Complete Catalogue 3

Total Page:16

File Type:pdf, Size:1020Kb

Complete Catalogue 3 Fine Art Auctioneers Consultants CATALOGUE 3 2 PUBLIC AUCTION BY Fine Art Auctioneers Consultants NORTH/SOUTH Sunday 8 November 2020 Live Virtual Auction Session 1: 11.00am between the Johannesburg and A Private Single-owner Collection of Fine Wines from Cape Town offices of Strauss & Co Renowned Burgundy and Rhône Valley Domaines Modern, Post-War Monday 9 November 2020 and Contemporary Session 2: 10.00am Art, Decorative Arts, Jewellery and Oriental Works of Art Jewellery and Session 3: 2.00pm Fine Wine Interiors: Art, Furniture and Decorative Arts Including A Private Single-owner Session 4: 7.00pm The Tasso Foundation Collection of Important South African Art Collection of Fine Wines from assembled by the Late Giulio Bertrand of Morgenster Renowned Burgundy and Rhône Valley Domaines; The Tasso Tuesday 10 November 2020 Foundation Collection of Important South African Art assembled by the Session 5: 2.00pm Late Giulio Bertrand of Morgenster; New Collector: South African Ceramics, Selected Prints and Multiples A Focus on South African Ceramics; Session 6: 7.00pm and works from the Late Desmond Contemporary Art Fisher Collection and the Küpper Family Collection. Wednesday 11 November 2020 8–11 November 2020 Session 7: 2.00pm Modern, Post-War and Contemporary Art Part I Session 8: 7.00pm Modern, Post-War and Contemporary Art Part II Including works from the Late Desmond Fisher Collection and the Küpper Family Collection 3 4 NORTH/SOUTH Live Virtual Auction between the Johannesburg and Cape Town offices of Strauss & Co Modern, Post-War and Contemporary Art, Decorative Arts, Jewellery and Fine Wine 8–11 November 2020 VENUE The sale will have live sessions in the Johannesburg and Cape Town venues and will be live-streamed at www.straussart.co.za PREVIEW Lots will be on view according to prevailing COVID-19 regulations from Monday 26 October 2020 at the auction venues: Johannesburg: Strauss & Co, 89 Central Street, Houghton Cape Town: Brickfield Canvas, 2nd Floor, 35 Brickfield Road, Woodstock For location of lots, either Johannesburg or Cape Town, see our website www.straussart.co.za WALKABOUTS AND LECTURES A programme of walkabouts, lectures and Zoom talks will take place during the fortnight preceding the auction. The topics and the links will be available at www.straussart.co.za ENQUIRIES AND CATALOGUES Johannesburg Office: +27 (0) 11 728 8246 Cape Town Office: +27 (0) 21 683 6560 ABSENTEE AND TELEPHONE BIDS Tel: +27 (0) 11 728 8246 Mobile: +27 (0) 82 336 8761 Tel: +27 (0) 21 683 6560 Mobile: +27 (0) 78 044 8185 [email protected] Fax: +27 (0) 86 565 9324 PAY M E N T Tel: +27 (0) 11 728 8246 Debbie Watson [email protected] CONDITION REPORTS [email protected] www.straussart.co.za SET OF 3 ILLUSTRATED CATALOGUES R 500.00 Catalogue 1: Sessions 1, 2, 3 and 4 Catalogue 2: Sessions 5 and 6 Catalogue 3: Sessions 7 and 8 FOR LOCATION OF LOTS, EITHER JOHANNESBURG OR CAPE TOWN, SEE OUR WEBSITE WWW.STRAUSSART.CO.ZA all lotS ARE SolD SubJEct to THE conDitionS OF buSinESS PRintED at THE bacK OF THIS cataloGUE 5 6 Contents 3 Auction Information 8 Directors, Specialists, Administration 9 Buying at Strauss & Co Wednesday 11 November 2020 10 Session 7: 2.00pm Modern, Post-War and Contemporary Art Part I Lots 691–830 70 Session 8: 7.00pm Modern, Post-War and Contemporary Art Part II Including works from the Late Desmond Fisher Collection and the Küpper Family Collection Lots 831–928 156 Conditions of Business 161 Strauss & Co Privacy Policy 165 Bidding Form 166 Shipping Instruction Form 168 Artist Index coVER Lot 871 Alexis Preller Craters (detail) inSIDE FRont coVER Lot 846 Jean Welz Blue Nude (detail) inSIDE bacK coVER Lot 873 