February 5, 2021 Vol

Total Page:16

File Type:pdf, Size:1020Kb

February 5, 2021 Vol Ash Wednesday Office of Worship shares guidance on Lenten liturgies during pandemic, page 10. Serving the Church in Central and Southern Indiana Since 1960 CriterionOnline.com February 5, 2021 Vol. LXI, No. 17 75¢ Advocates for The fullness of knowing Indiana’s and loving someone poorest Young mother families seek experiences updated support By Victoria Arthur joy and love Life has changed dramatically since 1988, when the internet was still in in her journey development, the average rent was $420 per month and gas cost 96 cents a gallon. But one thing remains frozen in to a deeper time: the monthly payout that Hoosier families in deep poverty receive to help them temporarily relationship in the most dire circumstances. That with God amount was set at $288 then by state (Editor’s note: In this series, The Criterion law, and so it remains 33 years later. is featuring young adults who have found a Indiana lawmakers and advocates for the home in the Church and strive to live their poor—including the Catholic Church—are faith in their everyday life.) once again aiming to change this reality. Sen. Jon Ford (R-Terre Haute) is By John Shaughnessy leading the charge to modernize the state’s Temporary Assistance for Needy Families Rebecca Kovert flashes a radiant smile (TANF) program, which is funded by a when she talks about her nearly 2-year-old block grant from the federal government. daughter Avila. Only a fraction of the poorest families in And her smile continues to beam when she Indiana currently receive even those modest discusses her relationship with Jesus. cash benefits from the federal program “Once I was introduced to Christ and because of outdated eligibility guidelines— came to know him, what else in life is there another issue that Senate Bill 233 is except that? And everything flows from that, designed to address. and through that, and in that, and for that.” The bill passed out of the Indiana Senate There’s also an undeniable joy in her by a 43-5 vote on Feb. 1, and now heads to voice as she talks about her efforts to help the House for consideration. other young adults deepen their faith for the Rebecca Kovert holds her nearly “This is money that families depend on See MOTHER, page 8 2-year-old daughter Avila. for survival,” said Ford, the primary author (Photos by Sean Gallagher) of the proposed legislation. “But right now only six in 100 families in poverty are being helped by this program.” The primary reason is that Indiana’s eligibility level for TANF is the fourth-lowest in the United States, behind Louisiana, Arkansas and Alabama. During a Jan. 25 hearing before the Senate Family and Children’s Services Committee, Ford pointed out that to be eligible for TANF, the maximum income of a Hoosier family must be less than 17 percent of the federal poverty level. “The poverty level for a family of three is around $20,000,” Ford said. “So what a family in the state of Indiana has to meet See ICC, page 8 March is small, but group’s ‘message of solidarity’ with unborn is as strong as ever WASHINGTON (CNS)—It was the coldest national March for Life in some years, it was the smallest, and it also may be remembered as the bravest. A little more than 200 people, tightly flanked by members of the Knights of Columbus, endured subfreezing temperatures and wind as they sang hymns and trudged a zigzag route See related stories, pages 3, 15. with Jeanne Mancini, president of the March for Life Education and Defense Fund, from the Museum of the Bible to the Supreme Court on Jan. 29. This year’s theme was “Together Strong: Life Unites.” Mancini acknowledged “that we’re all symbolically marching, and we’re all in solidarity with each other.” See MARCH, page 16 A March for Life participant demonstrates near Union Station in Washington on Jan. 29 amid the coronavirus pandemic. (CNS photo/Tyler Orsburn) Page 2 The Criterion Friday, February 5, 2021 Archbishop, priests to offer Public Schedule of Archbishop Charles C. Thompson Stations of the Cross reflection __________ podcasts during Lent this year February 7–16, 2021 February 7 – 2 p.m. February 13 – 11 a.m. CST By Natalie Hoefer reflections by our archdiocesan priests, Annual Scout Awards Ceremony at Virtual Association of Graduate in some small way people will feel SS. Peter and Paul Cathedral, Indianapolis Programs in Ministry Retreat To help members of the archdiocese more connected spiritually with their still struggling with feeling isolated archdiocesan February 9 – 10:30 a.m. February 14 – 2 p.m. during the COVID-19 pandemic, the community.” Priest Personnel Board meeting at Rite of Election at SS. Peter and Paul archdiocese is offering