Fbo : Projects 2021-22

Total Page:16

File Type:pdf, Size:1020Kb

Fbo : Projects 2021-22 FREIBURGER BAROCKORCHESTER // PROJECTS 2021-22 26 - 28 September and 1 - 3 October 2021 ROYAL! Lionel Meunier, direction and double bass / Vox Luminis Georg Mufat: Concerto grosso in F major „Coronatio Augusta“ Michel-Richard Delalande: Te Deum Antonio Caldara: Te Deum Georg Friedrich Handel: Coronation Anthems HWV 258-261 19 instrumentalists, 22 singers (incl. 4 soloists), 10 - 14 and 17 October 2021 CPE BACH AND MENDELSSOHN Gotfried von der Goltz, direction and violin / Daniela Lieb, flute Carl Philipp Emanuel Bach: Sinfonia No. 2 in B flat major „Hamburger“ Felix Mendelssohn: Concerto in d Minor for violin and strings Felix Mendelssohn: String Symphony No. 7 in D minor Carl Philipp Emanuel Bach: Concerto for flute, strings and continuo in D minor 18 instrumentalists 15 - 18 October 2021 EMPEROR’S REQUIEM with Vox Luminis Henry Purcell: Hear my prayer. Z.15 Henry Purcell: The Queen's Funeral March Z. 860 Thomas Morley: The first dirge Anthem (I am the resurrection and the life - I know that my Redeemer liveth - We brought nothing into this world) Thomas Morley: The second dirge Anthem (Man that is born of a woman In the midst of life) Henry Purcell: Thou knowest, Lord Z. 58b Henry Purcell: Canzona Z. 860 Thomas Morley: The third dirge Anthem (I heard a voice from heaven) Henry Purcell: Funeral Sentences (Man that born of a woman Z. 27 - In the midst of life Z. 17a - Thou knowest, Lord Z. 58c) Henry Purcell: "O dive custos" - Elegy on the death of the Queen Mary Johann Joseph Fux: Kaiserrequiem 10 singers, Freiburger BarockConsort: 12 instrumentalists 26 November - 2 December 2021 UNFINISHED Pablo Heras-Casado, direction / Marianne Crebassa, mezzo-soprano Franz Schubert: Symphony No. 8 in B minor D 759 „Unfinished“ Hector Berlioz: Nuits d’été op. 7 for mezzo-soprano and orchestra H 81 Franz Schubert: Symphony No. 5 in B flat major D 485 Number of instrumentalists tbc, 13 / 15 / 17 / 20 December 2021 JOHANN SEBASTIAN BACH: CHRISTMAS ORATORIO BWV 248 Pieter Dijkstra, direction / Nederlands Kamerkoor / Kateryna Kasper, soprano / Wiebke Lehmkuhl, alto / Julian Prégardien, tenor / Konstantin Grimmel, bass 30 instrumentalists, 21 singers 11 - 14 and 16 - 20 January 2022 UN JOUR À VERSAILLES Amandine Beyer, direction and violin / Marie Bäumer, speaker with works by Lully, Marais, Charbonnière, Rebel etc. and leters by Lieselote von der Pfalz (300. death anniversary 2022) 22 instrumentalists 27 - 30 January 2022 HAYDN 290 Gotfried von der Goltz, direction / Zürcher Sing-Akademie / soloists Joseph Haydn: Symphony No. 44 in E minor Hob. I: 44 „Trauersinfonie" Joseph Haydn: Missa in Angustiis in D minor Hob. XXII: 11 Number of instrumentalists tbc, 11 / 13 and 15 - 17 February 2022 HAIL! BRIGHT CECILIA Kristian Bezuidenhout, direction und piano / Freiburger Barockorchester and Choir "O sing unto the Lord a new Song" Z. 44 Overture aus "Abdelazer" Z. 570 Allemande d-Moll Z. 668 "Three Parts upon a