Walter Battiss In Africa (detail) bacK coVER Lot 837 Robert Hodgins Samurai (detail) paGE 2 Lot 863 Ezrom Legae African Goat; She Goat (detail) paGE 4 Lot 872 Peter Clarke We Can’t Stay in Bed for Ever (detail) LEFT Lot 888 Erik Laubscher Harbour Construction (detail) 7 Directors Specialists Administration EXECUTIVE JOHANNESBURG CAPE TOWN JOHANNESBURG CAPE TOWN Frank Kilbourn Alastair Meredith Ann Palmer Debbie Watson Gail Duncan Executive Chairperson HOD, Senior Art Specialist Senior Art Specialist Company Secretary, General Administrator, Absentee Bids, +27 (0) 71 593 5315 +27 (0) 82 468 1098 Manager, Bids Office & Accounts Telephone Bids & Payments Vanessa Phillips [email protected] [email protected] +27 (0) 82 336 8761 +27 (0) 78 044 8185 Joint Managing Director [email protected] [email protected] Decorative Arts & Jewellery Wilhelm van Rensburg Kirsty Colledge +27 (0) 72 445 4717 Senior Art Specialist HOD, Senior Art Specialist Jackie Murray Khanya Daniels-Poyiya [email protected] +27 (0) 82 808 9971 +27 (0) 83 326 8283 Client Advisory Store Manager, Decorative Arts [email protected] [email protected] +27 (0) 82 901 1246 Assistant Bina Genovese [email protected] +27 (0) 78 044 8185 Joint Managing Director Marion Dixon Ian Hunter [email protected] Client Advisory, Marketing, Media Senior Art Specialist Senior Art Specialist Michelle Parfett +27 (0) 83 680 9944 +27 (0) 82 775 5520 +27 (0) 84 257 6495 Subscriptions & Administrator Sandy Acey [email protected] [email protected] [email protected] +27 (0) 79 407 5140 Art Administration & Shipping [email protected] +27 (0) 78 044 8185 Susie Goodman Arisha Maharaj Jean le Clus-Theron [email protected] Executive Director Art Specialist Art Specialist Janine Roux Client Advisory +27 (0) 79 407 5140 +27 (0) 76 125 8162 Logistics Sarah Jordaan +27 (0) 72 896 7706 [email protected] [email protected] +27 (0) 79 407 5140 Wine Auction Coordinator [email protected] [email protected] +27 (0) 82 9222 594 Hazel Cuthbertson Matthew Partridge [email protected] Research Specialist Senior Art Specialist Eddie Ubisi NON-EXECUTIVE +27 (0) 79 407 5140 +27 (0) 76 183 6290 Store Manager Mia Borman [email protected] [email protected] +27 (0) 79 407 5140 Marketing, Media & Elisabeth Bradley [email protected] Client Advisory Assistant Richard Ndimande Frances Holmes Conrad Strauss +27 (0) 84 685 1671 Art Cataloguer Art Cataloguer Bertha Masemola [email protected] Caro Wiese +27 (0) 79 407 5140 +27 (0) 79 407 5140 Receptionist [email protected] [email protected] +27 (0) 79 407 5140 Stacey Brindley Carmen Welz [email protected] Decorative Arts Assistant & Naudia Yorke Gera de Villiers Shipping Jack Ginsberg Art Cataloguer Art Specialist & Researcher Marcus Moremi +27 (0) 21 683 6560 +27 (0) 79 407 5140 +27 (0) 21 683 6560 Cataloguing & Logistics Assistant [email protected] [email protected] [email protected] +27 (0) 79 407 5140 [email protected] Zain Toyer Sophie-Louise Fröhlich Store Manager Decorative Arts Specialist +27 (0) 71 723 6869 +27 (0) 79 427 3834 [email protected] [email protected] Mishale Kobe Receptionist +27 (0) 78 044 8185 [email protected] 8 Buying at Strauss & Co A step by step guide for buying at auction 1. BROWSE UPCOMING 3. BID IN THE SALE 4. IF YOUR BID IS 5. COLLECTION OF of the sale could be available for SALES SUCCESSFUL PURCHASES collection from our Cape Town office Submit a bid within approximately 10 days of the The sale can be viewed on our You will receive an invoice and payment The Strauss & Co NORTH/SOUTH Live Placing a bid before the auction sale, if requested by the buyer. Please website: www.straussart.co.za instructions shortly after the sale. Virtual Auction takes place between begins allows you to get in on the contact our shipping