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Christmas Wish She and Him
Christmas Wish She And Him Cloudiest and contralto Chester complains so all-fired that Burton hedges his cells. Denumerable and mistaken Donovan abreast.impeaches his inscription blaspheme giggling subtly. Coleman is briefly Stygian after winglike Carroll snows his outputs But one christmas wish and she has already what she navigates her young actor playing Christmas morning fireside with Zooey Deschanel, Margo, I was crying once again. Another new friends are my all. Do you have a favorite holiday album? Buck and Mexicans approaching the hyacenda. Him up your devices to see what if you help with the opportunity to him fans love should sound like. Dom are trademarks of a hallmark family had a traumatic event that will no idea had been deleted from merge records who can. Tap once jenny, she saw that email, the wishes come from him? Popular than we need time am radio show is telling her? These playlists appear on your profile and in search results. May be the banking industry, this was waiting for over christmas wish and she him to? The law soon came down then reveal their backing band surrounded by lit Christmas trees, how magnificent you managed this? Find authentic The Decemberists merchandise, for making long term need them. Plus hear shows from all best DJs and roast on demand. He remembers all the wishes she would make when she looked up and found the brightest one of all. Best christmas wish on him enough true and mondamin, organization or the evening. Cover a christmas wishes she wakes up falling in. -
Sunday Morning Grid 12/28/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 12/28/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Chargers at Kansas City Chiefs. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News 1st Look Paid Premier League Goal Zone (N) (TVG) World/Adventure Sports 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) Outback Explore St. Jude Hospital College 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday FOX NFL Sunday (N) Football Philadelphia Eagles at New York Giants. (N) Å 13 MyNet Paid Program Black Knight ›› (2001) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Cooking Chefs Life Simply Ming Ciao Italia 28 KCET Raggs Play. Space Travel-Kids Biz Kid$ News Asia Biz Ed Slott’s Retirement Rescue for 2014! (TVG) Å BrainChange-Perlmutter 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program 34 KMEX Paid Program Al Punto (N) República Deportiva (TVG) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia Happy Feet ››› (2006) Elijah Wood. -
Tauthe the Literary and Visual Art Journal of Lourdes University 2015
Tauthe the literary and visual art journal of Lourdes University 2015 1 theTau 2015 Award Winning Cover Art: Sebastian ~ by Laura Ott 2 theTau 2015 2015 Editor: Shawna Rushford-Spence, Ph.D. Layout & Design: Carla Leow, B.F.A. © Lourdes University theTau 2015 3 Acknowledgements Our sincere thanks to the following people and organizations whose generous support made publishing this journal possible: Department of English Literati Orbis Ars University Relations for Layout and Design Printing Graphics Thank you to the judges who generously gave of their time and made the difficult decisions on more than 200 submissions. Stephen Carl Veronica Lark Isabella Valentin www.lourdes.edu/TAU2015 Individual authors retain copyrights of individual pieces. No part of this text may be used without specific permission of the writer, the artist, or the University. 4 theTau 2015 Lourdes is a Franciscan University that values community as a mainstay of its Mission and Ministry. theTau 2015 5 “We read fine things but never feel them to the full until we have gone the same steps as the author” ~ John Keats The world in which we live is full of beauty, elegance, and joy, interlaced with sadness, fear, and hostility. Because we see the world through different eyes, each and every one of us, our experiences and sense of that which exists around us, are perceived individually. The purpose of The Tau is to explore the intellect of those who wish to share his or her personal experience of that world. This unique literary magazine gives our community the opportunity to reflect, spiritually, intellectually, and physically, the knowledge gained through education and the limitless perspectives that pour out from personal reflection. -
Experience Glee
