorian Gra. "i BY John Southward, Author of "Practical Printing"; "Modern Printing"; "The Principles and Progress of Printing Machinery"; the Treatise on "Modern Typography" in the " EncyclopEedia Britannica" Cgtii Edition); "Printing" and "Types" in "Chambers's Encyclopaedia" (New Edition); "Printing" in "Cassell's Storehouse of General Information"; "Lessons on Printing" in Cassell's New Technical Educator," &c. &c. LONDON SiMPKiN, Marshall, Hamilton, Kent & Co. Ltd. 1897. X^he whole of the Roman Cypc in tbta Booh has been set up by the Linotj^pe Composing Machine, and machined direct from the Linotj'pc Bars by 6eo. CH. loncs, Saint Bride Rouse, Dean Street, fetter Lane, London, e.C. ^ ^ ^ ^ ^ ^ ^ W Contents. ^^ Progress in Jobbing Printing Chapter I. Progress in Newspaper Printing Chapter II. Progress in Book Printing - Chapter III. Printing by Hand Press Chapter IV. Printing by Power Press Chapter V. The Art of the Compositor Chapter VI. Type-Founding Chapter VII. Stereotyping and Electrotyping Chapter VIII. Process Blocks Chapter IX. Ink Manufacture Chapter X. Paper-Making Chapter XI. Description of the Illustrations Chapter XII. ^pj progress in printing peculiarity about it It is not paid for by the person who is to become its possessor.
    [Show full text]
  • Our Most Important News Since 1912, on the Flip Side! 2 Muskegon Museum of Art Board of Trustees 296 W
    SPRING 2021 ® Our most important news since 1912, on the flip side! 2 Muskegon Museum of Art Board of Trustees 296 W. Webster Ave. CONTENTS Muskegon Museum of Art Muskegon, MI 49440 Foundation 231.720.2570 From the Director 3 Frank Bednarek, Chair muskegonartmuseum.org Kimberly Van Kampen, Vice Chair Exhibitions 4 The Journal is a quarterly Claudia Berry, Secretary publication of the Education 8 John Pridnia, Treasurer Muskegon Museum of Art Nancy Crandall Vol. 37, Issue 2 Support 9 Gayle R. Davis Hours Tom DeVoursney SUN 11 am – 4 pm Friends of Art ARTSMARTS! 12 Robert A. Dubault MON CLOSED Trip Johnson TUES 11 am – 4 pm Volunteeers 12 Michael Olthoff WED 11 am – 4 pm Eric Ringelberg THU 11 am – 4 pm Store 13 FRI 11 am – 4 pm Gil Segovia John Swanson SAT 11 am – 4 pm Cultural Partners 13 May vary due to COVID-19 Jonathan Wilson restrictions. Please check our website. Museum of Art Staff Admission Kirk Hallman $10 Adult | $8 Senior 65+ Executive Director $6 Student 17 & up with I.D. Catherine Mott Assistant Director Free through age 16 Free for MMA Members Val Anderson Visit our website and social media channels for Membership Assistant Free Admission Thursdays updated information as it becomes available. Dee Arnold-Johnson Underwritten by Head Custodian The Meijer Foundation Download fun learning resources from our website’s Lee Brown Preparator Education page, including: #SSfromHome, Chalk it Marguerite Curran Up!, Collection Coloring Book, activity sheets created Director of Marketing Cathleen Dubault by Michigan children’s book illustrators, Family House Manager Origami projects, and Museum Alphabet Cards.
    [Show full text]
  • Consejo De Seguridad Distr
    Naciones Unidas S/2018/1002 Consejo de Seguridad Distr. general 9 de noviembre de 2018 Español Original: inglés Carta de fecha 7 de noviembre de 2018 dirigida al Presidente del Consejo de Seguridad por el Presidente del Comité del Consejo de Seguridad dimanante de las resoluciones 751 (1992) y 1907 (2009) relativas a Somalia y Eritrea En nombre del Comité del Consejo de Seguridad dimanante de las resoluciones 751 (1992) y 1907 (2009) relativas a Somalia y Eritrea, y de conformidad con el párrafo 48 de la resolución 2385 (2017) del Consejo de Seguridad, tengo el honor de transmitir adjunto el informe sobre Somalia del Grupo de Supervisión para Somalia y Eritrea. A ese respecto, el Comité agradecería que la presente carta y el informe se señalaran a la atención de los miembros del Consejo de Seguridad y se publicaran como documento del Consejo. (Firmado) Kairat Umarov Presidente Comité del Consejo de Seguridad dimanante de las resoluciones 751 (1992) y 1907 (2009) relativas a Somalia y Eritrea 18-16126 (S) 091118 131118 *1816126* S/2018/1002 Carta de fecha 2 de octubre de 2018 dirigida al Presidente del Comité del Consejo de Seguridad dimanante de las resoluciones 751 (1992) y 1907 (2009) relativas a Somalia y Eritrea por el Grupo de Supervisión para Somalia y Eritrea De conformidad con el párrafo 48 de la resolución 2385 (2017) del Consejo de Seguridad, tenemos el honor de transmitir adjunto el informe sobre Somalia del Grupo de Supervisión para Somalia y Eritrea. (Firmado) James Smith Coordinador Grupo de Supervisión para Somalia y Eritrea (Firmado) Jay Bahadur Experto en grupos armados (Firmado) Charles Cater Experto en recursos naturales (Firmado) Mohamed Abdelsalam Babiker Experto en asuntos humanitarios (Firmado) Brian O’Sullivan Experto en grupos armados/cuestiones marítimas (Firmado) Nazanine Moshiri Experta en armas (Firmado) Richard Zabot Experto en armas 2/160 18-16126 S/2018/1002 Resumen En 1992 se impuso a Somalia un embargo de armas general y completo en virtud de la resolución 733 (1992) del Consejo de Seguridad.
    [Show full text]