DOCSLIB.ORG

Margaret Atwood Bibliography 2015.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Margaret Atwood Bibliography 2015.Pdf Bibliography 2015 Ashley Thomson and Shoshannah Ganz This year’s bibliography, like its predecessors, is comprehensive but not complete. References that we have uncovered—almost always theses and dissertations—that are not available even through interlibrary loan, have not been included. On the other hand, citations from past years that were missed in earlier bibliographies appear in this one so long as they are accessible. Those who would like to examine earlier bibliographies may now access them full-text, starting in 2007, in Laurentian University’s Institutional Repository in the Library and Archives section zone.biblio.laurentian.ca/dspace/?locale=en. The current bibliography has been embargoed until the next edition is available. Users will also note a significant number of links to full-text items. That said—and particularly in the case of Atwood’s own commentary and opinion pieces—the bibliography reproduces much if not all of what is available online, since what is accessible now may not be in the future. There has also been a change in editing practice—instead of copying authors’ abstracts, we have modified some to ensure greater clarity. We have not, however, standardized the spelling. There are a number of people to thank: Drs. Reingard M. Nischik, Shannon Hengen, Libby Marinilli (an Italian specialist), and Desmond Maley (a librarian at Laurentian University). Thanks as well to Dorothy Robb of the library’s interlibrary loan section. Finally, thanks to the ever-patient Karma Waltonen, editor of this journal. As always, we would appreciate that any corrections to this year’s edition or contributions to the 2016 edition be sent to [email protected] or [email protected]. Atwood’s Works Adam Ha-Aharon [MaddAddam]. Translated by Ya’el Akhmon, Or Yehudah: Mahbarot le-sifrut, 2015. Hebrew translation of MaddAddam. Als Laatste Het Hart [The Heart Goes Last]. Translated by Lidwien Biekmann and Tjadine Stheeman, Amsterdam: Prometheus, 2015. Dutch translation of The Heart Goes Last. “Artificial Intelligence: Our Long Love Affair with the Robot.” Turning Points, Jan. 2015, p. 10, s.mg.co.za/1JFIdnx. Accessed 1 Aug. 2016. This is the original year-ahead publication produced by the New York Times and the Mail & Guardian. Reprint of “Robots Take Over the World. Again.” International New York Times, 6 Dec. 2014 Section: Editorial, p. 206. The original text is reproduced in the 2014 edition of this bibliography. “Can Canadian Oil Green-Clean Itself?” Globe and Mail 8 Sept. 2015, Section: Comment: A14. Excerpt: Canadian oil has a problem; or rather, it has several problems. Those problems are: 1. the low price of oil; 2. the dirty image of oil-sands oil; 3. inept political leadership; and 4. the new forms of energy coming on stream. Because Canadian oil has problems, Canada has problems, too. We’ve been joined at the hip: If it’s in a mess, Canada’s in a mess. Or something of a mess. What should we do? Margaret Atwood Studies 10 (2016) 32 The first problem—the low price of oil—is beyond our control, but the extent of our investment in it is not. Unfortunately for us, the Harper government overinvested in oil. This once seemed like a plausible gamble, which must be why we didn’t flinch while Stephen Harper backed oil with sack-loads of subsidies: $34-billion a year, according to the International Monetary Fund, that covers the societal costs of the industry in Canada. Jobs and prosperity would both abound, we were assured. Anyone who breathed a negative word against the subsidy flow was viewed as unpatriotic and treated as next door to a terrorist. The return never offset the investment, but who was doing the hard math? Now, the price of oil is in the cellar and the Canadian dollar has been dragged down with it, meaning that most of our imports now cost us 30 percent more. If we had spread our investment bets over more sectors, we’d have more to prop us up now. The second problem is the “dirty oil” image. Oil-sands oil has attracted a Yuck aura, despite the efforts made to frame it as more “ethical” than other oil and the assurances that pipelines are safe, cleanup is effective and so forth. What might a smart oil company do to improve the “dirty” image? First, Big Oil should actually come through on its promises and environmental undertakings. It, rather than the Canadian government, should take the initiative, since Mr. Harper does not appear very interested in enforcing existing regulations. Or the oil sector might follow the lead of BP and ConocoPhillips and invest in CoolPlanet, which makes carbon-negative gasoline. Imagine being able to tank up while knowing you’re actually reducing the CO2 in the air. That combo has broad consumer appeal. Or oil might offset its carbon emissions with