DOCSLIB.ORG

News from the Getty

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
News from the Getty The J. Paul Getty Trust 1200 Getty Center Drive, Suite 400 Tel 310 440 7360 Communications Department Los Angeles, California 90049-1681 Fax 310 440 7722 www.getty.edu [email protected] NEWS FROM THE GETTY DATE: July 19, 2011 FOR IMMEDIATE RELEASE GETTY MUSEUM EMBARKS ON CONSERVATION PROJECT OF BERTHOUVILLE TREASURE Cabinet des Médailles’ Extraordinary Hoard of Ancient Roman Silver Luxury Objects Comes to the Getty for Three-Year-Long Conservation Project and Exhibition Mercury Statuette, 2nd–3rd century. Beaker depicting the founding of the Isthmian Oinochoe with Palladium and Patroklos, Unknown. Italian. Silver. Bibliothèque games, 1st century. Unknown. Italian. Silver and 1st century. Unknown. Italian. Silver Nationale de France. gold. Bibliothèque Nationale de France. and gold. Bibliothèque Nationale de France. LOS ANGELES—The J. Paul Getty Museum announced today that one of the most prominent holdings of the Bibliothèque Nationale de France’s Cabinet des Médailles in Paris, the Berthouville Treasure, has begun a three-year-long process of conservation and technical research at the Getty Villa. This rare cache of approximately 95 ancient Roman silver objects was discovered in March 1830 by a farmer plowing his field near the village of Berthouville in Normandy. An extraordinary group of luxury vessels—including bowls and pitchers, many with figural decoration, as well as two silver statuettes of the Roman god Mercury—the objects are associated with a nearby sanctuary of the god Mercury and date to the first through third centuries A.D. Four large, late antique silver missoria (plates) belonging to the Cabinet are also part of the conservation project. -more- Page 2 While undergoing conservation treatment at the Getty Villa, each piece will be individually cleaned and conserved, x-rayed and closely studied in preparation for a new publication on the hoard, and for inclusion in a 2014 exhibition at the Getty Villa of the holdings of ancient Roman luxury goods belonging to the Cabinet. Jerry Podany, the Getty Museum’s senior conservator of antiquities, said, “We feel extremely fortunate to be able to study and treat such a diverse range of silver objects from the same find site. Following our treatment and conservation efforts, these objects will be better understood, better preserved and available to a wider public.” Cabinet des Médailles curator Mathilde Avisseau-Broustet, who manages the collection along with curator Cécile Colonna, adds, “We appreciate the unique opportunity to exchange knowledge and expertise with our colleagues at the Getty. Not only will the conservation project help preserve these national treasures, but the findings will also advance art historical research and promote collaborative scholarship between art historians, museum curators, conservators, and scientists.” New discoveries are already being made on the first of the objects x-rayed in January. Using the most current methods for treating silver artifacts, a recent analysis of two double- walled drinking vessels revealed hidden inscriptions on their interior surface. The inscriptions recorded the weight of the metal used to construct a portion of the object. This precise inventory information demonstrates an acute awareness of the high value of silver used in their manufacture. The x-rays also revealed various restoration materials, which will undergo scientific analysis in the coming year. Eduardo Sanchez, the Getty Museum’s associate conservator of antiquities, is leading the Getty’s conservation effort along with Susan Lansing Maish, the Getty Museum’s assistant conservator of antiquities. Funding for the shipment of the silver from France to Los Angeles was provided by the Getty Museum’s Villa Council. # # # MEDIA CONTACT: Desiree Zenowich Getty Communications (310) 440-7304 [email protected] -more- Page 3 The J. Paul Getty Trust is an international cultural and philanthropic institution devoted to the visual arts that includes the J. Paul Getty Museum, the Getty Research Institute, the Getty Conservation Institute, and the Getty Foundation. The J. Paul Getty Trust and Getty programs serve a varied audience from two locations: the Getty Center in Los Angeles and the Getty Villa in Malibu. The J. Paul Getty Museum collects in seven distinct areas, including Greek and Roman antiquities, European paintings, drawings, manuscripts, sculpture, and decorative arts, and European and American photographs. The Museum's mission is to make the collection meaningful and attractive to a broad audience by presenting and interpreting the works of art through educational programs, special exhibitions, publications, conservation, and research. Additional information is available at www.getty.edu. Sign up for e-Getty at www.getty.edu/subscribe to receive free monthly highlights of events at the Getty Center and the Getty Villa via e-mail, or visit www.getty.edu for a complete calendar of public programs. -more- .
