DOCSLIB.ORG

Prima Vista 2000-2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

A PRIMA VISTA a survey of reprints and of recent publications 2000/2 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: 020-6796575 CDs: 020-6751653/fax: 020-6646759 also on INTERNET: www.broekmans.com e-mail: [email protected] 2 INHOUD A PRIMA VISTA 2000/2 PAGE HEADING 06 PIANO 2-HANDS 10 PIANO 4-HANDS 11 PIANO 6-HANDS, SEVERAL PIANOS, HARPSICHORD, ORGAN 12 KEYBOARD 1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: 13 VIOLIN solo, VIOLA solo 14 CELLO solo, DOUBLE BASS solo 1 STRING INSTRUMENT WITH ACCOMPANIMENT: 14 VIOLIN with accompaniment 16 VIOLA with accompaniment, CELLO with accompaniment 17 DOUBLE BASS with accompaniment, VIOLA DA GAMBA with accompaniment 17 TWO AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT 1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: 21 FLUTE solo, OBOE solo, CLARINET solo 22 SAXOPHONE solo, BASSOON solo, TRUMPET solo 23 HORN solo, TROMBONE solo, TUBA solo 1 WIND INSTRUMENT WITH ACCOMPANIMENT: 24 PICCOLO with accompaniment, FLUTE with accompaniment 25 PANPIPES with accompaniment, OBOE with accompaniment 26 CLARINET with accompaniment, SAXOPHONE with accompaniment 27 BASSOON with accompaniment, TRUMPET with accompaniment 28 HORN with accompaniment, TROMBONE with accompaniment, TUBA with accompaniment 2 AND MORE WIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 28 2 AND MORE WOODWIND INSTRUMENTS with and without accompaniment 31 2 AND MORE BRASS INSTRUMENTS with and without accompaniment 31 COMBINATIONS OF WOODWIND AND BRASS INSTRUMENTS 32 COMBINATIONS OF WIND AND STRING INSTRUMENTS 34 RECORDER 36 GUITAR 40 MANDOLIN, HARP 41 PERCUSSION 42 MISCELLANEOUS 43 SOLO VOICE(S) AND/OR CHOIR WITH INSTRUMENTAL ACCOMPANIMENT 47 SOLO VOICE(S) AND/OR CHOIR WITH ORCHESTRA 48 CHOIR A CAPELLA 49 OPERA, OPERETTA, MUSICAL, ORATORIA 50 ORCHESTRA WITH AND WITHOUT INSTRUMENTAL SOLOISTS 53 BOOKS OF MUSICAL INTEREST 76 MORE BOOKS OF MUSICAL INTEREST 79 CD-ROMS compilation by Jan A. Hollanders . 000726 . prices in NLG subject to changes and errors 3 a selection from our recent publications and from those of our representations FOR PIANO 2-HANDS: ALBUM 706972 Sacred Inspirations: 11 Favorite Hymns and Spirituals Arranged for Early Intermediate to Intermediate Pianists (Amazing Grace; Come, Thou Almighty King; Holy, Holy, Holy; Just As I Am; Morning Has Broken; Nearer, My God, to Thee; Nobody Knows the Trouble I’ve Seen; Now Thank We All Our God; O Worship the King; Sun of My Soul; What a Friend We Have in Jesus) (Tingley) 19,60 ALBUM 706981 Masterwork Classics Level 7 (Baroque: BACH J.S.: Short Prelude in C major BWV 933, Short Prelude in D minor BWV 935, Invention in F major BWV 779; Classic: BENDA G.A.: Sonatina in A minor; KUHLAU F.: Sonatina in G major Op. 55/2 (first movement), Sonatina in C major Op. 55/3 (first movement); BEETHOVEN L. van: Für Elise WoO 59; SCHUBERT F.: Valse in A-flat major D.365 (Op. 9a) No. 12, Valse Noble in A minor D.969 (Op. 77) No. 9; Romantic: CHOPIN F.: Album Leaf Op. posth., Prelude in E minor Op. 28/4, Waltz in A minor Op. posth.; SCHUMANN R.: Knight Rupert Op. 68/12, The Horseman Op. 68/23; GADE N..: The Little Girl’s Dance Op. 36/3; KÖLLING C.: Fluttering Leaves in A minor Op. 147/2; MENDELSSOHN F.: Song without Words (Consolation) Op. 