Oklahoma Today May-June 1987 Volume 37 No. 3
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MS 7536 Pochoir Prints of Ledger Drawings by the Kiowa Five
MS 7536 Pochoir prints of ledger drawings by the Kiowa Five National Anthropological Archives Museum Support Center 4210 Silver Hill Road Suitland, Maryland 20746 [email protected] http://www.anthropology.si.edu/naa/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Local Numbers................................................................................................................. 3 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical................................................................................................... -
OCR Document
THE COFFIN CORNER: Vol. 14, No. 5 (1992) Hail to the real ‘redskins’ All Indian team from Hominy, Okla. , took on all comers By Arthur Shoemaker Buried deep in the dusty files of the Hominy ( Okla. ) News is this account of a professional football game between the Avant Roughnecks and the Hominy Indians played in October 1924: “Johnnie Martin, former pitcher for the Guthrie team of the Oklahoma State League, entered the game in the fourth quarter. On the first play, Martin skirted right end for a gain of 20 yards. However, Hominy was penalized 15 yards for Martin having failed to report to the referee. On the next three plays, the backfield hit the line for a first down. With the ball on the 20-yard line, Martin again skirted right end for the winning touchdown.” This speedy, high-stepping halfback was none other than Pepper Martin, star third baseman of the St. Louis Cardinals’ “Gas House Gang” of the 1930s. Pepper became famous during the 1931 World Series when the brash young Cardinals beat the star- studded Philadelphia Athletics four games to three. Nowhere is Pepper more fondly remembered than in the land of the Osage. For all his fame as a baseball star, he’s best remembered as a spectacular hard-running halfback on Oklahoma’s most famous and most colorful professional football team, the Hominy Indians. It was here that Pepper was called the “Wild Horse of the Osage.” The football team was organized in late 1923 at a time when Hominy was riding the crest of the fantastic Osage oil boom. -
National Football League Franchise Transactions
THE COFFIN CORNER: Vol. 4 (1982) The following article was originally published in PFRA's 1982 Annual and has long been out of print. Because of numerous requests, we reprint it here. Some small changes in wording have been made to reflect new information discovered since this article's original publication. NATIONAL FOOTBALL LEAGUE FRANCHISE TRANSACTIONS By Joe Horrigan The following is a chronological presentation of the franchise transactions of the National Football League from 1920 until 1949. The study begins with the first league organizational meeting held on August 20, 1920 and ends at the January 21, 1949 league meeting. The purpose of the study is to present the date when each N.F.L. franchise was granted, the various transactions that took place during its membership years, and the date at which it was no longer considered a league member. The study is presented in a yearly format with three sections for each year. The sections are: the Franchise and Team lists section, the Transaction Date section, and the Transaction Notes section. The Franchise and Team lists section lists the franchises and teams that were at some point during that year operating as league members. A comparison of the two lists will show that not all N.F.L. franchises fielded N.F.L. teams at all times. The Transaction Dates section provides the appropriate date at which a franchise transaction took place. Only those transactions that can be date-verified will be listed in this section. An asterisk preceding a franchise name in the Franchise list refers the reader to the Transaction Dates section for the appropriate information. -
The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission. -
Use of Native American Team Names in the Formative Era of American Sports, 1857-1933