Load more

Recommended publications
  • Mercury (Mythology) 1 Mercury (Mythology)
    Mercury (mythology) 1 Mercury (mythology) Silver statuette of Mercury, a Berthouville treasure. Ancient Roman religion Practices and beliefs Imperial cult · festivals · ludi mystery religions · funerals temples · auspice · sacrifice votum · libation · lectisternium Priesthoods College of Pontiffs · Augur Vestal Virgins · Flamen · Fetial Epulones · Arval Brethren Quindecimviri sacris faciundis Dii Consentes Jupiter · Juno · Neptune · Minerva Mars · Venus · Apollo · Diana Vulcan · Vesta · Mercury · Ceres Mercury (mythology) 2 Other deities Janus · Quirinus · Saturn · Hercules · Faunus · Priapus Liber · Bona Dea · Ops Chthonic deities: Proserpina · Dis Pater · Orcus · Di Manes Domestic and local deities: Lares · Di Penates · Genius Hellenistic deities: Sol Invictus · Magna Mater · Isis · Mithras Deified emperors: Divus Julius · Divus Augustus See also List of Roman deities Related topics Roman mythology Glossary of ancient Roman religion Religion in ancient Greece Etruscan religion Gallo-Roman religion Decline of Hellenistic polytheism Mercury ( /ˈmɜrkjʉri/; Latin: Mercurius listen) was a messenger,[1] and a god of trade, the son of Maia Maiestas and Jupiter in Roman mythology. His name is related to the Latin word merx ("merchandise"; compare merchant, commerce, etc.), mercari (to trade), and merces (wages).[2] In his earliest forms, he appears to have been related to the Etruscan deity Turms, but most of his characteristics and mythology were borrowed from the analogous Greek deity, Hermes. Latin writers rewrote Hermes' myths and substituted his name with that of Mercury. However, there are at least two myths that involve Mercury that are Roman in origin. In Virgil's Aeneid, Mercury reminds Aeneas of his mission to found the city of Rome. In Ovid's Fasti, Mercury is assigned to escort the nymph Larunda to the underworld.
    [Show full text]
  • Susan Steinhauser and Daniel Greenberg
    The Getty A WORLD OF ART, RESEARCH, CONSERVATION, AND PHILANTHROPY | Fall 2014 INSIDE THIS ISSUE PRESIDENT’S MESSAGE The J. Paul Getty Trust is a cultural TABLE OF CONTENTS by James Cuno and philanthropic institution President and CEO, the J. Paul Getty Trust dedicated to critical thinking in the presentation, conservation, and interpretation of the world’s artistic President’s Message 3 legacy. Through the collective and Last year the Getty inaugurated the J. Paul Getty Medal to honor individual work of its constituent New and Noteworthy 4 extraordinary achievement in the fields of museology, art historical programs—Getty Conservation research, philanthropy, conservation, and conservation science. The first Institute, Getty Foundation, J. Paul Lord Jacob Rothschild to Receive Getty Medal 6 recipients were Harold M. Williams and Nancy Englander, who were Getty Museum, and Getty Research chosen for their role in creating the Getty as a global leader in art Institute—it pursues its mission in Los Angeles and throughout the world, Conserving an Ancient Treasure 10 history, conservation, and museum practice. This year we are honoring serving both the general interested Lord Jacob Rothschild OM GBE for his extraordinary leadership and public and a wide range of A Project of Seismic Importance 16 contributions to the arts. professional communities with the In November, we will bestow the J. Paul Getty Medal on Lord Rothschild, conviction that a greater and more WWI: War of Images, Images of War 20 profound sensitivity to and knowledge a most distinguished leader in our field. He has served as chairman of of the visual arts and their many several of the world’s most important art-, architecture-, and heritage- histories is crucial to the promotion Caravaggio and Rubens Together in Vienna 24 related organizations, and is renowned for this dedication to the of a vital and civil society.