Ground" "Love’s Goddess Sure Was Blind" Birthday Song for Queen Mary Z. 331 "Hail! Bright Cecilia" Ode for St. Cecilia’s Day Z. 328 Number of instrumentalists tbc, 25 / 26 / 28 February and 2 March 2022 BEHIND BACH Gotfried von der Goltz, direction / Jean Rondeau, harpsichord Johann Sebastian Bach: Sinfonia from „Falsche Welt, dir trau ich nicht“ BWV 52 Johann Sebastian Bach: Harpsichord Concerto in F major BWV 1057 Tomaso Albinoni: Trio Sonata op. 1 No. 12 in B flat major Alessandro Marcello: Oboe Concerto in D minor Johann Sebastian Bach: Sinfonia from „Ich liebe den Höchsten“ BWV 174 Antonio Vivaldi: Concerto for 2 violins op. 3 No. 11 in D minor RV 565 Johann Sebastian Bach: Triple Concerto in A minor BWV 1044 24 instrumentalists 12 and 14 - 17 March 2022 ACTUS TRAGICUS Dorothee Mields, soprano /n.n. soloists ATB/ n.n. choir Johann Sebastian Bach: Cantata „Gotes Zeit ist die allerbeste Zeit“ BWV 106 Dieterich Buxtehude: Vulnerati cor meum (Membra Jesu Nostri) Johann Sebastian Bach: Brandenburg Concerto No. 6 BWV 1051 Johann Sebastian Bach: Cantata „Gleich wie der Regen und Schnee vom Himmel fällt“ BWV 18 Freiburger BarockConsort: 12 instrumentalists 3 - 7 / 9 - 11 and 13 / 14 April 2022 ANTONIO CALDARA Magdalena al piedi di Christo à 6 con Sinfonia René Jacobs, direction / Joshua Ellicot, Christo / Giulia Semenzato, Maddalena / Marianne Beate Kielland, Marta / Alberto Miguélez Rouco, Amor Celeste / Helena Rasker, Amor Terreno / Andrea Mastroni, Fariseo 23 instrumentalists 22 - 27 and 29 / 30 April 2022 ON THE HUNT FOR ROMANCE Gotfried von der Goltz, direction / Bart Aerbeydt and Gijs Laceulle, horn Joseph Haydn: Symphony No. 73 in D major „La chasse“ Antonio Roseti: Horn concerto in E flat major Joseph Fiala: Parthia for 2 englisch horn, 2 horn and bassoon Friedrich Wit: Symphony in C major „Jena" number of instrumentalists tbc, 17 - 22 and 28 / 29 May 2022 ASCENDING WITH BACH Lionel Meunier, direction and bass / Vox Luminis, choir and soloists Johann Sebastian Bach: Auf Christi Himmelfahrt allein BWV 128 Georg Philipp Telemann: Ich fahre auf zu meinem Vater Kantate TWV 1:825 Heinrich Ignaz Franz Biber: Rosenkranzsonate XI in G major „Auferstehung Christi“ Johann Sebastian Bach: Lobet Got in seinen Reichen BWV 11 28 instrumentalists, 14 singers 8 / 9 / 11 / 13 and 15 - 20 June 2022 GEORG FRIEDRICH HANDEL: ISRAEL IN EGYPT René Jacobs, direction / Zürcher Sing-Akademie / soloists 39 instrumentalists, 40 singers 27 June - 5 July 2022 MOZART EVOLUTION Kristian Bezuidenhout, direction and piano / Lorenzo Coppola, clarinet (tbc) / n.n., viola Symphony No. 25 K. 183 Trio K. 498 „Kegelstat“ Piano Concerto K. 271 „Jenamy“ number of instrumentalists tbc, 10 - 12 und 17 July 2022 LUDWIG VAN BEETHOVEN: MISSA SOLEMNIS René Jacobs, direction / RIAS Kammerchor / Birgite Christensen, soprano / Sophie Harmsen, alto / Maximilian Schmit, tenor / Johannes Weisser, bass (all tbc) 47 Instrumentalists, 47 singers Contact Michael A. Sauter [email protected] +49 30 983 479 74 +49 176 249 59 686.