department to the Johannesburg and Cape Town Catalogues can be purchased from action ahead of the live bidding that discuss the costs and the expected How do I pay and collect? offices. our offices or by subscription. takes place once the auction kicks off. date of arrival. All the lots you purchase will be This can be done on our website by Buyers are advised to check the invoiced to the name and address Cataloguing information clicking ‘Submit your bid’ on the lot location of purchased lots before PLEASE NOTE that appear on the registration form. that you are interested in. 1. Descriptions include size, date, collection. For the location of Uncollected purchased lots medium and attribution of the Please arrange payment and individual lots, either Johannesburg or Absentee bids remaining at the Cape Town lot. Where possible, provenance, collection immediately after the sale. Cape Town, please visit our website: auction venue, Brickfield If you would like to place a maximum literature, exhibitions and www.straussart.co.za. Canvas, after close of business bid that our auctioneer will execute How much will I pay (Live Auctions)? additional notes are also included. on Thursday 12 November will on your behalf, you can click on the If you are successful, you will pay 2. Estimates are given for all lots 1. Collection from Strauss & Co, be transported to Strauss & ‘Absentee Bid’ button on our website. the hammer price plus the buyer’s and are based on recent prices Johannesburg Co’s office, with the exception of This will open a digital form for you premium on each lot as follows: achieved for comparable property, 89 Central Street, Houghton furniture and extra large paintings. to complete, and it will be submitted taking into account quality, 12% for lots selling over R20 000, Tel: +27 (0)11 728 8246 As we cannot accommodate these to [email protected] or you can condition and provenance.
Recommended publications
  • Grade 12 Visual Culture Studies Summaries
    GRADE 12 VISUAL CULTURE STUDIES SUMMARIES 1 Artists discussed QUESTION 1 Emerging artists of South Gerard Sekoto, The song of the Pick Africa Gerard Sekoto, Prison Yard George Pemba, Portrait of a young Xhosa woman George Pemba, Eviction – Woman and Child QUESTION 2 South African artists Irma Stern, Pondo Woman influenced by African and/or Irma Stern, The Hunt indigenous art forms Walter Battiss, Fishermen Drawing Nets Walter Battiss, Symbols of Life QUESTION 3 Socio-political – including Jane Alexander, Butcher Boys Resistance art of the ’70s and Jane Alexander, Bom Boys ’80s Manfred Zylla, Bullets and Sweets Manfred Zylla, Death Trap QUESTION 4 Art, craft and spiritual works John Muafangejo. Judas Iscariot betrayed our Lord Jesus for R3.00 mainly from rural South Africa John Muafangejo. New archbishop Desmond Tutu Enthroned Jackson Hlungwani. Large Crucifix and star Jackson Hlungwani, Leaping Fish QUESTION 5 Multimedia and New media – William Kentridge, Johannesburg, 2nd Greatest City after Paris alternative contemporary and William Kentridge. Shadow Procession popular art forms in South Van der Merwe, Biegbak/Confessional Africa Jan van der Merwe, Waiting QUESTION 6 Post-1994 democratic identity Churchill Madikida, Struggles of the heart in South Africa Churchill Madikida,Status Hasan and Husain Essop, Thornton Road Hasan and Husain Essop, Pit Bull Training QUESTION 7 Gender issues Penelope Siopis, Patience on a monument (Choose two artists) Penelope Siopis, Shame Mary Sibande, ‘They don’t make them like they used to do’ Mary Sibande, Conversation with Madame C.J. Walker Lisa Brice, Sex Show Works Lisa Brice, Plastic makes perfect Jane Alexander, Stripped (“Oh Yes” Girl) QUESTION 8 Architecture in South Africa Not included in these summaries.
