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Vivid Sydney Media Coverage 1 April-24 May
Vivid Sydney media coverage 1 April-24 May 24/05/2009 Festival sets the city aglow Clip Ref: 00051767088 Sunday Telegraph, 24/05/09, General News, Page 2 391 words By: None Type: News Item Photo: Yes A SPECTACLE of light, sound and creativity is about to showcase Sydney to the world. Vivid Sydney, developed by Events NSW and City of Sydney Council, starts on Tuesday when the city comes alive with the biggest international music and light extravaganza in the southern hemisphere. Keywords: Brian(1), Circular Quay(1), creative(3), Eno(2), festival(3), Fire Water(1), House(4), Light Walk(3), Luminous(2), Observatory Hill(1), Opera(4), Smart Light(1), Sydney(15), Vivid(6), vividsydney(1) Looking on the bright side Clip Ref: 00051771227 Sunday Herald Sun, 24/05/09, Escape, Page 31 419 words By: Nicky Park Type: Feature Photo: Yes As I sip on a sparkling Lindauer Bitt from New Zealand, my eyes are drawn to her cleavage. I m up on the 32nd floor of the Intercontinental in Sydney enjoying the harbour views, dominated by the sails of the Opera House. Keywords: 77 Million Paintings(1), Brian(1), Eno(5), Festival(8), House(5), Opera(5), Smart Light(1), sydney(10), Vivid(6), vividsydney(1) Glow with the flow Clip Ref: 00051766352 Sun Herald, 24/05/09, S-Diary, Page 11 54 words By: None Type: News Item Photo: Yes How many festivals does it take to change a coloured light bulb? On Tuesday night Brian Eno turns on the pretty lights for the three-week Vivic Festival. -
Beneath Hill 60 Free Download
BENEATH HILL 60 FREE DOWNLOAD Will Davies | 304 pages | 26 Apr 2011 | Random House Australia | 9781864711264 | English | Milsons Point, Australia Get the buzz… His unit relocated to Hill 60a notorious German stronghold in Ypres, Belgium. The main purpose was to build hospitals, underground storage and billets and if designed and built correctly with a constant supply of water and food the military could hold out against the enemy almost indefinitely. Expand the sub menu Video. A massive explosion erased the enemy position. Fletcher Illidge. Jeremy Beneath Hill 60 Director. Mild-mannered Lt. Expand the Beneath Hill 60 menu What To Watch. These were not infantrymen, but miners. Archived from the original on 28 January Windows Windows 8, Windows 8. Published June 1st by Vintage Beneath Hill 60 first published May 1st It also provides some technical details of tunnelling, which you can Beneath Hill 60 focus on or skim Beneath Hill 60 to your wont I skimmed. It us a bit all over the place and doesn't solely focus on Hill Additionally, the film displayed to the world just how big a part the Aussies played in WWI and how tremendous their sacrifice was, while also damning the way the Australians were commanded by their callous British superiors. Goodreads helps you keep track of books you want to read. Back to School Picks. For assistance, contact your corporate administrator. Jim Sneddon Alex Thompson Bella Heathcote Marjorie Waddell. May 13, Karen Burbidge rated it it was amazing. Extensive research went into developing the characters and their environment, with Canberra 's Australian War Memorial Archives providing research material. -
Ftonews #220
Subject: FTONEWS #220 Date: Friday, 6 July 2007 12:35 PM From: ftonews <[email protected]> To: ftonews <[email protected]> Conversation: FTONEWS #220 --------------------------------------------------------------------------------------------------------- FTONEWS #220: --------------------------------------------------------------------------------------------------------- FTO NEWS CLUBLAND- Set to be a hit in the USA Production Investment Round 18 – EOI Deadline, July 16 FTO Projects Nominated for AFI Awards Stacks of Facts – New Edition, August Filming Restrictions – During APEC Forum, Sept Young Filmmakers Fund – Update Popcorn Taxi Screening – CASHBACK July 16 The Portable Film Festival – Application Deadline July 20 MetroScreen Multicultural Mentorship Scheme – Entries Deadline