30/3, Allegro non troppo Op. 72/1; Twentieth Century: BORTKIEVICH S.: Preparing for Travel Op. 21/1, Norway Op. 21/8; MAYKAPAR S.: Prelude No. 2; BARTÓK B.: Sketch Op. 9b/6) (Magrath) 28,05 ALBUM 706986 Discovering Piano Literature Book 3: 32 Carefully Graded Original Mid to Late Intermediate Piano Solos from the Four Stylistic Periods (Baroque Style: James HOOK 1746-1827: Minuet; Georg Frideric HANDEL 1685-1759: Bourrée; Carl Philipp Emanuel BACH 1714-1788: Sarabande; Henry PURCELL 1659-1695: Rigaudon; Georg Philipp TELEMANN 1681-1767: Fantasia; Louis-Claude DAQUIN 1694-1772: Sylvia; Classical Style: Johann Wilhelm HASSLER 1747-1822: Minuet, Ecossaise; Ludwig van BEETHOVEN 1770-1827: German Dance; Daniel STEIBELT 1765-1823; Aria; Anton DIABELLI 1781-1858: Dance; Tobias HASLINGER 1787-1842: Sonatina; Johann Christian BACH 1735-1782: Risoluto; Franz Joseph HAYDN 1732-1809: Allegro Finale; Carl CZERNY 1791-1857: Country Dance; Romantic Style: Cornelius GURLITT 1820- 1911: Playing Games; Heinrich HENKEL 1822-1899: Innocent Child; LEMOINE: Happiness; Felix Le COUPPEY 1811-1887: Etude; Theodor KIRCHNER 1823-1903: New Scenes from Childhood; Carl REINECKE 1824-1910: Elegy; Nikolai LADUKHIN 1860- 1918: Jocularity; Gustav MERKEL 1827-1885: The Jolly Huntsman; Felix GUILMANT 1837-1911: Child’s Song; 20th Century Style: A. RUBBACH: Sparrows; Béla BARTÓK 1881-1945: Folk Dance, Evening Stroll; I. BERKOVICH: Variations on a Russian Folk Song; Vladimir REBIKOFF 1866-1920: Arabian Dance; M’lou DIETZER *1929: Indecision; Mary Ann PARKER *1936: Mayfly; Anatol LIADOV 1855-1914: I Danced with a Mosquito) (Dietzer) 26,20 ALBÉNIZ Isaac 1860-1909 707274 Rapsodia española 22,95 ALKAN Charles Valentin 1813-1888 707153 Trente Chants Suite 4 Op. 67 26,25 707272 Trente Chants Suite 5 Op. 70 36,15 BEACH Amy 1867-1944 707148 Ballad 16,35 BEETHOVEN Ludwig van 1770-1827 706988 Sonata No. 7 in D major Op. 10/3 (Gordon) 22,90 706973 Moonlight Sonata Op. 27/2: 1st Movement (Jacobson-Clarfield) 19,60 4 BUSONI Ferruccio 1866-1924 707154 Two Contrapuntal Studies after J.S. Bach (Fantasie und Fuge a-Moll; Kanonische Varia- tionen und Fuge aus J.S. Bach’s Musikalische Opfer) 26,25 CHADWICK George Whitefield 1854-1931 707611 Five Pieces (1905) 26,25 CHAUSSON Ernest 1855-1899 707155 Paysage Op. 38 13,05 FOOTE Arthur 1853-1937 707144 Three Pieces 26,25 707270 Suite No. 2 in C minor Op. 30 19,65 707273 From Rest Harrow 19,65 707615 Scherzino et étude arabesque Op. 42 16,35 HAYDN Franz Joseph 1732-1809 706971 Andante con variazioni Hob.XVII:6 (Hinson) 19,60 KONOWITZ Dr. Bert 706983 Nothing but the Blues. One Way. A Complete Approach to Playing Traditional & Contemporary Blues (Blue Notes; Blues Scales & Modes; Blues Progressions & Chord Voicings; Bluesy Sounds; Boogie Bass with Single & Double Notes; Contemporary Chords in Fourths. Riffs. Walking Bass Line) book, CD included 65,80 706982 Nothing but the Blues. One Way. A Complete Approach to Playing Traditional & Contemporary Blues (Blue Notes; Blues Scales & Modes; Blues Progressions & Chord Voicings; Bluesy Sounds; Boogie Bass with Single & Double Notes; Contemporary Chords in Fourths. Riffs. Walking Bass Line) book only 32,80 LISZT Ferenc 1811-1886 707120 Klavierwerke: freie Bearbeitungen V [Mendelssohns Lieder: 1. Auf Flügeln des Gesanges, 2. Sonntagslied, 3. Reiselied, 