BEFORE THE REDSKINS WERE THE REDSKINS: THE USE OF NATIVE AMERICAN TEAM NAMES IN THE FORMATIVE ERA OF AMERICAN SPORTS, 1857-1933 J. GORDON HYLTON* L INTRODUCTION 879 IL CURRENT SENTIMENT 881 III. A BRIEF HISTORY OF NATIVE AMERICAN TEAM NAMES 886 IV. THE FIRST USAGES OF NATIVE AMERICAN TEAM NAMES IN AMERICAN SPORT 890 A. NATIVE AMERICAN TEAM NAMES IN EARLY BASEBALL .... 891 B. NATIVE AMERICAN TEAMS NAMES IN EARLY PROFESSIONAL BASEBALL 894 C. NATIVE AMERICAN TEAM NAMES IN COLLEGE SPORT 900 V. CONCLUSION 901 I. INTRODUCTION The Native American team name and mascot controversy has dismpted the world of American sports for more than six decades. In the 1940s, the National Congress of American Indians (NCAI) began a campaign against a variety of negative and unfiattering stereotypes of Indians in American culture.' Over time, the campaign began to focus on the use of Native American team names—like Indians and Redskins—and mascots by college and professional sports teams.2 The NCAI's basic argument was that the use of such names, mascots, and logos was offensive and *J. Gordon Hylton is Professor of Law at Marquette University and Visiting Professor of Law at the University of Virginia. He is a graduate of Oberlin College and the University of Virginia Law School and holds a PhD in the History of American Civilization from Harvard. From 1997 to 1999, he was Director ofthe National Sports Law Institute and is the current Chair-Elect ofthe Association of American Law Schools Section on Law and Sport. 1. See Our History, NCAI, http://www.ncai.Org/Our-History.14.0.html (last visited Apr. -
The Szwedzicki Portfolios: Native American Fine Art and American Visual Culture 1917-1952
1 The Szwedzicki Portfolios: Native American Fine Art and American Visual Culture 1917-1952 Janet Catherine Berlo October 2008 2 Table of Contents Introduction . 3 Native American Painting as Modern Art The Publisher: l’Edition d’Art C. Szwedzicki . 25 Kiowa Indian Art, 1929 . .27 The Author The Subject Matter and the Artists The Pochoir Technique Pueblo Indian Painting, 1932 . 40 The Author The Subject Matter and the Artists Pueblo Indian Pottery, 1933-36 . 50 The Author The Subject Matter Sioux Indian Painting, 1938 . .59 The Subject Matter and the Artists American Indian Painters, 1950 . 66 The Subject Matter and the Artists North American Indian Costumes, 1952 . 81 The Artist: Oscar Howe The Subject Matter Collaboration, Patronage, Mentorship and Entrepreneurship . 90 Conclusion: Native American Art after 1952 . 99 Acknowledgements . 104 About the Author . 104 3 Introduction In 1929, a small French art press previously unknown to audiences in the United States published a portfolio of thirty plates entitled Kiowa Indian Art. This was the most elegant and meticulous publication on American Indian art ever offered for sale. Its publication came at a time when American Indian art of the West and Southwest was prominent in the public imagination. Of particular interest to the art world in that decade were the new watercolors being made by Kiowa and Pueblo artists; a place was being made for their display within the realm of the American “fine arts” traditions in museums and art galleries all over the country. Kiowa Indian Art and the five successive portfolios published by l’Edition d’Art C. -
The Use of Native American Team Names in the Formative Era of American Sports, 1857-1933
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UND Scholarly Commons (University of North Dakota) North Dakota Law Review Volume 86 Number 4 Article 7 1-1-2010 Before the Redskins Were the Redskins: The Use of Native American Team Names in the Formative Era of American Sports, 1857-1933 J. Gordon Hylton Follow this and additional works at: https://commons.und.edu/ndlr Part of the Law Commons Recommended Citation Hylton, J. Gordon (2010) "Before the Redskins Were the Redskins: The Use of Native American Team Names in the Formative Era of American Sports, 1857-1933," North Dakota Law Review: Vol. 86 : No. 4 , Article 7. Available at: https://commons.und.edu/ndlr/vol86/iss4/7 This Article is brought to you for free and open access by the School of Law at UND Scholarly Commons. It has been accepted for inclusion in North Dakota Law Review by an authorized editor of UND Scholarly Commons. For more information, please contact [email protected]. BEFORE THE REDSKINS WERE THE REDSKINS: THE USE OF NATIVE AMERICAN TEAM NAMES IN THE FORMATIVE ERA OF AMERICAN SPORTS, 1857-1933 J. GORDON HYLTON* I. INTRODUCTION ...................................................................... 879 II. CURRENT SENTIMENT .......................................................... 881 III. A BRIEF HISTORY OF NATIVE AMERICAN TEAM NAMES ....................................................................................... 886 IV. THE FIRST USAGES OF NATIVE AMERICAN TEAM NAMES IN AMERICAN SPORT .............................................. 890 A. NATIVE AMERICAN TEAM NAMES IN EARLY BASEBALL .... 891 B. NATIVE AMERICAN TEAMS NAMES IN EARLY PROFESSIONAL BASEBALL ................................................... 894 C. NATIVE AMERICAN TEAM NAMES IN COLLEGE SPORT ....... 900 V. CONCLUSION .......................................................................... -