a series of Stations Archbishop Archbishop Edward T. O’Meara Cathedral of the Cross podcasts this Lent. Thompson shares her Catholic Center, Indianapolis Each of the 28 episodes—14 in English hope. February 16 – 9 a.m. (also made available in American Sign “The Stations of February 10 – 10:30 a.m. Visit at Roncalli High School, Language via separate videos) and 14 the Cross podcasts, in Virtual Wellbeing in Ministry summit Indianapolis in Spanish—will include a scriptural some way, are akin to reflection focusing on Jesus’ walk to the Franciscan spirit February 11 – 8:15 a.m. February 16 – 11:30 a.m. the cross, as well as an idea for fasting, that first brought the Virtual Judicatories meeting Visit at Bishop Chatard High School, almsgiving and works of mercy. Theresa Chamblee Stations of Cross to Indianapolis Archbishop Charles C. Thompson those who could not February 11 – 10 a.m. and more than 20 priests throughout the make a pilgrimage to the Holy Land in Leadership Team meeting at archdiocese will host order to retrace the footsteps of Jesus’ Archbishop Edward T. O’Meara the approximately passion and death,” he said. Catholic Center 5-10-minute podcasts. “Since our ability to gather has been (See related article for greatly compromised by the limitations podcast schedule.) involving the pandemic, the podcasts are “The Stations of a creative means to bring the Stations of to anywhere through our smart devices or people will develop a deeper relationship the Cross, for many the Cross to those who cannot otherwise home computers,” Chamblee explained. with Christ by reflecting on his Passion.” Catholics, are one gather together. “People can listen to them on their of the most familiar “They are yet another example of the commute to work or at home. They can (The podcasts and ASL videos will be prayer practices of creativity and talent that exists in the listen to them during their prayer time or available at 6 a.m. on Tuesdays and Archbishop Charles Lent,” explained Laura archdiocese to provide ongoing pastoral while getting ready in the morning. Thursdays during Lent at www.archindy. C. Thompson Sheehan, project and spiritual outreach to the people of God “Our hope is that the podcasts will org/Lent2021. The podcasts will also be coordinator for the throughout central and southern Indiana.” provide a powerful Lenten prayer experience available on Soundcloud, Spotify and archdiocese’s Catholic Charities-Social Father Timothy DeCrane, associate for the listener, that through each podcast, Apple podcasts.) † Concerns office. She is one of four staff pastor of St. Monica Parish in members on the archdiocese’s COVID Indianapolis, will also host an episode. Pastoral Response Team that developed “I think last year with Lent, we had The archdiocese is offering podcasts this Lent reflecting on a Scripture-based and coordinated the podcast project. a very real opportunity to know what Stations of the Cross, as prayed by St. John Paul II on Good Friday 1991. “Many do not yet feel comfortable suffering really meant and focus on God The 28 podcasts—14 in English (with separate American Sign Language videos or are not able to return to the physical when things are out of our control,” he said. available) and 14 in Spanish, each about 5-10 minutes long—will be available by sacred spaces of our churches where “We’re still in the pandemic and will be 6 a.m. on Tuesdays and Thursdays at www.archindy.org/Lent2021 and on we normally have encountered the Lord in Lent. But it’s not new anymore, so there’s Soundcloud, Spotify and Apple podcasts. during Lent through such practices as the less of a desire to offer up the challenges They will be hosted by Archbishop Charles C. Thompson and more than 20 Stations of the Cross,” she said. of mask-wearing, social distancing and, for priests throughout central and southern Indiana. The stations will be based on those prayed some, continued isolation. Following is a schedule of the podcasts, as well as who will offer each episode by St. John Paul II on Good Friday in 1991. “The podcasts are a good way to look and in what language. “They’re Scripture-based, so slightly at the Stations of the Cross and realize different from the ones that are hanging Christ bore all those things patiently, and —Feb. 16, Station 1: Jesus in the Garden of Gethsemane. Father Eric Johnson in our churches,” said fellow team member reflect on how we continue to deal with (English), Father John McCaslin (Spanish). Theresa Chamblee, director of Catholic challenges in our lives.” —Feb. 18, Station 2: Jesus, Betrayed by Judas, is Arrested. Father Douglas Charities-Social Concerns. The advantage to using a podcast Hunter (English), Conventual Franciscan Father Mark Weaver (Spanish).
