Ratt (From the 1984 Album "Out of the Cellar")

Total Page:16

File Type:pdf, Size:1020Kb

Ratt (From the 1984 Album LACK OF COMMUNICATION As recorded by Ratt (from the 1984 Album "Out Of The Cellar") Transcribed by SheriffOniBob Words by Juan Croucier & Stephen Pearcy Music by Juan Croucier & Stephen Pearcy Arranged by Ratt Dropped D Tuning - DADGBE A Intro Moderately Fast Rock P = 142 D5 C5 D5 1 e 4 V V V V V I 4 V V V V V V V V V V V V V V V V Gtr I P.M. P.M. P.M. P.M. P.M. P.M. T A 7 5 5 5 7 B 5 3 3 3 5 0 0 0 0 0 0 0 0 0 0 0 C5 A5 D5 C5 5 4 2 4 Ie 4 V V V 4 V 4 V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T A 5 5 5 2 7 5 B 3 3 3 0 5 3 0 0 0 0 0 0 0 0 0 0 0 0 0 D5 C5 8 j e 4 V V V V V V 2 V I 4 V V V V V V 4 V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. T A 5 5 7 5 5 5 B 3 3 5 3 3 3 12 0 0 0 0 0 0 0 0 0 0 sl. sl. 1984 Ratt Music. Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ LACK OF COMMUNICATION - Ratt Page 2 of 17 D5 C5 D5 C5 A5 11 4 2 Ie 4 V V V V V V V V 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A 7 5 5 5 7 5 5 5 2 B 5 3 3 3 5 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 D5 C5 D5 C5 A5 15 4 2 Ie 4 V V V V V V V V 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T 2 A 7 5 5 5 7 5 5 5 2 B 5 3 3 3 5 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B Verse 1 F5 G5 F5 c 19 } V k V j e 4 } V V U V I 4 U W U V V U W V V gV f V T x 7 7 5 5 A x 5 5 3 3 B 3 3 3 3 3 3 2 1 0 sl. e 4 k I 4 W V V V W V V V V V V V V V V V V V V V V V V V V V V V gV f V Gtr II P.M. T A B 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 1 0 1984 Ratt Music. Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ LACK OF COMMUNICATION - Ratt Page 3 of 17 D5 C5 D5 C5 A5 23 2 Ie V V V V V V V V 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A 7 5 5 5 7 5 5 5 2 B 5 3 3 3 5 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 Ie V V V V V V V V 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A 7 5 5 5 7 5 5 5 2 B 5 3 3 3 5 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 F5 G5 F5 G5 F5 c c 27 k V k V j e 4 V V U V I 4 U W U V V U W V gV f V T 7 7 5 5 A 5 5 3 3 3 B 3 3 3 3 3 2 1 0 sl. e 4 c k c k I 4 W V V V V V W V V V V V V V V V V V V V V V V V V V V V V gV f V P.M. P.M. T A B 3 3 3 3 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5 3 2 1 0 1984 Ratt Music. Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ LACK OF COMMUNICATION - Ratt Page 4 of 17 D5 C5 D5 C5 A5 31 2 Ie V V V V V V V V 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A 7 5 5 5 7 5 5 5 2 B 5 3 3 3 5 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 Ie V V V V V V V V 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A 7 5 5 5 7 5 5 5 2 B 5 3 3 3 5 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 C Verse 2 F5 G5 F5 c 35 } V k V j e 4 } V V U V I 4 U W U V V U W V V gV f V T x 7 7 5 5 A x 5 5 3 3 B 3 3 3 3 3 3 2 1 0 sl. e 4 k I 4 W V V V W V V V V V V V V V V V V V V V V V V V V V V V gV f V P.M. T A B 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 1 0 1984 Ratt Music. Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ LACK OF COMMUNICATION - Ratt Page 5 of 17 D5 C5 D5 C5 A5 39 2 Ie V V V V V V V V 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A 7 5 5 5 7 5 5 5 2 B 5 3 3 3 5 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 Ie V V V V V V V V 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A 7 5 5 5 7 5 5 5 2 B 5 3 3 3 5 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 F5 G5 F5 G5 F5 c c 43 k V k V j e 4 V V U V I 4 U W U V V U W V gV f V T 7 7 5 5 A 5 5 3 3 3 B 3 3 3 3 3 2 1 0 sl. e 4 c k c k I 4 W V V V V V W V V V V V V V V V V V V V V V V V V V V V V gV f V P.M.