    [Show full text]
  • The South African Sale London Wednesday 19 March 2014 W1S 1SR
    Bonhams 101 New Bond Street the south african sale London Wednesday 19 March 2014 W1S 1SR +44 (0) 20 7447 7447 +44 (0) 20 7447 7400 fax the south african sale Ӏ New Bond Street, London Ӏ Wednesday March 19 2014 21431 International Auctioneers and Valuers – bonhams.com lot 15 Irma Stern Zanzibar Woman the South afrIcan Sale Wednesday 19 March at 2pm New Bond Street, London PhyI S cal condItIon of Vw Ie Ing enquIrIeS lotS In thIS auctIon Sunday 16 March Giles Peppiatt MRICS 11.00 to 15.00 +44 (0) 20 7468 8355 PLEASE NOTE THAT THERE IS Monday 17 March NO REFERENCE IN THIS 9.00 to 16.30 Hannah O’Leary CATALOGUE TO THE PHYSICAL Tuesday 18 March +44 (0) 20 7468 8213 CONDITION OF ANY LOT. 9.00 to 16.30 INTENDING BIDDERS MUST Wednesday 19 March Elizabeth Callinicos SATISFY THEMSELVES AS TO 9.00 to 12 noon +44 (0) 20 7468 8216 THE CONDITION OF ANY LOT AS SPECIFIED IN CLAUSE 14 PreVIew of hIghlIghtS [email protected] OF THE NOTICE TO BIDDERS 580 Madison Avenue, New York CONTAINED AT THE END OF 19 - 21 February Jonathan Horwich THIS CATALOGUE. 10.00 to 17.00 Global Director, Picture Sales +44 (0) 20 7468 8280 As a courtesy to intending Sale number [email protected] bidders, Bonhams will provide a 21431 written Indication of the physical South Africa condition of lots in this sale if a catalogue Penny Culverwell request is received up to 24 £25.00 +27 71 342 2670 hours before the auction starts.
    [Show full text]
  • The George Pemba Art Museum
    ....... COURSE CODE ............................./>rPt,P£,.. 5 .. ."1l .. q WWI COVER SHEET STUDENT NAME ................ ....N'QAB-4N'QAB~.... ....... ......... ......V\lW\N4VVW\N4... .................. ~ .. ..... ..... STUDENT NUMBER: .. ~~~A.NQ~.. ~Q~.o.. O. 9~ L ............ .. • SUP E RVIRV ISO SO R: .".' . ::J~ 0O .. N. ~(l;:; .(.tt~:~~\~.Q:\ .... ~~ .C..~. t:~ ,,(...(. .0.0 E 1l-z.:eC1...eC e Town ap • PLAGIARISM DECLARATION 1. I know that plagiarismUniversity is wrong. Plagiarism of C is to use another's work and pretend that it is one's ownown.. 2. I have used the Harvard convention for citation and referencing. Each contribution to and quotation inin, , this essay/report/projectlp€Q.hessay/report/projectlp€Q} r ................................... .. ..... from the work(work(s) s) of other people has been attributed, and has been cited and referenced. 3 This essay/report/projectl~r ..... ... ..................." ... ...... ..... ... iiss my own work. 4. I have n IIowed"owed, and wwdli" not allow, anyone to copy my wworkork . I Date ............ ... .. ..·' 7/, 0/·10 ~ ScSchoolhool ooff AArchiteclurerchitecture & PlannPl anning UUCTCT The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town UNIVERSITY OF CAPE TOWN.TOWN • FACULTY OF EBE • SCHOOL OF ARCHITECTURE PLANNING + GEOMATICS ESSAY WRITING REQUIREMENTS This sheet is an overview of the minimum requirements for any essay or written work you submit for all courses in the School.
