Alma Mater Studiorum Università Di Bologna DIPARTIMENTO DI
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Alma Mater Studiorum Università di Bologna DIPARTIMENTO DI INTERPRETAZIONE E TRADUZIONE Corso di Laurea magistrale Specialized Translation (classe LM - 94) TESI DI LAUREA in Terminology and Information Mining A history of an attempt at classification. The work of Edmund Sharpe and the periodization of English medieval architecture through the lens of terminology theory CANDIDATO: RELATORE: Beatrice Ragazzini Adriano Ferraresi CORRELATORE Christopher Rundle Anno Accademico 2018/2019 Terzo Appello 2 To all failed attempts. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better. Samuel Beckett, Worstward Ho (1983) 3 4 What’s in a name? That which we call a rose by any other name would smell as sweet. William Shakespeare, Romeo and Juliet To improve is to change. To be perfect is to change often. Winston Churchill 5 6 Table of Contents Abstract .................................................................................................................................................................. 11 Introduction ............................................................................................................................................................ 17 1. On the historical and terminological context of Edmund Sharpe’s work ................................................ 20 1.1. Introduction.............................................................................................................................................. 20 1.2. Method and sources ................................................................................................................................. 21 1.3. The historical context............................................................................................................................... 23 1.3.1. The concept of evolution in Victorian Britain .................................................................................. 23 1.3.2. Evolution applied to architectural history ......................................................................................... 25 1.3.3. The key role of Carl Linnaeus .......................................................................................................... 27 1.3.4. The Battle of Styles and the Revival movements .............................................................................. 28 1.4. The protagonists ...................................................................................................................................... 31 1.4.1. William Whewell (1794 – 1866) ...................................................................................................... 31 1.4.2. Thomas Rickman (1776 – 1841) ...................................................................................................... 33 1.4.3. Edmund Sharpe (1809 – 1877) ......................................................................................................... 34 1.5. The terminological context ...................................................................................................................... 36 1.5.1. Eugen Wüster and the first theory of terminology ............................................................................ 36 1.5.2. The prescriptive approach to terminology ........................................................................................ 39 1.5.3. Sager and the process of ‘terminologisation’ ................................................................................... 39 1.5.4. Cabré and the communicative theory of terminology ....................................................................... 43 1.5.5. The ‘cognitive shift’ in terminology ................................................................................................. 47 1.5.6. Faber and the frame-based terminology ........................................................................................... 47 1.5.7. Temmerman and the sociocognitive terminology ............................................................................. 49 1.6. Conclusions.............................................................................................................................................. 52 2. On Thomas Rickman as the ‘Linnaeus of English medieval architecture’ or, about the establishment of the official nomenclature ........................................................................................... 53 2.1. Introduction .................................................................................................................................................. 53 2.2. George Millers and the inspiration for Rickman’s nomenclature from 1807 ............................................... 54 2.3. Rickman’s Attempt to discriminate the Styles of English Architecture ........................................................ 61 2.4. On the ‘Linnaeus of English medieval architecture’ and William Whewell’s appreciation for Rickman’s standardisation effort ................................................... 72 2.5. Terminological aspects or, the importance of models and exact definitions ................................................ 76 2.6. Conclusions .................................................................................................................................................. 81 3. On the Claims of the Geometrical to be treated as a distinct Style or, on the appearance of new conceptual categories ........................................................................................................................ 83 3.1. Introduction .................................................................................................................................................. 83 3.2. Sharpe 1848 – On the Geometrical period of Gothic architecture .............................................................. 84 3.3. Poole 1850 – On the Progressive Development of Geometrical Tracery; and on the Claims of the Geometrical to be treated as a distinct Style ................................................... 95 7 3.4. On the birth of a new concept from a terminological perspective or, on language and architectural history as ‘living organisms’ .................................................................. 105 3.5. Conclusions ............................................................................................................................................... 109 4. On Sharpe’s Decorated Windows on a comparative method or, on the creation of ‘pictorial taxonomies’ of English medieval architecture ...................................................................... 112 4.1. Introduction ................................................................................................................................................ 112 4.2. On Edmund Sharpe’s descriptive method in 1849: The Rise and Progress of Decorated Window Tracery in England through a series of illustrations .......................................... 113 4.3. On a generation of visual nomenclatures, or on Freeman’s 1851 Essay on the Origin and Development of Window Tracery in England and others .............................. 126 4.4. Terminological Parallels or, on the art of comparison ............................................................................. 131 4.5. Conclusions ............................................................................................................................................... 136 5. On Sharpe’s Seven Periods of English Architecture or, on the necessity of a detailed classification of English ecclesiastical buildings of the Middle Ages ...................................................... 142 5.1. Introduction ................................................................................................................................................ 142 5.2. On Freeman’s History of Architecture and his periodization of English architecture in 1849 .................................................................................................................. 143 5.3. On Sharpe’s main work: The Seven Periods of English Architecture in 1851 .......................................... 153 5.4. On Sharpe’s 1871 Mouldings of the Six Periods of British Architecture and on his influence on future works on English medieval architecture ................................................ 164 5.5. On ‘transparency and consistency’ of nomenclatures or, on architectural terminology ‘clearly written in the mouldings’ ..................................................................................... 167 5.6. Conclusions ................................................................................................................................................ 172 6. The debate in The Builder: an illustrated weekly magazine for the architect, engineer, operative and artist, archaeologist, constructor, sanitary-reformer and art-lover. June – November 1851. A terminological discussion among experts of architecture .................................................................... 177 6.1. Introduction ................................................................................................................................................ 177 6.2. A preliminary overview of recurring topics ............................................................................................... 178 6.3. The letters ................................................................................................................................................