TH U RS DA Y. MA Y 1. 1980 PAGE 1A I ACTS AND I FISI C f I

A Romance With Dance

By JEAN MATTOCK choreographer Jose Limon, whose cers, much of the solo duty falls to horrendously-pastelled, droopy proximity of thè attractive (over- Spring -culminates in per­ works continue to be performed William Hansen and Delila tutus underscore the broad, but attractive) costumes against the formance for most local dance worldwide. Moseley, who also often partner never slapstick comedy. black field is surprising and ef­ companies; accordingly, recent In her own work, Condodina each other. Hansen has danced Bobby McFerrin’s score tran­ fective. Scaramouche looks more weekends have each been studded blends Limon’s emotive cathartic with Alvin Ailey and Jose Limon’s scends parody, invigorating his like a noble but forlorn Don with concerts. One evening of sdrama, expansive motivating companies, with the San Diego and chosen forms from All Feets Can Quixote as he bats his jutting grey- dance is still coming up. breath, dynamic use of weight, and California Ballets and teaches here Dance humming disco to an angst- beared chin. Repertory-West Dance Com­ sculptural but fluid design, with a at UCSB. Moseley has worked in ridden . Wagnerian lieder. pany, Santa Barbara’s only rhythmic depth and complexity the companies of Alvin Ailey, Movement ridiculousness — tap The koto sounds almost like a resident modern dance company that parallels the demanding but Joyce Trisler, Donald McKayle dancing on pointe,plies with the harpsichord with dynamics, and will perform at Campbell Hall on exquisite music she uses. and Agnes DeMille and teaches at arms, chicken flapping elbows, the greatest surprise is how long it Friday, May 9. The varied Repertory-West aims for sub­ SBCC. pigeon necks, buckling knees — is takes to realize that Vivaldi (Four program ranges from a joyously stantial variety by also performing accented by the bright, exacting Seasons) is not being played by a spilling break-neck romp set to Leo the works of other choreographers Impeccably rehearsed, Valerie delivery. traditional western orchestra. Kottke guitar music to a stark, such as Jacqui Coleman, quite well Huston Dance Theater’s Commedia del’Arte is a lusty Marc Wilde’s Koto Vivaldi also powerfully dramatic evocation of known on the local scene for her delightfully balanced program at vulgar form that gains most of its presents another, perhaps unin­ the ancient Greek Dytheramb, teaching and performing, and the Lobero showed the variety charm from its lack of it. Valerie tended, tension. Two skirted accompanied by the unique per­ Betty Walberg, who has worked possible to an artistic vision that Huston’s Scaramouche aims for a women on pointe are partnered by cussion orchestra of American with Martha Graham, Jerome doesn’t segregate the classical more delicate palate and is seldom two bare-chested men. Another iconoclast Harry Partch. Robbins, and extensively on from the inventive. anything but sweet, silly and three women in pants suits Besides heading her own New Broadway and in film musicals Marina Harris’ Eight Short pleasantly mollifying against seemingly form a third sex — York-based company, artistic (West Side Story, Fiddler on the Dances, which premiered in a Milhaud’s jazz influenced score. perhaps just in the context of the director Alice Condodina worked Roof, Funny Girl). studio concert last summer, The dancers’ first entrance is in extensively with the great Among Rep-West’s eight dan­ converts to a full stage well. New, front of' the curtain, and the ( Please turn to page 4A) PAGE2A DAILY NEXUS THÜRSDA Y. MA Y 1. 19S0

------; ------j# Letters INSIGHT Ranting & Raving The Real Dr. Doolittle By CRAIG ZEROUNI In 1968 Paul Winter, already a vastly successful jazz musician, Arts Editor, Daily Nexus: murder as graphically as possible; was invited to hear the songs of the I have never written a letter to his prints fairly drip with gore. humpback whale at Rockefeller the editor before but I feel now that On the other hand Roger Boyce’s University. Hearing those songs, I must. I have just seen a show at images are obviously homosexual he now admits, changed his life. the UCen Gallery. It is ap­ and radiate a mocking brutality. “ If something is sensitive, soulful, propriately titled Mondo-types. To When not dealing with the thoughtful, we call it human. Hpw put it bluntly this show is homosexual theme Mr. Boyce is arrogant. It’s really a sound which disgusting! David Bottoms ap­ content with garish colors and says, ‘I am glad to be feeling.' It's pears to be obsessed with blood indecipherable themes. Some work an affirmation,” he says. and death and presents suicide and by other artists in the show are Winter’s music is also an af­ firmation, a statement on the beauty of being. It is perhaps COUNTY MUSIC at the Galleon Room appropriate that the astronauts on Apollo 15 took a tape of the Paul [THURS • FRI • SAT IMITES Winter Consort into space. His music is a combination of jazz, symphonic, African, Brazilian and European renaissance. It is WILDWOOD ethereal, shifting. By Winter’s own Featuring the Fabulous admission, it is “ very eclectic and Paul Winter: of whales, wolves and men. (it) baffled the record companies PATTY KISTNER as to how to merchandise it. because they never knew what bin tour of 23 Latin American coun- ***** ********** to put it in. " triies. We spent six months there, pleasing and decorative but it is Winter first came to musical often playing in village squares to 1979 "Female Country Vocalist" and not worth digging through the light in 1961 at Northwestern crowds of barefoot Indians. They "Top Bass Guitarist" of the vulgarity of Boyce and Bottoms for University, where his jazz group loved it ." No. Calif. Country Music Assn. the few morsels of art to be found took first prize - at the In­ Soon after hearing the whale there. I would advise art lovers to tercollegiate Jazz Festival. Soon songs for the first time. Winter was THURS at 8 pm • FRI and SAT 19 pm stay away from this exhibit unless after, they became the first jazz introduced to someone who was GALLEON ROOM —. Orchid Bowl they are gluttons for punishment. group ever to perform at the White probably the most instrumental in 5925 Calle Real • Goleta - Ph. 967-0128 House. “ The next year the Ken­ stirring his environmental Jeff Kaisershot nedy Administration sent us on a awareness. That someone was a wolf named Jethro, an animal that, to Winter, “ had a presence and almost mystical charisma that 1 find hard to explain. After that I went to see Jethro whenever 1 could. In 1973. you know, someone t steife*® , poisoned those two marvelous animals." In 1975 Winter took his alto sax »re10 t% lfl<ïaUi5'S V s and a cassette recorder to a wildlife research center high in California's Sierra Nevada. There, he played to thirteen captive wolves. At first, they ignored him. * ? * * $ $ & “There was- no mystery." he says. "I was just another creature standing out there with q golden object. Then I began playing at SQÜ \We \ o A 0Ln cB - night, from some distance away lite 5 ! V J v o e f ' e th e down the mountainside, and this for U's set off the wolves. I found that one of them kept howling answers to my sax long after the others had stopped. She even fit the length and shape of her phrases to mine. It was the most exciting duet I've ever improvised." Winter has also played for whales, on a Greenpeace boat ofl Vancouver. He was able to call whales to his boat with his sax. "T o everyone's astonishment," recalls Rex Wyler of Greenpeace, "they gathered in a circleand stuck their heads out of the water to see what was going on.” In concert, the wolf howl has become a sort of Winter trademark. "I feel that howling is a kind of celebration for wolves, and I wanted to share this celebration with my audiences," he says. That, and he would like to get across his ecological message. He is soft-spoken, but determined: “ we've got to save animals from extinction not because our ecological systems will collapse without them, but just because they are." Winter brings his musical blends of nature to Jhe Fleishman Auditorium Tuesday and Wed­ nesday, May 5 and 6.