Recommended publications
  • John SC Abbott and Self-Interested Motherhood
    Capitalizing on Mother: John S.C. Abbott and Self-interested Motherhood CAROLYN J. LAWES She who was first in the transgression, must yet be the principal earthly instrument in the restoration. ... Oh mothers! reflect upon the power your Maker has placed in your hands. There is no earthly influence to be compared with yours God has constituted you the guardians and the controllers ofthe human family. John S.C. Abbott' N THE EARLY nineteenth century, middle-class Americans rushed to rehabilitate the image of women. New England's IPuritans had castigated women as the daughters of Eve, re- sponsible for the introduction of sin into the world and the damnation of humankind.^ But Americans ofthe late eighteenth and early nineteenth centuries stood this analysis upon its head: The research for this article was generously supported by a Kate B. and Hall J. Peterson Fellowship at the American Antiquarian Society. The author also wishes to thank Scott E. Casper, David J. Garrow, Julie Goodson-Lawes, T'homas G. Knoles, Sandra Pryor, Caroline F. Sloat, Elizabeth Alice White, Karin Wulf, and the anonymous readers uf the manuscript for their invaluable advice and suppon. 1. John S.C. Abbott, The Mother at Home: Or, the Principles of Maternal Duty (Boston, 1^33)' I4ÍÍ-49- The Mother at Home 'io\á more than a quarter of a million copies and went through numerous editions and printings. 2. See. far example. Mary Maples Dunn, 'Saints and Sisters: Congregational and Quaker Women in the Early Colonial Period,' in Janet Wilson James, ed.. Women in Avu-7ican Religion (Philadelphia: University of Pennsylvania Press, 1980): 27-46; Lonna M.
    [Show full text]
  • MAGAZINE ® ISSUE 6 Where Everyone Goes for Scripts and Writers™
    DECEMBER VOLUME 17 2017 MAGAZINE ® ISSUE 6 Where everyone goes for scripts and writers™ Inside the Mind of a Thriller Writer PAGE 8 Q&A with Producer Lauren de Normandie of Status Media & Entertainment PAGE 14 FIND YOUR NEXT SCRIPT HERE! CONTENTS Contest/Festival Winners 4 Feature Scripts – FIND YOUR Grouped by Genre SCRIPTS FAST 5 ON INKTIP! Inside the Mind of a Thriller Writer 8 INKTIP OFFERS: Q&A with Producer Lauren • Listings of Scripts and Writers Updated Daily de Normandie of Status Media • Mandates Catered to Your Needs & Entertainment • Newsletters of the Latest Scripts and Writers 14 • Personalized Customer Service • Comprehensive Film Commissions Directory Scripts Represented by Agents/Managers 40 Teleplays 43 You will find what you need on InkTip Sign up at InkTip.com! Or call 818-951-8811. Note: For your protection, writers are required to sign a comprehensive release form before they place their scripts on our site. 3 WHAT PEOPLE SAY ABOUT INKTIP WRITERS “[InkTip] was the resource that connected “Without InkTip, I wouldn’t be a produced a director/producer with my screenplay screenwriter. I’d like to think I’d have – and quite quickly. I HAVE BEEN gotten there eventually, but INKTIP ABSOLUTELY DELIGHTED CERTAINLY MADE IT HAPPEN WITH THE SUPPORT AND FASTER … InkTip puts screenwriters into OPPORTUNITIES I’ve gotten through contact with working producers.” being associated with InkTip.” – ANN KIMBROUGH, GOOD KID/BAD KID – DENNIS BUSH, LOVE OR WHATEVER “InkTip gave me the access that I needed “There is nobody out there doing more to directors that I BELIEVE ARE for writers than InkTip – nobody.
