Summer 2006 Greenstage Program
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Netflix's Bloodline
Economic Impacts of the Netflix Original Series Bloodline Prepared for the Monroe County Tourist Development Council December 2015 Monroe County Tourist Development Council Economic Impact Analysis of the Netflix Original Series Bloodline TABLE OF CONTENTS Summary of Results ................................................................................................. 2 Introduction .............................................................................................................. 4 Study Purpose .......................................................................................................... 4 Season 1 Production Spending in Florida ............................................................. 4 Season 1 Production Spending in Monroe County ............................................... 5 Economic Impacts of Production Spending .......................................................... 5 Film Induced Tourism Impacts ............................................................................... 6 Additional Impacts ................................................................................................... 7 Appendix A – Economic Impact Methodology ...................................................... 8 Appendix B – Share of Production Spending in Monroe County......................... 9 Appendix C – Comparison of Economic Impacts from Visitor Spending ......... 10 Page | i Monroe County Tourist Development Council Economic Impact Analysis of the Netflix Original Series Bloodline SUMMARY OF RESULTS The -
Co-Operatives Unleashed from the Grassroots
Co-operatives Unleashed from the grassroots July 2020 About CCIN and the Policy Labs The Co-operative Councils’ Innovation Network (CCIN) is a non-party political active hub, founded in 2012 to achieve co-operative policy development, innovation and advocacy which is: Action-focused: a vehicle for helping councils translate co-operative policy and principles into practice. Membership-based: funded by modest membership subscriptions from its member councils. Open to all UK councils: members share the belief that working co-operatively with communities holds the key to tackling today’s challenges. Part of the local government family: the network is a Special Interest Group registered with the Local Government Association (LGA) where we work to promote innovation in local government. Established in 2016, the Policy Lab programme is an opportunity for any CCIN Member to present an idea and receive funding for collaboration with other CCIN members to fund co-operative solutions to the challenges facing local government. To find out more about joining the CCIN contact: [email protected] CCIN Accountable Body: Oldham Council, Oldham Civic Centre, West Street, Oldham OL1 1UL T: 0161 770 5691 Acknowledgements As Author, I am indebted to the following people and organisations whose contributions have proved invaluable in compiling this report: Co-operatives UK Congress fringe event participants and Plymouth City Council colleagues across multiple departments who, provided the foundation for our understanding of the relationship between co-operatives and councils. CCIN members, including representatives of 15 member councils at the LGA conference stand and also colleagues from Oldham Council, Preston City Council, Rochdale Borough Council, Sunderland City Council and Glasgow City Council, who contributed case studies and gave their time for many detailed discussions. -
Fringe Benefits County of Los Angeles Memorandum of Understanding
SEIU Local 721 Fringe Benefits County of Los Angeles Memorandum of Understanding October 1, 2015, through September 30, 2018 721 FB MAS AMENDMENT NO. I MEMORANDUM OF UNDERSTANDING FOR JOINT SUBMISSION TO BOARD OF SUPERVISORS REGARDING THE FRINGE BENEFIT AGREEMENT THIS AMENDMENT NO. I TO THE MEMORANDUM OF UNDERSTANDING, made and entered into this j6th day of August, 2016; BY AND BETWEEN Authorized Management Representatives (hereinafter referred to as “Management”) of the County of Los Angeles (hereinafter referred to as County”) AND LOS ANGELES COUNTY EMPLOYEES ASSOCIATION, SEIU, LOCAL 721, CTW, CLC (hereinafter referred to as “UnionTM) WHEREAS, on the 1st day of October2015, the parties entered into a Memorandum of Understanding regarding the Fringe Benefits, which Memorandum of Understanding was subsequently approved and ordered implemented by the County’s Board of Supervisors: and 721 FB MAS WHEREAS, as a result of mutual agreement, the parties desire to amend the MOU Article as set forth hereafter: NOW, THEREFORE, the parties agree as follows: 1. Amend Article 27 — Commuting Problems, Paragraph 5 — The County will advance to the Green@Work Joint Labor Management Committee, as follows: MOU Term Year 201 5-2016 $200,000 August 2016 $ 25,000 (one-time gap funding) September 2016 $ 25,000 (one-time gap funding) MOU Term Year 2016-2017 $200,000 MOU Term Year 2017-2018 $200,000 These funds shall be used for the specific purpose of maximizing direct financial rideshare subsidies for employees, and enhancing alternative transportation systems, such as shuttle services, van pools, car pools, bicycle parking, other transit services and guaranteed tide home services. -