EXCLUSIVE PREMIERE ENGAGEMENT . . . REV FEA­ TURE-LENGTH COLOR TRAVEL-ADVENTURE FILM

mn Produced & Narrated IN PERSON by KENNETH RICHTER From London to Land's End a fas­ cinating film of BRITAIN & her people.

RESERVED SEATS NOW: $4.00 at the Lobero Theatre Box Office, 33 East Canon Perdido Street, phone (805) 963-0761. 8:15 p.m. MON. MAY 5 LOBERO THEATRE ^Onl^Santa^arbar^^tea^Showing^ THURSDAY, M AY 1. IMO «•or s a ★ ★ ★ Billboard ★ ★ ★ Film Attractions Art

A COMEDY FILM FESTIVAL, featuring silent movies PHOTO-REALIST PAINTING. IN CALIFORNIA: A by such notables as W.C. Fields, Laurel and Hardy, Charlie SURVEY will be on view at the Santa Barbara Museum of Chaplin, and Harold Lloyd will be shown at the Lobero Art through May 11. Dr. William Spurlock, curator of Theatre Tuesday, May 6 at 8 p.m. Gaylord Carter, an exhibitions and contemporary art has selected works by. the organist who performed in theaters during the silent era, following outstanding artists: Robert «Bechtle, Douglas will accompany the films with organ music. Admission is Bond, D.J. Hall. David Ligsfre, 'Richard McLean, Shirley $3.50. Pettibone, Barbara Rogers and Joseph Raffael. The Kris Sugich Auditorium will present MR. HULOT’S The University Art Museum is hosting IN HER IMAGE: HOLIDAY and KING OF HEARTS Friday, Saturday and THE GREAT GODDESS IN INDIAN ASIA AND THE Sunday for $2. “ Holiday” was the Cannes film festival’s MADONNA IN CHRISTIAN CULTURE, a cross-cultural grand prize winner in 1953. exhibition on the symbolism of*the “ motherhood of God.” STAGE DOOR, a 1937 film directed by Gregory La Cava, That issue is addressed in religfon and in art through three will be shown in the museum’s auditorium on Friday, May 2 dominant thematic categories: Abundance and Fertility, at 7:30 p.m., and on Saturday and Sunday, May 3 and 4, at Nature and Community, and Wisdom and Transcendence. 1:30 and 7:30 p.m. “ Stage Door” is one of the flashiest, most The Docent Council of the Santa Barbara Museum of Art entertaining comedies of the thirties. invites those interested in joining the program or learning On Sunday, May 4 at 3 p.m. at the Riviera Theatre you more about it to attend an orientation coffee hour .on can see TW YLA TH AR P’S SUE’S LEG, and MaCel Mar- Wednesday, May 7 at 9:30 a.m. in the museum’s Mc­ ceau in BIP AT A -SOCIETY P A R T Y and THE MASK Cormick Gallery. Call 963-4364 for further information. MAKER. The entire showing is $2.50. DRAWINGS OF FRANCE, ITALY, GERMANY ANT AUSTRIA, now on view at the Santa Barbara Museum of “James Joyce’s Women” will be a considerable display Art through May 11, was selected from drawings recently of the versatility and talents of Emmy-winning actress returned from the Conservation Laboratory of the Fionnula Flanagan, as she assumes the characters of each Music Achenbach Foundation. The collection features the human of five women who were of importance in the life and works figure in the singular and plural, at rest and in action, in In celebration of Cinco de Mayo, Radio Chicano and Low of author James Joyce. Directed by Burgess Meredith, the academic undress and clothed. (Academic undress — now Rider Magazine are presenting Tierra and The Escovedos. presentation sponsored by the University’s Committee on there’s something to think about). Spanning the period of The show will be at Campbell Hall on Saturday, May 3 at Arts & Lectures will be on stage at Campbell Hall on the Renaissance to Modern times, compositions included 7:30 p.m., and tickets are $5.75. are by Cambiaso, Cavedone, Bouchardon, Wa'tteau, Lan- A Texas-based production company is looking for new cret, Daumier, Guys, Degas and Schiele. talent in the area of songwriters and groups. The company Part I of SEQUENCE PHOTOGRAPHY closes May 4 at has its own 24 track recording studio and producers. Demo the Santa Barbara Museum of Art. Part II, which will tapes can be sent to Coconut Productions, c/o Indian Creek present more specific usages of sequencing, opens May 6. Recording, P.O. Box 487, Uvalde, Texas 78801. Internationally acclaimed violin virtuoso Charles Treger will be the final soloist of the Santa Barbara Symphony’s Stage 1979-90 season. Mr. Treger, the first American to win the International Wieniawski Competition, will perform at the Tonight and tomorrow nights at 8 p.m. the -Lobero Arlington Theatre on May 11 at 3 p.m. and May 13 at 8:30 Theatre will feature THROUGH OUR EYES, a fnusical p.m. Tickets may be obtained at Ticket Express, 966-1114. presented by the newly formed Santa Barbara Theatre of the Handicapped. The show features a cast of 65 disabled The UCSB department of music will present a senior performers, and is based on their feelings, reactions and recital with James Isaacs conducting the University opinions about facing the world as a handicapped person. Symphony Orchestra on Saturday, May 3 at 8 p.m. in Lotte. Reserved seats are $8.50 and -$6.50. General admission is Lehmann. Admission is free. $4.50. The UCSB department of music will present a Faculty Woodwind Quintet, directed by lecturer Patricia Kindel, on Thursday May 1 at 8 p.m. in Lotte Lehmann. There will be a $1 admission at the door to benefit the Music Scholarship Gossip Fund. One of this country’s foremost female vocalists, Judy Recording artist Sylvester has been cleared by the New. On Sunday, May 4 at 8 p.m. the Santa Barbara City Collins, makes a long-awaited return appearance in Santa York District Attorney’s office of all charges stemming College will present a Symphony Orchestra Concert, Barbara on Saturday, May 3, in the Arlington Theatre. from his arrest on March 14 for passing bad checks after conducted by Dr. Jack Ullom. Works will be from the Judy’s last performance ih the area was in 1970 wen she the clerk who had originally accused him admitted that Classic, Romantic and Contemporary periods. Admission is played the County Bowl. Sylvester was not the man. The singer now plans to call his $2 general. new album Accused...and Exonerated.