Recommended publications
  • 14 December 2012 Page 1 of 11 SATURDAY 08 DECEMBER 2012 4:34 AM Favourite Piece of Music to the Rest of the UK
    Radio 3 Listings for 8 – 14 December 2012 Page 1 of 11 SATURDAY 08 DECEMBER 2012 4:34 AM favourite piece of music to the rest of the UK. In the run up to Sibelius, Jean (1865-1957) Christmas we'll be hearing about music that reminds listeners of SAT 01:00 Through the Night (b01p2wc3) Serenade No.1 in D major for violin & orchestra (Op.69a) the festive season. Jonathan Swain a recital from the 66th International Chopin Judy Kang (violin), Orchestre Symphonique de Laval, Jean- Festival in Duszniki Zdrój in Poland - Tonight Daniil Trifonov - François Rivest (conductor) winner of the 2011 Tchaikovsky Piano Competition. SAT 09:00 CD Review (b01p3mb1) 4:42 AM Building a Library: Bartok: Concerto for Orchestra 1:01 AM Tárrega, Francisco (1852-1909) Schubert, Franz [1797-1828] Recuerdos de la Alhambra With Andrew McGregor. Including Building a Library: Bartok: 4 Schubert Song transcriptions by Liszt, Franz [1811-1886] Ana Vidović (guitar) Concerto for Orchestra; Chamber music, by Schubert, Mozart, Daniil Trifonov (piano) Messiaen; Disc of the Week: Prokofiev: Violin Concerto No 2. 4:47 AM 1:17 AM Schein, Johann Hermann (1586-1630) Schumann, Robert [1810-1856] No.26 Canzon for 5 instruments in A minor 'Corollarium' - SAT 12:15 Music Matters (b01p3mb3) Widmung (Dedication), from 'Myrten, op. 25/1, (S. 566) from Banchetto Musicale, Leipzig (1617) Jonathan Harvey Tribute, William Christie, Royal Northern Daniil Trifonov (piano) Hesperion XX, Jordi Savall (descant viola da gamba & director) College of Music 1:21 AM 4:51 AM Tom Service pays tribute to composer Jonathan Harvey. Plus Liszt, Franz [1811-1886] Rossini, Gioachino (1792-1868) conductor William Christie and a celebration of 40 years of the La campanella, No.
    [Show full text]
  • Music List for Lent, Holy Week & Easter 2019
    Music List for Lent, Holy Week & Easter 2019 (click on the hyperlinks to listen to the pieces – internet access required) Tuesday, March 5th (Eve of Lent) Friday, March 15th Early Christian music Cristobal Morales (1500-1553) Explanation / history of Gregorian chant Circumdederunt me Gregorian chant short explanation Lamentatio Zain Gregorian chant Regina Caeli Saturday, March 16th Thomas Tallis (1505-1585) Ash Wednesday, March 6th Gregorio Allegri (1582-1652) Miserere Spem in alium With different ornamentations Traditional ornamentation Sunday, March 17th Jacobus Clemens non Papa (1510-56) Thursday, March 7th O Maria Vernans Rosa Orthodox- traditional hymn / song Ego Flos Campi Agni parthene Monday, March 18th Friday, March 8th Giovanni Palestrina (1525-1594) Kassia (810-865) Missa papae Marcelli kyrie Sicut Cervus (Like a Saturday, March 9th Hildegard of Bingen (1098-1179) Tuesday, March 19th Ordo virtutum excerpt Robert Parsons (1530-1570) Kyrie Ave Maria Sunday, March 10th Wednesday, March 20th Guillaume de Machaut (1300-1377) Orlande de Lassus (1532-1594) Messe de notre dame Tristis est anima mea Iustorum animae Monday, March 11th Leonel Power (1375/1385-1445) Anima Thursday, March 21st mea William Byrd (1543-1623) Ave Verum Corpus Tuesday, March 12th Ne irascaris domine John Dunstaple (1380-1453) Mass for 4 voices Kyrie Salve scema sanctitatis Mass for 4 voices Agnus Dei Wednesday, March 13th Friday, March 22nd Josquin Des Prez (1440-1521) Jacob Handl (1550-1591) Ave Maria Pater Noster Qui Habitat- psalm 90 v 1-8 Ecce Quomodo Moritur