4. Neue Liebe, 5. Frühlingslied, 6. Winterlied, 7. Suleika (R217, SW547); Réminiscences de Lucrezia Borgia, Grande fantaisie sur des motifs de l’Opéra de Gaetano Donizetti (R154, SW400); Hussitenlied aus dem 15. Jahhundert (R100, SW234); Cavatine aus der Oper La Muette de Portici von Auber (R118, SW387); Klavierstück über ein fremdes Thema; Réminiscences de Don Juan de Mozart, Grande fantaisie (R288, SW418); Réminiscences de Norma de Bellini, Grande fantaisie (R133, SW394); I Puritani, Introduction et Polonaise de l’opéra de Bellini (R130, SW391); Réminiscences de Robert le diable, Grande fantaisie sur des motifs de l’opéra de Meyerbeer, Valse infernale (R222, SW413); God Save the Queen, Praphrase de conceert (R98, SW235); Le Moine, Mélodies de Meyerbeer (R225, SW416)] (Kaczmarczyk, Mezo) 90,70 MASSENET Jules 1842-1912 707614 Two Pieces (Papillons noirs, Papillons blancs) 16,35 RYDEN William *1939 707146 Six Tangos 22,95 SCHUMANN Clara 1819-1896 707275 Romance variée Op. 3 16,35 FOR PIANO 4-HANDS: BEACH Amy 1867-1944 707607 Summer Dreams Op. 7 26,25 FOR ORGAN: ALBUM 707616 Chorale Preludes for Easter Book 1 (PACHELBEL: Da Jesus an dem Kreuze stand; SCHEIDT: Christ lag in Todes Banden; Anon. 15th century: Christ est resuscité; FISCHER: Ricercar Christ ist erstanden; DANDRIEU: Offertoire O filii et filiae; ALBRECHTSBERGER: Ite Missa est, Alleluia; ROGET: Deploracion por la Semana Santa; FLEURY: Choral Vexilla regis; LANGLAIS: Incantation pour un jour Saint) (Dufourcq, Raugel) 29,55 CHADWICK George Whitefield 1854-1931 707268 Ten Canonic Studies Op. 12 pedals required 16,35 FOOTE Arthur 1853-1937 707142 Six Pieces Op. 50 pedals required 19,65 5 SAINT-SAËNS Camille 1835-1921 707143 Elevation on Communion pedals required 13,05 WUNDERLICH Heinz *1919 134609 Praeludium und Doppelfuge im alten Stil pedals required 16,20 FOR STRINGS: ALBUM 706969 Music for Piano Quartet for Beginners (1st Position) [MOZART W.A.: Les filles malicieuses (Contretanz), Deutscher Tanz; PLEYEL I.: Rondo; GEBAUER M.J.: Allegro; BEETHOVEN L. van: Deutscher Tanz, Fünf Contretänze; MAZAS J.F.: Danse nègre; HAUPTMANN M.: Quartettino; Lassú magyar; WEBER C.M.von: Marcia; SCHUBERT F.: Ländler, Variationen über einen Walzer von Anton Diabelli; Ecossaise; REINECKE C.: Schwalben im Flug (Rodino)] (Pejtsík, Vigh) violin+viola or 2nd violin+cello+piano 39,20 ALBUM 017018 50 Csárdás (Farkas, Ormay, Mészáros) violin+piano 34,70 ALBÉNIZ Isaac 1860-1909 707140 Puerta de Tierra from Recuerdos de viaje (Amaz) viola+piano 22,95 707262 Puerta de Tierra from Recuerdos de viaje (Amaz) double bass or cello+piano 22,95 BACH Johann Christian 1735-1782 139962 Sechs Trios (Päuler) 2 violins+cello parts 51,00 BABELL William 1690-1723 139960 Zwölf Sonaten Band 3: Sonaten 7-9 (Maute) violin+continuo 39,00 139961 Zwölf Sonaten Band 4: Sonaten 10-12 (Maute) violin+continuo 39,00 BOZAY Attila 1939-1999 137983 Quarteto per archi No. 3 Op. 40 2 violins+viola+cello score and parts 76,10 CHADWICK George Whitefield 1854-1931 707141 Eastern Morn cello+piano 16,35 CZIDRA László 706967 Baroque Studies [from: 1. VINGT-DEUXéme OEUVRE/de Mr. Boismortier/Con- tenant/DIVERSES PIECES/POUR UNE FLÛTE TRAVERSIÈRE SEULE/AVEC DES PRELUDES SUR TOUS LES TONS, ET DES SECONDS DESSUS/ADJOÛTÉS/etc.; 2.
Recommended publications
  • Jan Dismas Zelenka's Missae Ultimae