Aug 3 INDUSTRY NEWS Inaugural $25K Kit Denton Fellowship – Application Deadline July 6 MIFF International Forum – Applications Deadline July 8 SPAA News – x 3 Inside Film Awards – Entries Deadline July 27 TropFest at Tribeca – Entries Deadline Aug 10 14th WOW Film Festival – Entries Deadline Aug 16 Asian Festival of 1st Films – Entries Deadline Aug 31 --------------------------------------------------------------------------------------------------------- CLUBLAND- SET TO BE A HIT IN THE USA Arts Minister Sartor says CLUBLAND is charming local audiences and is now the first Australian film ever to open to U.S audiences on the major July 4 Independence Day holiday. The full release can be read online: http://www.fto.nsw.gov.au/content.asp?content=3&Id=454 CLUBLAND was supported by the FTO with Production Investment, Script development, funding and through the Production Loan Fund. --------------------------------------------------------------------------------------------------------- PRODUCTION INVESTMENT ROUND 18 – EOI DEADLINE, JULY 16 The latest deadline for Expressions of Interest for this production round at the FTO is 10.00 am Monday, 16 July 2007. Please advise the FTO via an EXPRESSION OF INTEREST (EOI) if intending to submit to this round. -
Crowdfunding and Independent Screen Content Production in Australia
Crowdfunding and Independent Screen Content Production in Australia A direct economic relationship between producer and audience Rebecca Laycock B.A.Com. and BMedia (Hons) Submitted in fulfilment of the requirements for the degree of Master of Arts (Research) School of Media, Entertainment and Creative Arts Creative Industries Queensland University of Technology 2015 Keywords Crowdfunding, crowdsourcing, digital distribution, film finance, government funding, independent film, screen content, Screen Australia 2 Abstract Crowdfunding is a new form of film finance that emerged in Australia in 2010 and is being used by independent screen content producers to raise finance for short film, documentary, television program, short animation and even feature-length production. This trend is seeing Australian independent content producers bypass traditional sources of finance by working with a model for finance that is outside, or perhaps alongside, traditional forms of film financing in Australia. In some cases, filmmakers are no longer solely waiting for government funding to green-light a project, they are initiating funds prior, during and after production to guarantee their film is produced. Independent screen content producers are also establishing a direct economic relationship between producer and audience and in so doing are simultaneously establishing a niche audience for their content. Crowdfunding is to an extent becoming a necessity, especially within a decreased national funding arts environment. However, to date there has been limited in-depth academic analysis of crowdfunding as a source of production finance for independent Australian screen content production, particularly in terms of government action, industry trends, and what areas of the broader screen industry are receiving crowdfunding. -
Gary Doust - Bio
GARY DOUST - BIO Gary Doust is an award winning factual television Director and Producer. He recently worked as Series Director on NEXT STOP HOLLYWOOD, a 6 part observational series following 6 actors in L.A, for which he received an ADG nomination. He has just completed work as a Director / Writer on BLUE ZOO, a 13 part series for ABC3. Gary began his career in TV working as an Assistant Editor on BEYOND 2000 before cutting his teeth Producing and Directing a multitude of conference launch videos for really cool products such as Rectinol and Zithromax (for Chlamydia). His first TV project was MAKING VENUS, an observational feature documentary that followed the epic, roller-coaster journey of two young film producers as the making of their first low-budget feature spiralled out of control. The film premiered at the 2002 Sydney Film Festival where it was awarded