    [Show full text]
  • Oct 12 to 18.Txt
    CLASSIC CHOICES PLAYLIST Oct. 12 - 18, 2020 PLAY DATE: Mon, 10/12/2020 6:02 AM Antonio Vivaldi Concerto for violin, 2 flutes, 2 oboes & 6:13 AM Wolfgang Amadeus Mozart Symphony No. 27 6:29 AM Arcangelo Corelli Concerto Grosso No. 6 6:44 AM Johann Nepomuk Hummel Gesellschafts Rondo 7:02 AM Michel Richard Delalande Suite No. 12 7:16 AM Muzio Clementi Piano Sonata 7:33 AM Mademoiselle Duval Suite from the Ballet "Les Génies" 7:46 AM Georg (Jiri Antonin) Benda Sinfonia No. 9 8:02 AM Johann David Heinichen Concerto for fl,ob,vln,clo,theorbo,st,bc 8:12 AM Franz Joseph Haydn String Quartet 8:31 AM Joan Valent Quatre Estacions a Mallorca 9:05 AM Ralph Vaughan Williams Symphony No. 3 9:41 AM Robert Schumann Fantasiestucke 9:52 AM Ralph Vaughan Williams Silent Noon 10:00 AM Wolfgang Amadeus Mozart LA CLEMENZA DI TITO: Overture 10:06 AM Wolfgang Amadeus Mozart Violin Sonata No. 27 10:24 AM Wolfgang Amadeus Mozart Flute & Harp Concerto (mvmt 2) 10:34 AM Wolfgang Amadeus Mozart Divertimento No. 1 10:49 AM Wolfgang Amadeus Mozart Sonata for 2 pianos 11:01 AM Mark Volker Young Prometheus 11:39 AM Georg Philipp Telemann Paris Quartet No. 2:TWV 43: a 3 12:00 PM Ludwig Van Beethoven Wellington's Victory (Battle Symphony) 12:14 PM Ludwig Van Beethoven Piano Sonata No. 6 12:28 PM Johann Strauss, Jr. Wine, Women & Song 12:40 PM John Ireland Piano Trio No. 2 12:54 PM Michael Kamen CRUSOE: Marooned 1:02 PM Mark O'Connor Trio No.
    [Show full text]
  • 2. French Baroque Sacred Choral Music 1643-1774
    2. FRENCH BAROQUE SACRED CHORAL MUSIC 1643-1774 By Jason Allen Anderson 1) Historical Context a) Spanned the reigns of four Bourbon kings and three regents b) Restrict our study to the last two regents and kings i) Anne of Austria, Regent for Louis XIV (1643-1651) ii) Louis XIV ‘Le Roi Soleil’ (1643-1715) iii) Philippe d’Orléans, Regent for Louis XV (1715-1723) iv) Louis XV (1715-1774) 2) Hallmarks of the French Baroque Musical Style a) Galant “ornamented with many small figures and passages” (Grove Online) b) Rococo “A term from decorative art that has been applied by analogy to music, especially French music, of the 18th century” (Grove Online) i) Originated in France during the last years of the 17th century ii) Born of a relaxation of the rules of French classicism iii) Derivation of the term (rocaille, ‘shellwork’) is post facto and pejorative, like most critical descriptions of the style c) Slow to adopt Italian innovations, such as oratorio, basso continuo, the recitative, the formal aria, and the concertato d) Church music in France is very different from church music elsewhere on the continent (Palisca 265). i) Causes of reluctance to adopt above innovations include: (1) Control of the monarch (often at the insistence of Lully) on all matters related to music, art, architecture, dance—in essence all the fine and performing arts in an attempt to cultivate a French national style; consequently, (2) Musicians from other parts of Europe rarely found employment in the musical establishments of both court and church in France; thus, the other national styles were unable to penetrate those establishments through foreigners.