    [Show full text]
  • Newsletter 21, Spring 2018
    INSTITUTE FOR THE STUDY OF THE ANCIENT WORLD Newsletter 21 Spring 2018 From the Director Table of Contents From the outset ISAW was intended to be a research center, but diff ering from others not only on account of its specifi c mission to foster studies of antiquity, but also in that it was to have a doctoral program. This component of our mission was no mere Commencement 2018 4 detail: it has shaped the institution that ISAW has become, encouraging our faculty to push beyond the limits of our past work Community News 6 and to think collaboratively, as we seek to provide coherent individualized courses of study for each student. Joining us in this eff ort this fall is our colleague, Antonis Kotsonas, who will add his strengths in Classics and interdisciplinary research to the Conferences 7 ISAW faculty (see p. 6). During the years from arrival to graduation, our students develop and grow intellectually, but indirectly Exhibitions 11 they also encourage the rest of us to grow. In this issue of the ISAW Newsletter, we celebrate our latest graduating class: four students who have enriched our community and who will be missed. As we go to press, all four have multi-year appointments in diff erent countries in the coming academic year: Sam Mirelman will start a 3-year British Academy postdoctoral fellowship at the School for Oriental and African Studies (SOAS), University of London, with a focus on the Ancient Near East. Irene Soto Marín will continue to work as an Academic Assistant at the University of Basel, Switzerland in the Institute of Ancient History.
    [Show full text]
  • Review of Ancient Luxury and the Roman Silver Treasure from Berthouville at the Getty Villa
    Art & Art History Faculty Works Art & Art History 9-24-2015 Review of Ancient Luxury and the Roman Silver Treasure from Berthouville at the Getty Villa Amanda Herring Loyola Marymount University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/artarhs_fac Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Herring, Amanda. "Review of Ancient Luxury and the Roman Silver Treasure from Berthouville at the Getty Villa." caa.reviews, September 24, 2015, doi: 10.3202/caa.reviews.2015.115, http://caareviews.org/ reviews/2614. This Article is brought to you for free and open access by the Art & Art History at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Art & Art History Faculty Works by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. A Publication of the College Art Association Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies September 24, 2015 Kenneth Lapatin, ed. The Berthouville Silver Treasure and Roman Luxury Exh. cat. Los Angeles: J. Paul Getty Museum, 2014. 224 pp.; 98 color ills.; 21 b/w ills. Cloth (9781606064207) Ancient Luxury and the Roman Silver Treasure from Berthouville Exhibition schedule: Getty Villa, Los Angeles, November 19, 2014–August 17, 2015; Fine Arts Museums of San Francisco, San Francisco, September 19, 2015–January 10, 2016; Museum of Fine Arts, Boston, Boston, February 14–May 22, 2016; Nelson-Atkins Museum of Art, Kansas City, June 25–October 2, 2016 Amanda Herring CrossRef DOI: 10.3202/caa.reviews.2015.115 The Berthouville Treasure, discovered by a farmer in Norma France (ancient Gaul), in 1830, represents one of the larges and best-preserved collections of Roman silver to survive fro the ancient world.
    [Show full text]
  • The Other Classical Body: Cupids As Mediators in Roman Visual Culture
    The Other Classical Body: Cupids as Mediators in Roman Visual Culture The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Mitchell, Elizabeth. 2018. The Other Classical Body: Cupids as Mediators in Roman Visual Culture. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:41121259 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use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
    [Show full text]
  • (The So-Called Warren Cup) and Roman Silver Plate
    BABESCH 90 (2015), 155-198. doi: 10.2143/BAB.90.0.3089919 A Cantharus from ancient Betar near Jerusalem (the so-called Warren Cup) and Roman Silver Plate Dyfri Williams Abstract This article examines in detail a Roman silver cantharus, said to be from ancient Betar, near Jerusalem (Pales- tine), and attempts to set it in its wider material, social and historical contexts. After consideration of the construction and condition, the scenes are discussed and attention drawn to the Greek elements in the iconog- raphy of the scenes of homosexual intercourse, especially the hair, which also provides a guide to the age and status of the figures. The possible impact of the iconography on the users of the cantharus, the status of its purchaser, and its final archaeological context are all touched on. Connections between small-scale vessels in various materials are also noted, especially Arretine pottery. Finally, questions are raised about individual craftsmen and workshops, signing and copying, and even chronology.* INTRODUCTION scenes of homosexual intercourse remain (figs 1-2). It is first recorded on the antiquities market The silver cantharus said to be from ancient Betar in 1909 and was purchased by the great collector (19th and early 20th centuries Bittir; modern Battir) Edward Perry Warren in 1911. It was first illustrated in Palestine, commonly known as the Warren in 1921 by G. Vorberg but without comment, briefly Cup, has at last quit its earlier, socially required discussed by C. Vermeule in 1963 and included obscurity and entered both the academic and the by D. Strong in his magisterial handbook on Greek public worlds, however mutable reactions to its and Roman gold and silver plate of 1966.1 Fig.