Recommended publications
  • Hamer 02/Wright/Jul/2000
    22 Vintage Guitar July 2000 www.vintageguitar.com BY MICHAEL WRIGHT WITH ANDREW LARGE, The Different Strummer STEVE MATTHES AND PETER FUNG LEFT TO RIGHT ’84 Hamer Special, mahogany body with custom factory yellow Stevens I with rare white/gold hardware option. ’85 Hamer Phantom A5, later and black graphics Courtesy of the A. Stein collection. Rare short-scale ’84 Hamer version with six-in-line headstock and bound fingerboard with crowns. Courtesy A. 4 Bass. Ca. ’85 Hamer Standard Lefty. Courtesy DiPinto Guitars. ’85 Hamer Steve Stein collection. Short-lived ’85 Hamer Scepter Vee. were the days before Rose won his patent rights). These were advertised as being, “...small, lightweight, versatile, and ag- Hamer Guitars gressive.” Finishes were either custom colors or graphics. High-End Boutique or Budget Vintage? Part II In ’86 the Prototype SS became known as the Steve Stevens model, a name it s we discussed last month, Hamer using Hamers inevitably led to the intro- bound fingerboard of either rosewood or enjoyed until its demise in ’92. Also at was started when Jol Dantzig and duction of models named for individual ebony, with dot or crown inlays. The that time the 22-fret fingerboard was ex- Paul Hamer, partners in North- artists. One of the earliest to get an artist ebony and crown version was sometimes tended to 24 frets, although some 22-fret A ern Prairie Music in the early 1970s, association was a version of the Special known as the Custom. The pickup layout models continued to be made. Begin- moved from repairing old guitars to mak- introduced in ’84, and carrying a Floyd consisted of a bridge humbucker and two ning in ’87, some came with Fender-style 1 ing new, improved versions of their Rose double-locking vibrato system.
    [Show full text]
  • The Embassy Theatre Gets
    PROJECT BALLET ACADEMIC CONSERVATORY things to do World class. Nationwide impact. Right here in Fort Wayne. pg12-13 285 in the area CALENDARS START ON PAGE 10 Jan. 24-30, 2019 FREE WHAT THERE IS TO DO IN FORT WAYNE AND BEYOND THE EMBASSY TONY AWARD- THEATRE GETS WINNING KINKY BOOTS STEPS INTO TOWN. KINKY PAGES 8-9 ALSO INSIDE: LOCAL MUSIC COVERAGE INCLUDES STRANGE WATERS, KEVIN HAMBRICK, AND ALICIA PYLE whatzup.com Inside This Week Volume 23, Number 26 4The Harlem TRADE UP Globetrotters in 2019 5 Make Your Old Gear New Jefferson We will help you sell your Starship gear on consignment or trade it in on the spot for in-store credit 6Kinky Boots 8New Clyde executive director 12Project Ballet Columns & Reviews Calendars Spins ⁄ 9 Picks ⁄ 16 Music/On the Road ⁄ 10-11 Visit the Gear Exchange today! Kevin Hambrick, Stephen Pearcy Bizet’s Carmen with The Fort Wayne Philharmonic and Chorus, Road Trips ⁄ 11 Backtracks ⁄ 9 Tuck Everlasting with Fire & Light Live Music & Comedy ⁄ 15-18 The Frost, Frost Music (1969) Productions Stage & Dance ⁄ 21 Road Notes ⁄ 10-11 Reel Views ⁄ 19 The Who answer yes to tour, new Glass: Shyamalan flips comic book Things To Do ⁄ 22 album formula Art & Exhibits ⁄ 23 Out and About ⁄ 14 Screen Time ⁄ 20 Hit the tropics with local surf rock Glass hits ceiling; The Upside still up 5501 US Hwy 30 W quartet Fort Wayne, IN 46818 JANUARY 24-30, 2019 WHATZUP 3 How to reach us Family fun from basketball court jesters Whatzup LLC 5501 U.S. Highway 30 West Fort Wayne, IN 46818 Globetrotters Phone: (260) 407-3198 Fax: (260) 469-1027 dribble their way [email protected] whatzup.com to the Coliseum facebook.com/whatzupftwayne instagram.com/whatzupftwayne BY HEATHER HERRON twitter.com/whatzupftwayne WHATZUP FEATURES WRITER Publisher It’s a life Chandler “Bulldog” Mack Gerson Rosenbloom could only dream of when growing up in Huntsville, Ala.