    Jan Dismas Zelenka's Missae Ultimae

    Jan Dismas Zelenka's Missa Dei Patris (1740): The Use of stile misto in Missa Dei Patris (ZWV 19) Item Type text; Electronic Dissertation Authors Cho, Hyunjin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 20:42:28 Link to Item http://hdl.handle.net/10150/195489 JAN DISMAS ZELENKA‟S MISSA DEI PATRIS (1740): THE USE OF STILE MISTO IN MISSA DEI PATRIS (ZWV 19) by HyunJin Cho ______________________ Copyright © HyunJin Cho 2010 A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2010 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by HyunJin Cho entitled Jan Dismas Zelenka‟s Missa Dei Patris (1740): The Use of stile misto in Missa Dei Patris (ZWV 19) and recommend that it be accepted as the fulfilling requirements for the degree of Doctor of Musical Arts ___________________________________________________ Date: 07/16/2010 Bruce Chamberlain ___________________________________________________ Date: 07/16/2010 Elizabeth Schauer ___________________________________________________ Date: 07/16/2010 Robert Bayless Final approval and acceptance of this document is contingent upon the candidate‟s submission of the final copy of the document to the Graduate College.
  • Zelenka I Penitenti Al Sepolchro Del Redentore, Zwv 63

    Zelenka I Penitenti Al Sepolchro Del Redentore, Zwv 63

    ZELENKA I PENITENTI AL SEPOLCHRO DEL REDENTORE, ZWV 63 COLLEGIUM 1704 COLLEGIUM VOCALE 1704 VÁCLAV LUKS MENU TRACKLIST TEXTE EN FRANÇAIS ENGLISH TEXT DEUTSCH KOMMENTAR ALPHA COLLECTION 84 I PENITENTI AL SEPOLCHRO DEL REDENTORE, ZWV 63 JAN DISMAS ZELENKA (1679-1745) 1 SINFONIA. ADAGIO – ANDANTE – ADAGIO 7’32 2 ARIA [DAVIDDE]. SQUARCIA LE CHIOME 10’08 3 RECITATIVO SECCO [DAVIDDE]. TRAMONTATA È LA STELLA 1’09 4 RECITATIVO ACCOMPAGNATO [MADDALENA]. OIMÈ, QUASI NEL CAMPO 1’21 5 ARIA [MADDALENA]. DEL MIO AMOR, DIVINI SGUARDI 10’58 6 RECITATIVO SECCO [PIETRO]. QUAL LA DISPERSA GREGGIA 1’38 7 ARIA [PIETRO]. LINGUA PERFIDA 6’15 8 RECITATIVO SECCO [MADDALENA]. PER LA TRACCIA DEL SANGUE 0’54 4 MENU 9 ARIA [MADDALENA]. DA VIVO TRONCO APERTO 11’58 10 RECITATIVO ACCOMPAGNATO [DAVIDDE]. QUESTA CHE FU POSSENTE 1’25 11 ARIA [DAVIDDE]. LE TUE CORDE, ARPE SONORA 8’31 12 RECITATIVO SECCO [PIETRO]. TRIBUTO ACCETTO PIÙ, PIÙ GRATO DONO RECITATIVO SECCO [MADDALENA]. AL DIVIN NOSTRO AMANTE RECITATIVO SECC O [DAVIDDE]. QUAL IO SOLEVA UN TEMPO 2’34 13 CORO E ARIA [DAVIDDE]. MISERERE MIO DIO 7’07 TOTAL TIME: 71’30 5 MARIANA REWERSKI CONTRALTO MADDALENA ERIC STOKLOSSA TENOR DAVIDDE TOBIAS BERNDT BASS PIETRO COLLEGIUM 1704 HELENA ZEMANOVÁ FIRST VIOLIN SUPER SOLO MARKÉTA KNITTLOVÁ, JAN HÁDEK, EDUARDO GARCÍA, ELEONORA MACHOVÁ, ADÉLA MIŠONOVÁ VIOLIN I JANA CHYTILOVÁ, SIMONA TYDLITÁTOVÁ, PETRA ŠCEVKOVÁ, KATERINA ŠEDÁ, MAGDALENA MALÁ VIOLIN II ANDREAS TORGERSEN, MICHAL DUŠEK, LYDIE CILLEROVÁ, DAGMAR MAŠKOVÁ VIOLA LIBOR MAŠEK, HANA FLEKOVÁ CELLO ONDREJ BALCAR, ONDREJ ŠTAJNOCHR
  • 14 December 2012 Page 1 of 11 SATURDAY 08 DECEMBER 2012 4:34 AM Favourite Piece of Music to the Rest of the UK

