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UWE Obergs LACY POOL Uwe Oberg Piano / Rudi Mahall Clarinets / Michael Griener Drums
UWE OBERGs LACY POOL Uwe Oberg piano / Rudi Mahall clarinets / Michael Griener drums Just released! LACY POOL_2 (Leo Records / London) LACY POOL was founded by German pianist Uwe Oberg. With an intriguing lineup with the Berlin-based clarinettist Rudi Mahall and drummer Michael Griener, the band explores different styles in Steve Lacy's music and Oberg's compositions. It's a joyful celebration as well as an deconstruction, that transfers the Lacy's pieces into the present. Fresh and inquisitive. JAZZWEEKLY July 2017 “On Lacy Pool, an intriguing lineup (piano-trombone-drums) revisit what might one day become standards - 10 compositions penned by Steve Lacy. Uwe Oberg's angular lines, Christof Thewes' soaring trombone and drummer Michael Griener's clever support help bring out the joy that inhabits those pieces. Their truculent nods at Dixieland or Thelonious Monk are a reminder of how both influences informed the late soprano sax player's development. They never get lost in a meditative state, because Oberg and company's mood is definetely more celebratory than mournful. To sum up, this is an excellent addition to the recent tributes paid to Lacy's legacy that will surely inspire more generations to come. DOWNBEAT, December 2010 Great players, luminously entertaining album. TOUCHING EXTREMES, Okt. 2010 Confirming that the music of a true original like Lacy is best celebrated by adding to it rather than copying, the three leap into the Lacy Pool at the deep end. Accepting this challenge, they still manage an Olympic medal-like performance. KEN WAXMAN, March 2010 This refreshing and innovative, forward-thinking look on Steve Lacy's music is imaginatively clever as it is delightful. -
Printcatalog Realdeal 3 DO
DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive. -
Audio ART Festiwal2000
Stowarzyszenie Artystyczne Muzyka Centrum Goethe-Institute Kraków m u z y k a koncerty b e z instalacje g r a n i c AUdio ART performance FEStiwaLw w w . a2000 u d i o a r t . z . p l 11 LISTOPADA, 18:00, SYNAGOGA ul. Szeroka EVAN PARKER (Londyn) saksofon EVAN PARKER EVAN PARKER Born Bristol, 5 April 1944; Tenor and soprano saxophones. Urodzony Bristol, 5 kwiecieñ 1944; bieg i sopranu saksofony. Evan Parker started to play (alto) saxophone around the age of Evan Parker zaczynany bawiæ siê (alt) saksofon dooko³a wieku 14, being particularly interested in the music of Paul Desmond. 14, bêd¹cego szczególnie zainteresowanego w muzyce Paul At 16 he started to play the soprano saxophone and there fol- Desmond. Przy 16 on zaczyna³ siê graæ sopranu saksofon i tam lowed a period where he concentrated on soprano only, influ- nastêpowaæ okres gdzie on koncentrowa³ siê na sopranie tylko, enced by John Coltrane. Following his undergraduate studies at wp³ywany przez John Coltrane. Nastêpuj¹cy jego student studiuje Birmingham University, he moved to London and, in late 1966/ przy Birmingham Uniwersytecie, on rusza³ siê do Londynu i, w early 1967 began playing in the Spontaneous Music Ensemble pónym 1966 / wczenie 1967 zaczyna³ grê w Spontanicznym (SME) who, at that time, along with Parker, comprised John Muzyki Zespole (SME) kto, w tamtym czasie, wzd³u¿ z Parker, Stevens, Kenny Wheeler, Paul Rutherford, Trevor Watts and Derek zawiera³ John Stevens, Kenny Konia dyszlowy, Paul Ruterford, Bailey. The regular venue for these sessions was the Little Thea- Trevor Waty i Derek Mur zamku. -