    [Show full text]
  • OCTOBER 1986 Reflections on the NAMM Show
    in this issue . VOL. 10, NO. 10 Features Cover Photo by Jaeger Kotos Columns DAVE WECKL EDUCATION ELECTRONIC INSIGHTS MIDI And The Electronic Drummer: Part 1 by Jim Fiore 46 ROCK PERSPECTIVES Applying The Paradiddle-diddle by Jeff Macko 62 TAKING CARE OF BUSINESS A Guide To Full-Time Employment: Part 2 by Michael Stevens 68 DRUM SOLOIST Dave Weckl: "Step It" by Ken Ross 70 CONCEPTS Kotos Mousey Alexander: Drumming And Courage Jaeger by Roy Burns 92 by CLUB SCENE Photo On The Clock For the past couple of years, musicians around New York by Rick Van Horn 94 have been referring to Dave Weckl as "the next guy." Now, with his exposure in Chick Corea's Elektric Band, the rest of the world is getting the chance to find out why. by Jeff Potter 16 EQUIPMENT SHOP TALK BOBBY BLOTZER Dream Product Contest Results 82 Providing the beat for Ratt has earned Bobby Blotzer a PRODUCT CLOSE-UP reputation as a first-class heavy metal drummer. While he For Hands And Feet appreciates the recognition, he's quick to point out that metal by Bob Saydlowski, Jr. 96 is not all that he can do. by Anne M. Raso 22 JUST DRUMS NAMM '86 From A to Z STAYING IN SHAPE: by Rick Mattingly 100 TIPS FROM THE PROS PART 1 PROFILES The world's top drummers share the personal fitness exercises, ON THE MOVE diets, and warm-ups that keep them in shape for the physical Biddie Freed: The Search For Respect aspects of drumming. by Russ Lewellen 40 by Ron Spagnardi 26 RANDY WRIGHT The drummer, featured vocalist, and bandleader in Barbara NEWS Mandrell's group discusses recent changes that have made the UPDATE 6 group more contemporary, and explains how Barbara's nearly fatal auto accident affected the whole band.
    [Show full text]
  • Read Ebook {PDF EPUB} Death Among Us by Jack Crosby Death Among Us by Jack Crosby
    Read Ebook {PDF EPUB} Death Among Us by Jack Crosby Death Among Us by Jack Crosby. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 6587dd7acde284c8 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Ratt Guitarist Robbin Crosby Dies. morning following a long battle with AIDS. He was 42. The cause of death has not yet been determined, according to Craig Harvey, operations chief for the Los Angeles coroner's office. One of the original members of the '80s metal rockers known for hits such as. "Round and Round" and "Lay It Down," Crosby began speaking out several years. ago about his drug use in the band's heyday and how it led to his contraction. of the deadly virus nearly eight years ago. Ratt formed in the late '70s under the name Mickey Ratt, eventually settling. on the catchier, shorter moniker by 1983. The band — vocalist Stephen. Pearcy, Crosby, guitarist Warren DeMartini, bassist Juan Croucier and drummer.