    [Show full text]
  • Page 645 H-France Review Vol. 6 (December 2006), No. 149 Lionel
    H-France Review Volume 6 (2006) Page 645 H-France Review Vol. 6 (December 2006), No. 149 Lionel Sawkins, A Thematic Catalogue of the Works of Michel-Richard de Lalande (1657-1726). Oxford and New York: Oxford University Press, 2005. xlvii + 700 pp. Tables, colour plate, figures, facsimiles, music examples, bibliography, and index of titles and first lines. $225.00 U.S. (cl). ISBN 0-19-816360-6. Review by Graham Sadler, University of Hull. A musical time-traveller from the ancien régime would surely be amazed at the low profile nowadays suffered by Michel-Richard de Lalande. Here was a composer who held many of the most coveted musical posts at the courts of Louis XIV and XV, who developed sacred music in the Sun King’s chapel to its highest peak, and whose legacy of grands motets formed the core repertory of the Concert spirituel for almost half a century after his death.[1] Yet no modern Opera omnia exists; indeed, with the exception of privately produced editions, only a dozen of the sixty-five more-or-less complete grands motets have been published during the past four decades, while earlier editions are, for various reasons, virtually unusable today. The secular works have, for the most part, fared even less well. Such lack of readily available editions has seriously hampered the dissemination of Lalande’s music. Despite the sterling efforts of organisations like the Centre de la Musique Baroque de Versailles, performances remain relatively few and first-class recordings fewer still. Even specialist groups like Les Arts Florissants, La Simphonie du Marais, and Ex Cathedra have between them issued scarcely more than half-a-dozen Lalande CDs.
    [Show full text]
  • MONTEVERDI Vespro Della Beata Vergine
    95188 MONTEVERDI Vespro della Beata Vergine ENSEMBLE SAN FELICE Madonna con il Bambino, una santa martire e Pietro (1555 –60) by Paolo Veronese Federico Bardazzi Claudio Monteverdi 1567–1643 9 VI CONCERTO Pulchra es 3’46 motet for two voices Vespro della Beata Vergine Elena Cecchi Fedi, Laura Andreini soloists CD1 52’58 10 VII ANTIPHONA Hortus conclusus est (II) 0’24 11 PSALMUS 121 [122] Laetatus sum 5’34 1 IN PRINCIPIO HORARUM 1’47 for six-part choir I Deus, in adjutorium meum intende Elena Cecchi Fedi, Laura Andreini, Mya Fracassini, II Domine ad adjuvandum Davide Fior, Massimo Crispi, Leonardo Sagliocca soloists for six-part choir and six instruments, ad libitum 12 ANTIPHONA Hortus conclusus est (II) 1’08 III COLLECTA Ambulantibus in atriis domus tuae omnipotens Deus 2 III ANTIPHONA Laeva ejus (IV A*) 0’17 3 PSALMUS 109 [110] Dixit Dominus 6’05 13 VIII CONCERTO Duo Seraphim 5’03 for six-part choir and six instruments motet for two, then three voices Elena Cecchi Fedi, Laura Andreini, Floriano D’Auria, Davide Fior, Massimo Crispi, Salvatore Porroni soloists Davide Fior, Massimo Crispi, Giovanni Guerini soloists 4 ANTIPHONA Laeva ejus (IV A*) 1’08 14 IX ANTIPHONA Quo abiit dilectus tuus (VI F) 0’25 I COLLECTA Ante luciferum genite 15 PSALMUS 126 [127] Nisi Dominus 3’59 for ten-part choir 5 IV CONCERTO Nigra sum 3’31 16 ANTIPHONA Quo abiit dilectus tuus (VI F) 1’06 motet for solo voice IV COLLECTA Domorum spiritalium aedificator Deus Massimo Crispi soloist 17 X CONCERTO Audi coelum 6’16 6V ANTIPHONA Jam hiems transiit (VIII G) 0’22 motet
    [Show full text]
  • Magnificat Dies Irae
