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'The Wizard Of
© 2014 Universal Uclick A 75-Year Enchantment from The Mini Page © 2014 Universal Uclick ‘The Wizard of Oz’ Can you finish these famous movie The Scarecrow (Ray Bolger), lines? the Cowardly Lion (Bert Lahr), Dorothy (Judy Garland) and the • “Toto, I’ve a feeling we’re not in Tin Man (Jack Haley) eagerly ________ anymore!” approach the Wizard. • “There’s no place like _________.” Actor Buddy Ebsen was cast • “I’ll get you, my pretty, and your as the first Tin Man. He inhaled little _______ , too!” the silver aluminum crystals dusted on his face and suffered • “Follow the __________ a severe reaction. He had to ____________ Road.” be in an iron lung, a machine “The Wizard of Oz” movie first lit to help him breathe, for two up movie screens in August 1939. weeks. The role of the Tin Man Seventy-five years later, it is still one was taken over by Jack Haley. The aluminum crystals were of the most beloved movies of all time. mixed with Haley’s makeup Say one of the movie lines above, and to form a paste. That way, he people know exactly what you mean. © 2013 Warner Bros Entertainment Inc. All Rights Reserved. Courtesy Home Video would not inhale the crystals. The Mini Page talked with an Oz American adventure Changing the story historian to celebrate the lasting power “The Wonderful Wizard of Oz” was The movie directors thought kids in of “The Wizard of Oz.” America’s first fairy tale, experts say. 1939 would not like magical worlds, Until that book, most kids’ books were so they turned Dorothy’s adventures Magical story by European authors, and lessons were into a dream. -
Read It Here
IN THE UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF GEORGIA ATLANTA DIVISION JACK HALEY, JR. PRODUCTIONS, ) INC., and KELLY BRANDT, as trustee ) of the Jack Haley, Jr. Trust and as executor ) of the Estate of Jack Haley, Jr., ) ) Plaintiffs, ) ) CIVIL ACTION v. ) ) CASE NO. ______________ WARNER HOME VIDEO, a division ) of WARNER BROS. HOME ) ENTERTAINMENT, INC., ) WARNER BROS. PICTURES, a ) division of WB STUDIO ENTERPRISES ) INC., and WARNER BROS. ) ENTERTAINMENT INC., ) ) Defendants. ) COMPLAINT COME NOW Deadline.comPlaintiffs Jack Haley, Jr. Productions, Inc. and Kelly Brandt, as trustee of the Jack Haley, Jr. Trust and as executor of the Estate of Jack Haley, Jr. (collectively, “Plaintiff”), and file this Complaint against Defendants Warner Home Video, a division of Warner Bros. Home Entertainment, Inc., Warner Bros. Pictures, a division of WB Studio Enterprises, Inc., and Warner Bros. Entertainment Inc. (collectively, “Defendant” or “Warner”), as follows. PARTIES, JURISDICTION, AND VENUE 1. Plaintiff Jack Haley, Jr. Productions, Inc. (“JHP”) is an entity incorporated in and maintains its principal place of business in the State of California. 2. Plaintiff Kelly Brandt is the trustee of the Jack Haley, Jr. Trust (the “Trust”) and executor of the Estate of Jack Haley, Jr. Prior to his death, Jack Haley, Jr. assigned all his rights, title, and interest in his shares of JHP to the Trust. The Trust was formed under the laws of California and Ms. Brandt serves as the trustee. Jack Haley, Jr. also appointed Ms. Brandt as the executor of the Estate of Jack Haley, Jr. Ms. Brandt resides in Topanga, California. 3. -
Cozy up with a Movie Musical!
