Unforgiving Years by Victor Serge (Translated from the French and with an Introduction by Richard Greeman), NYRB Classics, 2008, 368 Pp
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After Stalin: the Decline and Fall of the Soviet Union (Weeks 1-12) | University of Kent
10/01/21 After Stalin: The Decline and Fall of the Soviet Union (Weeks 1-12) | University of Kent After Stalin: The Decline and Fall of the View Online Soviet Union (Weeks 1-12) 435 items Operation Typhoon: Hitler's march on Moscow, October 1941 - Stahel, David, 2013 Book Introductory Bibliography (12 items) Conscience, dissent and reform in Soviet Russia - Boobbyer, Philip, 2005 Book Soviet communism from reform to collapse - Daniels, Robert V., 1995 Book The rise of Russia and the fall of the Soviet empire - Dunlop, John B., 1995 Book Russia and the idea of the West: Gorbachev, intellectuals, and the end of the Cold War - English, Robert D., 2000 Book Last of the empires: a history of the Soviet Union, 1945-1991 - Keep, John L. H., 1996 Book The Soviet tragedy: a history of socialism in Russia, 1917-1991 - Malia, Martin E., 1994 Book Russia's Cold War: from the October Revolution to the fall of the wall - Haslam, Jonathan, c2011 Book Rulers and victims: the Russians in the Soviet Union - Hosking, Geoffrey A., 2006 Book The shadow of war: Russia and the USSR, 1941 to the present - Lovell, Stephen, 2010 Book Lenin's tomb: the last days of the Soviet Empire - Remnick, David, 1994 Book Twentieth century Russia - Treadgold, Donald W., 1995 Book Zhivago's children: the last Russian intelligentsia - Zubok, V. M., 2009 1/34 10/01/21 After Stalin: The Decline and Fall of the Soviet Union (Weeks 1-12) | University of Kent Book Collections of documents (9 items) The Soviet political poster, 1917-1980: From the USSR Lenin Library Collection - Baburina, Nina, 1986 Book The Soviet system: from crisis to collapse - Dallin, Alexander, Lapidus, Gail Warshofsky, 1995 Book A documentary history of communism - Daniels, Robert Vincent, 1985 Book The great patriotic war of the Soviet Union, 1941-45: a documentary reader - Hill, Alexander, 2009 Book Revelations from the Russian archives: documents in English translation - Koenker, Diane, Bachman, Ronald D., Library of Congress, 1997 Book Sedition: everyday resistance in the Soviet Union under Khrushchev and Brezhnev - Kozlov, V. -
Revolving Beast: Identifying the Animal in Post-Revolutionary Russian Literature
Revolving Beast: Identifying the Animal in post-Revolutionary Russian Literature by Eric D. Ford A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Slavic Languages and Literatures) in the University of Michigan 2016 Doctoral Committee: Associate Professor Sofya Khagi, Chair Associate Professor Herbert J. Eagle Professor Peggy S. McCracken Assistant Professor Benjamin B. Paloff In memory of my brother Jason Ford (1970 - 2012) ii Acknowledgments This dissertation would not have been written without the support and encouragement of several people at the University of Michigan. I am especially indebted to two individuals: Herb Eagle, who served admirably as chair of the Slavic Department for the majority of my time at the university, and who gave invaluable help and advice during some particularly trying times; and Sofya Khagi, my advisor, with whom I have had the great pleasure of working over the past several years. She has been a wonderful mentor, colleague, and friend. I am deeply grateful to my other committee members, Peggy McCracken and Benjamin Paloff, who read my dissertation carefully and provided very helpful criticism and suggestions. I would also like to thank the talented and dedicated faculty of the Slavic department with whom I’ve worked as student and colleague: Olga Maiorova, Mikhail Krutikov, Tatjana Aleksić, Jindrich Toman, Svitlana Rogovyk, Nina Shkolnik, Natalia Kondrashova, Eugene Bondarenko, and Omry Ronen. Thanks also to the many fellow graduate students I’ve had the pleasure of knowing and working with: Aleksandar Bošković, Vlad Beronja, Yana Arnold, Jessica Zychowicz, Renee Scherer, Adam Kolkman, Sarah Sutter, Jodi Grieg, Marin Turk, Jamie Parsons, Olga Greco, Paulina Duda, Haley Laurila, Jason Wagner, and Grace Mahoney. -
TAZ, Ontological Anarchy, Poetic Terrorism.Pdf