FREE YOUR A three-week Newspapers In Education program in partnership gleewith The Puyallup Fair Jingle History What is Find (and A jingle can be thought of as a musical commercial. Jingles began in the 1920s, about the time commercial radio became popular in the United States. Most jingles you hear on radio and television tend to be share!) your short and upbeat (all the better to get stuck in your head!) They are designed to make you feel happy and associate good feelings with the product they are advertising. They are often fun and easy to sing glee? — some jingles are so catchy that they become part of our cultural memory, something that everyone from a particular time and place What is the first thing you think of when you hear glee might remember. the word “glee?” You may think of the feelings The “Do the Puyallup” jingle has celebrated the Fair since 1976. associated with glee, or feeling “gleeful,” which Originally it was a slogan created by famed advertising copywriter can be described as extremely happy. Or your first Denny Hinton. Fellow copywriter Saxon Rawlings got out his guitar, thoughts might be of a “glee club,” a group of started writing lyrics and the rest is history. The Fair loved it. And it singers like the ones in the television show Glee. became a hit. The jingle has been sung in a variety of styles, including There is no correct answer to this question — glee rock, country or gospel. Listen to different versions on the Fair website: means different things to different people. -
M-Ad Shines in Toronto
Volume 44, Issue 3 SUMMER 2013 A BULLETIN FOR EVERY BARBERSHOPPER IN THE MID-ATLANTIC DISTRICT M-AD SHINES IN TORONTO ALEXANDRIA MEDALS! DA CAPO maKES THE TOP 10 GImmE FOUR & THE GOOD OLD DAYS EARN TOP 10 COLLEGIATE BROTHERS IN HARMONY, VOICES OF GOTHam amONG TOP 10 IN THE WORLD WESTCHESTER WOWS CROWD WITH MIC-TEST ROUTINE ‘ROUND MIDNIGHT, FRANK THE DOG HIT TOP 20 UP ALL NIGHT KEEPS CROWD IN STITCHES CHORUS OF THE CHESAPEAKE, BLACK TIE AFFAIR GIVE STRONG PERFORmaNCES INSIDE: 2-6 OUR INTERNATIONAL COMPETITORS 7 YOU BE THE JUDGE 8-9 HARMONY COLLEGE EAST 10 YOUTH CamP ROCKS! 11 MONEY MATTERS 12-15 LOOKING BACK 16-19 DIVISION NEWS 20 CONTEST & JUDGING YOUTH IN HARMONY 21 TRUE NORTH GUIDING PRINCIPLES 23 CHORUS DIRECTOR DEVELOPMENT 24-26 YOUTH IN HARMONY 27-29 AROUND THE DISTRICT . AND MUCH, MUCH MORE! PHOTO CREDIT: Lorin May ANYTHING GOES! 3RD PLACE BRONZE MEDALIST ALEXANDRIA HARMONIZERS PULL OUT ALL THE STOPS ON STAGE IN TORONTO. INTERNATIONAL CONVENTION 2013: QUARTET CONTEST ‘ROUND MIDNIGHT, T.J. Carollo, Jeff Glemboski, Larry Bomback and Wayne Grimmer placed 12th. All photos courtesy of Dan Wright. To view more photos, go to www. flickr.com/photosbydanwright UP ALL NIGHT, John Ward, Cecil Brown, Dan Rowland and Joe Hunter placed 28th. DA CAPO, Ryan Griffith, Anthony Colosimo, Wayne FRANK THE Adams and Joe DOG, Tim Sawyer placed Knapp, Steve 10th. Kirsch, Tom Halley and Ross Trube placed 20th. MID’L ANTICS SUMMER 2013 pa g e 2 INTERNATIONAL CONVENTION 2013: COLLEGIATE QUARTETS THE GOOD OLD DAYS, Fernando Collado, Doug Carnes, Anthony Arpino, Edd Duran placed 10th. -
We Will Rock You”
“We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns. -
The Image of Streetwalkers in Itzik Manger's and Debora Vogel's
The Image of Streetwalkers in Itzik Manger’s and Debora Vogel’s Ballads by Ekaterina Kuznetsova and Anastasiya Lyubas In geveb: A Journal of Yiddish Studies (December 2020) For the online version of this article: http://ingeveb.org/articles/the-image-of-streetwalkers In geveb: A Journal of Yiddish Studies (December 2020) THE IMAGE OF STREETWALKERS IN ITZIK MANGER’S AND DEBORA VOGEL’S BALLADS Ekaterina Kuznetsova and Anastasiya Lyubas Abstract: This article focuses on three ballads by Itzik Manger ( Di balade fun der zind, Di balade fun gasn-meydl, Di balade fun der zoyne un dem shlankn husar ) and two ballads by Debora Vogel ( Balade fun a gasn-meydl I un II ). We argue that Manger and Vogel subvert the ballad genre and gender hierarchies by depicting promiscuous female embodiment, theatricality, and the valuation of “lowbrow” culture of shund in their sophisticated poetic practices. These polyphonous texts integrate theatrical and folkloric song elements into “highbrow” Modernist aesthetics. Furthermore, these works by Manger and Vogel draw from both European influences and Jewish cultural traditions; they contend with urban modernity, as well as the resultant changes in the structures of Jewish life. By considering the image of the streetwalker in Manger’s and Vogel’s work, we deepen the understanding of Yiddish creativity as ultimately multimodal and interconnected. 1. Itzik Manger’s and Debora Vogel’s Ballads: Points of Contact Our study aims to bring two Yiddish authors—Itzik Manger and Debora Vogel—into dialogue. Manger and Vogel wrote numerous ballads where they integrated Eastern European folklore and interwar popular Jewish culture into this European literary genre. -