AXS ENTERTAINMENT / ARTS & ENTERTAINMENT / PERFORMING ARTS Snowed In, Cleveland? Cozy Up With a Movie Musical! December 13, 2010 6:13 PM MST Snowed in? Why not check out some movie musicals?! Here are just a few popcorn-by-the-fire movie musical picks from each decade to keep you entertained during our crazy Cleveland weather! What are YOUR favorites? Let us know in the Comments section. - Anything Goes (1936) - Ethel Merman, Bing Crosby - Shall We Dance (1937) - Ginger Rogers & Fred Astaire - The Wizard of Oz (1939) - Judy Garland, Ray Bolger, Jack Haley, Bert Lahr, Frank Morgan - Road to Singapore (1940) - Bing Crosby, Dorothy Lamour, Bob Hope - On the Town (1949) - Gene Kelly, Frank Sinatra, Ann Miller) - Singin' In the Rain (1952) - Gene Kelly, Donald O'Connor, Debbie Reynolds - A Star is Born (1954) - Judy Garland, James Mason - Guys and Dolls (1955) - Marlon Brando, Jean Simmons, Frank Sinatra Vivian Blaine - West Side Story (1961) - Natalie Wood, Rita Moreno, Richard Beymer - My Fair Lady (1964) - Audrey Hepburn, Rex Harrison - The Sound of Music (1965) - Julie Andrews, Christopher Plummer - Man of La Mancha (1972) - Peter O'Toole, Sophia Loren - Grease (1978) - John Travolta, Olivia Newton-John - The Wiz (1978) - Diana Ross, Michael Jackson, Lena Horne, Richard Pryor - Little Shop of Horrors (1986) - Rick Moranis, Ellen Greene, Steve Martin - Labyrinth (1986) - David Bowie, Jennifer Connelly - Sister Act (1992) - Whoopi Goldberg, Kathy Najimy, Maggie Smith - Newsies (1992) - Christian Bale, David Moscow, Bill Pullman - Moulin Rouge! (2001) - Ewan McGregor, Nicole Kidman - Chicago (2002) - Catherine Zeta-Jones, Renée Zellweger, and Richard Gere, also featuring Queen Latifah, John C. -
Frankfurter, Abstention Doctrine, and the Development of Modern Federalism: a History and Three Futures Lael Weinberger†
ARTICLE Frankfurter, Abstention Doctrine, and the Development of Modern Federalism: A History and Three Futures Lael Weinberger† In its first century and a half, the Supreme Court never used the term “feder- alism” in its opinions. The Court had talked about federal-state relations before, but the concept had gone unlabeled. That changed in 1939. Something new was hap- pening, thanks in large part to Justice Felix Frankfurter. Just a month after joining the Court, Frankfurter authored the Court’s first opinion using the term “federal- ism.” Frankfurter introduced federalism as a key concept for analyzing the relation- ship between state courts and federal courts. Before long, Frankfurter would rely on federalism to fashion an original and enduring doctrine of judicial federalism: ab- stention, which requires federal courts to sometimes refrain from hearing cases that are within their jurisdiction. This Article provides a historical study of Frankfurter’s contribution to the modern law of judicial federalism. It documents Frankfurter’s theory of federalism in his judicial opinions with a focus on the abstention cases. It also shows how the abstention cases and their concept of federalism were rooted in Frankfurter’s Pro- gressive politics. They were a reaction to what he perceived as the federal courts’ anti-regulatory and anti-labor attitudes. The history—relevant today as the political discussion around the courts again echoes the Progressive Era—sets the stage for considering the future of abstention. I suggest three possibilities. The first, an originalist future, would more or less main- tain the contemporary Supreme Court’s status quo on abstention, somewhat more modest than what Frankfurter envisioned: a cautious use of abstention in a rela- tively small number of equitable cases. -
US Summer Reading and Assignments
North Shore Country Day Upper School 2021 Summer Reading and Assignments Page 1 of 115 AP Studio Art, 2D 3 Photo-Based/Assignments 3 Mixed Media Portfolio/Assignments 3 AP Studio Art, 3D 5 3D Portfolio/Assignments 5 AP Studio Art, Drawing 7 AP Human Geography 9 Required Reading 9 About the Book 9 Your Assignment 9 Enrichment 11 Optional Reading 11 AP United States History 12 The Assignment 12 PART I 12 PART II 12 AP French Language and Culture 13 But du travail d’été 13 Lisez bien tout ce document pour comprendre ce que vous devez faire 13 Tableau des choix de films et liens aux sources d’information 14 Cours AP Français - Vos premières présentations 15 Liens