CONTENTS August 2021
CONTENTS August 2021 I. EXECUTIVE ORDERS JBE 21-12 Bond Allocation 2021 Ceiling ..................................................................................................................... 1078 II. EMERGENCY RULES Children and Family Services Economic Stability Section—TANF NRST Benefits and Post-FITAP Transitional Assistance (LAC 67:III.1229, 5329, 5551, and 5729) ................................................................................................... 1079 Licensing Section—Sanctions and Child Placing Supervisory Visits—Residential Homes (Type IV), and Child Placing Agencies (LAC 67:V.7109, 7111, 7311, 7313, and 7321) ..................................................... 1081 Governor Division of Administration, Office of Broadband Development and Connectivity—Granting Unserved Municipalities Broadband Opportunities (GUMBO) (LAC 4:XXI.Chapters 1-7) .......................................... 1082 Health Bureau of Health Services Financing—Programs and Services Amendments due to the Coronavirus Disease 2019 (COVID-19) Public Health Emergency—Home and Community-Based Services Waivers and Long-Term Personal Care Services....................................................................................... 1095 Office of Aging and Adult Services—Programs and Services Amendments due to the Coronavirus Disease 2019 (COVID-19) Public Health Emergency—Home and Community-Based Services Waivers and Long-Term Personal Care Services....................................................................................... 1095 Office -
Fringe Knowledge for Beginners
Fringe Knowledge for Beginners Fringe Knowledge for Beginners By Montalk 2008 www.montalk.net [email protected] FRINGE KNOWLEDGE FOR BEGINNERS By Montalk 2008 montalk.net ISBN 978-1-60702-602-0 Version 1.0 » August 2008 Bound Hardcopies: http://www.lulu.com/content/584693 E-book and Related Articles: http://www.montalk.net Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License: You are free to copy, distribute and transmit the work under the following conditions: You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). You may not use this work for commercial purposes. You may not alter, transform, or build upon this work. Any of the above conditions can be waived if you get permission from the copyright holder (email: [email protected]). Nothing in this license impairs or restricts the author's moral rights. To view a full copy of this license, visit: http://creativecommons.org/licenses/by-nc-nd/3.0 This book is dedicated to my two younger brothers and my sister. Note: Footnotes in italics are key phrases to enter into web search engines. Contents FOREWORD....................................................................................................9 THE BASICS ..................................................................................................11 ETHERIC AND ASTRAL BODIES ........................................................12 CONSCIOUSNESS........................................................................................15 -
TEACHER and STUDENT GUIDEBOOK
TEACHER and STUDENT GUIDEBOOK 1 Table of Contents What to Expect at the Park Director’s Note by Jaclynn Jutting Letter from Artistic Director, Denice Hicks Plot Summary by Dr. Marcia MacDonald Who’s Who in the Cast Shakespeare’s Life– A Brief Timeline Reading the Play in the Classroom A Conversation with Rollie Mains, Composer and Music Director Poetic Meter by Jayme M Yeo, Ph.D Class Lessons and Activities: Genre, Setting and Set Design, Characters and Character Groups, The Play-Within-the-Play Key Themes Additional Resources for A Midsummer Night’s Dream About the Nashville Shakespeare Festival and Apprentice Company Guidebook Contributors Thanks to our Season Sponsors! 2 What to Expect… At the Centennial Park Band shell and Franklin Academy Park The Nashville Shakespeare Festival will have performances of A Midsummer Night’s Dream beginning at 7:30 pm at the band shell in Nashville’s Centennial Park, August 9th through September 9th. The production will move to Franklin’s Academy Park for it’s closing weekend, September 13-16th. Franklin Academy Park Centennial Park Band shell ...During The Performance The band shell and Academy Park are open-air theaters. Theatergoers are invited to bring blankets and lawn chairs, or cushions for bench seating. Each night, food trucks are present for pre-show and intermission, or patrons may bring pic- nics. Many parking areas surround the parks. Audience members can expect to be up close and personal with actors en- tering through aisles and playing down on the stage thrust. Because this show is performed al fresco, the audience will hear street noises, airplanes and helicopters, and Vanderbilt Football cheering. -
Image Processing Code for Sharpening Photoelastic Fringe Patterns and Its Usage in Determination of Stress Intensity Factors in a Sample Contact Problem