The Songsof Laura Nyro
Misha Mengelberg, the idea was put forth that, Anthology (Intakt, 2006). Eberhard shows a continued aesthetically and conceptually, Thelonious Monk’s affinity for small groupings, manifest in a duet with music is from the mind of an “architect” while Herbie American pianist Dave Burrell, as well as the brace of Nichols’ is from that of a “painter”. Monk and Nichols twosomes here that emphasize different facets of her have both been favorites of Mengelberg in terms of craft. interpretation; by comparison, the pieces of the former On Singen Sollst Du..., the German goes head to are painstakingly constructed albeit whimsical in their head with up-and-coming Swiss drummer Alex Huber relationships while the latter’s work is brushy and across a set of 13 short extemporizations. Even from gestural - Alexander Calder versus Willem de Kooning. the first, where Huber’s annunciatory tattoo rattles as Live at Glenn Miller Café A fellow linchpin of European improvisation, if he has chains draped across his drumheads, there is Noah Howard Quartet (JaZt TAPES) German pianist Alexander von Schlippenbach, who a clear sense of exploratory zeal. Eberhard demonstrates by Ken Waxman turns 75 this month, has brought Monk’s music into her credentials as an accomplished free jazz expressive play for decades, whether as a soloist, with saxophonist, deploying a litany of fraying overtones, More than a typical nightclub set, the untitled tracks a trio or in the context of the Globe Unity Orchestra. vocalized inflections, gruff honks and overblown that make up this passionate and high-quality The apex of Schlippenbach’s engagement was Monk’s shrieks to magnificent effect. -
GRAMSS Sebastian
Sebastian Gramss – cb Studium an der Hochschule für die Künste Amsterdam und an der Musikhochschule in Köln. Seine Bands: Sebastian Gramss' Underkarl feat. Nils Wogram, Bartmes und Speeech. Gramss ist auch kompositorisch tätig. Er schrieb Hörspiel- und Filmmusik für zahlreiche Sendeanstalten, sowie Theatermusik. www.sebastiangramss.de Sebastian Gramss, Kontrabass, Komposition In jungen Jahren mehrfacher Preisträger bei Jugend musiziert. Frühe Klassikstudien in der Klasse von Professor Lau (Stuttgart). Studium an der Hochschule für die Künste Amsterdam und an der Musikhochschule in Köln u.a. bei D. Manderscheid, Joachim Ullrich (1989-1996). 1993 gründete er die Gruppe Underkarl. Er schrieb neben Kammermusik für verschiedene Besetzungen zahlreiche Hörspielmusiken, Filmmusik „040“ , „ Himmelsbraut“ und Theatermusik. Er arbeitete u.a. mit Fred Frith, Tom Cora, Peter Kowald, Zeena Parkins, Peter Brötzmann, Gunda Gottschalk, Tyler Ho Bynum, Karl Berger, Axel Dörner, Rudi Mahall, Nils Wogram, Johannes Bauer, Hans Kresnick, Rick Moody, Tony Oxley Celebration Orchestra, James Choice Orchestra, Tippet Ensemble Köln, Emex Ensemble Köln... Seine Tourneen und Konzerte führten ihn nach Afrika, Asien, Russland, USA und ganz Europa. Gramss wurde mehrfach für den Jazzpreis des SWF nominiert. Preisträger Creole ´06 mit Marjana Sadovska; 2005: Musik für Pina Bausch. 