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Autechre Confield Mp3, Flac, Wma
Autechre Confield mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Confield Country: UK Released: 2001 Style: Abstract, IDM, Experimental MP3 version RAR size: 1635 mb FLAC version RAR size: 1586 mb WMA version RAR size: 1308 mb Rating: 4.3 Votes: 182 Other Formats: AU DXD AC3 MPC MP4 TTA MMF Tracklist 1 VI Scose Poise 6:56 2 Cfern 6:41 3 Pen Expers 7:08 4 Sim Gishel 7:14 5 Parhelic Triangle 6:03 6 Bine 4:41 7 Eidetic Casein 6:12 8 Uviol 8:35 9 Lentic Catachresis 8:30 Companies, etc. Phonographic Copyright (p) – Warp Records Limited Copyright (c) – Warp Records Limited Published By – Warp Music Published By – Electric And Musical Industries Made By – Universal M & L, UK Credits Mastered By – Frank Arkwright Producer [AE Production] – Brown*, Booth* Notes Published by Warp Music Electric and Musical Industries p and c 2001 Warp Records Limited Made In England Packaging: White tray jewel case with four page booklet. As with some other Autechre releases on Warp, this album was assigned a catalogue number that was significantly ahead of the normal sequence (i.e. WARPCD127 and WARPCD129 weren't released until February and March 2005 respectively). Some copies came with miniature postcards with a sheet a stickers on the front that say 'autechre' in the Confield font. Barcode and Other Identifiers Barcode (Sticker): 5 021603 128125 Barcode (Printed): 5021603128125 Matrix / Runout (Variant 1 to 3): WARPCD128 03 5 Matrix / Runout (Variant 1 to 3, Etched In Inner Plastic Hub): MADE IN THE UK BY UNIVERSAL M&L Mastering SID Code -
Physicality of the Analogue by Duncan Robinson BFA(Hons)
Physicality of the Analogue by Duncan Robinson BFA(Hons) Submitted in the fulfilment of the requirements for the degree of Master of Fine Arts. 2 Signed statement of originality This Thesis contains no material which has been accepted for a degree or diploma by the University or any other institution. To the best of my knowledge and belief, it incorporates no material previously published or written by another person except where due acknowledgment is made in the text. Duncan Robinson 3 Signed statement of authority of access to copying This Thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Duncan Robinson 4 Abstract: Inside the video player, spools spin, sensors read and heads rotate, generating an analogue signal from the videotape running through the system to the monitor. Within this electro mechanical space there is opportunity for intervention. Its accessibility allows direct manipulation to take place, creating imagery on the tape as pre-recorded signal of black burst1 without sound rolls through its mechanisms. The actual physical contact, manipulation of the tape, the moving mechanisms and the resulting images are the essence of the variable electrical space within which the analogue video signal is generated. In a way similar to the methods of the Musique Concrete pioneers, or EISENSTEIN's refinement of montage, I have explored the physical possibilities of machine intervention. I am working with what could be considered the last traces of analogue - audiotape was superseded by the compact disc and the videotape shall eventually be replaced by 2 digital video • For me, analogue is the space inside the video player. -
UNIVERSITÀ DEGLI STUDI DI MILANO Facoltà Di Scienze Matematiche, Fisiche E Naturali Intelligent Dance Music
UNIVERSITÀ DEGLI STUDI DI MILANO Facoltà di Scienze Matematiche, Fisiche e Naturali Corso di Laurea in Scienze e Tecnologie della Comunicazione Musicale Intelligent Dance Music: analisi formale comparativa tramite reti di Petri Relatore Ing. Luca Andrea Ludovico Correlatore Dott. Adriano Baratè Tesi di Laurea di Elena Melcarne Matr. 678930 Anno Accademico 2007-2008 1 2 Ringraziamenti Ringrazio, prima di tutti, i miei genitori che in ogni istante hanno saputo garantirmi la fiducia ed il sostegno senza i quali non sarei arrivata fin qui. Ringrazio anche i miei fratelli, Barbara e Stefano, che mi hanno premurosamente accudito e supportato sin da piccola e, per i loro saggi consigli nei momenti più critici della mia carriera universitaria. Ringrazio il Dott. Adriano Baratè e l’Ing. Luca Andrea Ludovico per la loro disponibilità e cordialità. Un grazie particolare anche a Dario, amico caro, che non ha mancato di essermi vicino nonostanze la distanza. Infine, un grazie a Francesco per essermi sempre accanto. Per il suo grande aiuto nella stesura della tesi e soprattutto perché contribuisce, di giorno in giorno, a saziare la mia curiosità musicale. 