College of Engineering Society of Manufacturing University of Tehran Engineering of Iran 3rd International Conference on Manufacturing Engineering ICME2011, Tehran, Iran 27-29 December 2011 Image Processing Code for Sharpening Photoelastic Fringe Patterns and Its Usage in Determination of Stress Intensity Factors in a Sample Contact Problem S. Khaleghian*, A. Emami and N. Soltani School of Mechanical Engineering, College of Engineering, University of Tehran, Tehran, Iran Abstract This study presented a type of image processing code which is used for sharpening photoelastic fringe patterns of transparent materials in photoelastic experiences to determine the stress distribution. C-Sharp software was utilized for coding the algorithm of this image processing method. For evaluation of this code, the results of a photoelastic experience of a sample contact problem between a half-plane with an oblique edge crack and a tilted wedge using this image processing method was compared with the FEM results of the same problem in order to obtain the stress intensity factors (SIF) of the specimen. A good agreement between experimental results extracted from this method of image processing and computational results was observed. Keywords: Image processing; Photoelastic fringe patterns; Sharpening; Stress intensity factors 1. Introduction Later in 1998, S Yoneyama et al presented new A practical technique to experimentally obtain methods of photoelastic fringe analysis from a single stress distribution in transparent materials is image [4-5]. Afterwards, many other researchers like photoelasticity. However, in the photoelastic T.Y. Chen et al [6] and C.W. Chang et al [7-8] utilized experiments, the exact path of isochromatic fringes in digital image processing to determine stress distribution images captured by professional cameras can be hardly in some practical mechanical problems. -
August 06, 2021 To: Prospective Quoters Subject: Request for Quotations Number PR10122572 the Bureau of International Narcotics
EMBASSY OF THE UNITED STATES OF AMERICA U.S. Department of State Bureau of International Narcotics and Law Enforcement Affairs (INL) Bogotá, Colombia August 06, 2021 To: Prospective Quoters Subject: Request for Quotations number PR10122572 The Bureau of International Narcotics and Law Enforcement (INL) at the U.S. Embassy in Bogota invites you to submit a quotation for Software. Quotations must be submitted via email no later than August 16, 2021, at 16:00 hours (Bogota, Colombia) time. Refer to SF-1449 Continuation Pages, Section 3 (Solicitation Provisions), Subsection III (Addendum to FAR 52.212-1), Item 2.0 for complete submission instructions. To be considered for award, your quotation must include all information requested in SF-1449 Continuation Pages, Section 3 (Solicitation Provisions), Subsection III (Addendum to FAR 52.212-1), Item 3.0 and otherwise meet all other solicitation requirements. Questions pertaining to this solicitation, if any, must be received by the Government no later than August 10, 2021, at 16:00 hours (Bogota, Colombia). Refer to SF-1449 Continuation Pages, Section 3 (Solicitation Provisions), Subsection III (Addendum to FAR 52.212-1), Item 1.0 for complete instructions on submitting questions. The U.S. Government intends to award a purchase order to the responsible company submitting an acceptable quotation at the lowest price. We intend to award a contract based on initial quotations, without holding discussions, although we may hold discussions if it is in the best interest of the Government to do so. Unless an exception in FAR 4.1102 applies, your company must be registered in the System for Award Management (SAM) (www.sam.gov) in order to be eligible for award. -
The African-American Shakespeare Company Intends to Delight with New Production of a Midsummer Night's Dream Set During Carnival
Press Contact Liam Passmore Shave and a Haircut [email protected] 415-865-0860 (p); 415-218-1544 (c) --- The African-American Shakespeare Company Intends to Delight With New Production of A Midsummer Night's Dream Set During Carnival Star-crossed lovers Lysander (Ryan Marchand) and Hermia (Antonette Bracks); Puck (Charles Lewis); Titania (Emily Phillips) and Oberon (Jourdan Olivier-Verde); Bottom (ShawnJ West) meets the fairies; Helena (Paige Mayes) and Demetrius (Jon-David Randle); Photos: Jay Yamada Following the most well attended season in the company’s history, AASC will expand back to 4 productions this season, beginning with A Midsummer Night’s Dream (fittingly for San Francisco, coming in mid-September when the city’s weather is at its warmest and most benevolent) set in the twin-island country of Tobago and Trinidad during Carnival; this all new production is the first since the company's initial production in the late 90s A Midsummer Night’s Dream: September 16-October 1 at the Taube Atrium September 11, 2017, San Francisco, CA – The African-American Shakespeare Company is proud to present a new production of A Midsummer Night's Dream. This ambitious production, complete with lovers, Amazon women, and mystical fairies takes one of Shakespeare’s most beloved plays and sets it in the twin island nation of Trinidad & Tobago during Carnival. “A Midsummer Night's Dream has always been my personal Shakespeare favorite,” says Sherri Young, Executive Director of the company who is directing the production. “I wanted this to be a culturally vibrant production. One that incorporates the richness of Shakespeare's language but places it within the cultural rhythms of the West Indies.” With puppets designed by Scott Ludwig, costumes by Rachael Heiman and lighting by Kevin Myrick, the production has been designed to put the audience "in the middle of the action," says Young. -