2007 führte ihn ein Stipendium ("Art Omi") nach New York. Presse: "Sebastian Gramss is a masterful bass player, establishing his ability to play full dark lines, then demonstrating a consistently firm grasp of arco technique..." (Cadence Magazine, New York) ______________ ENGLISH: Sebastian Gramss,double bass, cellist and composer. He studied music in Stuttgart, Amsterdam and Cologne. 1993 he founded the renowned group „Underkarl“. Besides chamber music he also composed for radio plays, film and theatre and -among others- for choreographer Pina Bausch. -
Jazz New Internet
Jazz Notes™ The Journal of the Jazz Journalists AssociationSM Vol. 18, No. 3 • Autumn 2007 From the Editor 2 President’s Report 3 Letter to the Editor 4 By W. Royal Stokes A Crisis Getting Worse 5 By Alex Henderson Why Would I Choose 6 Anything Else? By Mikayla R. Gilbreath Max Roach 7 By arnold jay smith and Paul Rutherford 8 Jazz the New Internet By Laurence Svirchev 8 By Matt Merewitz Book Reviews 9 By Michele Drayton, Ken Dryden, “ ew media” means different all the music’s constituents. We should all George Kanzler and Jerry D’Souza things to different people. Wiki- be especially concerned with these aspects N pedia defines it as “new forms of Web 2.0, as newspaper and magazine News of Members 9 of human and media communication that subscriptions continue to wane and column have been transformed by technology to inches for jazz in print media shrink at an fulfill the basic social need to interact and alarming rate. New Members 12 transact.” Simply put, the hallmarks of the “old” The entry continues: “New media is also World Wide Web were portals, search en- closely associated with the term ‘Web 2.0,’ gines, bulletin boards, newsgroups and IN THIS ISSUE IN which refers to a second generation of In- email. To jazz people already online in the ternet-based services that emphasize online mid-’90s, sites like jazzcentralstation.com, collaboration and sharing among users.” jazzcorner.com, jazzusa.com, allaboutjazz.com Suffice it to say that weblogs (“blogs”), pod- and birdlives.com became popular destina- COVER ILLUSTRATION: casts, sms (text messaging), rss feeds, social tions and resources, and they remain so. -
UWE OBERG PIANIST the German Pianist Uwe Oberg (*1962) Plays at the Intersection of Jazz and New Improvised Music
UWE OBERG PIANIST The German pianist Uwe Oberg (*1962) plays at the intersection of Jazz and new improvised music. He bends the bow from inside-piano to originals or the music of Monk. With ROPE it’s free improvisation, with LACY POOL music of Steve Lacy, with SILKE EBERHARD originals as well as music linked with Paul Bley. Whatever he plays, he transforms in his unique sound without musical borders. Cooperation with: Peter Kowald, Xu Fengxia, Alfred Harth, Matthias Schubert, Baby Sommer, Tony Oxley, Sven-Ake Johansson, Rudi Mahall, Urs Leimgruber, Saadet Türköz, Heinz Sauer, Subroto Roy Chaudhuri, Paul Lovens, Eric Plandé, Evan Parker, Paul