A CONCERT FOR THE ENVIRONMENT OUR GREATEST SALE EVER: A CELEBRATION OF A MUSICAL NATURE at the Chameleon PAUL We're-offering insane prices throughout the store during the month of May. We're clearing out our stock at any price to make room for WINTER the coming summer season. An incredible opportunity to build your wardrobe at giveaway prices. So hurry in while the selection is greater.

Dresses «- Famous Makers; casual or evening styles Values to $70.00 NOW *10 - *15 - *20 Blouses & Tops - hundreds to choose from Values to $45.00 NOW *5 - *10 - *15 Shoes - Famous Makers; dress, sport, casual, clogs Values to $67.00 NOW*5 - *10 - *15 Designer Jeans - many styles Values to $47.00 NOW *15 Also incredible prices on co-ordinates, accessories, etc. THE WINTER CONSORT AND MEN'S - slacks, sportshirts, jackets, swimwear A special set o f concerts ip the intimate, rustic ambience o f the & sweaters are also reduced to ridiculous prices! Museum of Natural Histoiy’s Fleischman Auditorium .. . the perfect setting for Paul Winter’s music with its commitment to nature's common ground. A musical Thoreau whose music mixes the songs of the whales ahd wolves with Bach, bossa-nova and the English renaissance.

T W O EVENINGS AT 8 PM Monday, M a y 5 / Tuesday M ay 6 SANTA BARBARA MUSEUM OF NATURAL HISTORY FLEISCHMANN AUDITORIUM 2559 Puesta del Sol, o ff Mission Canyon (behind the Mission) 706 State St. . . . 5779 Calle Real 7th & Linden SEATING: $7.00 GENERAL; $6.00 MUSEUM MEMBERS; ^ aüIcoooc3ra Goleta Carpintería $5.00 ChtlLDREN/SENlOR CITIZENS 965-8325 964-2248 684-1011 Available: MUSEUM BOOKSTORE, LOBERO BOX OFFICE, TICKET BUREAU, TICKET EXPRESS, TURNING POINT,-MORNINGLORY, All stores open Mon-Sat 10-6, Sunday 12-5 • The Goleta Store is closed Sundays AND ALL THE USUAL TKCOUNTY OUTLETS A STEPHEN CLOUD PRESENTATION PAGE4A DAILY NEXUS THURSDAY, l\ COVER STORY “All That Jazz’’ Was Never Like This (Continued from cover page) danced, the Collaboration’s spring knows what she is getting at when partnering. Filled with delicate Usher’s Haydn - Dances mismatches i blatant sexual stereotyping of concert avoided the ragged edges black-shrouded figures briefly but nudges, deft balances, and other good-humored sight gags and smiles to a i most ballet. and uneveness of their premiere obtrusively intrude to lift the subtle manipulations it is stately Haydn string-rich orchestra, with | Quicksilver steps topped with concert last October. women. The contrast and in­ simultaneously refreshing and less musical sensitivity than in a Loony i crisply stylized (but not I wish I could have seen Julie congruency is just too great. unsettling. Perhaps it is the Tunes cartoon. Not at all as interesting as t exaggerated) port de bras fill the M cLeod’s Races without its Flashy and varied, Michael selfless introversion, eyes always Usher’s previous mismatch, Flipside, to ornamental counterpoint of the cloying electronic score. Though Maurer’s Dancehall 1939 was less on his partner. spacial interrelationships. clean lined and starkly executed, dancehall (other than its virtually Santa Barbara Ballet Theater’s One section was particularly the movement loses power by so continuous partnering) and more a pursuit of the classics has been an striking. The dancers came to high closely mirroring the music. 1939 Busby Berkeley esthetic of uneven affair. Sleeping Beauty, ballances with each staccato chord Overkill. entertainment for entertainment’s their first full length ballet (which of the score. Yet each dancer’s Carla Moseley’s Undertones is sake. they use to replace the traditional pose differed and constantly firmly anchored in the spare A balletic pas de deux, Nutcracker for their Xmas season) changed. Though aware of Cecchetti style of ballet that she choreographed by its dancers Bill features the worst choreography regularity and repetition, I was teaches. It calls for an austerity Richardson and Susan Manchak, for the corp I have seen in any constantly intrigued, never able to and clarity of delivery, a precision Birds of Temple and Earth, (to production of anything. Lifeless, perceive the full design of all seven and purity of line that would be Debussy) like a strand of pearls, stilted. But with Giselle, and again bodies. demanding for any performer. Her attaches one finely polished with Act II Swan Lake the corp, The Santa Barbara dancers need to risk a bit more. moment to the next. But tacked though under-rehearsed, is Choreographer’s Collaboration, Instead of hiding within the together in sequence, those stylistically unified and the stage formed less than a year ago by choreography, they need to create gorgeous, original lifts lack in­ is used well, at least when they’re Delila Moseley and William it before our eyes. terest and drama. dancing. Some attention needs to Murray, serves as a forum for the Lindy Moore’s SATURNIA is I’m always intrigued by be paid to those group scenes professional production of works essentially a breathy fullbodied Richardson’s sensitive and where everyone stands about by local choreographers. A panel trio for women, full of curved responsive, yet unconventional looking like cardboard cutouts. . of dancers and non-dancers select suspensions and extreme in­ the most promising works for each clinations of the body, often aided concert. by a head-high bar that tran­ Tightly produced and adequately sverses the stage. But no one S.B. Ballet Theatre Norbert Wesak’s reputation as a choreographer comes more from serviceability than creativity. His new A Midsummer Night's Dream, created especially for Santa Barbara Ballet Theater, is carefully tailored for that company’s strengths and limitations. It works. Derivative, but engaging and attractive. Vesak sketches the plot quickly and economically, sparing us Shakespeare’s underscoring of the vacuous dialogue between lovers. PREGNANCY TESTING William Spencer (Demetrius) and Susan Manchak (Helena) take only frenzied seconds to draw their love-sick characters to cartoon > NEW TEST CONFIRMS PREGNANCY fullness. WITHIN A FEW DAYS OF CONCEPTION (RESULTS WHILE YOU WAIT; I was disappointed to miss Shakespeare’s fairies. Cobweb and NO APPOINTMENT NECESSARY) Peaseblossom and the rest are no run-of-the-mill wilies, but distinct individuals. But Vesak’s portrayal of them is the one place he » FREE UCG PREGNANCY TESTING transcends the obvious. Owing more to La Sylphide than the Bard, David Gord< FOR INFORMATION OR APPOINTMENT* the etherial corp are parodically hyper-romantic. Comical relief. Sant* Barbara 9 6 6 - 1 5 8 5 They bouree with exageratedly expressive backs and arms, They’re already dancing when the doors Umtura 