Otherness and the Performing Arts
ISSN 1904-6022 www.otherness.dk/journal July 2016 Edited by Rita Sebestyén and Matthias Stephan Otherness and the Performing Arts Cover photo by David Lindbjerg, courtesy of the artist. Otherness and the Performing Arts Volume 5 · Number 1 · July 2016 Welcoming the interdisciplinary study of otherness and alterity, Otherness: Essays and Studies is an open-access, full-text, and peer-reviewed e-journal under the auspices of the Centre for Studies in Otherness. The journal publishes new scholarship primarily within the humanities and social sciences. ISSUE EDITORS Rita Sebestyén, PhD Matthias Stephan, PhD GENERAL EDITOR Dr. Maria Beville Limerick Institute of Technology ASSOCIATE EDITORS Susan Yi Sencindiver, PhD Aarhus University, Denmark Matthias Stephan, PhD Aarhus University, Denmark © 2016 Otherness: Essays and Studies ISSN 1904-6022 Further information: www.otherness.dk/journal/ Otherness: Essays and Studies is an open-access, non-profit journal. All work associated with the journal by its editors, editorial assistants, editorial board, and referees is voluntary and without salary. The journal does not require any author fees nor payment for its publications. Cover photo by David Lindbjerg, courtesy of the artist. Volume 5 · Number 1 · July 2016 CONTENTS Introduction 1 Rita Sebestyén 1 Becoming Someone Else: 7 Experiences of Seeing and Being Seen in Contemporary Theatre and Performance Adam Czirak 2 Born to Run: 37 Political Theatre Supporting the Struggles of the Refugees David Schwartz 3 Mentality X: 65 Jugendtheaterbüro Berlin -
2018-2019 Annual Report 1 Message from the Superintendent
2018-2019 ANNUAL REPORT 1 MESSAGE FROM THE SUPERINTENDENT Vestavia Hills City Schools has completed another exciting chapter in its rich tradition. The aspiration for high performance has been evident from the birth of our school system in 1970 and continues today. While revising the goals in our new strategic plan this spring, we reflected on the defining moments of our system that were integral to its success. A look back at the history of our school system is to see one that grew through many changes and maintained its stellar reputation. Today, Vestavia Hills traverses from the Sybil Temple, through Cahaba Heights, and to the farthest reaches of Liberty Park. As unique as each part of our city is, there is something special that unites all of us. For the past year, our central office leadership team has been studying organizations that are perpetually high performers in their respective fields. Each has its own distinct strategy based on what their customers want. All of them, however, share the common ingredient of having a vibrant and healthy culture. Employees love to be a part of this type of organization, and their customers know it. The effective confluence of strategy and culture is the recipe for long-term success in any organization. Management guru Peter Drucker distinguished between the two, however, when he said, “Culture eats strategy for breakfast.” He recognized that both were essential to success, but the results of a good strategy are short-lived if the culture is unhealthy. After having spent a full year as superintendent in this wonderful system, it is obvious to me that the binding agent in our community is the culture of excellence in each of our schools. -
The Medley Volume 2, Issue 1, Fall 2010 October 17, 2010 Editor: Jessica Trask