Rogers, Frank Gratkowski a.m.o. Also he works with dancers, composes and performs music for theatre & silent films. Numerous CDs, concerts all over Europa. He lives in Wiesbaden/Germany and is a member of the Kooperative New Jazz, where he conducts the festival JUST MUSIC. In 2007 he received the jazzprize of the state of Hessen/Germany. CURRENT ENSEMBLES UWE OBERG'S LACY POOL (music of Steve Lacy) w Rudi Mahall clarinets & Michael Griener drums ROPE w Frank Paul Schubert sax, Paul Rogers bass & Mark Sanders drums UWE OBERG & SILKE EBERHARD: TURNS w. S. Eberhard altosax & clarinet (also w Gerry Hemingway drums) CUSH w Saadet Türköz vocals & Paul Lovens percussion ERIC PLANDÉ TOUCHING w Eric Plandé sax & Peter Perfido drums RECENT CDs TURNS w Silke Eberhard (Leo Records 2016) ROPE w F.P.Schubert / Wilbert de Joode / Mark Sanders (red toucan 2016) WORK Piano Solo (2015 Leo Records) TWICE, AT LEAST Piano Solo (2015 Leo Records) TOUCHING w Eric Plande Trio (2014 Jazzwerkstatt) SHOTS & COUPS duo w FRANK PAUL SCHUBERT (2012 gligg records) FULL BLOOM duo w EVAN PARKER (2010 Jazzwerkstatt) LACY POOL the music of Steve Lacy w Thewes & Griener (2009 HatHut) AFTER ALL quartet w Wolf/Fischer/Gratkowski (2007 konnex) REVIEWS Oberg's 2015 CD WORK has been voted for the WIRE Top 50 Releases of 2015. -
Jazzletter 93024--024-0 April 1993 V01
» » G606 L665 P.O. Box 240 Ojai, Calif. Jazzletter 93024--024-0 April 1993 V01. 12 Na 4 Carl Barriteau, born in Trinidad February 7, 1914, grew up Come Back Last Summer in Maracaibo, Venezuela. He moved to London in the late Part Two 1930s and played with Ken (Snake Hips) Johnson’s West Indian Swing Band. He formed his own recording group in the middle ‘By this time it was Christmas, the end of ’52,‘ Kermy said. ‘I of World War II and entertained British and American troops left Canada atthe end of September or early October. after the war, in Europe, North Africa, and Southeast Asia. ‘I read that they needed helpers in the post office for the ‘I’m not sure when I went with that band,‘ Kenny said. Christmas mail. So I got a job doing that. But meanwhile I’d ‘Wait a minute, I can pin it, because it was the year I came met Doreen on the telephone. The young Scotsman used to go over to visit,‘ I said. ‘You were with that band in 1954.‘ with Doreen’s girlfriend, tmbeknown to the guy he was living ‘Carl was great,‘ Kenny said. ‘I loved working for him. I 'rith. Doreen rang up one day to say that her girlfriend couldn’t really shouldn’t have taken the job, because I didn’t have the make this date with the Scotsman. So being young and stupid, chops for it. It was a really hard book. There was a front line I suppose, I started to kid around with her on the phone, and of about five people. -
JNM 05 2010.Pdf