any one or more of the over a dozen carbon-capturing techs and plans now available. Restoring degraded tropical forests is one of the cheapest and most effective ways to capture carbon, and has the added benefit of creating wildlife habitat and helping local communities. There are several companies that offer forest restoration as a carbon trading/offsetting plan. Big Oil could partner with them, turn itself green, and hardly miss the cash. There are a number of other carbon-capture plans on offer. If enough of them roll out, the human race could actually start removing a net amount of CO2 from the atmosphere instead of adding a net amount. And oil companies could be part of that solution. As for the inevitable spills, a smart pipeline company would demonstrate that it has ample crisis-management staff and mop-up gear in place. It could even help save monarch butterflies by using Protec-style’s superior made-in-Canada milkweed-based oil soaker. Imagine the video: a river of oil slick replaced by a river of monarchs! And a really smart company would avoid running pipelines through really stupid places. The third problem is political leadership. If you were a leader promoting Canadian oil, maybe you should avoid annoying every other leader whose co-operation or territory is needed for your favoured projects—such as pipelines—to go ahead. Instead, Mr. Harper has threatened the U.S. President, treated First Nations with contempt, gone out of his way to antagonize the Premier of Ontario and sullied Canada’s reputation abroad through foot- dragging over carbon-reduction treaties. The oil patch must be wondering whether they backed the right champion. A leader able to admit to the CO2 “problem,” support practical tech, and avoid demonizing other points of view would be a wiser choice. The fourth problem is rapidly approaching. Simply put, the world is transitioning from fossil fuels. The transition is driven by our very human fear and desire. The fear, that we’ll kill our life support system: our planet. The desire, to find a substitute for fossil fuels that will produce enough cheap energy to keep us from plunging into economic woe and anarchy. Efficient electric cars that run on solar-charged batteries are a reality and the price is coming down; solar home-storage batteries, ditto. Non-toxic solar panels and batteries are being made. Cheap algae-growing energy-creating panels are being marketed by Grow Margaret Atwood Studies 10 (2016) 33 Energy. If the price is right, consumers will choose these options because individuals are just as interested in energy self-sufficiency as countries are: Why be subject to oil cartels and price manipulation if you don’t have to be? And why stay on the grid if you can get off? Huge installations—mega wind farms, solar farms, hydro dams—may soon be going the way of the cassette tape deck and the floppy disk. If every home or small community can generate its own cheap, non-toxic energy, why run electricity through an expensive grid system? Every new technology creates new jobs and the new energy technologies are no different. But how much of our tax money has gone into fostering this rapidly expanding sector? Almost none, because if your only god is oil you will try to stifle any competition. You will also try to stifle any data about climate science, as well as the kind of evidence- based, creative scientific data-gathering and technological thinking that is crucial for this new phase. And that is what Mr. Harper has been doing: stifling. It looks like panic. We aren’t served well by a frantic one-trick pony. To manage both the oil we have and our transition into the rapidly approaching alternative energy era, both Canada and the oil patch need a different kind of leader: one who can understand the new world we are now entering and can help us navigate intelligently and prosperously within it. Dire Cartographies: The Roads to Ustopia and The Handmaid’s Tale. Toronto: McClelland & Stewart, 2015. In In Other Worlds: SF and the Human Imagination (3) [Kindle version]. Retrieved from Amazon.com. “The Eye of Heaven.” Nevermore!: Tales of Murder, Mystery and the Macabre: Neo-Gothic Fiction Inspired by the Imagination of Edgar Allan Poe. Nancy Kilpatrick and Caro Soles, editors. Calgary: Edge Science Fiction and Fantasy Publishing, 2015, pp. 237-240. This Poe-inspired story was written by Atwood when she was 16. “[Excerpt].” UK: The Telegraph, 23 July 2015, www.telegraph.co.uk/goodlife/11730754/My- favourite-books-Sir-Tom-Stoppard-and-Margaret-Atwood.html. Accessed 1 Aug. 2016. In an excerpt from The Pleasure of Reading: 43 Writers on the Discovery of Reading and the Books that Inspired Them, Eleanor Doughty includes part of the section on Atwood: “When I hit high school, I read Pride and Prejudice and Wuthering Heights, and developed what was, in those days before rock stars, a standard passion for Mr.