    [Show full text]
  • The Religious Economics of Crisis : the Papal Use of Liturgical Vessels
    Michele Renee Salzman The Religious Economics of Crisis : The Papal Use of Liturgical Vessels as Symbolic Capital in Late Antiquity Abstract This paper explores the multiple meanings of the restoration of liturgical silver plate by the bishops of Rome after the sacks of Rome in 410, 455, and 472. The author argues that this act was of primary importance to the bishops of Rome as a key means of reestablishing their hegemony over Christian communities in the city after periods of upheaval. By replacing lost liturgical plate, the bishops of Rome performed the role of patron in lieu of the emperor or wealthy private donor. Certainly, the dona- tion of silver and gold in sacred contexts in the classical pagan world provides prec- edents for this practice and for its interpretation. But the donation of liturgical vessels must be understood within its specific Christian context. Because the donation of liturgical vessels was part of the foundation of a late antique church, their replace- ment by the bishop was an act of refoundation of the community of the faithful. And owing to the centrality of sacralised eating and drinking in the Christian rite of the Eucharist, the bishop’s replenishment of liturgical silver also offered the individual and the community the promise of salvation. Thus the donations of silver and gold liturgical plate by bishops demonstrate the multiple ways in which the wealth of the church operated as symbolic capital, allowing the bishops to reinforce their author- ity over the community of the faithful in response to crisis. Keywords: Berthouville Treasure, bishops, Christianity, liturgical silver and gold plate, Rome, salvation, foundation rites, papacy In scholarship on late antique Rome, the religious power of the bishop of Rome is most often assessed by focusing on his building of churches, resi- dences and monasteries.1 This gauge of papal power is shaped in part by 1 For the seminal work on churches in Rome, see Krautheimer 1977.
    [Show full text]
  • Ancient Greek 1.1 Alternative Forms 1.2 Etymology 1.3 Pronunciation 1.4 Proper Noun 1.4.1 Inflection 1.4.2 Descendants 1.5 References
    מאיה http://www.dicts.info/dictionary/index.php?topic=greek_mythology&l1=hebrew مايا http://www.marefa.org/index.php/%D9%87%D8%B1%D9%85%D8%B3 مايا http://www.dicts.info/dictionary/index.php?topic=greek_mythology&l1=persian Μαῖα - Wiktionary http://en.wiktionary.org/wiki/ Μαῖα #Etymology Μαῖα Definition from Wiktionary, the free dictionary Contents 1 Ancient Greek 1.1 Alternative forms 1.2 Etymology 1.3 Pronunciation 1.4 Proper noun 1.4.1 Inflection 1.4.2 Descendants 1.5 References Ancient Greek Alternative forms Μαιάς (Maiás) Etymology Literally 'Lady', from μαῖα ( maîa , “lady”), an honorific term for older women and a nursery form of μήτηρ ( mḗtēr, “mother”) (from Proto-Indo-European *méh ₂tēr). Pronunciation IPA: /má ͜ɪ.a/ → /ˈmɛ.a/ → /ˈme.a/ more ▼ Proper noun Μαῖᾰ • (Maîa) ( genitive Μαίᾱς ) f, first declension 1. Maia, daughter of Atlas Inflection First declension of Μαῖᾰ , Μαίᾱς (Doric, Aeolic) [show ▼] First declension of Μαῖᾰ , Μαίης (Attic, Ionic, Epic) [show ▼] Descendants 1 of 2 2/25/2015 10:06 PM Μαῖα - Wiktionary http://en.wiktionary.org/wiki/ Μαῖα #Etymology English: Maia Greek: Μαία (Maía) Latin: Maia References Μαῖα (http://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0057:entry=*mai=a) in A Greek– English Lexicon by Liddell & Scott, Clarendon Press, Oxford, 1940 Woodhouse’s English-Greek Dictionary page 1016 (http://artflx.uchicago.edu/cgi-bin/efts/dicos /woodhouse_test.pl?pageturn=1&pagenumber=1016) Retrieved from "http://en.wiktionary.org/w/index.php?title= Μαῖα &oldid=28563304" Categories: Ancient Greek terms derived from Proto-Indo-European Ancient Greek lemmas Ancient Greek proper nouns Ancient Greek first declension proper nouns This page was last modified on 13 August 2014, at 20:23.