    14 December 2012 Page 1 of 11 SATURDAY 08 DECEMBER 2012 4:34 AM Favourite Piece of Music to the Rest of the UK

    Radio 3 Listings for 8 – 14 December 2012 Page 1 of 11 SATURDAY 08 DECEMBER 2012 4:34 AM favourite piece of music to the rest of the UK. In the run up to Sibelius, Jean (1865-1957) Christmas we'll be hearing about music that reminds listeners of SAT 01:00 Through the Night (b01p2wc3) Serenade No.1 in D major for violin & orchestra (Op.69a) the festive season. Jonathan Swain a recital from the 66th International Chopin Judy Kang (violin), Orchestre Symphonique de Laval, Jean- Festival in Duszniki Zdrój in Poland - Tonight Daniil Trifonov - François Rivest (conductor) winner of the 2011 Tchaikovsky Piano Competition. SAT 09:00 CD Review (b01p3mb1) 4:42 AM Building a Library: Bartok: Concerto for Orchestra 1:01 AM Tárrega, Francisco (1852-1909) Schubert, Franz [1797-1828] Recuerdos de la Alhambra With Andrew McGregor. Including Building a Library: Bartok: 4 Schubert Song transcriptions by Liszt, Franz [1811-1886] Ana Vidović (guitar) Concerto for Orchestra; Chamber music, by Schubert, Mozart, Daniil Trifonov (piano) Messiaen; Disc of the Week: Prokofiev: Violin Concerto No 2. 4:47 AM 1:17 AM Schein, Johann Hermann (1586-1630) Schumann, Robert [1810-1856] No.26 Canzon for 5 instruments in A minor 'Corollarium' - SAT 12:15 Music Matters (b01p3mb3) Widmung (Dedication), from 'Myrten, op. 25/1, (S. 566) from Banchetto Musicale, Leipzig (1617) Jonathan Harvey Tribute, William Christie, Royal Northern Daniil Trifonov (piano) Hesperion XX, Jordi Savall (descant viola da gamba & director) College of Music 1:21 AM 4:51 AM Tom Service pays tribute to composer Jonathan Harvey. Plus Liszt, Franz [1811-1886] Rossini, Gioachino (1792-1868) conductor William Christie and a celebration of 40 years of the La campanella, No.
  • Music List for Lent, Holy Week & Easter 2019

    Music List for Lent, Holy Week & Easter 2019

    Music List for Lent, Holy Week & Easter 2019 (click on the hyperlinks to listen to the pieces – internet access required) Tuesday, March 5th (Eve of Lent) Friday, March 15th Early Christian music Cristobal Morales (1500-1553) Explanation / history of Gregorian chant Circumdederunt me Gregorian chant short explanation Lamentatio Zain Gregorian chant Regina Caeli Saturday, March 16th Thomas Tallis (1505-1585) Ash Wednesday, March 6th Gregorio Allegri (1582-1652) Miserere Spem in alium With different ornamentations Traditional ornamentation Sunday, March 17th Jacobus Clemens non Papa (1510-56) Thursday, March 7th O Maria Vernans Rosa Orthodox- traditional hymn / song Ego Flos Campi Agni parthene Monday, March 18th Friday, March 8th Giovanni Palestrina (1525-1594) Kassia (810-865) Missa papae Marcelli kyrie Sicut Cervus (Like a Saturday, March 9th Hildegard of Bingen (1098-1179) Tuesday, March 19th Ordo virtutum excerpt Robert Parsons (1530-1570) Kyrie Ave Maria Sunday, March 10th Wednesday, March 20th Guillaume de Machaut (1300-1377) Orlande de Lassus (1532-1594) Messe de notre dame Tristis est anima mea Iustorum animae Monday, March 11th Leonel Power (1375/1385-1445) Anima Thursday, March 21st mea William Byrd (1543-1623) Ave Verum Corpus Tuesday, March 12th Ne irascaris domine John Dunstaple (1380-1453) Mass for 4 voices Kyrie Salve scema sanctitatis Mass for 4 voices Agnus Dei Wednesday, March 13th Friday, March 22nd Josquin Des Prez (1440-1521) Jacob Handl (1550-1591) Ave Maria Pater Noster Qui Habitat- psalm 90 v 1-8 Ecce Quomodo Moritur
  • Ons-Tafelmusik.Pdf