    [Show full text]
  • 346-8938 LOS ANGELES: +1 (310) 273-9200 LONDON: +44 (0)207 096 1917 FAX:(310) 913-1517 EMAIL:[email protected] »
    12 Stones Centiment Fireball Ministry Led Zeppelin 2 Philip H. Anselmo & The Agony Scene 3OH!3 Charcoal Tongue Fishbone Les Stroud The Illegals The Academy Is ’68 Chicago 6 Fit for an Autopsy Leslie West Plague Vendor The Bad Flowers 36 Crazyfists Chuck Mosley Forever Still Liberty Lies* P.O.D The Bottom Line 9electric Cinderella’s Tom Keifer Forever The Sickest Lifeforce Pearl The Buddy Rich Band ABBARAMA Cold Kids Life of Agony Pride Of Lions The Damned Things Ace Frehley** Corey Glover Fozzy Limbs Prong The Dead Deads Adelitas Way Cornerstones of Rock Franky Perez Lionize Psychostick The Ides of March Aeges Critical Hit Fuel Listener Queensrÿche* featuring Jim Peterik Albert Hammond Crobot Fury Tour LIT Raging Speedhorn The Last Vegas Alex Clare Cute Is What We Aim Gemini Syndrome Living Colour RATT** The Missing Letters Alien Ant Farm** For Get Scared Local H** RATT’s Juan Croucier The New Regime Altitudes & Attitude Cutting Crew Great American Ghost Locals Only RATT’s Stephen Pearcy The Ready Set Amorphis* Damon Johnson GWAR ** Making Monsters Ray Parker Jr. The Scars Heal In Time Anthrax Danielle Colby Hank 3 Mark Farner’s Red Dragon Cartel The Smithereens Appice Darkest Hour Hardcore Superstar “American Band” Richie Kotzen The Sun Kings of Archer Nation Dave Cavalier Havok Metal Allegiance Tour Rickie Lee Jones* Memphis Armored Saint Dave Davies Hawthorne Heights Metal Church Robby Krieger of The THE TUBES Featuring Arsonists Get All The Death Angel He Is Legend Michael Des Barres Doors Fee Waybill Girls Demolition Hammer** Headcat Mina Caputo Robin Zander Band Tom Scott & The L.A.
    [Show full text]
  • OH Completed List
    OH Completed List Page 1 of 70 9/6/2017 7:02:48AM First Name Last Name Title Interview Date Yoshiharu Abe TEAC, Engineer and Innovator d 10/14/2006 Norbert Abel Abel Hammer Company, President 07/17/2015 David L. Abell David L. Abell Fine Pianos, Founder d 10/18/2005 Susan Aberbach Hill & Range Songs Inc., President 11/14/2012 Lester Abrams Songwriter 02/02/2015 Richard Abreau Music Village, Advocate 07/03/2013 Gus Acevedo International House of Music, Founder 01/20/2012 Ken Achard Peavey Corporation, Sales Director UK 07/11/2005 Antonio Acosta Luthier Strings, Founder 01/17/2007 Cliff Acred Amro Music, Band Instrument Repair 07/15/2013 Mike Adams Moog Music, President 01/13/2010 Arthur Adams Songwriter, Musician 09/25/2011 Edna Adams World Wide Music, Former Sales Executive 04/16/2010 Paul Adams Piano Technician 07/17/2015 Hawley Ades Shawnee Press, Music Arranger d 06/10/2007 Henry Adler Henry Adler Music, Founder d 10/19/2007 Dominique Agnew NAMM, Director Trade Show Sales 08/13/2009 Charles Ahlers Anaheim Visitor and Convention Bureau, 01/25/2013 President Don Airey Musician, Product Endorser 09/29/2014 Takehiko Akaboshi Japan Music Volunteer Assoc., Chairman d 10/14/2006 Bulent Akbay Istanbul Mehmet, Product Specialist 04/11/2013 Joy Akerman Museum of Making Music, Docent 11/30/2007 Toshio Akiyama Band Director 12/15/2011 Marty Albertson Guitar Center, Chairman 01/21/2012 John Aldridge Not So Modern Drummer, Founder 01/23/2005 Tommy Aldridge Musician, Product Endorser 01/19/2008 Philipp Alexander Musik Alexander, President 03/15/2008 Will Alexander Engineer, Synthesizers 01/22/2005 01/22/2015 Van Alexander Composer, Arranger, Bandleader d 10/18/2001 James Alexander Musician 07/15/2015 Pat Alger Songwriter 07/10/2015 Frank Alkyer Down Beat and Music Inc, Editor 03/31/2011 Davie Allan Musician, Guitarist, Early Rock 09/25/2011 Fred Allard Amp Sales, Inc, Founder 12/08/2010 John Allegrezza Allegrezza Piano, President 10/10/2012 Andy Allen Luthier 07/11/2017 Richard (RC) Allen Luthier, Friend of Paul A.