    [Show full text]
  • The Demon Haunted World
    THE DEMON- HAUNTED WORLD Science as a Candle in the Dark CARL SAGAN BALLANTINE BOOKS • NEW YORK Preface MY TEACHERS It was a blustery fall day in 1939. In the streets outside the apartment building, fallen leaves were swirling in little whirlwinds, each with a life of its own. It was good to be inside and warm and safe, with my mother preparing dinner in the next room. In our apartment there were no older kids who picked on you for no reason. Just the week be- fore, I had been in a fight—I can't remember, after all these years, who it was with; maybe it was Snoony Agata from the third floor— and, after a wild swing, I found I had put my fist through the plate glass window of Schechter's drug store. Mr. Schechter was solicitous: "It's all right, I'm insured," he said as he put some unbelievably painful antiseptic on my wrist. My mother took me to the doctor whose office was on the ground floor of our building. With a pair of tweezers, he pulled out a fragment of glass. Using needle and thread, he sewed two stitches. "Two stitches!" my father had repeated later that night. He knew about stitches, because he was a cutter in the garment industry; his job was to use a very scary power saw to cut out patterns—backs, say, or sleeves for ladies' coats and suits—from an enormous stack of cloth. Then the patterns were conveyed to endless rows of women sitting at sewing machines.
    [Show full text]
  • Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915
    Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915 Kimberly E. Hereford A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Susan Casteras, Chair Paul Berger Stuart Lingo Program Authorized to Offer Degree: Art History ©Copyright 2015 Kimberly E. Hereford ii University of Washington Abstract Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915 Kimberly E. Hereford Chair of the Supervisory Committee: Professor Susan Casteras Art History This dissertation examines representations in art of the Victorian woman in “altered states.” Though characterized in Victorian art in a number of ways, women are most commonly stereotyped as physically listless and mentally vacuous. The images examined show the Victorian female in a languid and at times reclining or supine pose in these representations. In addition, her demeanor implies both emotional and physical depletion, and there is both a pronounced abandonment of the physical and a collapsing effect, as if all mental faculties are withdrawing inward. Each chapter is dedicated to examining one of these distinct but interrelated types of femininity that flourished throughout British and American art from c. 1850 to c. 1910. The chapters for this dissertation are organized sequentially to demonstrate a selected progression of various states of consciousness, from the most obvious (the sleeping woman) to iii the more nuanced (the female Aesthete and the female medium). In each chapter, there is the visual perception of the Victorian woman as having access to otherworldly conditions of one form or another.
    [Show full text]
  • The Art of the Final Judgment Artists Have Struggled to Portray the Final Judgment in a Spiritu- Ally Discerning Manner
    The Art of the Final Judgment Artists have struggled to portray the Final Judgment in a spiritu- ally discerning manner. How can their work avoid sinking into a kind of morbid voyeurism and superficial speculation about future calamities? Christian Reflection Prayer A Series in Faith and Ethics Scripture Reading: 1 Thessalonians 4:13-18; 1 Corinthians 15:50-57; Matthew 24:29-31; Revelation 1:4-8 Responsive Reading† Come, you sinners poor and needy, Focus Articles: weak and wounded, sick and sore: Jesus ready stands to save us, Left Behind and Getting full of pity, love and power. Ahead Come, you thirsty, come and welcome, (Heaven and Hell, pp. 70- God’s free bounty glorify; 78) True belief and true repentance, Confronted every grace that brings us nigh. (Heaven and Hell, pp. 46- Come you weary, heavy-laden, 49) lost and ruined by the fall; Falling If we tarry, ‘til we better, (Heaven and Hell, pp. 50- we will never come at all. 52) Let not conscience make you linger, nor of fitness fondly dream; All the fitness God requires is to feel our own great need. Reflection Vivid scriptural images have inspired “high,” “folk,” and popular artists to represent God’s final judgment—not merely to illus- trate the biblical words, but through their artwork to teach, preach, and prophetically lead the church. As Christians we are to “discern the spirits,” or to weigh their work for the body of What do you think? Christ, as Paul teaches (1 Corinthians 12:10; 14:29). We might ask: Was this study guide useful Does the art express biblical ideas in a faithful and theologically for your personal or group sensitive way? How does it integrate non-biblical materials? study? Please send your What message does the art convey in the contexts in which it suggestions to: typically is used? [email protected] In Michelangelo’s Last Judgment, the action flows in an arching movement: dead persons are led from their graves, taken up- wards to Christ’s judgment, and (when judged unrighteous) sent down to hell.