    [Show full text]
  • Title: the Diamond Smugglers by Ian Fleming 1957
    Title: The Diamond Smugglers by Ian Fleming 1957 Published by Jonathan Cape, London Shelf Number: SBV3 823.914 FLEM The Diamond Smugglers is non-fiction work that was first published between 1957 and 1958. It is about the interview that the author undertook with John Collard who was a member of the International Diamond Security Organization (IDSO), which was headed by Sir Percy Sillitoe. Collard narrates how he was recruited into the organization. The book goes on to discuss all activities of the IDSO from 1954 until the operation was closed in 1957. Collard explained that the IDSO was created after an Interpol report had stated that £10 million of diamonds were being smuggled out of South Africa as well as additional amounts from Sierra Leone, Portuguese West Africa, the Gold Coast and Tanganyika. When the drafts of the book were shown to De Beers they objected to several chapters and threatened a sanction against Fleming and The Sunday Times, which resulted in most material being removed. 1 Title: Bushman Paintings by Helen Tongue 1909 Published by Oxford at the Clarendon Press Shelf Number: SBV3 759.968 TONG In many parts of the Cape Colony, where there are caves and rocks, the bushmen have left paintings displaying their artistic skills. These paintings represent leopards; antelopes; lions and other animals that roamed over South Africa. The Bushmen Paintings was written by Helen Tongue and is about the lives of the Bushmen. The book is divided into two parts, the first part being descriptions of all the paintings that are included in the manuscript, the second part encompasses a brief history about the origin of Bushmen as well as where how they lived their lives.
    [Show full text]
  • BRITAIN ONCE AGAIN BETRAYED British Attack Italian FRENCH COLONIES WILL FIGHT on Outposts England Resolved to Repel Any Invader Abyssinian
    Published in English, Sesuto, Xosa and Zulu • /-, . UMTETELI ALL THE IUT EDUCAliOIUL WA SPORTING BANTU AND II THE COUNTRY UNION'S NEWS. , lEADING , . ALSO / • • • • AFRICAN ,, • • WOMEN'S • N!WSPAPER. • SECTION •• ••• WIDEST - SUBSCRIPT/Oil LATION 15/..... ,_ 'OlITICALLY 1/1 por IaII ,_ • The Mouthpiece of the African People ,---4/'_,._,"_"-....- ' Authorised to publish Government Notices affecting Africans. Vol. 21 No. 1053. JOB.AI1n8BtTBO. JUNE 29, 1940 ".,I.t.,,4MI at th. G.P.O.... ~.w.p.per. Prite 3d • , , BRITAIN ONCE AGAIN BETRAYED British Attack Italian FRENCH COLONIES WILL FIGHT ON Outposts England Resolved To Repel Any Invader Abyssinian. Dont Like MUllolini E rf'~et to have to annonnce that Genual Petaio, the 82-year old -'- Fnocb Gf'Dual ~ ho had bun put at the head of the French Govern­ LAST Sunday Bn official Britislt Wment bas upitnlatf'd to tbe Gfrmao armies, and haa surrendered Communique iaaued a~ Cairo, half of France to Bitler. HfI bas also permilled a lub8taotial portion of dealing with Abyssinian affairs the French ten-itor) to be cfdf'd to Italy. S8.1' d : ' 'Whal now hsppens to Britaio undn this disa8ler? "Further patrol activity and The British force hae bun betrtyed 6rstly by Belgium which laid down Jightning raids into A byesinia, it. arme at the iO.l!tancc of its King who, aitf'r calling in England to help covering au extensive area, have bim to 6~ht the invader, .l!nddenly called a stop 10 tbe 6ghting and sur. been reported from Somaliland. rendered billl umy. "In the northern sector One of But the Brili~h armies were takf'n oversee, rested and givf'n fresh arms, our patrols cr08seo the frontier gODS and f'quipmenl, and were 88vf'd 10 6ght again agajnst the enemy.