    Bach Magnificat Delalande Dies Irae ENSEMBLE VOCAL ET INSTRUMENTAL À BOUT DE SOUFFLE DIRECTION STÉPHANE DELINCAK Première partie Prose pour la Messe des morts, pour solistes, chœurs et orchestre. Dies « Faitte en 1690 pour la pompe funebre de Madame la Dauphine, Bavierre.» Restitution, écriture des parties intermédiaires : Stéphane Delincak, avec Irae l’aide précieuse de Pascal Duc. de Michel-Richard Dies irae (tous les dessus) Delalande Quantus tremor (chœur) Tuba mirum (basse-taille) Mors stupebit (chœur) Liber scriptus (haute-contre) Recordare (chœur) Quaerens me (deux dessus) Juste judex (basse-taille) Inter oves (chœur) Oro supplex (dessus) Lacrimosa (haute-contre, taille, basse) Pie Jesu (chœur) Deuxième partie Magnificat anima mea (chœur) Et exultavit spiritus meus (soprano 2) Magnificat Quia respexit humilitatem (soprano 1) Omnes generationes (chœur) BWV 243 Quia fecit mihi magna (basse) de Jean-Sébastien Bach Et misericordia (alto, ténor) (1723) Fecit potentiam (chœur) Deposuit potentes (ténor) Esurientes implevit bonis (alto) Suscepit Israel (chœur trio) Sicut locutus est (chœur) Goria Patri (chœur) Distribution SoliSteS lyriqueS : Six chanteurS orcheStre baroque : vingt-deux inStrumentiSteS soprano 1 (premier dessus), six violons soprano 2 (second dessus), trois altos alto, deux violoncelles ténor (haute-contre), une contrebasse second ténor, deux hautbois (jouant le hautbois d’amour) baryton (basse-taille) deux traversos un basson chœur À bout de Souffle : trois trompettes cinquante chanteurS une percussion un orgue jouant le clavecin Du Dies irae Michel-Richard Delalande / au Magnificat Jean-Sébastien Bach Après le succès des opéras Anacréon et Actéon de Jean-Philippe Rameau et Marc-Antoine Charpentier, À bout de souffle continue d’explorer la richesse de la dramaturgie et de l’expressivité de la musique baroque, mais cette fois, côté sacré.
    [Show full text]
  • Baroque Recorder Anthology Contents
    Saunders Recorders. Schott... Baroque Recorder Anthology Contents Baroque Recorder Anthology - Volume 1. Schott ED 13134 Full Backing Track Track Number Number Title and Composer 01 31 Branle - Jean Hotteterre 02 32 Menuett - Jean Hotteterre 03 33 Mir Hahn en neu Oberkeet - Johann Sebastian Bach 04 34 Boureé - John Blow 05 35 March - Henry Purcell 06 36 Rondeau - Jean-Baptiste Lully 07 Bockxvoetje - Jacob van Eyck 08 Onder de linde groene - Jacob van Eyck 09 36 The British Toper - John Playford 10 38 Rigaudon - Louis Claude Dacquin 11 De zoete zoomer tijden - Jacob van Eyck 12 39 Menuett - George Frideric Handel 13 40 Rigaudon - George Frideric Handel 14 41 Menuet - George Frideric Handel 15 42 Vain Belinda - Anon. 16 43 Don't You Tickle - Anon. 17 44 Country Bumpkin - Anon. 18 45 Fall of the Leafe - Martin Pearson 19 46 Boureé - Johann Fischer 20 Fairy Dance - Anon. Scottish Reel 21 The Gobbie-O - Anon. Scottish Jig 22 47 L'Inconnu - Anon. French 23 48 Contradance - Anon. French 24 49 Gentille - Anon. French 25 50 Masquerade Royale - Roger North 26 51 North's Maggot - Roger North 27 52 Menuet & Trio - James Hook 28 53 Air - Henry Purcell 29 54 Minuet - Jean-Baptiste Lully 30 55 Hornpipe - Henry Purcell All the above tracks are in CD format on the disc provided. (Unaccompanied piecs have no backing track.) Saunders Recorders. Schott... Baroque Recorder Anthology Contents Baroque Recorder Anthology - Volume 2. Schott ED 13135 01... Minuet - Georg Philipp Telemann 02... Rigaudon - Georg Philipp Telemann 03... Passepied - Michel Richard Delalande 04... Trumpet Air - George Bingham 05..