Historic American Indian Tribes of Ohio 1654-1843
Historic American Indian Tribes of Ohio 1654-1843 Ohio Historical Society www.ohiohistory.org $4.00 TABLE OF CONTENTS Historical Background 03 Trails and Settlements 03 Shelters and Dwellings 04 Clothing and Dress 07 Arts and Crafts 08 Religions 09 Medicine 10 Agriculture, Hunting, and Fishing 11 The Fur Trade 12 Five Major Tribes of Ohio 13 Adapting Each Other’s Ways 16 Removal of the American Indian 18 Ohio Historical Society Indian Sites 20 Ohio Historical Marker Sites 20 Timeline 32 Glossary 36 The Ohio Historical Society 1982 Velma Avenue Columbus, OH 43211 2 Ohio Historical Society www.ohiohistory.org Historic American Indian Tribes of Ohio HISTORICAL BACKGROUND In Ohio, the last of the prehistoric Indians, the Erie and the Fort Ancient people, were destroyed or driven away by the Iroquois about 1655. Some ethnologists believe the Shawnee descended from the Fort Ancient people. The Shawnees were wanderers, who lived in many places in the south. They became associated closely with the Delaware in Ohio and Pennsylvania. Able fighters, the Shawnees stubbornly resisted white pressures until the Treaty of Greene Ville in 1795. At the time of the arrival of the European explorers on the shores of the North American continent, the American Indians were living in a network of highly developed cultures. Each group lived in similar housing, wore similar clothing, ate similar food, and enjoyed similar tribal life. In the geographical northeastern part of North America, the principal American Indian tribes were: Abittibi, Abenaki, Algonquin, Beothuk, Cayuga, Chippewa, Delaware, Eastern Cree, Erie, Forest Potawatomi, Huron, Iroquois, Illinois, Kickapoo, Mohicans, Maliseet, Massachusetts, Menominee, Miami, Micmac, Mississauga, Mohawk, Montagnais, Munsee, Muskekowug, Nanticoke, Narragansett, Naskapi, Neutral, Nipissing, Ojibwa, Oneida, Onondaga, Ottawa, Passamaquoddy, Penobscot, Peoria, Pequot, Piankashaw, Prairie Potawatomi, Sauk-Fox, Seneca, Susquehanna, Swamp-Cree, Tuscarora, Winnebago, and Wyandot. -
Chapter Eight
CHAPTER EIGHT PRO FOOTBALL’S EARLY YEARS Then all of a sudden this team was playing to 6,000–8,000 people. I personally think that the Oorang Indians, the Canton Bulldogs, and the Massillon Tigers were three teams that probably introduced people to pro football. — Robert Whitman. Professional football got its start long after pro baseball, and for many years was largely ignored by the general public. Prior to 1915, when Jim Thorpe signed with the Canton Bulldogs, there was little money in the game. The players earned less than was paid, under the table, to some allegedly amateur players on success- ful college teams. Jim Thorpe, 1920s jim thorpe association Things changed when Thorpe entered the pro game. Jack Cusack, the manager of the Canton Bulldogs, recalled: “I hit the jackpot by signing the famous Jim Thorpe … some of my business ‘advisers’ frankly predicted that I was leading the Bulldogs into bankruptcy by paying Jim the enormous sum of $250 a game, but the deal paid off even beyond my greatest expectations. Jim was an attraction as well as a player. Whereas our paid attendance averaged about 1,200 before we took him on, we filled the Massil- lon and Canton parks for the next two games — 6,000 for the first and 8,000 for the second. All the fans wanted to see the big Indian in action. On the field, Jim was a fierce competitor, absolutely fearless. Off the field, he was a lovable fellow, big-hearted and with a good sense of humor.” Unlike Thorpe’s experience in professional baseball, he was fully utilized on the gridiron as a running back, kicker, and fierce defensive player. -
Forgotten Firsts