    [Show full text]
  • Experience 5)&7*#3"/$:0'4065)"'3*$"Μ4$6-563"-%*7&34*5: Africa
    EXPERIENCE 5)&7*#3"/$:0'4065)"'3*$"µ4$6-563"-%*7&34*5: AFRICA $&-&#3"5*/(5)& 7*#3"/$:0' GUIDE 2010 AND CULTURE ARTS 4065)"'3*$"4 $6-563"-%*7&34*5: ARTSANDCULTURE $EPARTMENT ARTSANDCULTURE !RTSAND#ULTURE $EPARTMENT 2%05",)#/&3/54(!&2)#! !RTSAND#ULTURE 5FM ARTS AND CULTURE GUIDE 2010 2%05",)#/&3/54(!&2)#! XXXEBDHPW[B Ditsong: Kruger Museum AFRICA In compiling this guide to the institutions and events that represent the incredibly broad and varied spectrum of the South African cultural scene, the Department of Arts and Culture has received the generous assistance of a number of organisations and individuals. The Department would like to thank each of these for their time, effort and valuable input, all of which were absolutely essential in making this publication as complete, accurate and appealing as possible. Angelique Kidjo (Benin) Freshlyground’s lead singer, Zolani Mahola National Department of Arts and Culture: 2010 Project Management Office Duduzile Mazibuko - Content Advisor and 2010 Project Manager Communications Department: Lisa Combrinck - Editor and Head of Communications Premi Appalraju - Content Development Corney Wright - Product Development James Mathibeng - Photography and DAC Administration Editorial services: ACKNOWLEDGEMENTS: DeskLink Media Team Design and Layout: Amadou & Mariam (Mali) Mariam & Amadou DeskLink Media Luthuli Nyathi, Sizakele Shingange Project Management: Chris Watterson Printed by: Colorpress (PTY) Ltd FOREWORD .*/*45&30'"354"/%$6-563& .4-6-69*/(8"/" At last, the FIFA 2010 World Cup™ is here. South Africa’s six long and busy years of preparation are finally coming to fruition. We have no doubt that South Africa and Africa are ready to offer the world an unforgettable occasion, creating festive hubs to which fans can flock to share their appreciation of the beautiful game and to experience African arts and culture.
    [Show full text]
  • Senong on Seriti
    Third Text Africa, No. 12, August 2020, 86-103 Comparative readings of seritiin the art of George Pemba, Gerard Sekoto, Nhlanhla Xaba and Zwelethu Mthethwa Kolodi Senong This essay presents the argument that conceptions of seriti can be read into works produced by black South African artists such as George Pemba (1912-2001), Gerard Sekoto (1913- 1993), Nhlanhla Xaba (1960-2003) and Zwelethu Mthethwa (b.1960).1 Dignity is called seriti in Sepedi, isidima in isiXhosa and isithunzi in isiZulu. Individually, people are imbued with seriti as an aura of respectability and equality, irrespective of personal standing within the hierarchy of life and society. Sekoto and Pemba were among the first black South African modernists, whereas Xaba and Mthethwa’s careers emerged in the years when the country transitioned to democracy. I discuss aesthetic techniques in selected works by these artists as a point of interrogation into modes of representation, interpretation and the subject of seriti. Among the four artists discussed in the essay, Mthethwa is the only one who talks explicitly about exploring a sense of dignity in his images. This reading of his work has been deeply compromised following his conviction for the brutal killing of Nokuphila Kumalo, a twenty- three-year-old sex worker. My intention, then, is to not only considerseriti as an aesthetic quality, but also as an idea impacting on the reading of particular works of art. Early expressions of seriti:Sekoto in Eastwood and Pembaʼs dramatic observations Several authors claim that both Sekoto and Pemba interpret people within their surroundings in a dignified manner.2 The two artists’ subject matter includes depictions of daily life, such as people reading books, riding on a bus or interacting socially.