aux sites à utiliser pour faire vos recherches: 16 AP Spanish Language and Culture 18 AP Spanish Literature 19 AP Music Theory 20 AP English 21 Critical Reading Journals 21 AP US Government & Politics 23 English 9 25 English 10 26 Part 1 26 Part 2 26 Part 3 26 English 11 27 English 11 Book Options 27 English 12 110 English 12 Summer Reading 111 Page 2 of 115 AP Studio Art, 2D Below are suggestions for 2D summer assignments. If you are in AP you must complete at least 4 pieces over the summer. If you are in AOS 1 semester, complete 1 assignment; 2 semesters, complete 2 assignments. Those pieces will be due the 2nd day of class, during which we will review your work in a group critique. If you are unsure which portfolio you will complete, you may choose from the Drawing, 3D or 2D lists. -
Title: Why So Silent? the Supreme Court and the Second Amendment Debate After DC V. Heller Author: Dr Emma Long Author Biographi
Title: Why So Silent? The Supreme Court and the Second Amendment Debate After DC v. Heller Author: Dr Emma Long Author Biographical Note: Emma Long is Lecturer in American Studies at the University of East Anglia. Her research focuses on the history of the US Supreme Court and its role in shaping political and social debate. She is author of The Church-State Debate: Religion, Education, and the Establishment Clause in Postwar America (Bloomsbury, 2012) and is currently working on a project exploring the role of evangelicals in shaping debate about religious rights and religious freedom in the decades after World War Two. She is also an editor of History: The Journal of the Historical Association. Abstract: In District of Columbia v. Heller (2008) the Supreme Court appeared to give to gun rights activists what they had campaigned for since the 1970s: a ruling that the Second Amendment encompassed an individual right to bear arms for the purposes of self-defence. But as the debate about gun rights returned to the top of the political agenda in the United States as a result of a series of high profile mass shootings in 2015 and the death of Justice Antonin Scalia in 2016, two things became clear: that Heller had not ended the political or legal debate about Second Amendment rights and that the Supreme Court had been noticeably absent from the debate since applying the Heller ruling to the states in McDonald v. Chicago in 2010. This article argues that, far from the success claimed by gun rights supporters, the consequences of Heller fundamentally undermined some of their key arguments and forced a shift in the nature of the debate. -
Figure . Shirley Temple and Jack Haley in a Publicity Still for Rebecca of Sunnybrook Farm (Dir
Figure . Shirley Temple and Jack Haley in a publicity still for Rebecca of Sunnybrook Farm (dir. Allan Dwan, US, ) Discipline and Pleasure: Shirley Temple and the Spectacle of Child Loving Kristen Hatch Contemporary viewers are likely to nd the image of Shirley Tem- ple riding Jack Haley perverse (g. ). Haley is on his hands and knees, straddled by the child, who swishes a riding crop against his backside and loosely holds a leather strap around his neck.1 Temple’s famous dimples and curls frame a face that seems too knowing for such a young girl. Her half- closed eyes look down slyly at the man, while her lips turn up into a disconcerting grin. How could we not see in this a pedophilic fantasy of domination and submission? And yet it is impossible to believe that Twentieth Century-Fox would deliberately stage its highest- grossing star in such a disturbing photograph. In The Structure of Scientic Revolutions, Thomas S. Kuhn draws upon Ludwig Wittgenstein’s discussion of the gestalt shift produced by a duck- rabbit — an image that appears as a duck or a rabbit depending on where one’s focus falls (g. ) — to describe the effects of a paradigm shift in scientic thinking. Practicing in different worlds, [the proponents of competing paradigms] see different things when they look from the same point in the same direction. Again, that is not to say that they can see anything Camera Obscura , Volume , Number ./- © by Camera Obscura Published by Duke University Press • Camera Obscura they please. Both are looking at the world, and what they look at has not changed. -
Heller's Catch-22