JNM_5_2010_01_def 7.9.2010 16:39 Uhr Seite 1 Das Schweizer Jazz & Blues Magazin 5/2010 Sept./Okt. CHF 11.– , ROOTS , N BLUES ‘‘NN’’MM OO RR EE 2525 JAHREJAHRE AVOAVO SESSIONSESSION VIENNAVIENNA ARTART ORCHESTRAORCHESTRA DANIELDANIEL SCHENKERSCHENKER DANIDANI FELBERFELBER BIGBIG BANDBAND GENERATIONSGENERATIONS 1010 MARCIAMARCIA BALLBALL MARQUISEMARQUISE KNOXKNOX STEFANSTEFAN AEBYAEBY ARTEARTE QUARTETTQUARTETT && RABIHRABIH ABOUABOU KHALILKHALIL TRIOTRIO STUDER/FREYSTUDER/FREY DUODUO FANNYFANNY ANDEREGGANDEREGG NIKNIK BÄRTSCH’SBÄRTSCH’S RONINRONIN ROLIROLI FREIFREI RETORETO ANNELERANNELER CHRISTIANCHRISTIAN SCOTTSCOTT DIEDIE KRAFTKRAFT DESDES KOLLEKTIVSKOLLEKTIVS MEHR ALS 80 CD-BESPRECHUNGEN Bis Evelyne Binsack als erste Schweizerin den Mount Everest bezwungen hatte, wollte sie nicht ruhen. Und ebenso wenig ihre Begleiter. (Nepal 2001) Weil uns die Schweiz wichtig ist. Weil wir uns zu unserem Heimmarkt und zu unseren Kunden in der Schweiz bekennen. Weil sich unsere Unternehmenskultur an bewährten Schweizer Werten wie Zuverlässigkeit, Qualität und Leistung orientiert. Weil wir uns unserer gesellschaftlichen Rolle in der Schweiz voll bewusst sind. Weil wir nachhaltig zum wirtschaftlichen Wohlergehen der Schweiz beitragen wollen. Deshalb können Sie sich auf eines verlassen: Wir werden nicht ruhen ab ubs.com/wirwerdennichtruhen Die Verwendung von Namen oder sonstiger Bezeichnungen Dritter in dieser Anzeige erfolgen mit der entsprechenden Genehmigung. © UBS 2010. Alle Rechte vorbehalten. JNM_5_2010_02-03.qxp 1.9.2010 8:49 Uhr Seite 3 EDITORIAL -
Paul Lovens Vermögen
PHONOMANIE IX Paul Lovens Vermögen 4. bis 6. Dezember 2009 JAZZATELIER ULRICHSBERG Phonomanie IX • Paul Lovens • Vermögen Freitag, 4. Dez. 2009, ab 19.00: Samstag, 5. Dez. 2009, ab 17.00: Sonntag, 6. Dez. 2009, ab 17.00: • Günter Christmann, tb/cello • Wolfgang Mitterer, p/electr. • Paul Hubweber, tb Mats Gustafsson, ts/fl Paul Lovens, dm John Edwards, b Paul Lovens, dm Paul Lovens, dm • Paul Lytton, perc./electr. • Radu Malfatti, tb • Sabina Meyer, voc Paul Lovens, dm Klaus Filip, electr. Michael Moore, as/cl Paul Lovens, dm Phil Wachsmann, viol/electr. Paul Lovens, dm • Carlos Zingaro Solo, viol • John Russell Solo, g • Hans Reichel Solo, dax/e-g • Tobias Delius, ts/cl • Eugene Chadbourne, voc/g/bjo • Alexander von Schlippenbach, p Rudi Mahall, bcl Paul Lovens, dm Evan Parker, ts/ss Wilbert de Joode, b Paul Lovens, dm Serigne C. M. Gueye, perc Paul Lovens, dm Vermögen Wie schon einmal zuvor habe ich bestehende und erstmalig zusammengesetzte Gruppen ausgewählt. In einigen arbeite ich seit Jahrzehnten, für andere ist es ein erstes Wiedersehen, die neuen entstanden aus meiner Sicht der möglichen Kräfte- von Paul Lovens verhältnisse. Dazu noch drei Solisten — auch weil ich für sie in diesem Rahmen kein geeignetes Umfeld herstellen konnte. Insgesamt zeigt das stilistische Angebot die ganze Breite meiner musikalischen Dieses Motto hatte ich vor vielen Jahren Vorlieben; man kann sagen: Dies hier sind meine Traumbands. aufs Snaredrumfell geschrieben: „Höher auf dem Berg erreichen mich Echos aus uralten Und all diese Kollegen haben jene Fähigkeit: Das zu Anfang beschriebene „Vermögen“, Geologien, die meine Stimme neu erreicht.“ das, einmal erlernt und erlangt, einem nicht mehr genommen werden kann. -
Johannes Bauer