Load more

Recommended publications
  • The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
    Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian
    [Show full text]
  • MS ATWOOD, Margaret Papers Coll
    MS ATWOOD, Margaret Papers Coll. 00127L Gift of Margaret Atwood, 2017 Extent: 36 boxes and items (11 metres) Includes extensive family and personal correspondence, 1940s to the present; The Handmaid’s Tale TV series media; Alias Grace TV series media; The Heart Goes Last dead matter; appearances; print; juvenilia including papier mache puppets made in high school; Maternal Aunt Joyce Barkhouse (author of Pit Pony and Anna’s Pet), fan mail; professional correspondence and other material Arrangement note: correspondence was organized in various packets and has been kept in original order, rather than alphabetical or chronological order Restriction note: Puppets are restricted due to their fragility (Boxes 26-29). Box 1 Family correspondence, 1970s-1980s: 95 folders Parents (Carl and Margaret Eleanor Atwood) Aunt Kae Cogswell Aunt Ada Folder 1 Mother to Peggy and Jim ALS and envelope January 2, 1969 [sic] 1970 Folder 2 Mother to Peggy and Jim ALS and envelope March 30, 1970 Folder 3 Mother to Peggy and Jim TLS and envelope April 21, 1970 Folder 4 Mother to Peggy and Jim TLS and ALS, envelope April 29, 1970 Folder 5 Mother to Peggy and Jim ALS August 20, 1970 Folder 6 Mother to Peggy and Jim ALS September 6, 1970 Folder 7 Mother to Peggy and Jim TLS, ANS and envelope September 17, 1970 1 MS ATWOOD, Margaret Papers Coll. 00127L Folder 8 Mother to Peggy ALS September 19, 1970 Folder 9 Dad to Peggy ALS September 26, 1970 Folder 10 Mother to Peggy and Jim TLS (stamps) and envelope October 14, 1970 Folder 11 Mother to Peggy and Jim ALS November 10, 1970 Folder 12 Mother to Peggy ALS November 15, 1970 Folder 13 Mother to Peggy and Jim ALS December 20, 1970 Folder 14 Mother to Peggy and Jim TLS and envelope December 27, 1970 Folder 15 Mother to Peggy and Jim TLS and envelope January 8, 1971 Folder 16 Mother to Peggy and Jim TLS and envelope January 15, 1971 Folder 17 Mother to Peggy and Jim TLS January 20, 1971 TLS and envelope January 27, 1971 Folder 18 Mother to Peggy ALS and envelope November 25, 1973 2 MS ATWOOD, Margaret Papers Coll.
    [Show full text]
  • The Watch That Ends the Night Hugh Maclennan (Macmillan, 1959, Now Available from Mcgill-Queen’S) I Knew Hugh Maclennan Well
    the storytellers book club presents The Watch That Ends the Night Hugh MacLennan (Macmillan, 1959, now available from McGill-Queen’s) I knew Hugh MacLennan well. I knew him in the 1960s first as a friend and neighbour at his cottage at North Hatley, in the Eastern Townships, then as his editor (for his last novel, Voices in Time), and as his publisher. After his death in 1990, I created the anthology Hugh MacLennan’s Best, selected from all of his work, fiction and non-fiction. In 2013, when Two Solitudes was selected as a finalist for Canada Reads, I was asked by the CBC to speak on Hugh’s behalf, which was a very great honour. Although I can claim to have edited all of the other four books that I have selected for this book club, I did not edit The Watch That Ends the Night, which I think is Hugh MacLennan’s best book. It was published in 1959, when I was still in high school (although I still remember browsing through the paperback version at a Glasgow Station book stall, attracted by the exciting — if misleading — log- ging scene on the cover. Ah, those publishers!). Hugh had spent many years writing it. Elspeth Cameron’s defini- tive biography Hugh MacLennan: A Writer’s Life shows that as far back as July 1954 he had felt able to say that he had the whole novel drafted “from beginning to end,” but it took him several years to finish it. One reason was Hugh’s determination to make sure that this, a sig- nificant novel dealing with major themes, was not going to be rushed.
    [Show full text]
  • Cahiers-Papers 53-1
    The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf.