T. A. Z. The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism By Hakim Bey Autonomedia Anti-copyright, 1985, 1991. May be freely pirated & quoted-- the author & publisher, however, would like to be informed at: Autonomedia P. O. Box 568 Williamsburgh Station Brooklyn, NY 11211-0568 Book design & typesetting: Dave Mandl HTML version: Mike Morrison Printed in the United States of America Part 1 T. A. Z. The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism By Hakim Bey ACKNOWLEDGMENTS CHAOS: THE BROADSHEETS OF ONTOLOGICAL ANARCHISM was first published in 1985 by Grim Reaper Press of Weehawken, New Jersey; a later re-issue was published in Providence, Rhode Island, and this edition was pirated in Boulder, Colorado. Another edition was released by Verlag Golem of Providence in 1990, and pirated in Santa Cruz, California, by We Press. "The Temporary Autonomous Zone" was performed at the Jack Kerouac School of Disembodied Poetics in Boulder, and on WBAI-FM in New York City, in 1990. Thanx to the following publications, current and defunct, in which some of these pieces appeared (no doubt I've lost or forgotten many--sorry!): KAOS (London); Ganymede (London); Pan (Amsterdam); Popular Reality; Exquisite Corpse (also Stiffest of the Corpse, City Lights); Anarchy (Columbia, MO); Factsheet Five; Dharma Combat; OVO; City Lights Review; Rants and Incendiary Tracts (Amok); Apocalypse Culture (Amok); Mondo 2000; The Sporadical; Black Eye; Moorish Science Monitor; FEH!; Fag Rag; The Storm!; Panic (Chicago); Bolo Log (Zurich); Anathema; Seditious Delicious; Minor Problems (London); AQUA; Prakilpana. Also, thanx to the following individuals: Jim Fleming; James Koehnline; Sue Ann Harkey; Sharon Gannon; Dave Mandl; Bob Black; Robert Anton Wilson; William Burroughs; "P.M."; Joel Birroco; Adam Parfrey; Brett Rutherford; Jake Rabinowitz; Allen Ginsberg; Anne Waldman; Frank Torey; Andr Codrescu; Dave Crowbar; Ivan Stang; Nathaniel Tarn; Chris Funkhauser; Steve Englander; Alex Trotter. -
War Memory Under the Leonid Brezhnev Regime 1965-1974
1 No One is Forgotten, Nothing is Forgotten: War Memory Under the Leonid Brezhnev Regime 1965-1974 By Yevgeniy Zilberman Adviser: Professor David S. Foglesong An Honors Thesis Submitted To The History Department of Rutgers University School of Arts and Sciences New Brunswick, NJ April, 2012 2 Table of Contents Acknowledgements Pg. 3 Introduction Pg. 5 1964-1967: Building the Cult Pg. 18 a) Forming the Narrative: Building the Plot and Effacing the Details Pg. 21 b) Consecrating the War: Ritual, Monument and Speech Pg. 24 c) Iconography at Work: Soviet War Poster Pg. 34 d) Digitizing the War: On the Cinema Front Pg. 44 1968-1970: Fascism Revived and the Battle for Peace Pg. 53 a) This Changes Everything: Czechoslovakia and its Significance Pg. 55 b) Anti-Fascism: Revanchism and Fear Pg. 59 c) Reviving Peace: The Peace Cult Pg. 71 1970-1974: Realizing Peace Pg. 83 a) Rehabilitating Germany Pg. 85 b) Cinema: Germany and the Second World War on the Film Screen Pg. 88 c) Developing Ostpolitik: War memory and the Foundations for Peace Pg. 95 d) Embracing Peace Pg. 102 Conclusion: Believing the War Cult Pg. 108 Bibliography Pg. 112 3 Acknowledgements Perhaps as a testament to my naivety, when I embarked upon my journey toward writing an honors thesis, I envisioned a leisurely and idyllic trek toward my objective. Instead, I found myself on a road mired with multiple peaks and valleys. The obstacles and impediments were plentiful and my limitations were numerous. Looking back now upon the path I traveled, I realize that I could not have accomplished anything without the assistance of a choice collection of individuals. -
Papers of Surrealism, Issue 8, Spring 2010 1
© Lizzie Thynne, 2010 Indirect Action: Politics and the Subversion of Identity in Claude Cahun and Marcel Moore’s Resistance to the Occupation of Jersey Lizzie Thynne Abstract This article explores how Claude Cahun and Marcel Moore translated the strategies of their artistic practice and pre-war involvement with the Surrealists and revolutionary politics into an ingenious counter-propaganda campaign against the German Occupation. Unlike some of their contemporaries such as Tristan Tzara and Louis Aragon who embraced Communist orthodoxy, the women refused to relinquish the radical relativism of their approach to gender, meaning and identity in resisting totalitarianism. Their campaign built on Cahun’s theorization of the concept of ‘indirect action’ in her 1934 essay, Place your Bets (Les paris sont ouvert), which defended surrealism in opposition to both the instrumentalization of art and myths of transcendence. An examination of Cahun’s post-war letters and the extant leaflets the women distributed in Jersey reveal how they appropriated and inverted Nazi discourse to promote defeatism through carnivalesque montage, black humour and the ludic voice of their adopted persona, the ‘Soldier without a Name.’ It is far from my intention to reproach those who left France at the time of the Occupation. But one must point out that Surrealism was entirely absent from the preoccupations of those who remained because it was no help whatsoever on an emotional or practical level in their struggles against the Nazis.1 Former dadaist and surrealist and close collaborator of André Breton, Tristan Tzara thus dismisses the idea that surrealism had any value in opposing Nazi domination. -
Fonds Marcel Martinet Oeuvres Oeuvres Poétiques Oeuvres
BnF Archives et manuscrits Fonds Marcel Martinet Cote : NAF 28352 Réserver Fonds Marcel Martinet XXe siècle papier Bibliothèque nationale de France. Département des Manuscrits Manuscrit en français. Conditions d'accès La communication de ce document fait l'objet d'une procédure spécifique. Veuillez adresser votre demande à [email protected]. Présentation du contenu Ce fonds a été complété par des dons de la petite-fille de Marcel Martinet en 2018, 2020 et 2021, qui ont été réunis dans un autre fonds, "Complément au fonds Marcel Martinet. Ecrits, papiers personnels et correspondances (NAF 28956)". Informations sur les modalités d’entrée Dons de Mme Marcel Martinet, de ses enfants Marie-Rose Paupy et Mme Jean-Daniel Martinet, de M. Jean-Paul Lévy (pour la correspondance Michel Alexandre - Marcel Martinet). D. 11434, 11718, 15080, 18514, 18843, 31133, 36625, 83-10, 88-18, 88- 19, 88-20, 01-09. Don de Claire Edelist-Martinet, fille de Jean-Daniel Martinet, en 2018 et en 2020, D. 18-13. Informations sur le traitement Notice rédigée par Annie Angremy et Catherine Faivre d'Arcier Oeuvres Cote : NAF 28352 (1) - NAF 28352 (47) Réserver Oeuvres 1901-1942 54 boîtes Oeuvres poétiques Cote : NAF 28352 (1) - NAF 28352 (17) Réserver Oeuvres poétiques 1901-1944 Oeuvres poétiques, juillet 1901-juin 1907 Cote : NAF 28352 (1) Réserver Oeuvres poétiques, juillet 1901-juin 1907 357 f. Oeuvres poétiques, juillet 1907-septembre 1909 Cote : NAF 28352 (2) Réserver Oeuvres poétiques, juillet 1907-septembre 1909 06/10/2021 https://archivesetmanuscrits.bnf.fr/ark:/12148/cc134088 Page 1 / 223 BnF Archives et manuscrits 246 f. -
ABSTRACT BITCHES and THIEVES: GULAG GUARDS, ADMINISTRATORS, and PROFESSIONAL CRIMINALS in the BITCHES' WAR by Adam Richard
ABSTRACT BITCHES AND THIEVES: GULAG GUARDS, ADMINISTRATORS, AND PROFESSIONAL CRIMINALS IN THE BITCHES’ WAR by Adam Richard Rodger Amongst the professional criminals imprisoned in the Soviet Gulag, a split developed between those who kept to the Thieves’ Law and those who broke the Law and collaborated with the State. This violent schism, the Bitches’ War, raged across the entire Gulag system, becoming most heated between 1948 and 1953, and implicated the camps’ guards and administrators as much as the prisoners themselves. This research examines primary and secondary sources, heavily incorporating Gulag survivor memoirs, to investigate the culture of the Thieves-in-Law, these professional criminals, and also to uncover the involvement, intentions, and guilt of the camp administration. This study argues that the Bitches’ War sheds light on the real purpose and function of the Gulag; that it was not primarily about ideological re-education, nor was it primarily about economics and production, but that the Gulag served as a model for social control through use of power, persuasion, and violence. BITCHES AND THIEVES: GULAG GUARDS, ADMINISTRATORS, AND PROFESSIONAL CRIMINALS IN THE BITCHES’ WAR Thesis Submitted to the Faculty of Miami University in partial fulfillment of Master’s Degree by Adam Richard Rodger Miami University Oxford, Ohio 2017 Advisor: Dr. Stephen Norris Reader: Dr. Dan Prior Reader: Dr. Scott Kenworthy ©2017 Adam Richard Rodger This thesis titled BITCHES AND THIEVES GULAG GUARDS, ADMINISTRATORS, AND PROFESSIONAL CRIMINALS IN THE BITCHES’ WAR by Adam Richard Rodger has been approved for publication by The College of Arts and Sciences and The Department of History ____________________________________________________ Dr. -
Talking Fish: on Soviet Dissident Memoirs*
