Rethinking Gender 1 Desire, Pleasure, and Romance: Post-Feminism And
Notes Introduction: Rethinking Gender 1. I borrow here a point made in the first instance by Larry McCaffery who says that ‘SF possesses the capacity to “defamiliarize our science fictional lives,” reflecting them back to us in more hyperbolic terms’ (Bukatman, 1990, p. 11). 2. See Lacan, J. (1977) Ecrits: A Selection for his discussion of the concept of desire as always unsatisfied, springing from lack (because it relates to a fantasy or imaginary object, rather than a real object). 3. Acronyms such as GLBTI (Gay, Lesbian, Bisexual, Transsexual, Intersex) provide a useful shorthand intended to be inclusive of different sexualities. However, such clustering also tends to limit the differences within each ‘classification’. 4. In her book Racism, Misogyny, and the Othello Myth: Inter-racial Couples from Shakespeare to Spike Lee (2005) Celia Daileader enquires into Anglo-American cultural obsession with stories of inter-racial sexual tension, particularly between a black male and a white female. 1 Desire, Pleasure, and Romance: Post-Feminism and Other Seductions 1. For example, the Bollywood film Bride and Prejudice (2004). 2. In a related way, Granny, in the television show The Kumars at No. 42, with her repeated sexual innuendos and flirtations with male guests similarly transgresses the grandmother figure as the morally superior and sexually restrained matriarch. 3. In the website, AfterEllen – Views, Reviews, and Commentary on Lesbian and Bisexual Women in Entertainment and the Media, it is claimed that Chadha’s decision to replace any lesbian romance (leaving it as an implied subtext and perception of other characters) was made to appeal to a mainstream audiences in both India and the West.
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