6 5 9 -0 0 4 0 joltingly lunge, execute fleet hitchkicks temps de fleche derriere loose shirts, legwarmers — in a Painted Des intermittantly throughout the ballet, always to the same fluttery five members of David Gordon’s “ permanei California Pregnancy Counseling Service, Inc violins. They move so fast faults d’ecole become invisible. The dancing they do is based on natural m Watching Michael Goodwin’s improvement from concert to is insistantly naturalistic in its delivery. No 14 W. Mlcheltorena St. • Santa Barbara concert has become a major joy in SBBT concerts. His spritely Puck catch your eye on the street — unless i); 3160 E. Telegraph Rd. • Ventura is precisely delineated, snapshot sharp. I wish Vesek had enlarged a following the last. bit on the signature movements (pedaling legs while lying on his At 8 David Gordon walks out and begins a back or jumping; odd rolls across the floor; leaps landing on all with Valda Setterfield, his co-worker and wi fours) that mark Puck’s every appearance. analytically lists what can go wrong wijth a p At least Puck ranges farther than Oberon, (authoritatively and The evening follows Merce Cunningham graciously performed by Terry Edlefsen, evoking Anthony Dowel in from Gordon’s previous work and juxtapose Ashton’s Dream ) who is either running in a circle displaying his Three women drape their arms across eac cape, or spinning off quadruple pirouettes ending in attitude. an unbroken unit, introverted, intensely com Hermina (Shirin Keyani) and Lysander’s (Kenneth Strang) Setterfield takes on pose after pose, tryin prologue duet is sprinkled with bouyantly partnered adagio turns vaudeville voice croons “ every little move; rapevine that suddenly flick off to finish with crisp spins. Keyani’s line retains thought and feeling by some posture can be s its breadth and purity. A voice formally announces “ there will Vesek’s pacing is refreshing — taut and quick scenes interspersed house lights come up, the dancers keep rig with specs of solos, brief storytelling behind an upstage scrim — trying to get to the front of the line (crawlii Choosing a Wine Merchant cutting across the musical phrase, never obvious. And fleshed out and prodding) to show their own material, ( by Ralph Aufder Heide with more lengthy, pleasantly crafted pas de deux. of. Once anyone has tasted a truly superior wine, Only in the final act does Vesak bog down with interminable As the other five count, slender Susan E; reverances, bows and strolling, as if he’d suddenly found himself per-count sequences, perfectly realizing ev chances are good that supermarket, liquor store, with another 100 bars of music and no time to choreograph. the control that comes from release. or discount house wines will seem dull and no Final kudos to Miguel Romero’s resplendant 3rd act set, and to the They verbally recount the story of an ac longer be satisfying. The next step for such a universally apt casting. each word with a haywire sign language person is to locate a reliable wine merchant who —Richard Wills cackling witch; To no avail is a nod and the f can lead to other enjoyable taste experiences. An Two couples mutually support each oth< honest wine specialist can be the wine buyer's Gordon and Setterfield hug, and while one best friend, alerting one to new and exciting slips out of his arms. Tenderly evocative. tasting experiences at reasonable prices. Gordon is a big shaggy teddybear of a mat How does one determine that he has found a BUYA humor infuses his work with entertainmer satisfactory wine merchant? Answers to the ceptual problems with scientific detatchrru were lucky to catch Pick Up Co.’s first nai following questions should help identify him. TENT... We’re always ready for theatre like this. 1. Are the bottles stored upright or horizontally? If the wine bottles are standing upright, (except Sherry or Port), turn around and walk out. The chances of your finding a decent wine, let alone a superlative one, are almost non­ GET A existent, no matter how attractive the discount. 2. Does the store have a good range of fine California wines? PACK... KCSB-FM Look for such labels as Chateau Montelena, Ridge, Heitz, 91.9 Chalone, Ch. Chevalier, Mayacamas, Montevina and Schram- sberg — as well as such spectacular newer wineries as Congress ...FREE Springs, Sherill Cellars, Ahlgren, Harbor and Page Mill. Choose from North Face, 3. Is there a good selection of wines from France,Germany, Italy, Sierra Designs. Sierra West. Spain, and Portugal in all price ranges? Caribou Mountaineering. 4. Is the wine staff informed and helpful? Have they tasted the Eureka, or Camp 7. and wines they are trying to seH you? Can they offer good advice we'll give you a Day- when they are asked "W hat wine should I have with dinner?" Do Pack for free. But hurry, they try to learn what you are being served, how it will be offer expires May 31,1980. prepared, how much you want to pay for the wine? These questions are necessary for suitable recommendations. If your present wine merchant falls short in one or more of Student discount these areas, then come to THE WINE CASK where we have the __ and fast professional service at Open knowledge, the wines.the staff, and the desire to serve you best Air Bicycles' Isla Vista store: 6571 Seville . .. MOUNTAIN AIR across from Sunburst 731 State Street Market. Also, best ROLLER SKATES in the SPORTS at De La Guerra County sold and rented Downtown Santa Barbara till midnight! Win» Specialty Shop ‘HELPING YOU MEET THE CHALLENGE” 9 6 2 -0 0 4 9 Open Air Bicycles ¡13 A naca pa, Santa Barbara 966-9463 l ‘DAY, MAY 1, 1980 DAILY NEXUS PAGESA MUSIC The Consummate Pianist hes Shostakovich, where the rhythmic slick and precise. No wasted By JAMES ISAACS o a variations in the score prevented square motion. A bit curt. As if rigging a Miss de Larrocha has it all: nth phrasing, and the movement was more sail or intently studying the virtuosic technique, beautiful tone, jny inventive than the classical peasant steps physics problem — when to in­ musicality, inspired in­ ; as this time around. tercept the trajectory of the body terpretation, and every other to David Gallagher’s partnering is in motion. While the audience can element of “artistry." But the appreciate the pure physicality of most striking aspect of her playing technique, we don’t want to share is her control: control over uneasiness or anticipation of the technique, balance, drama, and next grab. W e’d rather be over the most subtle shadings of distracted from details of dynamics and tone color. The manipulation by seeing two people results of these gifts and a varied connected physically