3 Indice Premesse 1 1 Musica elettronica: dalle origini ai nostri giorni 3 1.1 Introduzione ............................................................................................ 3 1.2 Russolo e l’arte dei rumori ..................................................................... 4 1.3 Musica elettronica di matrice colta ........................................................ 7 1.3.1 Da Parigi a Colonia: Musique concrète e elektronische Musik ................................... 8 1.3.2 Il minimalismo classico ........................................................... 11 1.4 Una nuova concezione di musica elettronica ..................................... 12 1.4.1 La metamorfosi dell’elettronica ........................................... 13 1.5 Chicago e Detroit: dalla house alla techno ......................................... -
Mercury-Media Kit 2018.Pdf
Mercury | Media Kit 2017/8 | 2 Images remain the property of News Corp Australia Photo Credits Richard Jupe, Nicki Davis-Jones, Sam Rosewarne, Luke Bowden Mercury | Media Kit 2017/8 | 3 Contents About the Mercury ���������������������������������������������������������� 4 Sections ��������������������������������������������������������������������������� 5 Why Newspapers ������������������������������������������������������������ 6 Audience ��������������������������������������������������������������������������7 Inserts ����������������������������������������������������������������������������� 9 Mercury ��������������������������������������������������������������������������11 Sunday Tasmanian ��������������������������������������������������������� 13 Creative Solutions ���������������������������������������������������������� 15 themercury�com�au �������������������������������������������������������� 17 Money Saver HQ ������������������������������������������������������������19 Taste ������������������������������������������������������������������������������� 21 Real Estate Guide ���������������������������������������������������������� 23 Pulse ������������������������������������������������������������������������������ 25 Motoring ������������������������������������������������������������������������27 TasWeekend ������������������������������������������������������������������ 29 Tassieliving ��������������������������������������������������������������������� 31 Escape ��������������������������������������������������������������������������� -
Sonik84full.Pdf
ww Depeche Mode by D.A. Pennebaker Chris Hegedus 101The Movie David Dawkins ΑΘΗΝΑ Προπώληση εισιτηρίων από 01.03.13 στα ταμεία του θεάτρου Badminton ΔΕΥΤΕΡΑ 01.04.13 Ολυμπιακά Ακίνητα Γουδή. Tηλ: 13855 & 210.88.40.600 Photo: Anton Corbijn. Design: Dimitris Panagiotakopoulos Kινηματογράφος ΘΕΣΣΑΛΟΝΙΚΗ Ολύμπιον Προπώληση εισιτηρίων από 01.03.13 στα ταμεία του Kινηματογράφου Ολύμπιον ΣΑΒΒΑΤΟ 06.04.13 Πλατεία Αριστοτέλους 10. Τηλ: 2310 378400 ΧΟΡΗΓΟΣ Μοναδικός. Καθημερινός. Αληθινός sonik_dm_21x27.5.indd 1 27/02/2013 3:32 μ.μ. 4 | LOGΙΝ Μηνιαίο μουσικό περιοδικό Mάρtιος 2013 ISSN: 1790-1960 Περιεχόμενα 6 My Latest Obsession 10 αναγνώστες του SONIK μας γνωστοποιούν το τελευταίο τους κόλλημα 10 SONIK World Τάσεις, εξελίξεις και προτάσεις από την παγκόσμια μουσική σφαίρα EDITORIAL 14 SONIK Greek Τάσεις, εξελίξεις και προτάσεις από την ελληνική μουσική σκηνή Τις μέρες που κλείνουμε το παρόν τεύχος, το YouTube έχει γεμίσει και αγορά σχόλια επιδοκιμασιών (αλλά και –αναμενόμενα– ειρωνειών) για το spoken word single/video “Lightning Bolts” του Nick Cave. Πέρα 18 Nick Cave «Υπάρχουν τραγούδια που πεθαίνουν με το πέρασμα του χρόνου. από τις υπερβολές περί αρχαίας τραγωδίας, μεταφορών περί κε- Οι καλές συνθέσεις σου, όμως, κάνουν μόνες τους φανερή ραυνών του Δία κ.