An Interview with Erik Bosgraaf One of the World’S Most Talented Erecorder Players, a Sort of Rock Star Among Recorder Virtuosos
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Summer 2021, Vol. LXII, No. 2 • Published by the American Recorder Society • https://AmericanRecorder.org • Published by the American Recorder Society • Vol. LXII, No. 2 ON THE COVER N EWS & NOTES LEARN Grimou, Alexis (c.1680-1740). 3 On the Record(er) • Sören Sieg 28 More on Breathing plus Posture Page with a Reed Pipe, late 17th Music Video Competition 2021; and Hands • A technique tip covering or 18th century. Oil on canvas. Nine Stern appointed Director of body and hand position basics Pushkin Museum of Fine Arts, Community Engagement for Boston by Lobke Sprenkeling Moscow, Russia. Photo: Early Music Festival; Early Music HIP/Art Resource, NY. Cover: America Trailblazer in Historical CRITIQUE ©2021, American Recorder Society. Performance Video Series; 36 Music • Baroque and Baroque- Cléa Galhano leaves St. Paul like music, spirituals and several Conservatory; COVID-19: open works by Raphael Benjamin Meyer those windows for better ventilation Præludium and Ciacona by Klaus and protection against spread of Miehling; Trios for Two by Adrian COVID-19; Arts for the Health of It Wehlte; Singet dem Herrn ein neues Lied, by J.S. Bach, arranged by Bart Spanhove; 4 machen Musik Ufa- FEATURES Filmslager, arranged by Ortrud 6 Not Just the Alto: Sizes Hommes; VI Sonaten by Andreas of Recorder, 1660-1800 • Heinrich Schulze (?); 10 Spirituals, by David Lasocki arranged by Hermann-Josef Wilbert; three works by Raphael Benjamin 18 An Interview with Erik Meyer: Safari for six wild recorders, Bosgraaf • Gail Nickless talks with Abire for Recorder Quartet, The Dutch professional recorder player Swing Thing for 5-7 recorders CONTENTS Erik Bosgraaf, then he offers 2 Editor’s Note & a few of his thoughts on practicing 43 Recording • Compelling COVID-19 President’s Message repertory and uplifting Baroque music from France and Germany LISTEN & PLAY by Tom Bickley: Le Plaintif with 25 Events • More about summer Erik Bosgraaf; Telemann. Mields events Boston Early Music Festival, Temmingh; Duo1702+ Coffee Edition plus a few more summer workshops ARS 46 Chapters & Recorder Orchestras 47 Classifieds 48 Advertising Index HTTPS://AMERICANRECORDER.ORG AMERICAN RECORDER SUMMER 2021 1 CONTENTS Editor's Note · GAIL NICkLESS “We might be able to play together next month.” During a Denver (CO) chapter Zoom, our quartet compared notes on who had been vaccinated; only one of us still lacked the second COVID shot, plus the waiting period for full protection. Board Of Directors As our lives get forward to normal (one that will never get back to being quite David Podeschi President the same, perhaps), it can be almost disorienting—but I think we’re all prepared Ruth Seib to face that eventuality in order to resume playing music in person! Vice-President & Asst. Treasurer In this issue we read about “luminous and shimmering” recordings of Carol Mishler Baroque music in Tom Bickley’s Critique, and about David Lasocki’s exhaus- Secretary & Fundraising Chair tive survey of the instruments that could have been used to play that Baroque Judith Smutek music. For those who hunger for live performance, there is information about Asst. Secretary & events during the virtual Boston Early Music Festival in June (including a Communications Chair Wendy Powers Baroque recital program by Erik Bosgraaf, who is interviewed in this issue). Treasurer As most of us have played music for smaller forces during the pandemic, Alice Derbyshire some of us have also decided to develop better technique habits. Lobke Membership Benefits Chair Sprenkeling gives us more advice on improving some of those basics, covering Peter Faber posture and hand position in this issue. Let’s make the best of where we are now Governance Chair and get ready to meet again in person, putting our best habits forward. • David Melanson Educational Outreach, President's Message · DAVID PODESCHI Grants & Scholarships Chair Eric Haas, Mollie Habermeier, The past year has taught many of us to get comfortable with— Greta Haug–Hryciw, Phil Hollar, call it what you want—virtual, Zoom, e-, online, etc. We’ve held Natalie Lebert, Barbara Prescott everything from happy hours with friends and family to work Board Members meetings, Board meetings, the ARS annual meeting, duets with Erich Katz (1900-1973) friends, chapter meetings, recorder lessons, sessions with a Honorary President professional recorder player on a theme, workshops: all virtually. This does not Winifred Jaeger replace playing together, but it has kept us together. Honorary Vice President We’ve made interesting and valuable gains. Chapters picked up new members; STAff professionals added new students; workshops attracted new participants when Susan Burns location didn’t matter, just time zone—even that didn’t matter for some; I’ve Administrative Director heard of players from Asia joining sessions in what was the middle of their night! Julia Ward