and and interesting program were emotionally. perfectly splendid. Unfortunately, the male role in She began her program with the much of classical ballet is designed Seven Bagatelles, Op. 33 by for little more than a stage hand. Beethoven. Each of the seven By convention he is invisible. Not pieces came alive with its own the case with Tamara Usher’s distinct personality, and her Spartacus Pas de Deux. beautifully subtle playing was pure It is a bit more tasteful and a bit joy to hear. She followed the less exciting than the grand Bagatelles with the English Suite acrobatics of the modern Soviet No. 2 in A Minor by J.S. Bach. The style it’s modeled after. seven movements of this baroque Though in awe of her aplomb and dance suite again possessed their soft, controlled style, I haven’t own personality and character, been excited by watching Shirin and the amazing clarity with which Keyani perform recently. I had the she brought out each line brought pleasure of watching her in class. the work to life. She followed with Alicia De Larrocha That was excitement. The im­ another work of J.S. Bach, this one of her control I spoke of earlier was splendid unannounced encores — a mediacy of her dealing with the a transcription of Bach's Chaconne the feather-light, yet perfectly Soler or Scarlatti sonata, a unfamiliar inserted a vitality and from the Violin Partita 'No. 2. even touch she used on the beautiful Spanish lullaby, and the vigor that is lacking in her stately transcribed by Busoni. One may treacherously fast passages in the classic “ Fire Dance.” Those stage presence. I want the prefer the original getting of the -first movement “ Odine.” I had to audience members who couldn’t freshness of the first time < or that work, but the virtuosic, romantic look to see if she wasn’t actually wait to get out to their cars missed illusion), while Keyani looks as if treatment of the piece is moving using her bare hands on the piano some wonderful music. she’s always been caught in that and certainly successful in its own strings themselves — truly What more can be said about a moment. right. remarkable. performance that was superb in Whispering ly haunting The second half of the program She then treated us to three every regard? Shakahachi flute melds with began with Robert Schumann’s Aikido (I believe Aikido is more Allegro in B minor, Op. 8. This NUCLEAR REACTOR spiritual, not so bluntly hard-edged piece was not the most inspiring of as karate, not so mellifluous as tai the evening, but it was certainly MANAGEMENT TRAINING: chi) in The Mist Leaves No Scar. enjoyable, and, displayed some of [•don Pick-up Choreographer Jean Isaacs is one Miss de Larrocha’s considerable OPENINGS - OPPORTUNITIES f doors open. Pants, colored suede jazz shoes, third of the San Diego-based technical skill. Dept, of Navy, Diyision of Nuclear Reactors is accepting ap­ ed Desert array of earth colon — spill over the modern company 3’s Company. The final piece of the night was plications for nuclear propulsion management trainees for openings •manently temporary” Pick Up Co. beginning in June 1980. (It’s likely she’ll be doing a Ravel’s “ Gaspard de'la nuit." It Additionally, College Juniors can apply and if screened suc­ ural movement — walks, gestures, hugs — and workshop this summer here in S.B. was in these three movements that cessfully, can qualify for up to $800 a month retainer during senior :ry. No drama. No cloying smiles. It might not at Dance Warehouse — technique she did some of her most im­ year. (Also available to grads in Masters program) nlessiiyou caught one moment incongrously and choreography.) pressive playing of the evening. Training program consists of 10 months instruction in Thermodynamics, Personnel Management Six men, bare-chested in loose She played with that rare spon­ Electrical Engineering. Career Counseling igins a ruthlessly-sculpted slow-tempo jogging pants, legs wrapped with rope, taneity that makes one feel as if Chemical Analysis Control, Reactor theory, much more and wife for two decades. A tape plays, a voice boldly but delicately abstract and the music is being composed in Six months internship at one of three U.S. sites with opportunities i ijth a performance. amplify martial arts movements, front of you, or as if the piece for assignment at various U.S. and overseas sites following in­ ternship. Paid relocation. ngham’s Event formula — sections are lifted transferring the grounded power always existed, just as the BA/BS/MS degrees in math, physics, engineering, sciences. taposed and superimposed, into torsoed turns and climactic sculpture lives within the sculp­ U.S. citizens only/physically qualified. oss each other’s shoulders; turn, sit, rise, all as aerials. tor’s marble block, and we are Excellent salary, benefits package/bonuses. ;ly concentrated. Their rapport is stunning. At random intervals three being given a perfectly free and Contact: LT Jim Letscher or LT John Knudsen, P.O. Box 36806, !, trying to duplicate photographs, as a creaky women float through the action L.A., CA 90036 or call (213) 468-3321 or sign up for an interview at the clear view of it. Gaspard truly Placement Office i movement has a meaning all it’s own, every incongruently. The souvenir came to life. One amazing aspect :an be shown...” program mentions yin and yang. ■e will be a fifteen minute intermission,” the William Spencer (who has eep right on dancing. They play variations on worked previously with Isaacs) crawling thru legs, quick sidestepping, pulling took arching suspensions to ex­ erial, only to be rolled back or jumped in front tremes without ever losing fluency or strength in his evening­ isan Eschelback does a series of one-gesture- highlighting solo. In a duet, two :ing every instant with exacting precision and other men lacked stylistic familiarity and sensitivity in f an accident in a jumbled canon, illustrating working together. iguage rich in homonyms. Which becomes a Dance in Santa Barbara con­ id tbe forming of the hands into a veil, tinues a steady growth, though ch others’ weight without regard for gender, Proposition 9 may be a major ile one freezes in position, the other carefully stumbling block in the near future. ive. But while the economy has hurt the f a man with a week’s growth of beard. Sly, dry box office in other areas, the desire linment value even as he chips away at per- to see local dance increases. One atchment (or is it artistic detatchment?) We reason for this may be that the irst national tour. Bring them back any time, physical vitality of the live dance lis. event makes good theater. En­ —Richard Wills couraging.