HELLER’S CATCH-22 * Adam Winkler Joseph Heller’s satire Catch-22 has become a classic for its revealing look at the illogic, inconsistency, and circular reasoning common in modern bureaucratic life. This Article uses Heller’s novel to frame a critical analysis of the recent landmark Second Amendment decision of the U.S. Supreme Court that carries the Catch-22 author’s surname, District of Columbia v. Heller. The majority opinion in Heller suffers from many of the missteps and contradictions Heller’s novel identified. Although hailed as a “triumph of originalism,” the opinion paradoxically relies on a thoroughly modern understanding of gun rights. Justice Scalia has argued that originalism is necessary to preserve the legitimacy of the Court, but Heller is more likely to be accepted as legitimate precisely because Scalia’s opinion departed from the original meaning of the Second Amendment. Moreover, this celebrated landmark decision has had almost no effect on the constitutionality of gun control. To date, the federal courts have yet to invalidate a single gun control law for violating the Second Amendment right to bear arms, despite scores of cases. While some laws are sure to be invalidated in time, the new Second Amendment’s bark is far worse than its right. The greatest irony is that Heller’s logical flaws and inconsistencies improve the decision, making it more likely to endure and helping to cement a reasonable, not radical, right to bear arms. INTRODUCTION..................................................................................................................1551 I. THE UNREASONABLE RIGHT TO BEAR ARMS ...........................................................1553 II. HELLER: THE “TRIUMPH” OF ORIGINALISM ..............................................................1557 III. SHALL NOT BE INFRINGED? .......................................................................................1565 IV. -
Bamcinématek Presents Under the Influence: Scorsese/Walsh, a 12
BAMcinématek presents Under the Influence: Scorsese/Walsh, a 12-film series pairing Martin Scorsese works with their inspirations from Raoul Walsh’s seminal oeuvre, Mar 12—26 Opens with Walsh’s Regeneration, featuring live piano by acclaimed silent film accompanist Steve Sterner The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Brooklyn, NY/Feb 12, 2014—From Wednesday, March 12 through Wednesday, March 26, BAMcinématek presents Under the Influence: Scorsese/Walsh, pairing six Scorsese classics with their inspirations from Raoul Walsh’s seminal oeuvre. The still-undervalued Walsh’s lean, mean portraits of gangsters, knack for evoking gritty urban locales, and assured handling of white- knuckle action provide a virtual template for modern-day maestro (and avowed Walsh admirer) Martin Scorsese’s work. Viewed side by side, the films of these two iconic auteurs reveal a fascinating and ongoing creative dialogue across the generations. One of the great action directors of the Hollywood studio era, Raoul Walsh was the swaggering, manly-man artist behind some of the best movies to star James Cagney, Humphrey Bogart, and Errol Flynn. ―Walsh’s explosive outcast characters were bigger than life,‖ said Martin Scorsese, whose own violent, masculine oeuvre is just as full of explosive outcasts. ―Their lust for life was insatiable, even as their actions precipitated their tragic destiny. The world was too small for them.‖ Walsh was ―probably Scorsese’s single most important influence,‖ wrote critic Dave Kehr (Moving Image Source), even if Scorsese’s debts to Michael Powell, Luchino Visconti, and other filmmakers have been more widely acknowledged over the years. -
Advance Advance the Journal of the ACS Issue Groups
Advance Advance The Journal of the ACS Issue Groups Advance: Volume 5 The Journal of the ACS Issue Groups TABLE OF CONTENTS | FALL 2011 The Journal of the ACS Issue Groups Saved by the Supreme Court: Rescuing Corporate America Alan B. Morrison Restoring Access to Justice: The Impact of Iqbal and Twombly on Federal Civil Rights Litigation Joshua Civin and Debo P. Adegbile No Exception to the Rule: The Unconstitutionality of State Immigration Enforcement Laws Pratheepan Gulasekaram The Assault on Public Sector Collective Bargaining: Real Harms and Imaginary Benefits Joseph E. Slater When Excessive Public Defender Workloads Fall 2011 Violate the Sixth Amendment Right to Counsel Spring 