    [Show full text]
  • Commonwealth Essays and Studies, 43.2 | 2021 Negotiating Dataveillance in the Near Future: Margaret Atwood’S Dystopias 2
    Commonwealth Essays and Studies 43.2 | 2021 In Other Worlds Negotiating Dataveillance in the Near Future: Margaret Atwood’s Dystopias Claire Wrobel Electronic version URL: https://journals.openedition.org/ces/7718 DOI: 10.4000/ces.7718 ISSN: 2534-6695 Publisher SEPC (Société d’études des pays du Commonwealth) Electronic reference Claire Wrobel, “Negotiating Dataveillance in the Near Future: Margaret Atwood’s Dystopias”, Commonwealth Essays and Studies [Online], 43.2 | 2021, Online since 23 July 2021, connection on 29 July 2021. URL: http://journals.openedition.org/ces/7718 ; DOI: https://doi.org/10.4000/ces.7718 This text was automatically generated on 29 July 2021. Commonwealth Essays and Studies is licensed under a Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Negotiating Dataveillance in the Near Future: Margaret Atwood’s Dystopias 1 Negotiating Dataveillance in the Near Future: Margaret Atwood’s Dystopias Claire Wrobel 1 Imagining what comes next is the stuff that Margaret Atwood’s dystopian novels are made of.1 In retrospect, The Handmaid’s Tale (1985) may seem to have been prescient. While it may be read in the context of the backlash against feminism in the United States in the 1980s (Neuman 2006), it has gained new significance in the misogynous context of the Trump administration. The handmaid’s outfit, with its scarlet robe and white cornet, has become a visual rallying cry for women protesting against attempts on their reproductive rights in places as diverse as Texas, Northern Ireland or Argentina (Beaumont and Holpuch 2018). Atwood’s awareness of the threat that uncontrollable viruses constitute may also seem prescient in light of the ongoing pandemic.
    [Show full text]
  • Proquest Dissertations
    UNIVERSITY OF CALGARY Prize Possession: Literary Awards, the GGs, and the CanLit Nation by Owen Percy A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA JANUARY 2010 ©OwenPercy 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre inference ISBN: 978-0-494-64130-9 Our file Notre r6f6rence ISBN: 978-0-494-64130-9 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Revisionist Mythmaking in Margaret Atwood's
    Author: Keck, Michaela Title: Paradise Retold: Revisionist Mythmaking in Margaret Atwood’s MaddAddam Trilogy Paradise Retold: Revisionist Mythmaking in Margaret Atwood’s MaddAddam Trilogy Michaela Keck Carl von Ossietzky University of Oldenburg, Germany [email protected] Abstract This paper focuses on the subversive potential of myths by exploring Margaret Atwood’s feminist revision of creation, more specifically the myth of paradise. According to Adrienne Rich’s definition, the “re-vision” of myths signifies the critical adaptation, appropriation, and invasion of traditional texts. As such, myths have not only legitimized exploitative power relationships, but they have also served as a powerful means to participate in and subvert hegemonic discourses. By drawing on the theories of Aby Warburg, Ernst Cassirer, and Hans Blumenberg, for whom myths constitute cultural-artistic mediations that involve the polarities of affect and intellect, terror and logos, Atwood’s revision of paradise in the MaddAddam trilogy may be approached in itself as—to use a term by Hans Blumenberg—a “work of logos.” I argue that Atwood revises paradise by duplicating the ancient human dreams of paradise into Crake’s techno pagan and Adam One’s eco-millennialist “gardens of delights,” both of which are refracted through evolutionary science and ecology. Characterized by human destructiveness, these posthuman paradises feature multiple Eves alongside the dominant male figures. Among Atwood’s Eves, there is the brazen Oryx as exploited racial “Other” of white society in the pathos formula of the Asian “digital virgin prostitute.” Atwood employs a self-reflexivity regarding myths that is characteristic of postmodern pastiche and thus highlights storytelling as the distinguishing characteristic of humankind, while her use of an evolutionary grotesque aesthetics erodes clear-cut distinctions between humans, animals, and post- humans.