JOB AVAILABLE Director of A.S. Notetaking Service 20 hours per week. $5.51 per hour. DUTIES: To do background work for the development of an A.S. notetaking service which will begin fall quarter including recruiting and selection of staff and notetakers, setting up accounting and bookkeeping systems and contacting faculty to arrange for courses to be included in the program. QUALIFICATIONS: Strong organizational and com­ munication skills, and desire to manage a growing student service. Previous business experience is helpful, but not required. The applicant must be able to continue throughout the summer and the entire 1980-81 academic year. APPLICATIONS AVAILABLE IN A.S. OFFICE 3rd floor UCen DEADLINE: MAY 2 M f f M DAILY NEXUS THURSDAY. M A Y 1. ISSO

UCSB Art Muséum: Something to Treasure By JILL STEIN California Architectural Archives: available in the form of art The UCSB Art Museum offers drawings, prints and records of museum catalogues. These books rich and enjoyable programs architecture in southern include photographs and written which delve into the various types California. Several art landscape text and are sold in the UCSB and periods of «art, and the in­ pieces and sculptures, owned by bookstore or by mail. Art museum terests and ideas of an artistic the museum, stand on campus. curator Phyllis Pious selects and culture. Beginning May 4th in tfie The museum has relied on gifts organizes the material and writes main gallery is the annual multi­ from galleries, patrons and artists some of the show catalogues. The media undergraduate exhibition. to develop its permanent collec­ volumes, copyrighted by the Usually four to five UCSB tion. regents of the university, are sold originated shows are in the tonring internationally to art libraries, process, running-with grants from Permanent, touring and locally scholars and collectors. the National Endowment for the originated exhibits are displayed “ Documentation of ideas in the Arts or the National Endowment in conjunction with the UCSB Art catalogues adds to educational for the Humanities. The UCSB Art Department. The expertise of the material on the subject and lends Museum also houses traveling staff is utilized in creating shows prestige to the university within exhibitions from throughout the which complement what is taught the art world,” Pious said. United States. The -museum is in the department. Theme shows, ■ Pious has been museum curator directed by David Gebhardt and balanced between art history and since 1963. Her experience in art, accredited by the American studio art, range from ancient art culture and written material is Association of Museums. to the art of yesterday. Media reflected in the exhibits she At the UCSB Art Museum, employed include painting, organizes. With special training in students, faculty and staff can drawing, printmaking, ceramics, 20th century art, Pious travels to view permanent art collections of sculpture and photography. There studios and galleries in order to Renaissance and Baroque medals are two major student exhibitions bring together contemporary and plaquettes, 15th, 16th and 17th a year, as well as shows which ideas. Pious says that one of her century European paintings, feature faculty work. interests is, “ art within the culture graphic arts, and pre-Columbian An enduring representation of and why people are doing what art. The museum houses the UCSB-originated exhibitions is they’re doing.” Each year many, exciting, thoughtful and impressive exhibitions are displayed. The ORCHID BOWL UCSB Art Museum, though not large, is one of the most beautiful • Bowling - Open 24 Hours on the west coast. The building was • Billiards “ Madonna with Child and PrayerbookK” from the • Game Machines Allan C. Batch Collection. This oil on panel work was • Coffee Shop LETTERS & SCIENCE done by the Flemish artist Go/eta's Recreation Center! Barend van Orley (c.1491- Country Music at the GALLEON ROOM STUDENTS 1542). WILDWOOD remodeled three years ago. It is FRID A Y 2 interesting, well arranged and Featuring PATTY KISTNER sophisticated. Laminated wood, Award Winning Vocalist and Musician is the FINAL DAY raised ceilings and appealing THURS at 8 pm • FRI and SAT at 9 pm to drop classes fo r Spring 1980 quarter displays add to the structure. The Petitions are available UCSB Art Museum is one of four ORCHID BOWL - GALLEON ROOM in the Registrar's Office places on campus where art can be 5925 Calle Real - Goleta • • • Ph. 967-0128 viewed, others include the College of Creative Studies, Women’s Center, and UCen galleries. ARTS & LECTURES Com ing E vents

‘James Joyce’s Women’ Clalendai* “JAMES JOYCE’S WOMEN” written and edited and starred in will be a considerable display for by the redoubtable Irish-born THURS., M AY 1 the versatility and talents of Fionnula (pronounced fiNOCila Noon, Lotte Lehmann Hall Emmy-winning actress FION- and meaning “ fair shoulders” in THE RIVER NILE NULA FLANAGAN, as she Gaelic.) (Noon Film Séries) assumes the characters of eaph of The play is devoted to charac­ five women who were of im­ terizations of actual and fictional THURS., MAY 1 portance in the life and works of women important in the life and 7:30p.m. Campbell Hall author JAMES JOYCE. Directed works of the author, including THE WORLD OF APU by BURGESS MEREDITH, the Harriet Shaw Weaver, a bookish ( Indian Film Series) presentation will be on stage at Parisian who persevered until she Campbell Hall on Friday, May 2 at was successful in finding a printer FRI., MAY 2 8:00 p.m. who at last published “ Ulysses,” ' 8 p.m. Campbell Hall Certainly a tour de force by Miss when it had been banned from FIONNULA FLANAGAN Flanagan, of the flaming auburn publication in America; Molly “ JAMES JOYCE’S WOMEN” hair and green eyes, the drama Bloom from “ Ulysses,” and Anna Amadeus Quartet To (Footlight Series I) comes off as a good-humored, Livia Plurabelle of “ Finnegans highly-literate tribute to Joyce, Wake. Perform Here May 10 SUN., M AY 4 7:30 p.m. Campbell Hall The AMADEUS QUARTET, from left to right, Norbert Brainin, LA BETE HUMAINE Siegmund Nissel, Peter Schidlof and Martin Lovett. Performing music (Renoir Retrospective) by Beethoven, Bartók and Haydn at Campbell Hall, Saturday evening, May 10th at 8 o ’clock. MON., M AY 5 8 p.m. Campbell Hall JOHN HOUSÇMAN “SEVEN THEATRES” (Lecture Series)

TUES., MAY 6 3 p.m. Girvetz 1004 BONA MALWAL RING (REGENT’S LECTURER) (CANCELLED)

THURS., MAY 8 Noon, Lotte Lehmann THE VOLGA RIVER ( Noon Film Series)

Tickets to all Arts & Lectures Preservation Hall performing events are ‘Boesman & Lena’ currently available in the Arts Jazz Band Returns and Lectures Ticket Office, the Michelle Thompson and Stanley E. Williams are featured in the Ticket Bureau of Santa Barbara Oakland Ensemble Theatre production of the South African play THE PRESERVATION HALL JAZZ BAND from New Orleans will be and the Lobero Theatre. This BOESMAN AND LENA. Written by Athol Fugard, the play is directed doing their magic once again this summer on Tuesday and Wednesday half-page was prepared by Arts by Zakes Mokae. Coming Thursday, May 15 to Campbell Hall. nights, July 8 & 9 at 8p.m. in Campbell Hall. Always a sellout! & Lectures staff. THURSDA Y. MA Y 1. 1980 PA6E.7A STAGE 9 6 6 4 0 4 6 T GRANADA ibrçldck Well At Least the I 710 Siale Mt SOMET h 7 n g “ o R THE M'aha.fe ¿ Id lliO b WHOLE FAMILY!

^ ^ P P W IN N E ^ F 2 ACADEMY AWARDS, INCLUDING1 Cast Stayed Awake BEST ACTRESS 966-2479 ^ ^ ^ a |fe ...very touching and wonderful. r S T A T E j Co m 4haM. NUT IV

Alto: BREAKING AWAY ZÀ * SALLY FIELD ¡H'a A

■ ■ ■ ■ ■ i Bill Murray - Peter Boyle in I !i«r»-r»792 sjFijlESTAl M * S tali* Sir«*«- BRUNO KIRBY rmPW\m