    [Show full text]
  • Sept 28 to Oct 4.Txt
    CLASSIC CHOICES PLAYLIST Sept. 28 - Oct. 4, 2020 PLAY DATE: Mon, 09/28/2020 6:02 AM Antonio Vivaldi Violin Concerto "Cuckoo" / Coucou 6:13 AM Wolfgang Amadeus Mozart Symphony No. 13 6:30 AM Giuseppe Tartini Violin sonata 6:45 AM Carl Philipp Emanuel Bach Symphony 7:02 AM Capel Bond Concerto No. 4 in Seven Parts 7:11 AM Muzio Clementi Piano Sonata 7:32 AM Arcangelo Corelli Concerto Grosso No. 7 7:43 AM Franz Joseph Haydn Symphony No. 38 8:02 AM Johann Sebastian Bach Italian Concerto 8:16 AM Johann ChristophFriedrich Bach Trio Sonata 8:33 AM Richard Strauss Metamorphosen 9:05 AM Igor Stravinsky Violin Concerto 9:28 AM Louis Spohr Clarinet Concerto No. 2 9:53 AM Leroy Anderson Fiddle-Faddle 10:00 AM Wolfgang Amadeus Mozart ABDUCTION FROM THE SERAGLIO: Overture 10:07 AM Wolfgang Amadeus Mozart Flute Sonata 10:19 AM Wolfgang Amadeus Mozart Symphony No. 37 10:34 AM Wolfgang Amadeus Mozart Eight variations on a march 10:49 AM Wolfgang Amadeus Mozart Keyboard Concerto after J.C. Bach 11:02 AM Peter Ilyich Tchaikovsky Romeo and Juliet Fantasy Overture 11:25 AM Ralph Vaughan Williams Symphony No. 4 12:00 PM Eric Coates The Greenland (Rhodesian March) 12:08 PM Felix Mendelssohn Organ Sonata No. 6 12:23 PM Johann Strauss, Jr. Hofballtanze Walzer 12:35 PM Billy Joel Reverie (Villa D'Este) 12:46 PM John Williams (Comp./Cond.) Born on the Fourth of July: Suite 1:02 PM Carl Czerny Symphony No. 1, "Grand Symphony" 1:36 PM Johannes Brahms Fantasias 2:00 PM Johann Kaspar Mertz Am Grabe der Geliebten 2:07 PM Bernhard Henrik Crusell Clarinet Quartet No.
    [Show full text]
  • TELEMANN Festival 24.11
    TELEMANN FEsTivAL 24.11. bis 03.12.2017 Ein Festival von NDR Das Alte Werk in Kooperation mit Elbphilharmonie Hamburg. Unterstützt von der ZEIT-Stiftung Ebelin und Gerd Bucerius und der Kulturbehörde Hamburg. ndr.de/telemann-festival 02| 03 Das Telemann-fesTival isT EiN LiEbe BesuchErinnen uNd BesuchEr gemeiNsames ProjEkt voN „Dieser berühmte Mann ist einer von den dreyen musicalischen Meistern, die heute zu Tage unserm Vaterlande Ehre machen“, befand Johann Christoph Gottsched, der dabei neben Georg Philipp Telemann an Bach und Händel dachte. „Sie breiten auch ihre Sachen nicht nur in Deutschland aus, sondern Italien, Frank- reich und Engelland lassen sich dieselben häufig zuschicken und vergnügen sich schon darüber.“ Dieses Vergnügen hält bis heute an und findet im Musikleben unserer Stadt immer wieder neue Anlässe. In Anerkennung und Würdigung der Verdienste Telemanns begeht Hamburg derzeit ein großes Jubiläum aus Anlass des 250. Todestages dieses großen Komponisten. Das Festival des NDR bildet den fulminanten Abschluss dieses Jubiläumsjahres. Mit einer Reihe von hochrangigen Konzerten mit international renom mierten Ensembles und Solisten setzt es besondere musi- kalische Schlaglichter, unter anderem auf das Hamburger Œuvre des Komponisten. Telemann war schließlich eine der prägendsten Musikerpersönlichkeiten des 18. Jahrhunderts. 1721 als Kantor des Johanneums und Director musices nach Hamburg berufen, wurde er später künstlerischer Leiter der Gänsemarktoper und blieb bis zu seinem Tod 1767 in der Hansestadt. Nicht zuletzt durch sein Wirken war Hamburg damals eines der wichtigen musika- lischen Zentren Europas. Im Jahr der Eröffnung der Elbphilharmo- nie ruft das Festival zum Telemann-Jahr somit sehr eindrücklich in Erinnerung, dass die Musikstadt Hamburg auf eine große musi- kalische Tradition zurückblicken kann.