    [Show full text]
  • An Investigation of Roman Silver Plate in the San Antonio Museum of Art Allyson Walsh Trinity University, [email protected]
    Trinity University Digital Commons @ Trinity Classical Studies Honors Theses Classical Studies Department 4-21-2010 An Investigation of Roman Silver Plate in the San Antonio Museum of Art Allyson Walsh Trinity University, [email protected] Follow this and additional works at: http://digitalcommons.trinity.edu/class_honors Part of the Classics Commons Recommended Citation Walsh, Allyson, "An Investigation of Roman Silver Plate in the San Antonio Museum of Art" (2010). Classical Studies Honors Theses. 2. http://digitalcommons.trinity.edu/class_honors/2 This Thesis open access is brought to you for free and open access by the Classical Studies Department at Digital Commons @ Trinity. It has been accepted for inclusion in Classical Studies Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. An Investigation of Roman Silver Plate in the San Antonio Museum of Art By Allyson Walsh Table of Contents Acknowledgements……………………………………………………………………. ii-iii List of Figures…………………………………………………………………………. iv List of Plates…………………………………………………………………………... v-vii Abbreviations…………………………………………………………………………. viii Introduction……………………………………………………………………………. 1 Chapter I: History of the Collection…………………………………………………… 2 Chapter II: Review of Silver Studies………………………………………………….. 3-7 Chapter III: Chronological Fixed Points……………………………………………… 8-22 Chapter IV: Discussion of Hoards and Hoarding……………………………………… 23-28 Chapter V: Overview of Silver Metallurgy……………………………………………. 29-31 Chapter VI: Analysis
    [Show full text]
  • De Schat Van Berthouville
    Naspeuringen van Paul Theelen: Vases de Berthouville 1 januari 1837 Annales de l'Institut de Correspondance Archéologique Zie http://www.delpher.nl/nl/boeken1/gview? query=berthouville&coll=boeken1&identifier=bYNNAAAAcAAJ 5 1 januari 1843 Recherches archéologiques, historiques, biographiques et littéraires sur la Normandie ARCHÉOLOGIE NORMANDE. Sur le culte de Mercure dans les Gaules et spécialement en Normandie, a propos des antiques, découvertes a Berthouville (arrondissement de Bernai), le 21 mars 1830. 10 Zie http://www.delpher.nl/nl/boeken1/gview? query=berthouville&coll=boeken1&identifier=o09QAAAAcAAJ p. 380 Le Mercure KANETONNESUS ou CANETONNESUS de Berthouville annonce un surnom de plus 15 pour le fils de Maïa que nous trouvons déjà qualifié MOCCUS dans une inscription découverte à Langres en 1642. Et ce ne sont pas les seuls surnoms de Mercure. Il n’est pas étonnant que le dieu du commerce et des arts fût révéré d’une manière particulière dans cette portion des Gaules qui forma la seconde Lyonnaise, et dans laquelle se trouve comprise la Normandie. Ce territoire si bien situé, habité 20 d’ailleurs par un peuple actif, courageux et spirituel, se fit dans tous les tem[p]s remarquer par son aptitude aux sciences et à l’industrie, comme par les succès qu’il y obtint constamment. Je retrouve le culte de Mercure ou Hermès en divers lieux et notamment bien près de moi (2) [=J’habitais alors Ménil-Durand-sur-Vie, près de Lisieux.], à Hermival (le val d’Hermès), aux portes de la ville de Lisieux, à une lieue du 25 Néomagus des antiques Lexoviens; nous venons de le découvrir à Berthouville, Hermanville-sur-Mer, [...] 1 januari 1844 Mémoires de la Société des Antiquaires de la Normandie Zie http://www.delpher.nl/nl/boeken1/gview? 30 query=berthouville&coll=boeken1&identifier=qKVUAAAAcAAJ p.