* ■ ■ ■ ■ Walt Disney 's ^

PLUS: FANTASY ON SKIS r

A Song That Could Break Yum H.M.S. Pinafore: somebody missed the boat. I k’.Ht is fhtvStoryjol Her Lilt* W\ !M¡'>-r.7»2 , iC otU 'fh + n e*'j By I.ISA CARLSON reprise in the finale which, just as H.M.S. Pinafore was completely V rlE*11«; S Sliii«* T Slr«*«*l_ A H.M.S. Pinafore is a musical by the fear of reliving the experience unbelievable, both in plot and ANAMÉRí C/S __ Gilbert and Sullivan. It presents begins to spread throughout the production. Not being campy .BECOMES A LOVE STORY '"SHIER the story of a love separated jpy audience, mercifully does not enough for a melodrama, active ■SISSY SIW 'KK IX (MMY I ,KK .V INKS social class structure and ex­ repeat every single song in the enough for a musical, serious perienced on board a ship in Her show, but merely the “ stars" of the enough for an opera, nor light «■■■■a Cu n t Eastwooo Majesty's Service. Performed in a evening. enough for a comedy, it fell *•»5-5792 WILL TURN YOU somewhat melodramatic fashion, somewhere in the'realm of being I ÉSTA 4 ‘Every the play is billed as comic opera. There was some compensation: boring enough for a sleeper. '»I«; S t.«!«• Str«*«*l F WHich Way First the melodrama: with the voices were trained and Pinafore was a work of conflicting But Loose’ • • ■ ■ ■ ■ I (11 ï| MU O characters named Dick Deadeye beautiful; their ranges were wide interests that remained undecided So n o r a Lo c k e and Little Buttercup the "cam p" and their quality striking. Also, a right down to the use of varying style is definitely inherent. Un­ level of comedy was maintained by accents, and whose only real WINNER OF 4 ACADEMY AWARDS fortunately. the presentation at the John Carle, a most pompous and achievement was to demonstrate Arlington lacked much of the unwittingly endearing Lord of the that the mixing of two great RÜYTCHÖDER tongue-in-cheek aura which Admiralty. The costumes were traditions can often lead to nothing characterizes this style. Perhaps detailed and colorful, and the but the bastardization of them Æ 1 B 4 T orchestra was accomplished. both. the production was attempting a All that rhythm. . All that Jaul JC new sort of "subtle camp," but, in i l l addition to being highly doubtful, the idea has been created more BEST PICTURE OF THE YEAR successfully at Disneyland’s Bear REAL WOOD COOKED -m * ¿«2-4936 ^ P l a z a dc O r o DUSTIN HOFFMAN Country Jamboree. The heroine's ( ^ ¡ ¡ 1 349 South high voice, the villian's limp and Hitchcock Way Kramer j VS. gnarled physique, the hero's clean- ★ BARBQUE ★ WINNER OFp Kramer cut appearance — all of it was 5 ACADEMY AWARDS ?? |W!) characteristic of the "meller- RIBS-BEEF-PORK I dramer." but in a superficial, overused way. Nothing new was CHICKEN-HOTLINKS Things like this only happen presented and nothing old was in the movies. carried out to its full potential. As for the comic opera, both the ☆ HOMEMADE☆ GILDA comedy and the opera served no LIVE ~ real purpose other than that of SALADS • BEANS • DESSERTS cancelling each other out. The overture was accompanied by a A TEXAS CHILI , slow, stilted pantomime the tone of which was too obscure to be rfUEftfm r ”v distinguished either as a symbolic ^ ^ ^ 6050 Hollister Ave.^^W ballet or an exaggerated farce. Whichever it was meant to be, it was characterized by the dominant DONT MISS IT! wtm P ^i[R fault of the play: it was dull. 7398 Calle Real Much of the dullness came from ACADEMY AWARD WINNER! an inability to understand the (North of Freeway, off Storke Road) »67-0744 story, not because of its com­ PETER SELLERS plexity, but because,' in keeping 968-5800 • Goleta r F a i r v i e w #1 SHIRLEY MacLAINE 251 N. FairvFa ir view with the operatic style, the songs BEING were sung more for their musical BEST SUPPORTING ACTOR \ Î than their lyrical quality. Since the Melvyn Douglas THERE play is almost entirely written in song, this loss of dialogue had a DRIVE-IN THEATRES WINNER OF 2 ACADEMY AWARDS somewhat detrimental effect on ■ ■ ■ |p 967-0744 the storyline. Fortunately the plot was outlined in the program — one kirk ooucuts S m hm ua t .. , Fairviiw*2 251 N. Fair view 4 of the most ingenious decisions of the evening. S T A R ç n d S H There was never a movie like this. Dullness also pervaded the production through the direction of Starring Sean Connery Allan Lokos. Movements were not WEDNESDAY thru SATURDAY, SUNDAY thru TUESDAY, only rare but repetitive - rather like a slide presentation that's áUfceln700 9 35 f * TO been seen before. Lokos has a very VfcnderlaiuUL m s limited definition of the word THF mone - Chapter 9 6 6 3 3 6 « UP IN « "solo.'" For him it seems to mean A ,.,..»j i f i j T w a tPlseocur^Matfic' Laiitern jSM OKE not only one singer, but one actor rflsn MURDER BY DEATH TWO 8:15 Twin Theatres on stage standing in one spot tor tursi« ' »0 0 E «r bare adero D el Worte what becomes one very tedious V AN UKVKHI “ t.H >!<< .1. number.. *»« ‘t ) I I You discovered ROCKY PENITENTIARY You discovered MIDNIGHT EXPRESS Not all the blame goes to this particular production: the script NOW DISCOVER OÍANG&tfcNJC.1 BALTIMORE NEWS: itself is lileless Knell sqng Mows into its successor without any PENITENTIARY!! distinctive qualities This is FOR THF GREATEST IN DOUBLE FEATURE FILMS! epitomi/cd by the- hall hearted PA G E8A TH U RS DA Y. M A Y 1. 1980

‘Nobody Wants It To Happen More Than We Do,' Glenn said with his mouth full of birthday cake. A.S. Program Board

In Concert The Dixie Dregs: Catch ’em By RANDY KORAL same pitiful type of story might get Once in awhile a band will come told in the future by some old to your neighborhood and you’ve UCSB student who missed the never heard about them so you chance to see the Dixie Dregs next don’t go to see them when they Wednesday in Campbell Hall. My play. In time, the band becomes sister, by the way, never did get to vey popular and you think their see Freddy and the Dreamers music is great but they don’t come unless you count their appearance to your neighborhood anymore. on the Ed Sullivan show. Alas, then you remember the time There’s no doubt that in time when you could’ve seen them just “ Dixie Dregs” will be a household around the corner. word, or two household words, in Dregs; ‘Two Steps Above Other Rock Bands and One Step Above Beethoven. ’ This was precisely the case with au courant households. They have my sister and Freddy and the so far been favorably reviewed by newspaper ran a headline and surpass Pink Floyd’s “ lost in May 7 at 8 p.m. will be Steve Rolling Stone^ the New York proclaiming, “Dixie Dregs Steal space” flights. I still don’t see the Gillette. Steve has spent most of The Dregs show will Times, Down Beat, Penthouse, and Show From Pure Prairie League.” jazz in the Dregs, unless they lump his time behind the scenes, so to begin at 8 p.m., May 7. Jim Reeves in the Daily Nexus. “ ...It was an electrifying show that it all together as “ all that jazz.” ” speak, watching his songs get simply put the League to shame,” Nevetherless, the Dixie Dregs recorded by the likes of Linda Tickets are also on sale The band has been nominated for a grammy award for their latest the story went on to say. are often banaly labeled as a Ronstadt, John Denver, Gordon now f o r ■ David album, Night of the Living Dregs, But you still don’t know what rock and jazz fusion group. Don’t Lightfoot, and others. But what Grisman, May <17. and their lead guitarist, Steve their music sounds like. I do know ask me why. If you ask guitarist makes Steve Gillette so special is Morse, won a Guitar Player what their music sounds like Steve Morse why, he’ll tell you “ we not his ability to write a catchy Dreamers. Magazine award as “ Best New because I listen to their records. rarely think of labels” and then tune and engaging lyrics. It’s his Long before their single “ Do The Guitarist of 1979.” But you wouldn’t know anything you’re back to where you started. ability to win over an audience Freddy” became such a big hit in As for the kind of music they just from reading this article. Besides Steve Morse, the Dixie with poise and charm. You’ll be 1965, my sister could’ve seen play, well, you’ll just have to hear I like what the Madcity Music Dregs consists of Alan Sloan on sorry if you miss him too. Freddy and the Dreamers one it for yourself. To a Madison Guide had to say about a Dregs electric violin, Andy West on bass, In closing, I’ll leave you with night at the go-go club two blocks Wisconsin newspaper columnist, show in early February of this Rod Morgenstein on drums, and Ralph Hanson’s impression of the from our house. But she had never describing a performance there in year: Tee Lavitz on keyboards. The band Dixie Dregsfrom his review of heard of this new band and she February, the Dixie Dregs have an “ Either way, the layering and was formed at the prestigious their concert in Illinois: “ The clear didn’t think their music could be “ eclectic grab-bag of styles which texturing of these college-trained University of Miami School of favorite of the audience was a high very good if it was never played on mixes country, blues, rock, jazz musicians is two steps above other Music, where the jazz faculty flying electric bluegrass tune, ‘The the radio. So she stayed home that and classical elements...” “ rock” bands and one step above included Pat Metheny, Michael Bash.’ It was the party song of the night with her hair up in curlers. But that’s not saying much. Beethoven. Oh yeah, they run rings Walden, and Jaco Pastorius. evening, and the crowd jumped to I hate to think about it, but this After another concert, another around Roy Clark’s shit-kickin’ The opening act for the Dregs on its feet, roaring its approval.” Guess What’s Coming To UCen II at 6 and 9 p.m. Tonight...