How do we keep some of these gains, once we are able to again play in per- Administrative Assistant son? At our Board meeting in April, we discussed continuing the online begin- ner lessons that have been so popular and have brought in new ARS members. We will continue to increase our ARS website library of play-along recordings as a good, fun way to practice. As someone who has enjoyed home multi-track recording for years, it was gratifying for me to see so many recorder players Gail Nickless take up this great way of practicing—it forces you to listen to yourself! Editor I know that many of our professionals offered online recorder lessons before CONTRIBUTING Editors the pandemic, but I wonder if they will also continue to offer expanded or Tom Bickley themed online sessions. I understand that some workshops may continue on- Critique: Recordings line workshops post pandemic—in addition to or separately from the real thing. Mary Halverson Waldo Learn What about chapters that have gone virtual? An ARS Board task force will Amanda Pond, explore whether and how a new virtual chapter not based on geography might Cynthia W. Shelmerdine work. My chapter in Dallas, TX, is thinking about resuming in person in the Line Editors fall, if all goes well with vaccines—but I will be recovering from thumb surgery Mark Davenport, and not playing by then. I am thinking of setting up a camera and microphone, Valerie Horst, and Zooming our playing sessions so our new remote members can still join in. David Lasocki, A year ago I certainly didn’t think I would be wondering how to maintain these Thomas Prescott kinds of positives from a pandemic! I hope you, too, have found a silver lining— Advisory Board and maybe even been able to utilize some of the resources ARS has created. • 2 AMERICAN RECORDER SUMMER 2021 HTTPS://AMERICANRECORDER.ORG NEWS & NOTES ON THE RECORD(ER) News about the recorder COMPETITION For the virtual BEMF 2021, Stern in her native New York City, NY. • Play music by Sören Sieg will host an interactive Family Day event on June 12 at 9 a.m., with Boston Early Music Festival, The Sören Sieg Music Video Competi- Recorders Beyond Borders: Boston https://bemf.org/2021-festival/ tion continues, with awards to per- Meets Kenya. The event will feature schedule-of-events formers of any age who create music live performance by a group of young S’Cool Sounds, videos of one of the composer’s solo recorder students in Kenya and a www.scoolsounds.org or duo pieces. Top awards are cash virtual performance by American Article introducing online prizes, plus the winning entry receives children performing a Cantiga de S’Cool Sounds lesson plans, a new work by Sieg; winners in places Santa Maria and a popular Kenyan https://americanrecorder.org/docs/ 4-12 receive two sheet music editions song, in honor of their recorder-play- AR_Sum2020_body.pdf and a CD. The 2021 jury is recorder ing friends from across the world. American Recorder articles about player Ebba-Maria Künning-Zeijl, A similar event featuring the teaching trips to Kenya, Jordan, etc., filmmaker Claire Walka and Sieg. • debut of a BEMF Youth Ensemble is https://americanrecorder.org/docs/ planned for BEMF 2023, with Stern ARwinter16body.pdf and Deadline: October 1, 2021, assembling a group of late elemen- https://americanrecorder.org/docs/ www.soerensieg.de/en tary/middle school players of early ARnov10body.pdf strings, winds and percussion, for a performance in person. HELPING yOUNG PLAyERS Stern founded S’Cool Sounds in EARLy MUSIC america Boston Early Music Festival 2002 as an educational outreach Trailblazers in Historical names Nina Stern as Director nonprofit that has worked to establish Performance Video Series of Community Engagement recorder programs in several schools in the Kibera slum of Nairobi, Kenya; Early Music America (EMA) has The Boston Early Music Festival at Village Health Works in Kigutu, launched a new video resource in (BEMF) has recruited professional Burundi; and at a school for Syrian partnership with The Juilliard School. recorder player Nina Stern as its refugee children in Azraq, Jordan—in Entitled “Trailblazers in Historical Director of Community Engagement. addition to Stern’s teaching activities Performance,” the interviews were recorded between December 2020 and March 2021, and feature early music author and Harvard University music professor Thomas Forrest Kelly talking with leaders in the field of historical performance. With 12 weekly videos planned, the first episode in the series featured a December 2020 conversation with Jeanne Lamon, violinist and for many years artistic director of Tafelmusik. She was honored by EMA as the 2014 recipient of the Howard Mayer Brown Award for lifetime achievement in early music. • EMA Video Resources, www.earlymusicamerica.org/ema- ▲ Nina Stern. Photo by William Stickney Photography. video-resources. HTTPS://AMERICANRECORDER.ORG AMERICAN RECORDER SUMMER 2021 3 NEWS & NOTES ON THE RECORD(ER) News about the recorder CHANGE In her 15 years, she created a host of or master class.