    [Show full text]
  • QC Fiction in EN
    QUEBEC FICTIO I EGLISH DURIG THE 1980S: 1 A CASE STUDY I MARGIALITY Linda Leith I The unique position of Quebec writers in the English language 2 and the peculiarities of the fiction they have been publishing during the 1980s are best understood in the light of recent socio-political and cultural changes within Quebec and in Canada as a whole. Caught up as no other English-Canadian writers have been caught up in the maelstrom of change, and living as no other English-Canadian writers live in a society with a French face, these writers have produced a body of work quite distinct in some ways from other contemporary English-Canadian fiction. Much of my thinking about this writing is inspired by recent work on the formation of literary canons and on the literary production of marginal social groups. It owes a particular debt to the work of Raymond Williams, who devoted much of his career to exploring the possibilities of discussing English literature and society together while respecting the uniqueness of specific texts. This is a debt not only to Williams's most general observation that "as a society changes, its literature changes" (1965, 268), and to his comments on the formation of a literary tradition, but also to his suggestive, though not wholly applicable, account of the interrelations between dominant and alternative or oppositional aspects at a given historical moment. Williams's distinction between two different kinds of alternatives on a status quo, which he terms the "residual" and the "emergent" (1977, 121-27), is helpful in discussions of the cultural manifestations of the middle class in nineteenth century Britain; it is not applicable in the present context of English Quebec fiction, which requires an assessment of a social group linked not along class lines but rather along linguistic and cultural lines.
    [Show full text]
  • List of Works by Margaret Atwood
    LIST OF WORKS BY MARGARET ATWOOD Note: This bibliography lists Atwood’s novels, short fiction, poetry, and nonfiction books. It is current as of 2019. Dates in parentheses re- fer to the initial date of publication; when there is variance across countries, the date refers to the Canadian publication. We have used standard abbreviations for Atwood’s works across the essays; how- ever, contributors have used a range of editions (Canadian, American, British, etc.), reflecting the wide circulation of Atwood’s writing. For details on the specific editions consulted by contributors, please see the bibliography immediately following each essay. For a complete bibliography of Atwood’s works, including small press editions, children’s books, scripts, and edited volumes, see http://mar- garetatwood.ca/full-bibliography-2/ Novels EW The Edible Woman (1969) Surf. Surfacing (1972) LO Lady Oracle (1976) LBM Life Before Man (1979) BH Bodily Harm (1981) HT The Handmaid’s Tale (1985) CE Cat’s Eye (1988) RB The Robber Bride (1993) AG Alias Grace (1996) BA The Blind Assassin (2000) O&C Oryx and Crake (2003) P The Penelopiad (2005) YF Year of the Flood (2009) MA MaddAddam (2013) HGL The Heart Goes Last (2015) HS Hag-Seed (2016) Test. The Testaments (2019) ix x THE BIBLE AND MARGARET ATWOOD Short Fiction DG Dancing Girls (1977) MD Murder in the Dark (1983) BE Bluebeard’s Egg (1983) WT Wilderness Tips (1991) GB Good Bones (1992) GBSM Good Bones and Simple Murders (1994) Tent The Tent (2006) MD Moral Disorder (2006) SM Stone Mattress (2014) Poetry CG The Circle
    [Show full text]
  • A Defense of Publicity Frank Davey University of Western Ontario
    A Defense of Publicity Frank Davey University of Western Ontario 1. minimum responsibility of academics as citizens of a national andA a global society, I suggest, is to respond to the off campus when asked about matters for which we have proven expertise—in my own case to respond to a request to speak to a Canadian literature reading group, to serve on an awards jury, to answer invitations to speak to Canadianists abroad, to investigate a pedagogy question for a government ministry, to comment on a book or an author’s death or the construction of a news story if telephoned by a newspaper or radio station. Those outside the academy don’t necessarily view us as especially objective, but they often believe that we have information they may not have or questions they have not thought to ask. And what about those occasions when one is not asked but one suspects that one’s knowledge might change events outside the academy were it disseminated there? Don’t we still have a responsibility to educate—not necessarily to change minds but to enlarge them? The expertise which most qualifies me and many others to speak out on public issues is interpreting images, situations, promises, and various speech acts. It also qualifies some of those off campus, such as cbc’s Terry O’Reilly, host of the program “Under the Influence.” U.S. poet Charles Bern ESC 38.2 (June 2012): 8–12 stein has repeatedly argued that it is only through a society’s intellectuals being willing to contribute to “the education of the public at large” that a society can be “innovative, vibrant, and socially responsible” (“Poet” 28) and its politics avoid stagnation.