a 'Mention Speciale' by the International Fipresci Jury. The film also won the ‘Independent Spirit Award’ at the Inside Film Awards and the ‘Documentary Jury Prize’ at the Film Critic Circle Awards of Australia, before receiving a national cinema release and premiering on SBS. His Directing / Writing credits include BATTLE OF THE BRAINS, a 4 part observational documentary series for ABC, which followed the highs and lows of 24 of Australia's brainiest Biology Students as they competed for a spot to represent Australia at the Science Olympics in Beijing. He also Directed and Wrote EMBEDDED WITH SHEIK HILALY, an hour long documentary for SBS that followed a guy named Dave, who attempts to live as a Muslim with controversial Islamic figure Sheik Hilaly. -
Gender Down Under
Issue 2015 53 Gender Down Under Edited by Prof. Dr. Beate Neumeier ISSN 1613-1878 Editor About Prof. Dr. Beate Neumeier Gender forum is an online, peer reviewed academic University of Cologne journal dedicated to the discussion of gender issues. As English Department an electronic journal, gender forum offers a free-of- Albertus-Magnus-Platz charge platform for the discussion of gender-related D-50923 Köln/Cologne topics in the fields of literary and cultural production, Germany media and the arts as well as politics, the natural sciences, medicine, the law, religion and philosophy. Tel +49-(0)221-470 2284 Inaugurated by Prof. Dr. Beate Neumeier in 2002, the Fax +49-(0)221-470 6725 quarterly issues of the journal have focused on a email: [email protected] multitude of questions from different theoretical perspectives of feminist criticism, queer theory, and masculinity studies. gender forum also includes reviews Editorial Office and occasionally interviews, fictional pieces and poetry Laura-Marie Schnitzler, MA with a gender studies angle. Sarah Youssef, MA Christian Zeitz (General Assistant, Reviews) Opinions expressed in articles published in gender forum are those of individual authors and not necessarily Tel.: +49-(0)221-470 3030/3035 endorsed by the editors of gender forum. email: [email protected] Submissions Editorial Board Target articles should conform to current MLA Style (8th Prof. Dr. Mita Banerjee, edition) and should be between 5,000 and 8,000 words in Johannes Gutenberg University Mainz (Germany) length. Please make sure to number your paragraphs Prof. Dr. Nilufer E. Bharucha, and include a bio-blurb and an abstract of roughly 300 University of Mumbai (India) words. -
Sound in the Films of Rolf De Heer
AURAL AUTEUR: SOUND IN THE FILMS OF ROLF DE HEER. A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy by Published Papers in the Creative Industries Faculty at the Queensland University of Technology (QUT), Brisbane, Australia. Supervisors: Ms. Helen Yeates Lecturer, Film and TV, Creative Industries Faculty, QUT. Dr. Vivienne Muller Lecturer, Creative Writing and Literary Studies, Creative Industries Faculty, QUT. Associate Professor Geoff Portmann Discipline Leader, Film and TV, Creative Industries Faculty, QUT. Written and submitted by David Bruno Starrs BSc (ANU), PGDipHlthSc (Curtin), BTh (Hons) (JCU), MFTV (Bond), MCA (Melb). Self-archived publications available at: http://eprints.qut.edu.au/view/person/Starrs,_D._Bruno.html January 2009. Aural Auteur: Sound in the Films of Rolf de Heer. 2 Aural Auteur: Sound in the Films of Rolf de Heer. ABSTRACT. Aural Auteur: Sound in the Films of Rolf de Heer. An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of her or his films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-maker’s body of work, neglecting the potentially significant role played by sound. The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed by Rolf de Heer, asking the question, “Does his use of sound make Rolf de Heer an aural auteur?” In so far as the term ‘aural’ encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films. -
Opportunities
