Syllabus-US CA Hearst Mus 2018
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The PTA Story: a Century of Commitment to Children
DOCUMENT RESUME ED 451 302 UD 034 083 TITLE The PTA Story: A Century of Commitment to Children. INSTITUTION National PTA, Chicago, IL. ISBN ISBN-0-88109-001-8 PUB DATE 1997-00-00 NOTE 185p. AVAILABLE FROM National PTA Orders, Dept. 1927, 135 LaSalle St., Chicago, IL 60674-1927 ($34.95). Tel: 800-307-4782 (Toll free); Fax: 312-670-0240; Web site: http://www.pta.org/pubs/bkorder.htm. PUB TYPE Books (010) Historical Materials (060) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Advocacy; Blacks; *Child Health; Child Safety; Educational History; Elementary Secondary Education; Females; Juvenile Justice; Mass Media; Parent Participation IDENTIFIERS National Congress of Parents and Teachers; *Parent Teacher Association ABSTRACT This book recounts the historical achievements of the National PTA and its sister organization, the National Congress of Colored Parents and Teachers. The PTA is the result of the hard work of such women as Phoebe Apperson Hearst and Alice McLellan Birney, founders of the original National Congress of Mothers, and Selma Sloan Butler, who, with the support of the National PTA, founded the National Congress of Colored Parents and Teachers. When the two organizations merged in 1970, so did their identical mission to improve children's lives. The book profiles these women's work on such issues as juvenile justice, kindergarten classes, child labor laws, hot lunch programs, car safety, the Salk polio vaccine, today's National Education Goals, and the PTA Web site. The book includes: "The Historical Setting"; "The Founding"; -
Forumjournal VOL
ForumJournal VOL. 32, NO. 2 “Every Story Told”: Centering Women’s History THIS ISSUE IS DEDICATED TO BOBBIE GREENE MCCARTHY AND KAREN NICKLESS. Gender, Race, and Class in the Work of Julia Morgan KAREN MCNEILL n June 22, 1972, architect Julia Morgan’s Hearst San Simeon State Historical Monument, also known as Hearst OCastle, was listed on the National Register of Historic Places. Since then, 19 more places—including approximately 26 buildings—that Morgan designed or was otherwise closely associated with have been listed individually or as part of historic districts. (Hearst Castle and Asilomar Conference Grounds are also National Historic Landmarks.) No fewer than 15 of those National Register properties are associated with organizations of, by, and for women, underscoring how closely the architect’s career was intertwined with the pre–World War II California women’s movement. This might suggest that Morgan’s legacy is well understood and that the spaces of women’s activism of Progressive Era California have been well documented and preserved in the landscape. But a closer look reveals significant gaps and weaknesses in our understanding of Julia Morgan’s career and its significance. It also exposes, more generally, the challenges of recognizing and preserving the history of gender and women—and other underrepresented groups—in the built environment, as well as the opportunities to improve. A VARIED BODY OF WORK No single building on the National Register could capture the breadth of Julia Morgan’s architectural significance, but when her contributions are considered collectively, certain themes emerge. Several properties—including St. John’s Presbyterian Church, Asilomar, the Sausalito Woman’s Club, and Girton Hall (now Julia Morgan Hall)—are excellent examples of the Bay Tradition style, an expression of the Arts and Crafts movement in the San Francisco/ Berkeley region. -
Hearst Papers, 1849-1926
The Bancroft Library Finding Aid to the George and Phoebe Apperson Hearst Papers, 1849-1926 ark:/13030/kt4j49q0z8 Finding Aid to the George and Phoebe Apperson Hearst Papers, 1849-1926 Collection number: BANC MSS 72/204 c The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Finding aid written by Elizabeth Stephens, Rebecca Kim, and Eric Crawley. Finding Aid Encoded By: GenX Funding for processing and microfilming provided by the Hearst Foundation, Inc. © 2008 The Regents of the University of California. All rights reserved. Collection Summary Title: George and Phoebe Apperson Hearst papers Date (inclusive): 1849-1926 Collection Number: BANC MSS 72/204 c Contributing Institution: Physical Description: Number of containers: 85 boxes, 2 oversize boxes, 3 oversize folders, 6volumes, 4 card file boxes Linear feet: 37 173 digital objects Creator/Collector: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: Contains personal and business papers of George Hearst andhis wife, Phoebe Apperson Hearst. A small portion of the collection relates to Mr.Hearst, a rancher, mining tycoon, and politican. His papers include correspondence,illustrated mining notes and reports, bills of sale, and other material related tomines and ranches primarily in the West and Mexico. The bulk of the collectionconcerns the philanthropic, charitable and social activities of Phoebe AppersonHearst, regent of the University of California (1897-1919) and a major benefactressof the University and other institutions. -