    [Show full text]
  • The World's First Love
    The World's First Love By FULTON J. SHEEN, PH.D., D.D. Agregé in Philosophy from the University of Louvain Auxiliary Bishop of New York National Director, World Mission Society for the Propagation of the Faith McGraw-Hill Book Company, Inc. New York - London - Toronto Copyright, 1952, by Fulton J. Sheen. Etext edited by Darrell Wright, 2009, from a text file at archive.org DEDICATED TO THE WOMAN I LOVE The Woman Whom even God dreamed of Before the world was made; The Woman of Whom I was born At cost of pain and labor at a Cross; The Woman Who, though no priest, Could yet on Calvary's Hill breathe: "This is my Body; This is my Blood" For none save her gave Him human life. The Woman Who guides my pen, Which falters so with words In telling of the Word. The Woman Who, in a world of Reds, Shows forth the blue of hope. Accept these dried grapes of thoughts From this poor author, who has no wine; And with Cana's magic and thy Son's Power Work a miracle and save a soul - Forgetting not my own. Contents PART I: THE WOMAN THE WORLD LOVES 1 Love Begins with a Dream 3 2 When Freedom and Love Were One: The Annunciation 14 3 The Song of the Woman: The Visitation 28 4 When Did Belief in the Virgin Birth Begin? 45 5 All Mothers Are Alike Save One 58 6 The Virgin Mother 75 7 The World's Happiest Marriage 86 8 Obedience and Love 96 9 The Marriage Feast at Cana 112 10 Love and Sorrow 121 11 The Assumption and the Modern World 132 PART II: THE WORLD THE WOMAN LOVES 12 Man and Woman 147 13 The Seven Laws of Love 160 14 Virginity and Love 167 15 Equity and Equality 175 16 The Madonna of the World 186 17 Mary and the Moslems 204 18 Roses and Prayers 210 19 The Fifteen Mysteries of the Rosary 221 20 Misery of Soul and the Queen of Mercy 228 21 Mary and the Sword 243 22 The Woman and the Atom 275 PART I The Woman the World Loves CHAPTER 1 Love Begins with a Dream [3] Every person carries within his heart a blueprint of the one he loves.
    [Show full text]
  • The Life of James Mcneill Whistler the GENTLE ART of MAKING ENEMIES
    THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES the life of james McNeill whistler THE GENTLE ART OF MAKING ENEMIES As pleasingly exemplified in many instances wherein the serious ones of this earth, care- fully exasperated, have been prettily spurred on to unseemliness and indiscretion, while overcome by an undue sense of right. BY JAMES MCNEILL WHISTLER Pott ito, 1 OS. 6d. vet PORTRAIT OF JAMES McNEILL WHISTLER By William Nicholson Price 2i. Gd. net * LONDON : WILLIAM HEINBMANN I'OKTHAir OV THK ARTIST the life of james McNeill whistler BY E. R. AND J. PENNELL IN TWO VOLUMES ILLUSTRATED VOLUME II LONDON: WILLIAM HEINEMANN PHILADELPHIA : J. B. LIPPINCOIT COMPANY 1908 Copyright^ London 1908, by JViUiam Ileinemann and Ji'ashington, United States of America by J. B. Lippincott Company ND 237 CONTENTS V-. Z CHAPTER XXV. AMONG FRIENDS. THE YEARS EIGHTEEN EIGHTY-ONE TO EIGHTEEN EIGHTY- SEVEN 1 Joseph Pennell meets Whistler—First Impressions—the " Sarasate" —Sir Seymour Haden—Mr. Frederick Keppel's Visit to Whistler and his Account of it CHAPTER XXVI. AMONG FRIENDS CONTINUED. THE YEARS EIGHTEEN EIGHTY-ONE TO EIGHTEEN EIGHTY SEVEN 10 Whistler's Friends in Tite Street—Sir Rennell Rodd's Reminiscences —Oscar Wilde—Reasons for the Friendship and for its short Duration— The Followers— Their Devotion and Their Exaggerations—Mr. Harper Pennington''s Reminiscences of Whistler in London' CHAPTER XXVII. THE STUDIO IN THE FULHAM ROAD. THE YEARS EIGHTEEN EIGHTY-FIVE TO EIGHTEEN EIGHTY-SEVEN 24 Whistler moves to the Fulham Road—Description of the new Studio— Pictures in Progress—Mr. Booth PearsaU's Account of a Visit to it— Mr.