TOWNSVILLE NORTH QUEENSLAND REPORT ON FILM INDUSTRY OPPORTUNITIES TOWNSVILLE NORTH QUEENSLAND REPORT ON OPPORTUNITIES July 2015 1 TOWNSVILLE NORTH QUEENSLAND REPORT ON FILM INDUSTRY OPPORTUNITIES TABLE OF CONTENTS BACKGROUND AND EXECUTIVE SUMMARY 3 TOWNSVILLE – A UNIQUE LOCATION 4 COORDINATION 5 COUNCIL ADMINISTRATION 5 COLLABORATION 5 KEY STAKEHOLDERS 5 Government 6 Education Facilities 7 Economic and Tourism Bodies 8 CULTURAL / THEMATIC TOURISM / FILM FESTIVALS 9 SUPPORT 10 INDUSTRY RESOURCES 10 Locations Gallery 10 SERVICE AND RESOURCE DIRECTORY 11 INFRASTRUCTURE DEVELOPMENT 12 GROWTH 13 INDUSTRY DEVELOPMENT 13 Industry Incentives, Grants and Funding 13 Development of a Film, Television and New Media Fund 13 Industry Development Body 13 Singapore Media Development Authority 14 Georgia Film Tax Offset 14 Local Townsville Industry Contacts 15 SUMMARY OF RECOMMENDATIONS 16 REFERENCES 17 APPENDIX 1 18 SUBMISSION BY BILL LEIMBACH APPENDIX 2 21 SUMMARY OF INCENTIVES AND FUNDING MODELS Federal Government Funding 21 State Based Funding 21 Queensland 21 Victoria 22 South Australia 22 USA - THE GEORGIA ENTERTAINMENT INDUSTRY INVESTMENT ACT 23 2 TOWNSVILLE NORTH QUEENSLAND REPORT ON FILM INDUSTRY OPPORTUNITIES BACKGROUND AND EXECUTIVE SUMMARY Townsville City Council and James Cook University have undertaken Townsville offers the film and television industry unique, diverse a research partnership in 2014 and 2015 involving a detailed analysis and accessible locations in an affordable and film-friendly place. of the current and future employment -
Beneath Hill 60: the Australian Miners’ Secret Warfare Beneath the Trenches of the Western Front
Jump TO Article The article on the pages below is reprinted by permission from United Service (the journal of the Royal United Services Institute of New South Wales), which seeks to inform the defence and security debate in Australia and to bring an Australian perspective to that debate internationally. The Royal United Services Institute of New South Wales (RUSI NSW) has been promoting informed debate on defence and security issues since 1888. To receive quarterly copies of United Service and to obtain other significant benefits of RUSI NSW membership, please see our online Membership page: www.rusinsw.org.au/Membership Jump TO Article BOOK REVIEW Beneath Hill 60: the Australian miners’ secret warfare beneath the trenches of the Western Front by Will Davies Vintage Books: North Sydney; 2010; 272 pp.; ISBN 978 1 74166 936 7; RRP $18.95 (paperback); Ursula Davidson Library call number 570.2 DAVI 2010 Many readers will have seen the film, Beneath Hill 60: The book, like the film, tends to focus on the The Silent War, a largely fictionalised account of the deeds of the section of the 1st Australian Tunnelling deeds of the 1st Australian Tunnelling Company in Company led by Captain Oliver Woodward, MC**, as it is Flanders in 1916 and 1917. Readers may also be Woodward’s unpublished diaries that provide much of familiar with previous work by Will Davies, in particular the evidence on which the book is based. Interestingly, Somme Mud1, the diaries of Private E. P. F. Lynch, which Woodward received his baptism of fire, not as a he edited. -
Sweet Country
Presents SWEET COUNTRY Directed by Warwick Thornton / In cinemas 25 January 2018 Starring HAMILTON MORRIS, BRYAN BROWN and SAM NEILL PUBLICITY REQUESTS: TM Publicity / Tracey Mair / +61 2 8333 9066 / [email protected] IMAGES High res images and poster available to download via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/sweet-country Distributed in Australia by Transmission Films SWEET COUNTRY is produced by Bunya Productions, with major production investment and development support from Screen Australia’s Indigenous Department, in association with the South Australian Film Corporation, Create NSW, Screen Territory and the Adelaide Film Festival. International sales are being handled by Memento and the Australian release by Transmission Films. © 2017 Retroflex Lateral Pty Ltd, Screen NSW, South Australian Film Corporation, Adelaide Film Festival and Screen Australia SHORT SYNOPSIS Inspired by real events, Sweet Country is a period western set in 