    Ons-Tafelmusik.Pdf

    CENTER FOR THE PERFORMING ARTS AT PENN STATE ONSTAGE Don Lee, The Banff Centre Banff The Don Lee, Today’s performance is sponsored by Gay D. Dunne and James H. Dunne COMMUNITY ADVISORY COUNCIL The Community Advisory Council is dedicated to strengthening the relationship between the Center for the Performing Arts and the community. Council members participate in a range of activities in support of this objective. Nancy VanLandingham, chair Mary Ellen Litzinger Lam Hood, vice chair Bonnie Marshall Pieter Ouwehand William Asbury Melinda Stearns Patricia Best Susan Steinberg Lynn Sidehamer Brown Lillian Upcraft Philip Burlingame Pat Williams Alfred Jones Jr. Nina Woskob Deb Latta Eileen Leibowitz student representative Ellie Lewis Jesse Scott Christine Lichtig CENTER FOR THE PERFORMING ARTS AT PENN STATE presents Tafelmusik Baroque Orchestra Jeanne Lamon, director The Galileo Project: Music of the Spheres Conceived, programmed, and scripted by Alison Mackay Glenn Davidson, production designer Marshall Pynkoski, stage director John Percy, astronomical consultant Shaun Smyth, narrator 7:30 p.m. Wednesday, November 5, 2014 Schwab Auditorium The performance includes one intermission. This presentation is a component of the Center for the Performing Arts Classical Music Project. With support from The Andrew W. Mellon Foundation, the proj- ect provides opportunities to engage students, faculty, and the community with classical music artists and programs. Marica Tacconi, Penn State professor of musicology and Carrie Jackson, Penn State associate professor of German and linguistics, provide faculty leadership for the curriculum and academic components of the grant project. sponsors Gay D. Dunne and James H. Dunne support provided by Nina C. Brown Endowment media sponsor WPSU The Center for the Performing Arts at Penn State receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania, and the National Endowment for the Arts, a federal agency.
  • Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort Olson25@Marshall.Edu

    Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]

    Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support.
  • Oct 12 to 18.Txt

    Oct 12 to 18.Txt

    CLASSIC CHOICES PLAYLIST Oct. 12 - 18, 2020 PLAY DATE: Mon, 10/12/2020 6:02 AM Antonio Vivaldi Concerto for violin, 2 flutes, 2 oboes & 6:13 AM Wolfgang Amadeus Mozart Symphony No. 27 6:29 AM Arcangelo Corelli Concerto Grosso No. 6 6:44 AM Johann Nepomuk Hummel Gesellschafts Rondo 7:02 AM Michel Richard Delalande Suite No. 12 7:16 AM Muzio Clementi Piano Sonata 7:33 AM Mademoiselle Duval Suite from the Ballet "Les Génies" 7:46 AM Georg (Jiri Antonin) Benda Sinfonia No. 9 8:02 AM Johann David Heinichen Concerto for fl,ob,vln,clo,theorbo,st,bc 8:12 AM Franz Joseph Haydn String Quartet 8:31 AM Joan Valent Quatre Estacions a Mallorca 9:05 AM Ralph Vaughan Williams Symphony No. 3 9:41 AM Robert Schumann Fantasiestucke 9:52 AM Ralph Vaughan Williams Silent Noon 10:00 AM Wolfgang Amadeus Mozart LA CLEMENZA DI TITO: Overture 10:06 AM Wolfgang Amadeus Mozart Violin Sonata No. 27 10:24 AM Wolfgang Amadeus Mozart Flute & Harp Concerto (mvmt 2) 10:34 AM Wolfgang Amadeus Mozart Divertimento No. 1 10:49 AM Wolfgang Amadeus Mozart Sonata for 2 pianos 11:01 AM Mark Volker Young Prometheus 11:39 AM Georg Philipp Telemann Paris Quartet No. 2:TWV 43: a 3 12:00 PM Ludwig Van Beethoven Wellington's Victory (Battle Symphony) 12:14 PM Ludwig Van Beethoven Piano Sonata No. 6 12:28 PM Johann Strauss, Jr. Wine, Women & Song 12:40 PM John Ireland Piano Trio No. 2 12:54 PM Michael Kamen CRUSOE: Marooned 1:02 PM Mark O'Connor Trio No.
  • 2. French Baroque Sacred Choral Music 1643-1774