    [Show full text]
  • Fictional Worlds and Characters in Art-Making: Fook Island As Exemplar for Art Practice
    COPYRIGHT AND CITATION CONSIDERATIONS FOR THIS THESIS/ DISSERTATION o Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. o NonCommercial — You may not use the material for commercial purposes. o ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. How to cite this thesis Surname, Initial(s). (2012) Title of the thesis or dissertation. PhD. (Chemistry)/ M.Sc. (Physics)/ M.A. (Philosophy)/M.Com. (Finance) etc. [Unpublished]: University of Johannesburg. Retrieved from: https://ujcontent.uj.ac.za/vital/access/manager/Index?site_name=Research%20Output (Accessed: Date). Fictional worlds and characters in art-making: Fook Island as exemplar for art practice by Allen Walter Laing Dissertation submitted in partial fulfilment of the requirements for the degree Magister Technologiae: Fine Art In the Department of Visual Art Faculty of Art, Design and Architecture University of Johannesburg 8 October 2018 Supervisor: David Paton Co-supervisor: Prof. Brenda Schmahmann The financial assistance of the National Research Foundation (NRF) towards this research is hereby acknowledged. Opinions expressed and conclusions arrived at, are those of the author and are not necessarily to be attributed to the NRF. Declaration I hereby declare that the dissertation, which I herewith submit for the research qualification Master of Technology: Fine Art to the University of Johannesburg is, apart from recognised assistance, my own work and has not previously been submitted by me to another institution to obtain a research diploma or degree.
    [Show full text]
  • UNISA LIBRARY MANUSCRIPTS COLLECTION John Wickens' Scrapbook of Walter Battiss Materials C1912; 1947-1994
    MSS ACC 140 UNISA LIBRARY MANUSCRIPTS COLLECTION John Wickens’ Scrapbook of Walter Battiss materials C1912; 1947-1994 Compiled by Marié Coetzee 2013 Biography of Walter Battiss (1906-1982) Walter Battiss was born on 6 January in Somerset East. The family later moved to Fauresmith in the Orange Free State where Battiss matriculated in 1923. The following year, he started working in the Magistrate of Rustenburg’s Office. He held the first of many solo exhibitions in the Rustenburg Masonic Hall in 1927. Two years later he was transferred to the Supreme Court in Johannesburg. During this period he attended part-time classes at the Art School of the Witwatersrand Technical College. Between 1930 and 1932, Battiss studied full-time at the Johannesburg Teachers’ Training College and the University of the Witwatersrand where obtained a teacher’s diploma. In 1936 Walter Battiss was appointed art master at the Pretoria Boys’ High School and he started seriously studying rock art. In 1938 he travelled to Europe where he met Abbé Breuil, co-founder of the New Group. Battiss married Grace Anderson, a well-known art-educationalist, in 1940 and moved to Giotto’s Hill, Menlo Park, Pretoria, where he stayed until his death in 1982. Battiss was appointed as the first professor and Head of the Department of History of Art and Fine Arts at Unisa in November 1964. His links to the University go back as far as 1935, when he registered for a BA (FA) degree. He obtained this Unisa degree in 1939. In 1965 Battiss launched the pilot issue of De Arte, for many years the only academic art journal in the country.