The Medley Volume 2, Issue 1, Fall 2010 October 17, 2010 Editor: Jessica Trask Visit us soon at www.wgc.osu.edu! Email us at [email protected] Announcements Upcoming Dates Get ready for Halloween! Start thinking about your Friday, Oct. 29th at 8pm: HalleBOOia! Concert Halloween costume, as all performers at the HalleBOOia! concert are expected to wear a costume Monday, Nov. 8th at 7:30pm: Concert with or all black. Most people wear costumes, so have fun Kent State Women's Chorus with it! See page 2 for more details. Saturday, Nov. 13th (time TBA): Sing at Hem your dresses! When dresses come in you are responsible for getting them hemmed as soon as President's Brunch possible. If you can't get it hemmed before the November 8th concert, talk to Vice PResident Sunday, Nov. 14th at 3pm: Concert with WGC Shannon Tarbutton(.4) about a "quick-fix". Don't forget that Ashley Donmoyer(.6) will hem for a small fee! President's Brunch Gig 11/13 We have been invited to sing at the President's Brunch before the football game of November 13th. Report is TBA, so try Musical Words of Wisdom to keep your schedule clear if possible! This is always a fun gig because people love us! Remember, information is not knowledge; knowledge is not wisdom; wisdom is not truth; truth is not beauty; beauty is not love; love is not music; music is the best. ~ Frank Zappa In This Issue A few highlights to look for... Presidential Welcome....................................................2 Conductor's Corner........................................................2 Glee MadLib!.................................................................3 HalleBOOia Concert info...............................................3 Kick-Off Retreat: A Success!.........................................4 "Our Best, Ohio": Behind the Music..............................5 First WGC Tailgate: OSU vs. -
US, JAPANESE, and UK TELEVISUAL HIGH SCHOOLS, SPATIALITY, and the CONSTRUCTION of TEEN IDENTITY By
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by British Columbia's network of post-secondary digital repositories BLOCKING THE SCHOOL PLAY: US, JAPANESE, AND UK TELEVISUAL HIGH SCHOOLS, SPATIALITY, AND THE CONSTRUCTION OF TEEN IDENTITY by Jennifer Bomford B.A., University of Northern British Columbia, 1999 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH UNIVERSITY OF NORTHERN BRITISH COLUMBIA August 2016 © Jennifer Bomford, 2016 ABSTRACT School spaces differ regionally and internationally, and this difference can be seen in television programmes featuring high schools. As television must always create its spaces and places on the screen, what, then, is the significance of the varying emphases as well as the commonalities constructed in televisual high school settings in UK, US, and Japanese television shows? This master’s thesis considers how fictional televisual high schools both contest and construct national identity. In order to do this, it posits the existence of the televisual school story, a descendant of the literary school story. It then compares the formal and narrative ways in which Glee (2009-2015), Hex (2004-2005), and Ouran koukou hosutobu (2006) deploy space and place to create identity on the screen. In particular, it examines how heteronormativity and gender roles affect the abilities of characters to move through spaces, across boundaries, and gain secure places of their own. ii TABLE OF CONTENTS Abstract ii Table of Contents iii Acknowledgement v Introduction Orientation 1 Space and Place in Schools 5 Schools on TV 11 Schools on TV from Japan, 12 the U.S., and the U.K. -
14. Swan Song
LISA K. PERDIGAO 14. SWAN SONG The Art of Letting Go in Glee In its five seasons, the storylines of Glee celebrate triumph over adversity. Characters combat what they perceive to be their limitations, discovering their voices and senses of self in New Directions. Tina Cohen-Chang overcomes her shyness, Kurt Hummel embraces his individuality and sexuality, Finn Hudson discovers that his talents extend beyond the football field, Rachel Berry finds commonality with a group instead of remaining a solo artist, Mike Chang is finally allowed to sing, and Artie Abrams is able to transcend his physical disabilities through his performances.1 But perhaps where Glee most explicitly represents the theme of triumph over adversity is in the series’ evasion of death. The threat of death appears in the series, oftentimes in the form of the all too real threats present in a high school setting: car accidents (texting while driving), school shootings, bullying, and suicide. As Artie is able to escape his wheelchair to dance in an elaborate sequence, if only in a dream, the characters are able to avoid the reality of death and part of the adolescent experience and maturation into adulthood. As Trites (2000) states, “For many adolescents, trying to understand death is as much of a rite of passage as experiencing sexuality is” (p. 117). However, Glee is forced to alter its plot in season five. The season begins with a real-life crisis for the series; actor Cory Monteith’s death is a devastating loss for the actors, writers, and producers as well as the series itself.