    [Show full text]
  • The Hidden Child, the Foundation's Publication, Vol. XXVI 2018
    THE SECOND AND THIRD GENERATIONS SECURE THE LEGACY MY HIDDEN MOTHER 3 IT’S IN THE DNA: EPIGENETICS AND INTERGENERATIONAL TRAUMA 6 n her book, Catherine Edmunds sets out to find her hidden mother by focusing “into the personal, the small, the everyday,” to see “what happens when an ordinary A GERMAN JEWISH REFUGEE life is thrown into disarray by extraordinary, vast, and terrible events.” Tammy TURNED AMERICAN SOLDIER FINDS IBottner, a physician, writes about her father’s and grandparents’ experiences; here, HIS PARENTS HIDING IN BELGIUM we publish her chapter on the transmission of trauma through DNA. At a family Shab- 8 bos dinner, Daniel Fachler, a third-generation in Costa Rica, is shown a copy of our 2017 issue and is inspired to send us his translation of his grandfather Shloime’s story A JEW SENT TO A CONCENTRATION of survival. In Canada, Hy Braiter finds his late father Samuel Braiter’s Yiddish memoirs CAMP FOR HELPING A JEW and has them translated into English. Krystyna Plochocki, a hidden child herself, trans- 13 lates her mother’s memories of Ravensbrück, where, in an odd but life-saving twist, she had been incarcerated for “helping a Jew” during the Holocaust. Putting all these family dynamics into perspective, noted psychologist Eva Fogelman speaks about how MY SURVIVAL IN POLAND the second and third generations confront the problems of elderly Holocaust survivors. 15 It took many decades and much courage for Pinchas Zajonc to write about the murder of his family in a Polish forest in February 1944. First-time writer Sylvia Hanna THE YELLOW STAR finally opens up about hiding in an underground bunker for two years.
    [Show full text]
  • Meacock, Joanna (2001) Saintly Ecstasies: the Appropriation and Secularisation of Saintly Imagery in the Paintings and Poems of Dante Gabriel Rossetti
    Meacock, Joanna (2001) Saintly ecstasies: the appropriation and secularisation of saintly imagery in the paintings and poems of Dante Gabriel Rossetti. PhD thesis. http://theses.gla.ac.uk/1596/ Copyright and moral rights for this thesis are retained by the Author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Saintly Ecstasies The Appropriation and Secularisationof Saintly Imagery in the Paintings and Poems of Dante Gabriel Rossetti JoannaMeacock History of Art Department,Glasgow University © Ph.D: thes1sMarch 2001 . Saintly Ecstasies Illustrations Abstract Using unpublished source material at Princeton University, the University of British Columbia, the British Library and the National Art Library in the V&A, this thesis aims to broaden current scholarly understanding regarding Rossetti's exposure to, interest in, and subsequentappropriation of aspects of monastic life and saintly legend in his religious and secular paintings and poems. The intention of part one of this thesisis to discussand analyseRossetti's early interest in monasticismand the legendsof the saints. Rossetti'sattraction to Catholic ritual and ceremony,both in terms of its aestheticimpact and the feelingsof awe it engendered, will form the backgroundto a discussionof his admirationfor pre-Reformationart.