Julia Morgan ARCHITECT B
JULIA MORGAN ARCHITECT b. January 20, 1872 d. February 2, 1957 “My buildings will be my legacy … America’s first they will speak for me long after I’m gone.” independent female Julia Morgan is recognized as the first truly independent female architect in America architect, she is and the first female architect licensed by the state of California. She designed nearly best known for the 800 projects in California and Hawaii, including the famous Hearst Castle in San Simeon. Hearst Castle. Born in San Francisco and raised in Oakland, California, Morgan graduated from UC Berkeley with a degree in civil engineering. She was the only female engineer in her class. After Morgan received her bachelor’s degree, an instructor encouraged her to pursue architectural studies at École des Beaux-Arts in Paris. The school, which had never admitted a woman, initially refused her application. She was accepted eventually after reapplying and became the first female to graduate with a certificate in architecture. Upon graduation, Morgan returned to San Francisco and began working for John Galen Howard, a successful architect, on the University of California’s master plan. Morgan worked on designs for several buildings on the Berkeley campus and served as the primary designer of Berkley’s Hearst Greek Theater. In 1904 Morgan became the first woman to obtain an architecture license from the state of California and opened her own firm. She completed many notable commissions, including Phoebe Hearst’s Hacienda del Pozo de Verona in Pleasanton, California, and multiple buildings on the campus of Mills College. After the 1906 earthquake, Morgan was hired to repair the Fairmont Hotel in San Francisco. -
Searching for May Maxwell: Bahá’Í Millennial Feminism, Transformative Identity & Globalism in the New World Order
Searching for May Maxwell: Bahá’í Millennial Feminism, Transformative Identity & Globalism in the new World Order Shaping Women’s Role in Early Bahá’i Culture 1898-1940 A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History University of Saskatchewan Saskatoon, SK, Canada By Selena M. Crosson © Copyright Selena M. Crosson, June 2013. All rights reserved. PERMISSION TO USE In presenting this thesis/dissertation in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis/dissertation in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis/dissertation work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis/dissertation or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis/dissertation. DISCLAIMER Reference in this thesis/dissertation to any specific commercial products, process, or service by trade name, trademark, manufacturer, or otherwise, does not constitute or imply its endorsement, recommendation, or favoring by the University of Saskatchewan. -
Guide to the Julia Morgan Papers, 1835 – 1958
Guide to the Julia Morgan Papers, 1835 – 1958 http://www.lib.calpoly.edu/specialcollections/findingaids/ms010/ Julia Morgan Papers, 1835–1958 (bulk 1896–1945) Processed by Nancy Loe and Denise Fourie, 2006, revised October 2008; encoded by Byte Managers, 2007 Special Collections Robert E. Kennedy Library 1 Grand Avenue California Polytechnic State University San Luis Obispo, CA 93407 Phone: 805/756-2305 Fax: 805/756-5770 Email: [email protected] URL: http://www.lib.calpoly.edu/specialcollections/ © 1985, 2007 Trustees of the California State University. All rights reserved. Table of Contents DESCRIPTIVE SUMMARY 5 TITLE: 5 COLLECTION NUMBER: 5 CREATOR: 5 ABSTRACT: 5 EXTENT: 5 LANGUAGES: 5 REPOSITORY: 5 ADMINISTRATIVE INFORMATION 6 PROVENANCE: 6 ACCESS: 6 RESTRICTIONS ON USE AND REPRODUCTION: 6 PREFERRED CITATION: 6 ABBREVIATIONS USED: 6 FUNDING: 6 INDEXING TERMS 7 SUBJECTS: 7 GENRES AND FORMS OF MATERIAL: 7 RELATED MATERIALS 8 MATERIALS CATALOGED SEPARATELY: 8 RELATED COLLECTIONS: 8 BIOGRAPHICAL NOTE 10 SCOPE AND CONTENT NOTE 12 SERIES DESCRIPTIONS/CONTAINER LIST 14 SERIES 1. PERSONAL PAPERS, 1835–1958 14 A. BIOGRAPHICAL INFORMATION 14 B. FAMILY CORRESPONDENCE AND RECORDS 14 C. PERSONAL CORRESPONDENCE 15 D. DIARIES 16 E. EDUCATION/STUDENT WORK 16 F. FINANCIAL RECORDS AND INVESTMENTS 17 G. TRAVEL 18 H. PHOTOGRAPHS 18 - 2 - SERIES 2. PROFESSIONAL PAPERS, 1904–1957 21 A. AWARDS 21 B. ASSOCIATIONS AND COMMITTEES 21 C. CERTIFICATIONS 21 D. PROFESSIONAL CORRESPONDENCE 22 E. RESEARCH NOTES AND PHOTOGRAPHS 22 F. REFERENCE FILES AND PHOTOGRAPHS 23 SERIES 3. OFFICE RECORDS, 1904–1945 26 A. CARD FILES AND LISTS 26 B. CORRESPONDENCE–CLIENTS, COLLEAGUES AND STAFF 27 C. -