    [Show full text]
  • D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp
    DedicaÆie: Lui Vlad Månescu PREFAæÅ Lucrarea de faÆå cuprinde câteva sute de biografii çi discografii ale unor artiçti çi trupe care au abordat diverse stiluri çi genuri muzicale, ca pop, rock, blues, soul, jaz çi altele. Cartea este dedicatå celor care doresc så-çi facå o idee despre muzica çi activitatea celor mai cunoscuÆi artiçti, mai noi çi mai vechi, de la începutul secolului çi pânå în zilele noastre. Totodatå am inclus çi un capitol de termeni muzicali la care cititorul poate apela pentru a înÆelege anumite cuvinte sau expresii care nu îi sunt familiare. Fårå a se dori o lucrare foarte complexå, aceastå micå enciclopedie oferå date esenÆiale din biografia celor mai cunoscuÆi artiçti çi trupe, låsând loc lucrårilor specializate pe un anumit gen sau stil muzical så dezvolte çi så aprofundeze ceea ce am încercat så conturez în câteva rânduri. Discografia fiecårui artist sau trupå cuprinde albumele apårute de la începutul activitåÆii çi pânå în prezent, sau, de la caz la caz, pânå la data desfiinÆårii trupei sau abandonårii carierei. Am numit disc de platinå sau aur acele albume care s-au vândut într-un anumit numår de exemplare (diferit de la Æarå la Æarå, vezi capitolul TERMENI MUZICALI) care le-au adus acest statut. Totodatå, am inclus çi o serie de LP-uri BEST OF sau GREATEST HITS apårute la casele de discuri din întreaga lume. De aceea veÆi observa cå discografia unui artist sau a unei trupe cuprinde mai multe albume decât au apårut în timpul vieÆii sau activitåÆii acestora (vezi Jimi Hendrix, de exemplu) çi asta pentru cå industria muzicalå çi magnaÆii acesteia çi-au protejat contractele çi investiÆiile iniÆiale cât mai mult posibil, profitând la maximum de numele artiçtilor çi trupelor lor.
    [Show full text]
  • August 13-19 , 2015
    AUGUST 13-19 , 2015 THE FREAK BROTHERS, STACI STORK • PAGE 2 Freak Brothers: Best R&B Performer Freaks Staying on Top of Their Game They’re not freaks and they’re not brothers, but drums, Brandon Rentfrow on guitar, Dan Capelli on don’t tell them that. For the past 16 years the Freak baritone sax, Matt Cashdollar on alto sax and flute, Brothers have been funking it up all over town, blast- Todd Roth on trumpet and guitar and Ed Renz on ten- ing out their brand of R&B and booty-shaking funk to or and baritone sax. Renz is the new kid on the block. a seemingly limitless supply of fans. And they’ve re- It’s an impressive lineup. Anytime you get that warded for their efforts with more than 20 Whammys many people on stage playing people tend to notice. during that time. Those of you doing the math realize Toss in the fact that they’re all multi-instrumentalists that for several years and the effect can be the Freak Brothers disconcerting. You took home multiple wander off for a drink Whammys. and when you come This year, howev- back it’s a suddenly er, the talented septet different band. received just one, for It’s never been Best R&B Performer. easy to sit still at a It’s the eighth time Freak Brothers show. in the last 10 years But lately fans of the they’ve topped the category. And to bass player Adam band have had to sit and wait a little longer to see the Martin, each one of the band’s Whammys is some- Freak Brothers in person – not because the band is thing to be proud of.