    2. French Baroque Sacred Choral Music 1643-1774

    2. FRENCH BAROQUE SACRED CHORAL MUSIC 1643-1774 By Jason Allen Anderson 1) Historical Context a) Spanned the reigns of four Bourbon kings and three regents b) Restrict our study to the last two regents and kings i) Anne of Austria, Regent for Louis XIV (1643-1651) ii) Louis XIV ‘Le Roi Soleil’ (1643-1715) iii) Philippe d’Orléans, Regent for Louis XV (1715-1723) iv) Louis XV (1715-1774) 2) Hallmarks of the French Baroque Musical Style a) Galant “ornamented with many small figures and passages” (Grove Online) b) Rococo “A term from decorative art that has been applied by analogy to music, especially French music, of the 18th century” (Grove Online) i) Originated in France during the last years of the 17th century ii) Born of a relaxation of the rules of French classicism iii) Derivation of the term (rocaille, ‘shellwork’) is post facto and pejorative, like most critical descriptions of the style c) Slow to adopt Italian innovations, such as oratorio, basso continuo, the recitative, the formal aria, and the concertato d) Church music in France is very different from church music elsewhere on the continent (Palisca 265). i) Causes of reluctance to adopt above innovations include: (1) Control of the monarch (often at the insistence of Lully) on all matters related to music, art, architecture, dance—in essence all the fine and performing arts in an attempt to cultivate a French national style; consequently, (2) Musicians from other parts of Europe rarely found employment in the musical establishments of both court and church in France; thus, the other national styles were unable to penetrate those establishments through foreigners.
  • Page 645 H-France Review Vol. 6 (December 2006), No. 149 Lionel

    Page 645 H-France Review Vol. 6 (December 2006), No. 149 Lionel

    H-France Review Volume 6 (2006) Page 645 H-France Review Vol. 6 (December 2006), No. 149 Lionel Sawkins, A Thematic Catalogue of the Works of Michel-Richard de Lalande (1657-1726). Oxford and New York: Oxford University Press, 2005. xlvii + 700 pp. Tables, colour plate, figures, facsimiles, music examples, bibliography, and index of titles and first lines. $225.00 U.S. (cl). ISBN 0-19-816360-6. Review by Graham Sadler, University of Hull. A musical time-traveller from the ancien régime would surely be amazed at the low profile nowadays suffered by Michel-Richard de Lalande. Here was a composer who held many of the most coveted musical posts at the courts of Louis XIV and XV, who developed sacred music in the Sun King’s chapel to its highest peak, and whose legacy of grands motets formed the core repertory of the Concert spirituel for almost half a century after his death.[1] Yet no modern Opera omnia exists; indeed, with the exception of privately produced editions, only a dozen of the sixty-five more-or-less complete grands motets have been published during the past four decades, while earlier editions are, for various reasons, virtually unusable today. The secular works have, for the most part, fared even less well. Such lack of readily available editions has seriously hampered the dissemination of Lalande’s music. Despite the sterling efforts of organisations like the Centre de la Musique Baroque de Versailles, performances remain relatively few and first-class recordings fewer still. Even specialist groups like Les Arts Florissants, La Simphonie du Marais, and Ex Cathedra have between them issued scarcely more than half-a-dozen Lalande CDs.
  • MONTEVERDI Vespro Della Beata Vergine

    MONTEVERDI Vespro Della Beata Vergine

    95188 MONTEVERDI Vespro della Beata Vergine ENSEMBLE SAN FELICE Madonna con il Bambino, una santa martire e Pietro (1555 –60) by Paolo Veronese Federico Bardazzi Claudio Monteverdi 1567–1643 9 VI CONCERTO Pulchra es 3’46 motet for two voices Vespro della Beata Vergine Elena Cecchi Fedi, Laura Andreini soloists CD1 52’58 10 VII ANTIPHONA Hortus conclusus est (II) 0’24 11 PSALMUS 121 [122] Laetatus sum 5’34 1 IN PRINCIPIO HORARUM 1’47 for six-part choir I Deus, in adjutorium meum intende Elena Cecchi Fedi, Laura Andreini, Mya Fracassini, II Domine ad adjuvandum Davide Fior, Massimo Crispi, Leonardo Sagliocca soloists for six-part choir and six instruments, ad libitum 12 ANTIPHONA Hortus conclusus est (II) 1’08 III COLLECTA Ambulantibus in atriis domus tuae omnipotens Deus 2 III ANTIPHONA Laeva ejus (IV A*) 0’17 3 PSALMUS 109 [110] Dixit Dominus 6’05 13 VIII CONCERTO Duo Seraphim 5’03 for six-part choir and six instruments motet for two, then three voices Elena Cecchi Fedi, Laura Andreini, Floriano D’Auria, Davide Fior, Massimo Crispi, Salvatore Porroni soloists Davide Fior, Massimo Crispi, Giovanni Guerini soloists 4 ANTIPHONA Laeva ejus (IV A*) 1’08 14 IX ANTIPHONA Quo abiit dilectus tuus (VI F) 0’25 I COLLECTA Ante luciferum genite 15 PSALMUS 126 [127] Nisi Dominus 3’59 for ten-part choir 5 IV CONCERTO Nigra sum 3’31 16 ANTIPHONA Quo abiit dilectus tuus (VI F) 1’06 motet for solo voice IV COLLECTA Domorum spiritalium aedificator Deus Massimo Crispi soloist 17 X CONCERTO Audi coelum 6’16 6V ANTIPHONA Jam hiems transiit (VIII G) 0’22 motet
  • Zelenka Reception Since the Eighteenth Century: the Role of Emotions