    [Show full text]
  • Fallatthegetty
    CALENDAR Fall 2014 FallatTHEGETTY Opening EXHIBITIONS 1 GETTY CENTER Drawing in the Age of Rubens This exhibition of Flemish drawings from the Getty Spectacular Rubens: Museum’s collection attests to the fl ourishing of artistic The Triumph of the Eucharist culture in the Southern Netherlands from the 16th to the 17th centuries and features drawings made by Peter Paul In the early 1620s, Flemish painter Peter Paul Rubens Rubens and his most talented pupils, as well as sheets designed a series of monumental tapestries for the devout by his contemporaries and predecessors. This survey of Infanta Isabel Clara Eugenia celebrating the spiritual victory drawn landscapes, fi gural studies, and religious subjects of the Roman Catholic Church. This exhibition unites his demonstrates the master’s grand, synthetic vision as well as exhilarating oil sketches in the collection of the Prado the dynamic tradition of his native Flanders. Museum with the magnifi cent tapestries, rare loans from the Patrimonio Nacional in Madrid. For its October 14, 2014–January 11, 2015 astonishing visual illusions and fascinating array of Museum, West Pavilion fi gures, the Eucharist series is one of the wonders of the Baroque period. Josef Koudelka: Nationality Doubtful October 14, 2014–January 11, 2015 After photographing theatrical productions in Prague Museum, Exhibitions Pavilion and Roma settlement camps across Eastern Europe, Josef Koudelka risked his life to document the 1968 Warsaw Pact invasion of Czechoslovakia. His images of the event, smuggled into the West and reproduced worldwide, forced his exile. This exhibition presents more than 180 works produced over fi ve decades by this legendary photographer.
    [Show full text]
  • 1. 3. 2. 4. Cup with Centaurs, 1–100 Roman Silver and Gold Object: H
    1. The Berthouville Treasure 2. The Dedications of Quintus Domitius Tutus Roman Roman Silver and gold Silver and gold Bibliothèque nationale de France, Département des monnaies, Bibliothèque nationale de France, Département des monnaies, médailles et antiques, Paris médailles et antiques, Paris 3. Mercury, 175–225 4. Cup with Centaurs, 1–100 Roman Roman Silver and gold Silver and gold Object: H: 56.3 x Diam.: 16 cm, Weight: 2772 g (22 3/16 x 6 5/16 Object: H: 11.7 x W: 26.9 x D: 18.5 x Diam.: 15 cm, Weight: 1653 g in., 6.11 lb.) (4 5/8 x 10 9/16 x 7 5/16 x 5 7/8 in., 3.64 lb.) Bibliothèque nationale de France, Département des monnaies, Bibliothèque nationale de France, Département des monnaies, médailles et antiques, Paris médailles et antiques, Paris VEX.2014.1.1 VEX.2014.1.6 5. Cup with Centaurs, 1–100 6. Pitcher with Scenes from the Trojan War, “Achilles Dragging Hector Roman before the Walls of Troy,” 1–100 Silver and gold Roman Object: H: 11.7 x W: 26.8 x D: 17.4 x Diam.: 15 cm, Weight: 1641 g Silver and gold (4 5/8 x 10 9/16 x 6 7/8 x 5 7/8 in., 3.62 lb.) Object: H: 31.5 x Circumference: 44 cm, Weight: 1159 g (12 3/8 x Bibliothèque nationale de France, Département des monnaies, 17 5/16 in., 2.56 lb.) médailles et antiques, Paris Bibliothèque nationale de France, Département des monnaies, VEX.2014.1.7 médailles et antiques, Paris VEX.2014.1.5 7.
    [Show full text]