    [Show full text]
  • EFECTO METAL May 2018.Pdf
    Efecto Metal 34_Maquetación 1 02/05/2018 10:18 a.m. Página 3 EDITORIAL uego del suceso de la doble tapa Judas Priest / Ozzy Osbourne, ahora decidimos rendirle homenaje a V8 debido a los 35 años de “Luchando Por El Metal”, ese mítico primer disco de la banda. Para eso Lhablamos en exclusiva con el Beto Zamarbide y recordamos, con un informe completo, lo que fueron esos años más los inolvidables festejos por los 30 y 35 años. Para no perder el training, viajamos y nos embarcamos en los 2 cruceros más copados de la actualidad: “70000 Tons Of Metal” y “Monsters Of Rock Cruise”. Vida intensa y con mucha música durante la travesía. Los enviados especiales reflejan lo vivido en esta edición. Además, fotos y notas únicas en alta mar. ¡Eso si que es heavy! Aparte de esto, toda la avalancha habitual de reportajes, coberturas, comentarios de CDs y data. Un AÑO VIII - Nº 34 número otra vez de colección para leer y releer. Después del Mundial de Rusia nos volveremos a encontrar con más y mejor metal. Editores: Daniel Martino - Ricardo Puiggrós Diseño: Pablo Fernández Editor de Fotografía: Andrés Violante Redactor: Nicolás Coitiño 8 18 Staff: Carlos Alberto Belliard, Sergio Giambruni, Lucas Barrionuevo y Alejandro Peruffo. Colaboradores: Romina Gillón, Claudia Ortiz, Alicia Gómez, “Coco” Cabrera, Carlos M. Rosa, Emanuel To- rres, Jimena Savelli, Henrique Grandi, Paula Andersen, Gastón E. Todarelli, Gabriela Sisti, Silvia Conte, María Palovana, Gustavo Soria, Nike, Néstor Ramírez, Katar- zina Koziol, Elizabeth Mariana Pérez, Alberto Acosta, Na- talia Gómez, Chris Anthony, Tim Tronckoe, Carlos Ortiz, María Martínez, David Urrutia y Andrea Pagani.
    [Show full text]
  • Slip of the Night
    SLIP OF THE LIP As recorded by Ratt (from the 1986 Album "Dancin' Undercover") Transcribed by pschaffman Words by Stephen Pearcy, Juan Croucier, Warren DeMartini Music by Stephen Pearcy, Juan Croucier, Warren DeMartini A Intro P = 98 D5 A5 E5 G5 A5 E5 1 g V V g 4 V V V V V V I 4 V V V V V V V V V V V Gtr I 0 0 T 3 0 3 0 2 2 0 2 A 0 2 0 2 B 0 0 3 0 3 3 0 D5 A5 E5 G5 A5 E5 3x 4 g V V g V V V V V V I V V V V V V V V V V V 0 0 T 3 0 3 0 2 2 0 2 A 0 2 0 2 B 0 0 3 0 3 3 0 B Verse G5 A5 E5 D5 E5 c 6 g V j V V V I g V } } V V V V V V } } V V V V V V V } } V V V V V V ||||||||| T 3 0 x x 2 2 9 7 9 A 0 x x 2 2 9 7 9 B x x 0 0 2 7 5 7 3 3 0 0 2 Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ SLIP OF THE LIP - Ratt Page 2 of 11 G5 A5 D5 A5 E5 D5 E5 8 g g l k c V V } V } V } V } } V I c V V V V } V } V } V } } V V V V V V V ||||||||| T 2 (2) A 2 2 0 (2) x 9 x 7 x 9 x x 9 B 0 0 0 x 7 x 5 x 7 x x 7 3 3 0 G5 A5 E5 D5 E5 c 10 g V j V V V I g V } } V V V V V V } } V V V V V V V } } V V V V V V ||||||||| T 3 0 x x 2 2 9 7 9 A 0 x x 2 2 9 7 9 B x x 0 0 2 7 5 7 3 3 0 0 2 G5 A5 D5 A5 E5 D5 E5 12 g g l k c V V } V } V } V } } V I c V V V V } V } V } V } } V V V V V V V ||||||||| T 2 (2) A 2 2 0 (2) x 9 x 7 x 9 x x 9 B 0 0 0 x 7 x 5 x 7 x x 7 3 3 0 C5 D5 14 g V } } V } } V } } V } } g f V } } V } } V } } V } } V } } V } } V } } V } } I V } } V } } V } } V } } V } } V } } V } } V } } T 5 x x 5 x x 5 x x 5 x x 7 x x 7 x x 7 x x 7 x x A 5 x x 5 x x 5 x x 5 x x 7 x x 7 x x 7 x x 7 x x B 3 x x 3 x x 3 x x 3 x x 5 x x 5 x x 5 x x 5 x