Johannes Bauer Discography | Diskographie 15.03.2019 2019 – 03 Zlatko Kaucic – Diversity Not Two Records, MW 969-2 Not Two Records, MW 969-2 Zlatko Kaučič – Ground Drums, Percussion Johannes Bauer – Trombone CD#5 »MED-ANA« 1. Med-Ana – 11:34 / 2. Med-Ana – 3:34 / 3. Med-Ana – 8:21 / 4. Med-Ana – 8:52 / 5. Med-Ana – 2:53 / 6. Šmartno Suita – 23:55 Tracks 1 to 5 – Recorded at Medana “Old Movie Theatre” on September 15, 2012. Track 6 – Recorded at Brda Contemporary Music Festival, Italy on September 13, 2014. 5 CDs in single printed paper-sleeves housed in a sturdy cardboard box-set with a magnetic locking. Contains a 12-page booklet with an interview, line-ups, liner notes and photographs. Only CD #5 with Johannes. 2018 – 01 Jeb Bishop, Matthias Müller, Matthias Muche – Konzert für Hannes Not Two Records, MW 961-2 Jeb Bishop – trombone Matthias Müller – trombone Matthias Muche – trombone 1. 07:39 / 2. 06:07 / 3. 09:03 / 4. 07.59 / 5. 07:40 / 6. 07:09 Recorded live at Stadtgarten Köln on May 5th 2016 Tribut Recording Johannes Bauer Discography 2 | 44 2017 – 01 Johannes Bauer / Peter Broetzmann – Blue City Trost Records, TR155 Peter Brötzmann: tenor & alt sax, tarogato, b-flat clarinet Johannes Bauer: trombone 1 Name That Thing 28:42 2 Blue City 5:11 3 Poppy Cock 15:25 4 Heard And Seen 14:05 5 Hot Mess 6:10 Mastered By – Martin Siewer, Photography – Philippe Renaud Live at Blue City Osaka / Japan 16. October 1997 2014 – 02 Barry Guy New Orchestra Small Formations – Mad Dogs On The Loose Not Two Records , MW925-2, 4 × CD, Album Barry Guy bass -
JNM 06 18 01 Cover Wolfgang Muthspiel Lay.Indd 1 29.10.18 09:53 Helvetia.Ch/Wertsachen
Das Schweizer Jazz & Blues Magazin Nov./Dez. N r . 6 /2018 S Schweiz CHF 11.00 / Deutschland € 5.90 / Österreich € 6.10 , ROOT ‚ N BLUES ‘RE‘RENN 'M'MOO WAYNE SHORTER DIANA KRALL/ TONY BENNETT SIMON SPIESS RONIN LABEL ANTHONY BRAXTON/ GERRY HEMINGWAY KAOS PROTOKOLL MUD MORGANFIELD GENE PERLA OM FRANCO AMBROSETTI DAVE KEYES GÜNTER BABY SOMMER TOMAS SAUTER FEE STRACKE WOLFGANG PETER SCHÄRLI BERND ALOIS ZIMMERMANN MUTHSPIEL RICCARDO DEL FRA WHERE THE RIVER GOES MANUEL TROLLER SPECIAL: JAZZHOCHSCHULEN DER SCHWEIZ JNM_06_18_01_Cover_Wolfgang Muthspiel_lay.indd 1 29.10.18 09:53 helvetia.ch/wertsachen Les Paul. Stratocaster. Keine Misstöne. FI_CH_CC_INS_JazzNmore_A4_18-10.inddJNM_06_18_02-03_EDI_Inhalt.indd 2 1 22.10.1829.10.18 22:0110:15 EDITORIAL INHALT Liebe Leserinnen und Leser, 3 Editorial/Inhalt/Impressum 4 Flashes bereits wieder haltet Ihr die letzte Ausgabe des Jahres in 7 REVIEWS 14 PREVIEWS den Händen und ich hoffe, wir konnten im vergangenen Jahr 20 WOLFGANG Muthspiel – Where The River GOES erneut mit vielen interessanten Interviews und Geschichten, 23 Promo: Helvetia Versicherung den unzähligen CD-Besprechungen und "News you can use" 24 WAYNE Shorter dem Anspruch als modernes und zeitgemässes Jazz & Blues 27 OM Magazin gerecht werden. 28 Diana Krall/TonY Bennett 30 GÜnter BabY Sommer 32 SimoN SPIESS Auch die vorliegende Ausgabe bietet viel Spannendes. Die 33 Special: Jazzhochschulen DER Schweiz Coverstory von Steff Rohrbach präsentiert den Ausnahme- gitarristen Wolfgang Muthspiel, der soeben sein neues Album 57 NEW PROJECTS: Franco Ambrosetti – Peter Schärli – auf ECM veröffentlicht hat; Jürg Solothurnmann beschreibt Kaos Protokoll – Fee Stracke – Tomas Sauter – die unge brochene Schaffenskraft des 85-jährigen Wayne Manuel Troller – Riccardo Del Fra Shorter und sein neustes Werk "Emanon"; Günter Baby Som- BLUES’N’roots mer wird anlässlich seines 75.