Julia Morgan Collection, 1893-1980, (Bulk 1893-1940)
http://oac.cdlib.org/findaid/ark:/13030/tf7b69n9k9 Online items available Julia Morgan Collection, 1893-1980, (bulk 1893-1940) Processed by Elizabeth Konzak; machine-readable finding aid created by Archives Staff and the Electronic Text Unit Staff Environmental Design Archives College of Environmental Design 230 Wurster Hall #1820 University of California, Berkeley Berkeley, California, 94720-1820 Phone: (510) 642-5124 Fax: (510) 642-2824 Email: [email protected] http://www.ced.berkeley.edu/cedarchives/ © 2000 The Regents of California. All rights reserved. Note Arts and Humanities--ArchitectureHistory--California History--Bay Area HistoryHistory--California HistoryGeographical (By Place)--CaliforniaGeographical (By Place)--California--Bay AreaArea, Interdisciplinary, and Ethnic Studies--Women's StudiesGeographical (By Place)--University of California--UC BerkeleyHistory--University of California HistoryHistory--University of California History--UC Berkeley History Julia Morgan Collection, 1959-2 1 1893-1980, (bulk 1893-1940) Julia Morgan Collection, 1893-1980, (bulk 1893-1940) Collection Number: 1959-2 Environmental Design Archives University of California, Berkeley Berkeley, California Contact Information: Environmental Design Archives College of Environmental Design 230 Wurster Hall #1820 University of California, Berkeley Berkeley, California, 94720-1820 Phone: (510) 642-5124 Fax: (510) 642-2824 Email: [email protected] URL: http://www.ced.berkeley.edu/cedarchives/ Processed by: Elizabeth Konzak Date Completed: -
The William Randolph Hearst Archive: an Emerging Opportunity for Digital Art Research and Scholarship1
The William Randolph Hearst Archive: An Emerging Opportunity for Digital Art Research and Scholarship1 Catherine Larkin, Long Island University William Randolph Hearst (1863–1951) was a complex individual best known today for his successful 125 yearlong publishing and media dynasty. During his lifetime, Hearst was portrayed as a demagogue and maligned as the model for the the1941 film character Citizen Kane. Hearst developed a reputation as a magpie lacking self-discipline and discretion in the acquisition of works of art; 2 yet, Hearst remained passionate about antiques and collected objects for over seven decades. His enthusiasm for art collecting began under the guidance of his mother, Phoebe Apperson Hearst (1842-1919), during their first trip abroad, when he was only ten years of age. Phoebe Hearst, a compulsive collector herself, wrote home to her husband George Hearst (1820- 1891) regarding their son, “he wants all sorts of things; the boy has developed a mania for antiquities.”3 Her collection is the foundation for the Phoebe A. Hearst Museum of Anthropology in Berkeley California, which houses over three millions objects today. David Nasaw, in his biography of Hearst revealed that William’s childhood was marked by impermanence; “His father seldom saw him and his mother, whom he adored, often disappointed him, disappearing too often and too early.”4 William Hearst clearly clung to and identified with his mother and her 1 possessions. After Phoebe Hearst’s death in 1919, William, as the only heir to a mining fortune amassed by his father, George, was free to acquire works at a feverish pace. -
William Randolph Hearst Papers, 1874-1951 (Bulk 1927-1947)
http://oac.cdlib.org/findaid/ark:/13030/kt6n39q43j Online items available Finding Aid to the William Randolph Hearst Papers, 1874-1951 (bulk 1927-1947) Processed by Elizabeth Stephens, Rebecca Kim, and Eric Crawley. The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2004 The Regents of the University of California. All rights reserved. Finding Aid to the William BANC MSS 77/121 c 1 Randolph Hearst Papers, 1874-1951 (bulk 1927-1947) Finding Aid to the William Randolph Hearst Papers, 1874-1951 (bulk 1927-1947) Collection number: BANC MSS 77/121 c The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Processed by Elizabeth Stephens, Rebecca Kim, and Eric Crawley. Finding Aid Encoded By: GenX © 2016 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: William Randolph Hearst papers Date (inclusive): 1874-1951 Date (bulk): 1927-1947 Collection Number: BANC MSS 77/121 c Creator: Hearst, William Randolph, 1908-1993 Extent: Number of containers: 14 boxes, 46 cartons, 8 oversize folders, 9 oversize boxes Linear feet: 6621 digital objects (24 images) Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: Consists of a portion of William Randolph Hearst's business and personal office files primarily for the years 1927-1929, 1937-1938, and 1944-1947. -
The California Morgans Of