    [Show full text]
  • November 2009 Published by the American Recorder Society, Vol
    November 2009 Published by the American Recorder Society, Vol. L, No. 5 • www.americanrecorder.org NEW! Enjoy the recorder Denner great bass Mollenhauer & Friedrich von Huene “The Canta great bass is very intuitive to play, making it ideal for use in recorder “The new Mollenhauer Denner orchestras and can be great bass is captivating with recommended .” its round, solid sound, stable in every register. Its key mechanism Dietrich Schnabel is comfortable and especially (conductor of recor- well designed for small hands. An der orchestras) instrument highly recommended for both ensemble and orchestral playing.” Daniel Koschitzky Canta knick great bass (member of the ensemble Spark) Mollenhauer & Friedrich von Huene G# and Eb keys enable larger finger holes and thus an especially stable sound. The recorder case with many extras With adjustable support spike … saves an incredible amount of space with the two-part middle joint … place for music … integrated recorder stand Order-No. 2646K Order-No. 5606 www.mollenhauer.com Hot off the Press & Back in Print "These arrangements of dances from Playford s The Dancing Master, which appeared in 18 different editions from 1651 to around 1725, are intended primarily for playing to dancers. Those of us who have been involved in dance events will be familiar with the experience of having to cobble together versions of these tunes for the band at short notice, and it is hoped that this volume should reduce the consumption of midnight oil." – Bernard Thomas Available now in two huge volumes after almost a half century of absence, this collection is packed with all the Playford dances we know and love and finally arranged for recorder quartets.
    [Show full text]
  • Prima Vista 2000-2
    A PRIMA VISTA a survey of reprints and of recent publications 2000/2 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: 020-6796575 CDs: 020-6751653/fax: 020-6646759 also on INTERNET: www.broekmans.com e-mail: [email protected] 2 INHOUD A PRIMA VISTA 2000/2 PAGE HEADING 06 PIANO 2-HANDS 10 PIANO 4-HANDS 11 PIANO 6-HANDS, SEVERAL PIANOS, HARPSICHORD, ORGAN 12 KEYBOARD 1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: 13 VIOLIN solo, VIOLA solo 14 CELLO solo, DOUBLE BASS solo 1 STRING INSTRUMENT WITH ACCOMPANIMENT: 14 VIOLIN with accompaniment 16 VIOLA with accompaniment, CELLO with accompaniment 17 DOUBLE BASS with accompaniment, VIOLA DA GAMBA with accompaniment 17 TWO AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT 1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: 21 FLUTE solo, OBOE solo, CLARINET solo 22 SAXOPHONE solo, BASSOON solo, TRUMPET solo 23 HORN solo, TROMBONE solo, TUBA solo 1 WIND INSTRUMENT WITH ACCOMPANIMENT: 24 PICCOLO with accompaniment, FLUTE with accompaniment 25 PANPIPES with accompaniment, OBOE with accompaniment 26 CLARINET with accompaniment, SAXOPHONE with accompaniment 27 BASSOON with accompaniment, TRUMPET with accompaniment 28 HORN with accompaniment, TROMBONE with accompaniment, TUBA with accompaniment 2 AND MORE WIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 28 2 AND MORE WOODWIND INSTRUMENTS with and without accompaniment 31 2 AND MORE BRASS INSTRUMENTS with and without accompaniment 31 COMBINATIONS OF WOODWIND AND BRASS INSTRUMENTS 32 COMBINATIONS OF WIND AND STRING INSTRUMENTS 34 RECORDER 36 GUITAR 40 MANDOLIN, HARP 41 PERCUSSION 42 MISCELLANEOUS 43 SOLO VOICE(S) AND/OR CHOIR WITH INSTRUMENTAL ACCOMPANIMENT 47 SOLO VOICE(S) AND/OR CHOIR WITH ORCHESTRA 48 CHOIR A CAPELLA 49 OPERA, OPERETTA, MUSICAL, ORATORIA 50 ORCHESTRA WITH AND WITHOUT INSTRUMENTAL SOLOISTS 53 BOOKS OF MUSICAL INTEREST 76 MORE BOOKS OF MUSICAL INTEREST 79 CD-ROMS compilation by Jan A.
    [Show full text]