α., ένας στίχος πρέπει να ανησυχήσει τη δική μας, την παρουσία τους.» εγχώρια μουσική ελίτ που απαξιεί να ασχοληθεί σοβαρά με το 22 Warren Ellis θέμα: «Στην Αθήνα οι νέοι κλαίνε από τα δακρυγόνα – εγώ είμαι «Από τη στιγμή που έφυγε ο Mick Harvey, το βάρος για μερικά στην πισίνα του ξενοδοχείου μου μαυρίζοντας». Δεν ξέρω αν χρει- ζητήματα έπεσε ακόμα περισσότερο στους ώμους του Nick.» αζόμαστε συμπόνια, αν οι εικόνες αυτές δεν βοηθούν τον τουρι- 28 The ch-ch-changing face of David Bowie σμό, αν απλώς είναι λαϊκίστικες κορώνες, αν απευθύνονται καν σε μας. -
Connecting Time and Timbre Computational Methods for Generative Rhythmic Loops Insymbolic and Signal Domainspdfauthor
Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains Cárthach Ó Nuanáin TESI DOCTORAL UPF / 2017 Thesis Director: Dr. Sergi Jordà Music Technology Group Dept. of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona, Spain Dissertation submitted to the Department of Information and Communication Tech- nologies of Universitat Pompeu Fabra in partial fulfillment of the requirements for the degree of DOCTOR PER LA UNIVERSITAT POMPEU FABRA Copyright c 2017 by Cárthach Ó Nuanáin Licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 Music Technology Group (http://mtg.upf.edu), Department of Information and Communication Tech- nologies (http://www.upf.edu/dtic), Universitat Pompeu Fabra (http://www.upf.edu), Barcelona, Spain. III Do mo mháthair, Marian. V This thesis was conducted carried out at the Music Technology Group (MTG) of Universitat Pompeu Fabra in Barcelona, Spain, from Oct. 2013 to Nov. 2017. It was supervised by Dr. Sergi Jordà and Mr. Perfecto Herrera. Work in several parts of this thesis was carried out in collaboration with the GiantSteps team at the Music Technology Group in UPF as well as other members of the project consortium. Our work has been gratefully supported by the Department of Information and Com- munication Technologies (DTIC) PhD fellowship (2013-17), Universitat Pompeu Fabra, and the European Research Council under the European Union’s Seventh Framework Program, as part of the GiantSteps project ((FP7-ICT-2013-10 Grant agreement no. 610591). Acknowledgments First and foremost I wish to thank my advisors and mentors Sergi Jordà and Perfecto Herrera. Thanks to Sergi for meeting me in Belfast many moons ago and bringing me to Barcelona. -
Critic-2013-7.Pdf
Student Tickets $79 (+BF) WIN YOURSELF SOME TICKETS! TWO AWESOME CHANCES TO GET YOURSELF TO THE GIG THETHE QUESTQUEST FORFOR. THETHE ULTIMATEULTIMATE AEROGUITARSMITHAEROGUITARSMITH Thursday 18th April 12pm at Market Day RECREATERECREATE ANAN AEROSMITHAEROSMITH ANTHEMANTHEM and win your at tickets to the concert check out OUSA Facebook for details on how to win. STUDENT TICKETS $79(+BF) LIMITED NUMBERS AVAILABLE AT THIS PRICE, BOOK NOW AT FORSYTH BARR 2 | STADIUM, fb.com/critictearohi REGENT THEATRE OR THE EDGAR CENTER WITH STUDENT ID. EDITOR Callum Fredric [email protected] Issue 07 | April 15, 2013 | critic.co.nz DEPUTY EDITOR Zane Pocock [email protected] TECHNICAL EDITOR Sam Clark DESIGNER Dan Blackball 16 FEATURE WRITERS Loulou Callister-Baker, Maddy Phillipps NEWS FEATURES NEWS TEAM Zane Pocock, Claudia Herron, 06 | Anonymous Jerk Knocks 16 | Evidence of a Mid-Life Crisis Bella Macdonald Over Cones Loulou Callister-Baker discovers boxes in the attic containing evidence of a SECTION EDITORS 07 | Lord Monckton man’s mid-life crisis, complete with nude Sam McChesney, Basti Menkes, sketches and low-quality weed. Baz Macdonald, Josef Alton, 08 | Racist Danish Runs Gus Gawn, Tristan Keillor Rampant 20 | Three Fables of Dunedin’s Forgotten Flatters 09 | Driver admits liability in Shamelessly stealing Loulou’s idea, CONTRIBUTORS cycle death Callum Fredric tells three untold stories Thomas Stevenson, Josie Cochrane, from Dunedin’s past based on books and Sarah Bayly, Thomas Raethel, documents found at a friend’s flat. Sara Lamb-Miller, Jamie Breen, Catherine Poon, Nick Jolly, 26 | The Little Foetus in the Lucy Hunter, Gerard Barbalich, Pink Knitted Cap Campbell Ecklein, Jess Cole, A poem by Maddy Phillipps in memory Phoebe Harrop, Elsie Stone, of the little foetus in the pink knitted cap. -