u HISTORY LESSON u WILLIAMThe CaliforniaRANDOLPH Morgans HEARST of Did you know that the eccentric American publisher, art-collector and builder of the famous San Simeon castle, also bred Morgan horses for ranch work? By Brenda L. Tippin he story of the Hearst Morgans is one intertwined with some local lead mines in Missouri. His father had died when he the building of California, steeped in the history of the was about 22, leaving some $10,000 in debt, a huge amount for ancient vaqueros, yet overshadowed by a magnificent those times. George worked hard to care for his mother, sister, castle and a giant family corporation still in existence and a crippled brother who later died, and succeeded in paying off Ttoday. Although the short-lived program was not begun until these debts. With news of the California Gold Rush he made his William Randolph Hearst was in his late 60s, like everything else way to San Francisco after a difficult journey across country, and Hearst, the Morgan breeding was conducted on a grand scale. from there, began to try his fortunes in various mining camps, and Shaped by the fascinating story of the Hearst family and the early also buying and selling mining shares. Vaquero traditions, the Hearst Morgan has left a lasting influence His first real success came with the Ophir Mine of the on the Morgans of today, especially those of performance and Comstock Lode, the famous silver mines of Nevada. In 1853, Western working lines. George Hearst formed a partnership with James Ben Ali Haggin and Lloyd Tevis. -
Middle Horizon Textiles from Chimu Capac, Supe Valley, Peru
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln PreColumbian Textile Conference VIII / Jornadas de Textiles PreColombinos VIII (2019) Centre for Textile Research 6-2020 Middle Horizon textiles from Chimu Capac, Supe Valley, Peru Amy Oakland Follow this and additional works at: https://digitalcommons.unl.edu/pctviii Part of the Art and Materials Conservation Commons, Fiber, Textile, and Weaving Arts Commons, Indigenous Studies Commons, Latin American Languages and Societies Commons, Museum Studies Commons, and the Other History of Art, Architecture, and Archaeology Commons This Article is brought to you for free and open access by the Centre for Textile Research at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in PreColumbian Textile Conference VIII / Jornadas de Textiles PreColombinos VIII (2019) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 4 Middle Horizon textiles from Chimu Capac, Supe Valley, Peru Amy Oakland Abstract This article presents an overview of the textiles Max Uhle collected between November 4 and December 3, 1904 in the Mid- dle Horizon cemetery at Chimu Capac in the Supe Valley, Peru. The total collection of objects numbers over 830 with 278 textiles including woven fragments, complete garments, woven and painted pouches, and over 155 painted textiles. The ar- ticle discusses a sample of Chimu Capac textiles included in Uhle’s Supe field Notebook 67, in his hand-written Supe report, and textiles listed in the Supe Berkeley catalog. The Chimu Capac textiles compare with collections of Middle Horizon funer- ary objects made in coastal burials from El Castillo, Ancon, Pachacamac, Huaca Malena, and Monte Grande. -
Philanthropy As Cultural Outreach: Phoebe
LETA E. MILLER Philanthropy as Cultural Outreach Phoebe Hearst and Music in Lead, South Dakota In the Black Hills town of Lead, the name Phoebe Apperson Hearst evokes the image of an ideal patron, a woman who unswervingly assist- ed the community from which she derived a major part of her fortune. Exhibits at the Historic Homestake Opera House and at the Sanford Lab Homestake Visitor Center document Hearst’s personal interest in Lead and her largesse in supporting its inhabitants through her sen- sitive oversight of its gold mine, her contributions to its educational institutions and its hospital, her gifts to religious institutions, and her attention to individuals. Part of that generosity stemmed from Hearst’s interest in the arts and, specifically, her support for music, which she considered an essential component of a rich civic environment. Phoebe Hearst (1842–1919), the mother of newspaper czar William Randolph Hearst, came to a position of power in Lead through the in- vestments of her husband. George Hearst had already made a fortune in gold and silver mining in California and Nevada before he bought the Homestake claim in 1877 with partners Lloyd Tevis and James Ben Ali Haggin for seventy- seven thousand dollars. Fourteen years later, George Hearst died, leaving an estate of about eighteen to twenty million dollars to Phoebe. (Not a penny went to Will, who depended on his mother’s largesse for more than a quarter century to build his newspaper empire.) Included in Phoebe’s inheritance was a 36 percent share of stock in the Homestake, which turned out to be the largest gold mine in North America.