    [Show full text]
  • Carrier-Belleuse, Le Maître De Rodin
    Caterina Y. Pierre exhibition review of Carrier-Belleuse, Le maître de Rodin Nineteenth-Century Art Worldwide 14, no. 1 (Spring 2015) Citation: Caterina Y. Pierre, exhibition review of “Carrier-Belleuse, Le maître de Rodin,” Nineteenth-Century Art Worldwide 14, no. 1 (Spring 2015), http://www.19thc- artworldwide.org/spring15/pierre-reviews-carrier-belleuse-le-maitre-de-rodin. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Pierre: Carrier-Belleuse, Le maître de Rodin Nineteenth-Century Art Worldwide 14, no. 1 (Spring 2015) Carrier-Belleuse, Le maître de Rodin Palais de Compiègne, Compiègne, France May 22 – October 27, 2014 Catalogue: Carrier-Belleuse, Le maître de Rodin. June Hargrove and Gilles Grandjean. Paris: Éditions de la Réunion des Musées Nationaux, 2014. 192 pp.; 180 color illus.; checklist; bibliography; index. € 35.00 ISBN: 978-2-7118-6158-3 A sculpted figure of a shapely young woman, intoxicated by the fruits of Bacchus, flirts with a bust of a god on a herm. She locks eyes with the ancient-styled sculpture, but the head of the god, who may be Bacchus or Hermes, seems alive, and he smiles ever so suggestively in response to her supple form. Everything soars and falls in sensuous curves: the tendrils of ivy; the long tresses of the bacchante floating in the breeze; her slender arms that encircle and decorate the god’s head with succulent grapes; her robe, gingerly clipped to her small waist with a delicate belt and clasp.
    [Show full text]
  • March 6, 2009 Vol
    Inside ‘He was a father’ Local priests have close connections to Archbishop Dolan, Criterion page 20. Serving the Church in Central and Southern Indiana Since 1960 CriterionOnline.com March 6, 2009 Vol. XLIX, No. 21 75¢ Photo courtesy of www.marysrosaries.com Photos by John Shaughnessy Photos by Teresa Hildebrand’s compassion for people in need guides her as the director of the Good Samaritan Program at St. Joseph University Parish in Terre Haute. The parish has one of the most remarkable outreach programs in the archdiocese, helping people with payments for rent, utilities and prescriptions. At right is a relief sculpture of the Parable of the Good Samaritan (Lk 10:25-37). Story of a lonely child sparks efforts to help people in need (Editor’s note: “Spreading Hope In affects her and her work at one of the most about their three children as they ask for Hildebrand would say later after Neighborhoods Everywhere” (SHINE) is a remarkable parish outreach programs in the her help in paying their utility bills. helping the young mother. “It was one social ministry renewal that will be archdiocese. Look at the battered face of the woman of the most touching stories I’ve heard launched on Oct. 1, 2009, by the Yet right now Hildebrand is busy whose jaw has been wired shut—a victim recently.” Archdiocese of Indianapolis. The reacting to the steady ringing of the of domestic abuse who seeks Hildebrand’s She hears a lot of those stories as the following is part of a series that doorbell at the St.
    [Show full text]
  • THE Youth/S INSTRUCTOR
    SEPTEMBER 30, 1969 / THE yoUTH S INSTRUCTOR • • Sabbath School Lessons for October 4 THE YOUTH'S INSTRUCTOR ® Private Worlds by DOROTHY EMMERSON THE YOUTH'S INSTRUCTOR is a non- fiction weekly. It is published for young adults who are capable of asking sincere questions, and who seek to know the counsels of Scripture. Its contents are chosen to serve readers who want to reach maturity—spiritually, socially, in- tellectually, and physically. Its staff holds that God is man's heavenly Fa- ther; that Jesus is man's Saviour; that genuine Christians will strive to love God supremely and their neighbors as themselves. Its pages reflect an expanding ob- jective from 1852 to 1969. First it husband and I were admiring a was essentially a vehicle for providing young couple at the next table. They youth Sabbath school lessons. Now it also provides many added services for were both so obviously in love that it a generation that should witness the was hard to keep our eyes off them. literal return of Jesus and the restora- tion of a sinless world to the universe The broad-shouldered young fellow of God. kept leaning across the table, talk- ing intently to his young wife. It wasn't until they stood up to leave Editor WALTER T. CRANDALL that we realized this man had only Associate Editor JAMES JOINER one leg and was blind in one eye. Art Director HARRY BAERG Heartaches in their private world? Layout Artist ALAN FORQUER Yes. I believe it is easy to get into the SHARE Editor MILDRED LEE JOHNSON habit of exaggerating our own per- Editorial Consultants sonal problems.
    [Show full text]