Non-Reciprocal Phase Shift Induced by an Effective Magnetic Flux for Light
LETTERS PUBLISHED ONLINE: 3 AUGUST 2014 | DOI: 10.1038/NPHOTON.2014.177 Non-reciprocal phase shift induced by an effective magnetic flux for light Lawrence D. Tzuang1, Kejie Fang2,3, Paulo Nussenzveig1,4, Shanhui Fan2 and Michal Lipson1,5* Photons are neutral particles that do not interact directly with a Here, we probe the phase of light using a Ramsey-type interfe- magnetic field. However, recent theoretical work1,2 has shown rometer3–7. The basic form of a Ramsey-type interferometer is that an effective magnetic field for photons can exist if the shown in Fig. 1a. In an atomic Ramsey interferometer, as an atom phase of light changes with its direction of propagation. This in the ground state enters the interferometer, the first laser (left) direction-dependent phase indicates the presence of an effec- interacts with it, and the atomic state is rendered in a linear super- tive magnetic field, as shown experimentally for electrons in position of the ground and excited state. These two states have – Δϕ the Aharonov Bohm experiment. Here, we replicate this exper- different propagation phases ( a, due to rotation and gravitation, iment using photons. To create this effective magnetic field we for example). A second laser excitation, in phase with the first, construct an on-chip silicon-based Ramsey-type interferom- again transforms the atomic ground and excited states into linear eter3–7. This interferometer has been traditionally used to superpositions. Thus, the probability of finding an atom exiting probe the phase of atomic states and here we apply it to the interferometer in the ground state exhibits an interference fi Δϕ probe the phase of photonic states. -
Framebuilder Entrepreneurship Joshua Shuart Sacred Heart University, [email protected]
New England Journal of Entrepreneurship Volume 17 | Number 1 Article 7 2014 Framebuilder Entrepreneurship Joshua Shuart Sacred Heart University, [email protected] Follow this and additional works at: https://digitalcommons.sacredheart.edu/neje Part of the Entrepreneurial and Small Business Operations Commons Recommended Citation Shuart, Joshua (2014) "Framebuilder Entrepreneurship," New England Journal of Entrepreneurship: Vol. 17 : No. 1 , Article 7. Available at: https://digitalcommons.sacredheart.edu/neje/vol17/iss1/7 This Research Article is brought to you for free and open access by the Jack Welch College of Business at DigitalCommons@SHU. It has been accepted for inclusion in New England Journal of Entrepreneurship by an authorized editor of DigitalCommons@SHU. For more information, please contact [email protected], [email protected]. Shuart: Framebuilder Entrepreneurship Framebuilder Entrepreneurship Joshua Shuart he handmade bicycle industry has grown exponentially over the past decade. Although existing for decades in much smaller numbers, the popularity and credibility of framebuilder entre- preneurship—custom, handmade bike frames—has increased Tsignificantly in the past 10 years. The companies that specialize in custom -producing bicycle frames vary in size, scope, reputation, profitability, and even building materials. Keywords: framebuilder, bicycles, marketing, velocipede A Framebuilders’ Primer Two major initiatives have aided the ascension of framebuild- ing entrepreneurs into the media spotlight—the establishment and perpetuation of The Framebuilders’ Collective (TFC) and the first annual North American Handmade Bicycle Show (NAHBS) in 2005. The Framebuilders’ Collective TFC is a group of some of the most influential, powerful, and successful framebuilding individuals and companies in the in- dustry. Currently, TFC includes 14 members, 7 of which were founding members (see Figure 1). -
A Midsummer Night's Dream
47th Season • 450th Production SegerStrom StAge / JANUArY 21 - FeBrUArY 20, 2011 David Emmes Martin Benson ProdUciNg ArtiStic director ArtiStic director presents A MIDSUMMER NIGHT’S DREAM BY William Shakespeare Cameron Anderson Nephelie Andonyadis Lap Chi Chu John Ballinger & Ken Roht SceNic deSigN coStUme deSigN LightiNg deSigN origiNAL mUSic Ken Roht John Ballinger Kimberly Egan Joshua Marchesi Jamie A. Tucker* CHOREOGRAPHY MUSIC DIRECTOR SoUND DESIGN PRODUCTION MANager STAGE MANAGER directed BY Mark Rucker Laurie Smits Staude hoNorArY ProdUcer corPorAte ProdUcer A Midsummer Night’s Dream • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Theseus, Duke of Athens ........................................................... Elijah Alexander* Hippolyta, Queen of the Amazons ..................................... Susannah Schulman* Egeus, an Athenian citizen ........................................... William Francis McGuire* Hermia, daughter to Egeus, in love with Lysander ...................... Kathleen Early* Demetrius, in love with Hermia .................................................. Tobie Windham* Lysander, in love with Hermia .......................................................... Nick Gabriel* Helena, in love with Demetrius ......................................................... Dana Green* Peter Quince .................................................................................. Hal Landon, Jr.* Nick Bottom, a weaver ....................................................................... Patrick