Talking Fish: On Soviet Dissident Memoirs* Benjamin Nathans University of Pennsylvania My article may appear to be idle chatter, but for Western sovietolo- gists at any rate it has the same interest that a fish would have for an ichthyologist if it were suddenly to begin to talk. ðAndrei Amalrik, Will the Soviet Union Survive until 1984? ½samizdat, 1969Þ All Soviet émigrés write ½or: make up something. Am I any worse than they are? ðAleksandr Zinoviev, Homo Sovieticus ½Lausanne, 1981Þ IfIamasked,“Did this happen?” I will reply, “No.” If I am asked, “Is this true?” Iwillsay,“Of course.” ðElena Bonner, Mothers and Daughters ½New York, 1991Þ I On July 6, 1968, at a party in Moscow celebrating the twenty-eighth birthday of Pavel Litvinov, two guests who had never met before lingered late into the night. Litvinov, a physics teacher and the grandson of Stalin’s Commissar of Foreign Affairs, Maxim Litvinov, had recently made a name for himself as the coauthor of a samizdat text, “An Appeal to World Opinion,” thathadgarneredwideattention inside and outside the Soviet Union. He had been summoned several times by the Committee for State Security ðKGBÞ for what it called “prophylactic talks.” Many of those present at the party were, like Litvinov, connected in one way or another to the dissident movement, a loose conglomeration of Soviet citizens who had initially coalesced around the 1966 trial of the writers Andrei Sinyavsky and Yuli Daniel, seeking to defend civil rights inscribed in the Soviet constitution and * For comments on previous drafts of this article, I would like to thank the anonymous readers for the Journal of Modern History as well as Alexander Gribanov, Jochen Hell- beck, Edward Kline, Ann Komaromi, Eli Nathans, Sydney Nathans, Serguei Oushakine, Kevin M. -
Shalamov's Testament: Pushkinian Precepts in Kolyma Tales
Bard College Bard Digital Commons Senior Projects Spring 2020 Bard Undergraduate Senior Projects Spring 2020 Shalamov's Testament: Pushkinian Precepts in Kolyma Tales Andres I. Meraz Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2020 Part of the Russian Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Meraz, Andres I., "Shalamov's Testament: Pushkinian Precepts in Kolyma Tales" (2020). Senior Projects Spring 2020. 310. https://digitalcommons.bard.edu/senproj_s2020/310 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Shalamov’s Testament: Pushkinian Precepts in Kolyma Tales Senior Project Submitted to The Division of Languages and Literature of Bard College by Andres I. Meraz Annandale-on-Hudson, New York May 2020 Contents Acknowledgments ii Introduction The Gulag Chronicler and the National Poet 1 Chapter 1 Pushkin’s Heir 13 Chapter 2 Pushkinian Authorial Strategies in Kolyma Tales 32 Chapter 3 A Chronicler of His Time 50 Conclusion The Testament of Pushkin in Contemporary Russian Fiction 68 Bibliography 72 i Acknowledgments This project would not have been possible without the Russian and Eurasian Studies program at Bard College. -
Richard Parry
by Richard Parry THE BONNOT GANG The story of the French illegalists Other Rebel Press titles: Dynamite: A century of class violence in America, Louis Adamic Ego and its Own, The, Max Stirner On the Poverty of Student Life Paris: May 1968 Quiet Rumours, various Revolution of Everyday Life , The, Raoul Vaneigem Untying the Knot, Freeman and Levine THE BON NOT GANG by Richard Parry REBEL PRESS, 1987 Published by Rebel Press in 1987 © Richard Parry, 1986 Photographic work by Matthew Parry and Herve Brix ISBN 0 946061 04 1 Printed and typeset by Aldgate Press 84b Whitechapel High Street, London El 7QX Contents Preface5 One From illegality to illegalism Making virtue of necessity9 ii Saint Max15 Two A new beginning Libertad21 ii City of thieves28 iii State of emergency 30 Three The rebels i· Brussels33 ii Paris42 III Blood on the streets 44 iv Strike! 45 Four Anarchy in suburbia The move47 ii The Romainville commune 51 iii' Collapse of the Romainville commune 57 iv Paris again60 Five Bonnot I The 'Little Corporal' 64 ii In search of work65 III The illegalist66 IV Accidental death of an anarchist70 Six The gang forms A meeting of egoists 73 11 Science on the side of the Proletariat75 iii Looking for a target 76 Seven The birth of tragedy I The first ever hold-up by car 80 ii Crimedoesn't pay84 111 Jeux sans frontieres 88 iv Victor's dilemma89 Eight Kings of the road i Drivin' South 94 ii The left hand of darkness 97 iii Stalemate 99 Nine Calm before the storm 1 'Simentoff' 103 ii Of human bondage 104 iii Dieudonne in the hot seat 108 iv Garnier's challenge 109 Ten Kings of the road (part two) 1 Attack 113 ii State of siege 117 Eleven The Suretefights back To catch an anarchist 120 11 Hide and seek 123 iii Exit Jouin 126 Twelve Twilight of the idols The wrath of Guichard 129 11 Shoot-out at 'The Red Nest' 133 iii Obituaries 137 iv To the Nogent station 139 v The last battle 142 Thirteen In the belly of the beast 1 Limbo 147 ii Judgement 152 iii Execution 159 Fourteen The end of anarchism? 166 Epilogue 175 Map of Paris c. -