By PATTI F. TAKAHASHI Tonight, in our ’60s Retrospect Ain’t got nothing against them.” Last quarter, the A.S. Program Film Series, we are proud to Board’s Films Committee paid present Tracy and Hepburn in The monlogue has a snow-balling homage to a few of the many great their last picture together, the effectiveness in its expression of teams which have emerged classic Guess Who’s Coming to how prejudice isolated the bigot throughout the span of American Dinner? from his world. This effective film cinema. One of the memorable This grandly entertaining social is certain to compel viewers to teams we acknowledged was that commentary about inter-racial examine their own prejudices and of Katherine Hepburn and Spencer marriage garnered two Academy encourage discussion of the impact Shirley MacLaine in Sweet Charity, this Sunday, May 4 Tracy, whom some regard as the Awards; Best Actress (Katherine of bigotry on society. The impact is at 6, 9p.m. in UCen II. most popular couple ever to grace Hepburn), and Best Story and all the greater because this the screen. Screenplay (W illiamRose). Other Academy Awards nominations include Best Actor, A Good Dance Troupe Best Supporting Acrtress, and Best Director (Spencer Tracy, The Repertory-West Dance* Katherine Houghton, and Stanley Company, Santa Barbara’s ?onjy^ Kramèf, respectively).'■ resident professional modern* The Story of a ' young.; white dance .company,: will present a Woman’s announced marriage to a local performance this season, black man is presented comically, Friday May 9 at UCSB’s Campbell but the film doesn’t neglect the Hall, 8 p.m. Social repercussions as well. Bill Cosby, Tonight * in The program includes works by ■_ In the end, parents and the four choreographers. engaged couplé all come to an UCen II Repertory-West consists of eight understanding that the decision monologue is. given by one of dancers whose rich and varied ultimately lies with the young America’s favorite comedians. background includes performing people. ShoWtimes for both Bill Cosby on in such prestigious dance com­ Saturday Review defined Guess Prejudice and Guess Who’s panies as those of Alvin Ailey, Jose W ho’s Coming to D in n er’s Coming to Dinner? are at 7 and 9 Lipion and Agnes deMille; it works message perfectly: “If this film p.m. in the UCen II Pavilion. with choreographers such as Kurt can bring us one little step closer to Ticket prices are $1.50. Jooss and Antony Tudor. accepting the relationship between On Sunday, May 4, we continue All the performers presently a non-white man and a white girl our Broadway Musicals Series teach ballet, jazz or modern dance as simply a love story and not a with Shirley MacLaine in Sweet in the Santa Barbara area, in­ problem, it will not have been Charity, a bold, brassy, yet cluding Delila Moseley at Santa made in vain.” . poignant musical extravaganza. Barbara City College, William Girl and Dr. Dolittle. in the direction of tomorrow.” Along wit.h our feature film, Based on Fellini’s Nights of Hensen and Sheila Peters at UCSB, “ Hole in the D ay,” Two sections from Alice Con- we’ve scheduled the perfect short Cabiria and stunningly directed by and others at various private choreographed by local dancer dodina’s evening-length tribute to to emphasize the absurdity of Bob Fosse ( Cabaret, Lenny, All studios. Jacqui Coleman was brought into Jose Limon are slated for the racial prejudice even further. The That Jazz), it’s the bittersweet Choreographer Betty Walberg’s the repertory after its premiere program and feature the sensitive film is entitled Bill Cosby on story of Charity Hope Valentine, a “ Western Haiku...remembering with the Santa Barbara and intricate partnering of William Prejudice and in one long jolting hostess in a cheap New York dance Willa Cather” poignantly joins Choreographer’s Collaboration. Hansen and Delila Moseley. In monologue, unrelieved by any of hall who dreams of better things. minimal movements to delicately Breakneck tempo and free easy­ “ Duet” interwoven canons and the usual filmic techniques. Bill evoke the breadth of the open going movements characterize its arched suspensions glow moment Cosby, portraying America’s Neil Simon first brought it to plains by the presence of a single use of the rhythmic guitar music to moment against the baroque composite bigot, systematically Broadway, and now Fosse brings it performer. Walberg has taught at by LeoKottke. immensity of the music of J.S. disowns the human race. to the screen in almost surrealistic many of America’s finest dance Martha Wittman’s “Evening Bach. He gathers together all the fashion. Thirteen musical numbers schools; served as accompanist Portrait” sculpts the melancholy, Repertory-West has recently typical cliches and stereotypes highlight the show, including the and musical director for com­ solitude and introspection of three returned from a successful tour in about particular groups of people, memorable “ Hey, Big Spender,” panies such as those of Martha women fragilely and fragmentedly Oregon, presenting performances, concluding, “ What this country “ If My Friends Could See Me Graham and Jerom Robbins; and sharing a sliver of moments. lecture demonstrations and needs is a good flushing out...Just Now,” and “ I Love to Cry at served as arranger of dance for the Dance Observer has praised master classes. The Campbell Hall get rid of ’em. Nicely. No blood. Weddings.” original Broadway and film Wittman’s work for its “ richness in performance May 9 at UCSB will productions of musicals West Side invention, incandescent lucidity be followed by a May 17' date at This Page Prepared and Served Up Fresh By The A.S. Program Story, Fiddler on the Roof, Funny and economy in expression...a step U.C. Irvine. Board.