1929 in the outback of the Northern Territory, Australia. When Aboriginal stockman Sam (Hamilton Morris) kills white station owner Harry March (Ewen Leslie) in self- defence, Sam and his wife Lizzie (Natassia Gorey-Furber) go on the run. They are pursued across the outback, through glorious but harsh desert country. Sergeant Fletcher (Bryan Brown) leads the posse with the help of Aboriginal tracker Archie (Gibson John) and local landowners Fred Smith (Sam Neill) and Mick Kennedy (Thomas M. Wright). Fletcher is desperate to capture Sam and put him on trial for murder – but Sam is an expert bushman and he has little difficulty outlasting them. Eventually, for the health of his pregnant wife, Sam decides to give himself up. -
Toby Oliver ACS: ‘Beneath Hill 60’
Panavision in depth Toby Oliver ACS: ‘Beneath Hill 60’ Toby Oliver ACS is another of Australia’s stellar DOPs with impressive credits to his name. His experience covers all genres of commercials, short films, music videos, documentaries and features. Recently, he shot the World War I movie, ‘Beneath Hill 60’ (Dir: Jeremy Sims, script, David Roach) which opened on April 15 to critical acclaim from reviewers and audiences, who see it as an indication that Australia’s film industry is undergoing a very healthy year of releases. ‘Beneath Hill 60’ is a story of bravery that has been eclipsed by Gallipoli, but is just as fascinating and praiseworthy. The plot revolves around the army tunnelers, miners who created a maze of narrow, dark, underground tunnels, laying explosives which were later detonated in a massive blast to destroy enemy positions. The film was inspired by the record of the time left behind by charismatic soldier, Captain Oliver Woodward, winner of the Military Cross and Two Bars for his bravery and maverick daring. Filming was entirely based in Townsville which has not been, until now, considered a movie location. What was so special about that city for this film? Townsville was where the story of ‘Beneath Hill 60’ all began – Captain Oliver Woodward was from the area and our EP, Ross Thomas, had found his ‘lost’ diaries that became the basis of the true story, in a dumpster in nearby Charters Towers. Local Townsville identities and businesses were investors in the film providing cash, filming locations, earthmoving machinery and lots of support. -
5Th AACTA Awards Nominations Announced
MEDIA RELEASE Strictly embargoed until 6am Thursday 29 October 2015 BOX OFFICE SUCCESS BOLSTERED BY AACTA AWARD NOMINATIONS FOR AUSTRALIA’S TOP FILMS OF 2015 Australian Academy of Cinema and Television Arts (AACTA) announces Feature Film, Television, Visual Effects or Animation and remaining Documentary nominations for the 5th AACTA Awards presented by Presto. SYDNEY - In a year of record box office success for Australian films, taking more than $65 million locally to date, speculation about which films would be nominated for Australia’s top screen Awards has been buzzing. Today the wait is over, with AACTA announcing that a total of 11 Australian feature films have received nominations. The five vying for the coveted AACTA Award for Best Film Presented by Presto are: THE DRESSMAKER, a comedic drama celebrating revenge and setting wrongs right in 1950s Australia; HOLDING THE MAN, a funny yet heart-breaking story of two men in love despite the height of 1980s prejudice; LAST CAB TO DARWIN, an uplifting drama about a dying man which shows it’s never too late to start living; MAD MAX: FURY ROAD, seeing the MAD MAX juggernaut continue with an explosive post-apocalyptic Road War; and PAPER PLANES, the story of a young boy’s Quest to compete in the World Paper Plane Championships. AACTA today also announced that a total of 31 television productions have received nominations for the 5th AACTA Awards presented by Presto, with PETER ALLEN – NOT THE BOY NEXT DOOR (Seven Network), DEADLINE GALLIPOLI (FOXTEL - Showcase), THE SECRET RIVER (ABC), REDFERN NOW – PROMISE ME (ABC) and BANISHED (FOXTEL - BBC First) making the top-five most nominated productions.