2007 Without a Showing of Prejudice Laurence A. Benner The National Voter Registration Act Reconsidered Estelle H. Rogers The Standardless Second Amendment Tina Mehr and Adam Winkler Volume 5 Volume The Slow, Tragic Demise of Standing in Vol. 1, No. 1 Vol. Establishment Clause Challenges Steven K. Green An Evolving Foreclosure Landscape: The Ibanez Case and Beyond Peter Pitegoff and Laura Underkuffler Academic Freedom and the Public’s Right to Know: How to Counter the Chilling Effect of FOIA Requests on Scholarship Rachel Levinson-Waldman 1333 H St., NW, 11th Floor Washington, D.C. 20005 www.ACSLaw.org 202-393-6181 Copyright © 2011 American Constitution Society for Law and Policy Advance The Journal of the ACS Issue Groups Table of ConTenT s 1 Introduction Saved by the Supreme Court: Rescuing Corporate America 5 Alan B. Morrison Restoring Access to Justice: The Impact of Iqbal and Twombly on 19 Federal Civil Rights Litigation Joshua Civin and Debo P. -
The Wonderful Wizard of Oz Sabato 17 Dicembre Ore 16.30
The Wonderful Wizard of Oz Sabato 17 dicembre ore 16.30 The Wizard of Oz is a 1939 American musical comedy-drama fantasy film produced by Metro-Goldwyn-Mayer, and the most well-known and commercially successful adaptation based on the 1900 novel The Wonderful Wizard of Oz by L. Frank Baum. .Restless teen Dorothy Gale (Judy Garland) lives a dull life on a Kansas farm with her Auntie Em (Clara Blandick) and Uncle Henry (Charley Grapewin). For entertainment, she looks to dog Toto (Terry the Wire Terrier) and three farm hands, Hunk (Ray Bolger), Hickory (Jack Haley) and Zeke (Bert Lahr). Still, she feels underappreciated on the farm, and when a mean old neighbor, Elmira Gulch (Margaret Hamilton), threatens to take Toto to the pound, she decides it’s time to run away from home. After a brief run-in with fortune-teller hack Professor Marvel (Frank Morgan), Dorothy decides to return home — just as a massive tornado strikes — “It’s a twister! It’s a twister!” Dorothy is knocked unconscious by a broken window, sparking her crazy dream that the house has been lifted inside the cyclone (with she and Toto inside) and dropped inside the magical Land of Oz. Destination: Munchkinland. Address: The head of the Wicked Witch of the East. Naturally, the witch’s sister, the Wicked Witch of the West (Hamilton), is mighty pissed off. She confronts Dorothy — and her little dog, too — but Glinda the Good Witch of the North (Billie Burke) steps in to protect her. She gives Dorothy the magical Ruby Slippers off the feet of the Wicked Witch of the East. -
Heller's Catch-22, Jsp 2011
UCLA Journal of Scholarly Perspectives Title Heller’s Catch-22 Permalink https://escholarship.org/uc/item/0k63g18t Journal Journal of Scholarly Perspectives, 7(01) Author Winkler, Adam Publication Date 2011 eScholarship.org Powered by the California Digital Library University of California Adam Winkler Professor of Law Adam Winkler is a specialist in American constitutional law. His wide-ranging scholarship has touched upon a diverse array of topics, such as the right to bear arms, corporate political speech rights, affirmative action, judicial independence, constitutional interpretation, corporate social responsibility, international economic sanctions and campaign finance law. His work has been cited and quoted in landmark Supreme Court cases and his commentary featured on CNN, The New York Times, The Los Angeles Times, The Wall Street Journal, The New Republic and numerous other outlets. He is a contributor to The Daily Beast and The Huffington Post. In September of 2011, his new book, Gunfight: The Battle over the Right to Bear Arms in America, will be published by W. W. Norton. Previously, Professor Winkler edited the six-volume Encyclopedia of the American Constitution (2nd edition) with Professor Ken Karst of the law school and the late Pulitzer Prize-winning legal historian Leonard Levy. Prior to joining UCLA School of Law, Professor Winkler clerked on the United States Court of Appeals and practiced law in Los Angeles. UCLA | SCHOOL OF LAW Scholarly Perspectives [ 67 ] 214147_Text_R3.indd 67 7/18/2011 1:42:21 PM [ 68 ] Scholarly Perspectives UCLA | SCHOOL OF LAW 214147_Text_R1.indd 68 7/5/2011 6:11:01 PM Heller’S catch-22 Adam Winkler* oseph heller’s satirical novel Catch-22 is a classic of American literature.1 The I.