THE COFFIN CORNER: Vol. 13, NO. 5 (1991) Forgotten Firsts By Bob Gill These days it’s no great feat to pass for 300 yards in a game – at least a couple of quarterbacks do it every week, But have you ever wondered who turned in the first 300- yard game? Recently I came across the first 300-yard game documented by the NFL. Rookie tailback Pat Coffee of the Chicago Cardinals turned the trick in 1937 in a 42-28 loss to the Bears, completing 17 of 35 passes for 304 yards. Interestingly enough, a week later the Bears were victimized in the title game by another rookie, Sammy Baugh, who passed for more than 350 yards in leading the Redskins to a 28-21 victory. Considering the caliber of the opposition and the importance of the game, that may well have been the best day any passer has ever had. Thinking about record yardage totals, I wondered if anybody had passed for 300 yards in a game before the NFL began keeping track. I naturally called David Neft to ask if he could document any such games, or any other milestones, like the first 100-yard rushing day. David discovered the following firsts, all taken, of course, from his research into play-by- play accounts from 1920-32. Keep in mind that most games in the ‘20s will never be accounted for, so there may have been earlier cases in each category; but these represent the best information available. First 100-yard rusher: Sid Nichols of the Rock Island Independents, Oct. -
Automobiles Performing the Trickster in Modern and Contemporary Work by Artists
Not Your Grandfather’s Horse: Automobiles Performing the Trickster in Modern and Contemporary Work by Artists from Plains Cultures By AARON MOSES Bachelor of Arts in History A&M University Corpus Christi Corpus Christi, Texas 2014 Submitted to the Faculty of the Graduate College of Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2017 NOT YOUR GRANDFATHER’S HORSE: AUTOMOBILES PERFORMING THE TRICKSTER IN MODERN AND CONTEMPORARY WORK BY ARTISTS FROM PLAINS CULTURES Thesis Approved: Dr. Louise Siddons Thesis Adviser Dr. Irene Backus Dr. Douglas Miller *--Delete this paragraph before submission—Type Committee Member names on the Approval page of the electronic copy. If Dr. is used for one name, a similar title must appear on all names. ii ACKNOWLEDGEMENTS A special thanks to Dr. Louise Siddons, Dr. Douglas Miller, and the entire Art History department of Oklahoma State University for supporting the creation of this thesis; to my father and grandfather, for inspiring my interest in automobiles at a young age; and to my Jeep, whose regular maintenance issues never ceased to promote an appreciation for the importance of mobility. iii Acknowledgements reflect the views of the author and are not endorsed by committee members or Oklahoma State University. Name: Aaron Moses Date of Degree: May, 2017 Title of Study: Not Your Grandfather’s Horse: Automobiles Performing the Trickster in Modern Modern and Contemporary Work by Artists from Plains Cultures Major Field: Art History Abstract: The automobile is a recurring motif among modern and contemporary Native American artists that has gone severely understudied. -
Doctoral Dissertation Template
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE REPRESENTATION AND MISREPRESENTATION: DEPICTIONS OF NATIVE AMERICANS IN OKLAHOMA POST OFFICE MURALS A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By DENISE NEIL-BINION Norman, Oklahoma 2017 REPRESENTATION AND MISREPRESENTATION: DEPICTIONS OF NATIVE AMERICANS IN OKLAHOMA POST OFFICE MURALS A DISSERTATION APPROVED FOR THE SCHOOL OF VISUAL ARTS BY ______________________________ Dr. Mary Jo Watson, Chair ______________________________ Dr. W. Jackson Rushing III ______________________________ Mr. B. Byron Price ______________________________ Dr. Alison Fields ______________________________ Dr. Daniel Swan © Copyright by DENISE NEIL-BINION 2017 All Rights Reserved. For the many people who instilled in me a thirst for knowledge. Acknowledgements I wish to extend my sincerest appreciation to my dissertation committee; I am grateful for the guidance, support, and mentorship that you have provided me throughout this process. Dr. Mary Jo Watson, thanks for being a mentor and a friend. I also must thank Thomas Lera, National Postal Museum (retired) and RoseMaria Estevez of the National Museum of the American Indian. The bulk of my inspiration and research developed from working with them on the Indians at the Post Office online exhibition. I am also grateful to the Smithsonian Office of Fellowships and Internships for their financial support of this endeavor. To my friends and colleagues at the University of Oklahoma, your friendship and support are truly appreciated. Tammi Hanawalt, heather ahtone, and America Meredith thank you for your encouragement, advice, and most of all your friendship. To the 99s Museum of Women Pilots, thanks for allowing me so much flexibility while I balanced work, school, and life.