    Zelenka Reception Since the Eighteenth Century: the Role of Emotions

    2017 © Frederic Kiernan, Context 42 (2017): 99–103. RESEARCH REPORT Zelenka Reception since the Eighteenth Century: The Role of Emotions Frederic Kiernan Ever since Camerata Bern first released their recording of Jan Dismas Zelenka’s (1679–1745) trio and quadro sonatas in 1973 (Archiv 2708 027), something of a cult following has formed around the Bohemian composer and his music. An online forum (www.jdzelenka.net) keeps track of most new recordings and notable developments in research, and a regular Zelenka Festival (www.zelenkafestival.cz) now takes place in Prague, usually with a conference attached. Discussions about the composer in both scholarship and the media generally express a sense of admiration and curiosity about his quirky-yet-learned style, and the paucity of biographical sources has led to speculation about his personal life and character (for example, that clues about his alleged homosexuality are encoded into his compositions).1 Zelenka’s name, however, is hardly ever mentioned in standard music history textbooks. 1 Wolfgang Reich, Zwei Zelenka-Studien, Studien und Materialien zur Musikgeschichte Dresdens 7 (Dresden: Sächsische Landesbibliothek, 1987), especially ‘Die Triosonaten von Jan Dismas Zelenka: Untersuchungen zu ihrer Struktur und Semantik,’ 13–59. 99 100 Context 42 (2017) It was not until about 1980 that research on Zelenka gained serious traction, and most of this has taken the form of editions, or studies of his life and works. Zelenka spent much of his career composing sacred music for the Catholic court of Dresden, but relatively little is known about the posthumous fate of his music, and it has generally been assumed that there is no real transmission or reception history to write of; that is, until the ‘rediscovery’ of his music in the second half of the twentieth century.
  • 15 January 2020

    15 January 2020

    15 January 2020 12:01 AM Jakov Gotovac (1895-1982) Symphonic Dance 'Kolo', Op 12 Zagreb Philharmonic Orchestra, Kazushi Ono (conductor) HRHRT 12:10 AM Johannes Brahms (1833-1897) Rhapsody for piano in B minor, Op 79 No 1 Steven Osborne (piano) USMPR 12:20 AM Jan Dismas Zelenka (1679-1745) De profundis (Psalm 129) in D minor Czech Chamber Choir, Virtuosi di Praga, Petr Chromcak (conductor) CZCR 12:29 AM Giuseppe Torelli (1658-1709) Sonata in D for Trumpet, Strings and Basso Continuo Sebastian Philpott (trumpet), European Baroque Orchestra, Lars Ulrik Mortensen (conductor) PLPR 12:37 AM David Popper (1843-1913) Hungarian rhapsody, Op 68 Shauna Rolston (cello), Calgary Philharmonic Orchestra, Mario Bernardi (conductor) CACBC 12:45 AM Silvius Leopold Weiss (1687-1750) Prelude, Toccata and Allegro in G major Hopkinson Smith (baroque lute) HRHRT 12:55 AM Franz Berwald (1796-1868) String Quartet No 2 in A minor (1849) Bernt Lysell (violin), Per Sandklef (violin), Thomas Sundkvist (viola), Mats Rondin (cello) SESR 01:14 AM Franz Schubert (1797-1828) Arpeggione Sonata for cello and piano (D.821) Erling Blondahl Bengtsson (cello), Katherine Jacobson Fleisher (piano) NONRK 01:36 AM Wolfgang Amadeus Mozart (1756-1791) Violin Concerto No 3 in G major, K 216 Nikolaj Znaider (violin), Danish Radio Chamber Orchestra, Adam Fischer (conductor) DKDR 02:01 AM Hector Berlioz (1803-1869) L'Enfance du Christ, op. 25 Stephanie D'Oustrac (mezzo soprano), Bernard Richter (tenor), Edwin Crossley-Mercer (baritone), Nicholas Teste (bass baritone), Orchestre National