    [Show full text]
  • Recording and Production Services 45 Cayuse Lane Palos Verdes, Ca
    T. F.R. TABOO ENT . Fax 818-705-4718 CaseCase 2:15-cv-07251-DDP-JC 2:15-cv-07251-DDP-JC Document Document 49-1 175-25 Filed Filed 04/25/16 10/26/16 Page J anPage 92 of0 1024'9 7 of 12:Page 2540 Page IDP02 #:749 ID #:3821 THE CELLAR Recording And Production Services 45 Cayuse Lane Palos Verdes, Ca. 90275 11/1/ 95 Stephen Pearcy, 12359 Cantura St., Studio City, Ca. 91604 Re: Ratt. Dear Stephen, I hope all is well. It has been reported to me that you have plans to perform under the name "Ratt". I am assuming that these rumors are untrue. However in order to prevent any possible future misunderstanding, I want ro point out to you that you have voluntarly resigned as a member of ''Ratt" as of 2/10/92 in writing to Allen Kovac, our then manager. Persuant to paragraph 11.3 of the parmership ·- ·- ·- agteetnent dated May 8, 1984, you are a leaving member or "Ex-partner" and pursuant to that agreement you would have no right to use the name "Ratt". Ulc.ewise, Warren De martini and Robin Crosby are also leaving members. Thus, Bobby Blotzer and myself are the sole owners of the name, logo and marks for "Ratt". I assume that you are in agreement with all of the above, should you disagree or have any question, please feel free tc;> call me. Regards, c.c. Chuck Hurewitz Esq. Judith Dornstein Esq. X-9 CaseCase 2:15-cv-07251-DDP-JC 2:15-cv-07251-DDP-JC Document Document 49-1 175-25 Filed Filed 04/25/16 10/26/16 Page Page 10 of 11 24 of Page25 Page ID #:750 ID #:3822 NOVEMBER 7, 1995 Juan Croucier 45 Cayuse Lane Palos Verdes, Ca.
    [Show full text]
  • Hair Metal, Conservatism, and the End of the Cold War in the 1980S Chelsea Anne Watts University of South Florida, [email protected]
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 11-30-2016 Nothin' But a Good Time: Hair Metal, Conservatism, and the End of the Cold War in the 1980s Chelsea Anne Watts University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Music Commons, and the United States History Commons Scholar Commons Citation Watts, heC lsea Anne, "Nothin' But a Good Time: Hair Metal, Conservatism, and the End of the Cold War in the 1980s" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6601 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Nothin’ But a Good Time: Hair Metal, Conservatism and the End of the Cold War in the 1980s by Chelsea Anne Watts A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of History College of Arts and Sciences University of South Florida Major Professor: David K. Johnson, Ph.D. K. Stephen Prince, Ph.D. Julia F. Irwin, Ph.D. Andrew S. Berish, Ph.D. Date of Approval: November 21, 2016 Keywords: Gender, Capitalism, Transnational, Rock Music Copyright © 2016, Chelsea Anne Watts Acknowledgements In 2010 I enrolled in a graduate seminar on American culture in the 1980s. At the time I was a master’s student, and I had no idea that my term paper on hair metal would one day become the topic of my doctoral dissertation.
    [Show full text]