The Chain Gang
Number 37 50 pence or one dollar JANUARY 2004 The Chain Gang It is far, far down in the southland, and I am back again, mysterious child? Have you ever felt that all the works of the thanks be, in the land of wind and snow, where life lives. masters were swept aside in the burst of a singing voice, But that was in the days when I was a wretched thing, that unconscious that it sings, and that Music itself, a master• crept and crawled, and shrunk when the wind blew, and presence, has entered the throat and sung? feared the snow. So they sent me away down there to the No, you have never felt it? But you have never heard the world of the sun, where the wind and the snow are afraid. Chain Gang sing! And the sun was kind to me, and the soft air that does not Their faces were black and brutal and hopeless; their move lay around me like folds of down, and the poor creep• brows were low, their jaws were heavy, their eyes were hard; ing life in me winked in the light and stared out at the wide three hundred years of the scorn that brands had burned its caressing air; stared away to the north, to the land of wind scar upon the face and form of Ignorance, – Ignorance that and rain, where my heart was, – my heart that would be at had sought dully, stupidly, blindly, and been answered with home. that pitiless brand. But wide beyond the limits of high man Yes, there, in the tender south, my heart was bitter and and his little scorn, the great, sweet old Music•Soul, the bowed, for the love of the singing wind and the frost whose chords of the World, smote through the black man’s fibre in edge was death, – bitter and bowed for the strength to bear the days of the making of men; and it sings, it sings, with its that was gone, and the strength to love that abode. -
Anarchy in the Belle Epoque.” Paris, LA
Perry, Barlo. “Anarchy in the Belle Epoque.” Paris, LA. Spring 2014. Magazine. Web. Anarchy in the Belle Epoque Aaron Sandnes and The Bonnot Gang -Barlo Perry The anarchistic impulse is not alien to France. In 1840 Pierre-Joseph Proudhon-the “father of anarchy” – announced that “property is theft,” and the movement was never so popular as in those decades leading up to the Paris Commune of 1871. The destruction that year of the Commune by the French Army marked the first time persons suspected of crimes were documented photographically. The decline of class- and movement- based anarchism following the fall of the Commune gave rise to a new strain of “individualist” anarchy based on the philosophy of “illegalism” – exemplary acts of “propaganda of the deed” meant to serve as invitations for others to revolt. Illegalism’s most famous proponents were the members of La Bande á Bonnot, a group which set off a wave of bourgeois pearl-clutching across northern France and Belgium in 1911 with their robbery of the bank of the Société Générale in Paris. Memorialized in film, song, and literature – cinematic pop gangsters avant la letter – the group is still remembered today for a series of “firsts.” A keen interest in science and technology allowed them to remain two steps ahead of the authorities, goading them all the way. The Bonnot Gang were the first to escape the scene of a crime in a waiting, running motor vehicle. They were the first to shoot a repeating gun at pursuing authorities from said vehicle. In a statement that foreshadowed any number of Black Panther scripts, gang spokesman Jules Bonnot declared, “We’ll burn off our last round against the cops, and if they don’t care to come, we certainly know how to find them.” Ironically, following the killing or capture of most of the gang members by the end of 1912, the Bonnot Gang’s brand of individualist illegalism was dismissed by most French anarchists as… bourgeois.