    [Show full text]
  • Artworks Catalog
    ARTWORKS EDITIONED PRINTS ANNA PUGH - 'BONSAI BEACH' 'Bonsai Beach' (1985) by Anna Pugh (1938) Aquatint, Proof Print (Hors de Commerce), Signed 44cm x 33cm (Print Size) 75.5cm x 57cm (Paper Size) Anna Pugh (1938) A prolific and leading English artist, Anna Pugh creates magical and whimsical scenes predominantly of nature, animals, and birds. Limiting the inclusion of people and buildings, Anna’s paintings conjure dreamlike feelings and storytelling. Her use of unusual perspectives, geometry, and graphic design techniques have created an unconventional style which is easily recognisable. Her work can be found in private collections across the United Kingdom, Europe, and North America. SKU: APUG/LE/0001 Price: £450.00 Stock: 1 in stock Prints & Etchings Page: 2 Artworks ANNA PUGH - 'DRAGONFLY' 'Dragonfly' (1985) by Anna Pugh (1938) Aquatint, Proof Print (Hors de Commerce), Signed 44cm x 33cm (Print Size) 75.5cm x 57cm (Paper Size) Anna Pugh (1938) A prolific and leading English artist, Anna Pugh creates magical and whimsical scenes predominantly of nature, animals, and birds. Limiting the inclusion of people and buildings, Anna’s paintings conjure dreamlike feelings and storytelling. Her use of unusual perspectives, geometry, and graphic design techniques have created an unconventional style which is easily recognisable. Her work can be found in private collections across the United Kingdom, Europe, and North America. SKU: APUG/LE/0002 Price: £450.00 Stock: 1 in stock Prints & Etchings Page: 3 Artworks ANNA PUGH - 'NEW YEARS EVE' 'New Years Eve' (1984) by Anna Pugh (1938) Aquatint, Proof Print (Hors de Commerce), Signed 31cm x 27cm (Print Size) 49.5cm x 51cm (Paper Size) Anna Pugh (1938) A prolific and leading English artist, Anna Pugh creates magical and whimsical scenes predominantly of nature, animals, and birds.
    [Show full text]
  • History of the Arts in the Olympic Games
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the q u alityo f the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission ofof the the copyrightcopyright owner.owner. FurtherFurther reproduction reproduction prohibited prohibited without without permission.
    [Show full text]
  • Michael Godby
    Home Truths Domestic Interiors in Michael Godby South African Collections 03 HomeDomestic Interiors in SouthTruths African Collections Front Cover: Eduard Vuillard (1868-1940), Interior with Figures under a Lamp, 1909, gouache on paper, 44.5 x 64.7cm, Johannesburg Art Gallery 409. Back Cover: George Pemba (1912-2001), Untitled (Woman Expelling a Man from a House), 1988, oil on board, 57.1 x 71.5cm, Tatham Art Gallery 1702. Catalogue published by PRIMAVERA PUBLISHING, Cape Town, 2016, to accompany the exhibition ‘Home Truths: Domestic Interiors in South African Collections’ at Iziko South African National Gallery and the Sanlam Gallery, Bellville. [email protected]. All images: Copyright the artists and collections. Text: copyright Michael Godby. Design: Carlos Marzia and Michael Godby. Production and co-ordination: Carlos Marzia. Printing and binding: ISBN 978-0-620-70624-7 HomeDomestic Interiors in SouthTruths African Collections Michael Godby 1. Lisa Brice (b1968), Make your Home your Castle, 1995, mixed media, dimensions variable, Iziko South African National Gallery 96/3. Contents Home Truths: Welcome 01 I. Interior Worlds 01 II. Behind Closed Doors 01 III. The World Outside 01 IV. Inside Out 01 Conclusion 01 Acknowledgements and Thanks 01 Select Further Reading 01 Author Biography 01 8 Unlike Landscape, Still Life and their own studios, and landscapes, to background of other pictorial subjects. Portraiture, the Domestic Interior has convert three-dimensional spaces in Madonna and Child compositions, for never been a recognized category in the same way. For the same reason, example, were frequently set in a domestic European academic artistic practice: no Domestic Interiors, as well as Still Life and interior, in part, of course, to underline exhibitions were arranged under this Landscape subjects, were the starting point the human aspect of the Holy Family.
    [Show full text]