Discographie Pour Site
DISCOGRAPHIE Juin 2011 HOUSE M USIC / A CID H OUSE Née en 1986, la House music est issue des FELIX DA H OUSECAT dancefloors de Chicago. Elle tiendrait son nom Kitten and thee glitz 6 FEL 41 d’un club le « Warehouse » où régnait à l’époque un orfèvre des platines le DJ Frankie Knuckles FAITHLESS désigné comme le pionnier de ce mouvement Sunday 8PM 2 FAI 91 musical. SOUL II S OUL La House est une musique de danse répétitive. Club classics : Vol.one 6 SOU 80 Elle se compose à la base d’un rythme minimal donné par un pied de grosse caisse synthétique MOTORBASS fortement accentué marquant chaque temps, Pansoul 6 MOT 30 d’une ligne de basse et de samples tirés du disco, de la soul et du funk. « 2 Future 4 U » C’est ensuite en 1987 que l’on a pu entendre ARMAND V AN H ELDEN pour la première fois de l’Acid House. Les London Records 1999 inventeurs sont DJ Pierre et Spanky qui ont 6 VAN 30 trouvé le son « Acid » en s’amusant avec les boutons d’une petite boîte Bassline TB 303 de la marque Roland censée remplacer de manière Armand van Helden est considéré comme un des synthétique des sons de basse. L’Acid House est plus grands DJ’s de house des années 90. En introduite peu après en Angleterre et devient 1992, il sort ses premiers albums en remixant des rapidement un élément central de la scène rave, grands noms puis devient celui auquel font appel le « smiley» jaune en étant l’emblème, tandis les artistes pop pour se faire remixer. -
Viral Spiral Also by David Bollier
VIRAL SPIRAL ALSO BY DAVID BOLLIER Brand Name Bullies Silent Theft Aiming Higher Sophisticated Sabotage (with co-authors Thomas O. McGarity and Sidney Shapiro) The Great Hartford Circus Fire (with co-author Henry S. Cohn) Freedom from Harm (with co-author Joan Claybrook) VIRAL SPIRAL How the Commoners Built a Digital Republic of Their Own David Bollier To Norman Lear, dear friend and intrepid explorer of the frontiers of democratic practice © 2008 by David Bollier All rights reserved. No part of this book may be reproduced, in any form, without written permission from the publisher. The author has made an online version of the book available under a Creative Commons Attribution-NonCommercial license. It can be accessed at http://www.viralspiral.cc and http://www.onthecommons.org. Requests for permission to reproduce selections from this book should be mailed to: Permissions Department, The New Press, 38 Greene Street, New York,NY 10013. Published in the United States by The New Press, New York,2008 Distributed by W.W.Norton & Company,Inc., New York ISBN 978-1-59558-396-3 (hc.) CIP data available The New Press was established in 1990 as a not-for-profit alternative to the large, commercial publishing houses currently dominating the book publishing industry. The New Press operates in the public interest rather than for private gain, and is committed to publishing, in innovative ways, works of educational, cultural, and community value that are often deemed insufficiently profitable. www.thenewpress.com A Caravan book. For more information, visit www.caravanbooks.org. Composition by dix! This book was set in Bembo Printed in the United States of America 10987654321 CONTENTS Acknowledgments vii Introduction 1 Part I: Harbingers of the Sharing Economy 21 1. -
ARIA TOP 100 URBAN ALBUMS CHART 2015 TY TITLE Artist CERTIFIED COMPANY CAT NO
CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 100 URBAN ALBUMS CHART 2015 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 RNB FRIDAYS Various <G> UTV/UMA 5365216 2 BEAUTY BEHIND THE MADNESS The Weeknd <G> UNI/UMA 4750330 3 COMPTON Dr. Dre <G> UMA 00602547530653 4 TO PIMP A BUTTERFLY Kendrick Lamar <G> INR/UMA 4727091 5 WALKING UNDER STARS Hilltop Hoods <P>2 GE/UMA GER017 6 UPTOWN SPECIAL Mark Ronson <G> COL/SME 88875053102 7 IF YOU'RE READING THIS IT'S TOO LATE Drake UNI/UMA 4728879 8 STRANGE NEW PAST Seth Sentry HSR/INE HIGH003CD 9 A.L.L.A. (AT LONG LAST A$AP) A$AP Rocky RCA/SME 88843077752 10 FAN OF A FAN: THE ALBUM Chris Brown & Tyga RCA/SME 88875070012 11 GREATEST HITS The Notorious B.I.G. BAD/WAR 7567899963 12 101 MORE R&B HITS Various SME 88875035252 13 SWEET TALKER Jessie J UNI/UMA 4702907 14 ROYALTY Chris Brown RCA/SME 88875153622 15 BEYONCE Beyonce <P> COL/SME 88843032512 16 GOOD KID, M.A.A.D CITY Kendrick Lamar INR/UMA 3716232 17 NEXT STEP Kerser WAR ABK003 18 LIVE BY THE WORDS Justice Crew SME 88875012922 19 THE PINKPRINT Nicki Minaj UNI/UMA 4716384 20 CURTAIN CALL: THE HITS Eminem <P>6 INR/UMA 9887893 21 DRINKING FROM THE SUN Hilltop Hoods <P>2 GE/UMA GER015 22 THE EMINEM SHOW Eminem <P>9 UMA 4932902 23 LOVE IN THE FUTURE John Legend <G> COL/SME 88883773442 24 CIRCUS IN THE SKY Bliss N Eso <P> ILL/UMA ILL094CD 25 THE MARSHALL MATHERS LP2 Eminem <P>2 INR/UMA 3758811 26 101 R&B HITS Various <G> SME 88725415762 27 B4.DA.$$ Joey Bada$$ RED/SME 69346123852 28 2014 FOREST HILLS DRIVE J. -
Digital Cultures Listening Lists
Digital Cultures: Music Recommended Listening and Reading (Prof Andrew Hugill) The following long (but nowhere near long enough to cover everything) listening list not only illustrates some of the key ideas about modernism and postmodernism, structuralism and deconstruction, but also adds up to a mini-history of the evolution of electronic and electroacoustic music in the 20th Century. Some brief descriptive notes are included to indicate the salient features, but there is no substitute for careful and repeated listening, with perhaps some attempt to analyse what is heard. It should be remembered that Modernism and Postmodernism are not musical styles, nor words that artists and composers use to describe their work, but rather terms from critical and cultural theory that seem to sum up broad tendencies in art. In fact, all the pieces below will probably be heard to exhibit characteristics of both ‘isms’. Some useful questions to ask when listening are: what is the artist’s intention? How well is it realized? What is the cultural context for the work? What are its compositional techniques? What is the musical language? Pierre Schaeffer ‘Etude aux chemins de fer’ from ‘Cinq études de bruits’ (1948) on OHM: the early gurus of electronic music: 1948-1980. Roslyn, New York: Ellipsis Arts. This was the first time recorded sound was assembled into a musical composition. The sounds included steam engines, whistles and railway noises. Pierre Schaeffer and Pierre Henry Symphonie pour un homme seul (1950) on Pierre Schaeffer: l’oeuvre musicale EMF EM114. A 12-movement musical account of a man’s day using recorded sounds. -
Coalition Threatens Sewer
anmft. waiwfay. oct. » , im f - Houtewffe^s tweet potato product ft no pie in the sky MANCHF.STFR L S WORLD \ started reqiMMing' them," she Mrs. RobhuiM began to look int» ment were then established m a tV w A m o a tM J Urn sweet potatoes are shipfled Mrs. Robinson said the pies Had explained, admitting the ingre the idea o f cdmmercially prodbts MildiHghuildiHg that formerly Roused a whole to Cher-Dac. where tHtyare already been picked up b y m a jo r OPECstiakMfp Lgffjf PiNfelMitfir dients in her pies were “ pretty ingherpies. Although she had done Dairy l^wen. ITiecdmpaigropened grocery distributors, and the com 1 W IS *. iMtlm. — What gtarred basic — hot it was die prnmnlions some interior design and public skinned and processed into pie • tlw dupam of many a its doors May 15 and the i m Yam lining. Mrs. Robinson said about 27 pany recently signed a government OfiMet o f them that made them difrerent . ” relations work, she was “ basically E Sam pfes were s h ip j^ in Jbne. teaws qiigfflofw resigfw hoop K » iMtMMiafeier has bMome mriity for pies were protkiced from each contract allowing It to market the She said she had never really a housewife.” f 'The product logo — Yam E Sam, ‘IMsaM >Bi1i0 r 8 RoWnson Sl^poond box of yams. pies on 90 military bases thought about pursatng mass pro Suddenly. Mrs.'Robinson found a caricature of a sweet potato p a g v S IS WiW- RoMiisofi is fouMdei* and . M il in its infancy, the company nationwide.