    [Show full text]
  • Recommended Reading for AP Literature & Composition
    Recommended Reading for AP Literature & Composition Titles from Free Response Questions* Adapted from an original list by Norma J. Wilkerson. Works referred to on the AP Literature exams since 1971 (specific years in parentheses). A Absalom, Absalom by William Faulkner (76, 00) Adam Bede by George Eliot (06) The Adventures of Huckleberry Finn by Mark Twain (80, 82, 85, 91, 92, 94, 95, 96, 99, 05, 06, 07, 08) The Aeneid by Virgil (06) Agnes of God by John Pielmeier (00) The Age of Innocence by Edith Wharton (97, 02, 03, 08) Alias Grace by Margaret Atwood (00, 04, 08) All the King's Men by Robert Penn Warren (00, 02, 04, 07, 08) All My Sons by Arthur Miller (85, 90) All the Pretty Horses by Cormac McCarthy (95, 96, 06, 07, 08) America is in the Heart by Carlos Bulosan (95) An American Tragedy by Theodore Dreiser (81, 82, 95, 03) The American by Henry James (05, 07) Anna Karenina by Leo Tolstoy (80, 91, 99, 03, 04, 06, 08) Another Country by James Baldwin (95) Antigone by Sophocles (79, 80, 90, 94, 99, 03, 05) Anthony and Cleopatra by William Shakespeare (80, 91) Apprenticeship of Duddy Kravitz by Mordecai Richler (94) Armies of the Night by Norman Mailer (76) As I Lay Dying by William Faulkner (78, 89, 90, 94, 01, 04, 06, 07) As You Like It by William Shakespeare (92 05. 06) Atonement by Ian McEwan (07) Autobiography of an Ex-Colored Man by James Weldon Johnson (02, 05) The Awakening by Kate Chopin (87, 88, 91, 92, 95, 97, 99, 02, 04, 07) B "The Bear" by William Faulkner (94, 06) Beloved by Toni Morrison (90, 99, 01, 03, 05, 07) A Bend in the River by V.
    [Show full text]
  • Margaret Atwood: Transgressing Genre Katarína Labudová, Ph.D., Catholic University in Ružomberok, Slovakia
    Margaret Atwood: Transgressing Genre Katarína Labudová, Ph.D., Catholic University in Ružomberok, Slovakia Course Description: “What is genre? What is gender? These seem to remain open questions,” Margaret Atwood said in a 2014 talk on Genre and Gender at Penn University. This course offers to examine Margaret Atwood‟s use of genre and gender. Special emphasis will be given to her major novels, beginning with autobiographical elements in Cat’s Eye, historiographic metafiction (Alias Grace, Blind Assassin, The Robber Bride) and ending with fairy tale echoes in her novels and short stories. The seminar will scrutinize the dystopian/utopian and speculative fiction/science fiction dilemmas negotiated in Atwood‟s fiction and non-fiction (Maddaddam trilogy, The Handmaid’s Tale). We will discuss the literary usefulness (or lack of it) of genre and form labels, Atwood‟s use of intertextuality and genre hybridity. Course Outline: 1. A Generic Approach to Margaret Atwood‟s Fiction: Fictive Autobiographies, Gothic Romance (Edible Woman, Lady Oracle, Cat’s Eye) Morning Session: Edible Woman, chapter 19; Emma Parker. “„You Are What You Eat: The Politics of Eating in the Novels of Margaret Atwood.” Twentieth Century Literature, Vol. 41, No. 3 (Autumn, 1995), pp. 349-368. Afternoon Session: The Handmaid’s Tale, chapters 1, 2, 3, 4, 5, 6; “Science Fiction in the Feminine: The Handmaid’s Tale” in: Coral Ann Howells: Margaret Atwood. Palgrave Macmillan, 1996, pp. 126-147. 2. In Search of Canadian History: Margaret Atwood‟s Historiographic Metafiction (The Robber Bride, Alias Grace, The Blind Assassin) Morning Session: Margaret Atwood. “In Search of Alias Grace: On Writing Canadian Historical Fiction” in The American Historical Review, Vol.
    [Show full text]