The Compensatory Effects of Pictorial and Verbal Information

Total Page:16

File Type:pdf, Size:1020Kb

The Compensatory Effects of Pictorial and Verbal Information THE COMPENSATORY EFFECTS OF PICTORIAL AND VERBAL INFORMATION FOR HAPTIC INFORMATION ON CONSUMER RESPONSES IN NON-STORE SHOPPING ENVIRONMENTS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Minjung Park, M.A. ***** The Ohio State University 2006 Dissertation Committee: Professor Sharron J. Lennon, Adviser Approved by Professor Leslie Stoel ________________________________ Professor Jay Kandampully Adviser Professor Michael Browne College of Human Ecology ABSTRACT The purpose of the study was to examine the compensatory effect of pictorial and verbal information for haptic information in non-store shopping environments. Dual coding theory and Stimulus-Organism-Responses paradigm provided the theoretical frameworks for the study. The proposed model of the study was examined by conducting an experiment using a mock apparel website and a mock apparel catalog. Additionally, this research addressed an alternative model based on the results of the originally proposed model testing. Multivariate analyses of variance and structural equation modeling were used to test both the originally proposed model and the alternative model. The design of the originally proposed model was a 2 (picture swatch or no swatch) x 2 (high haptic imagery description or low haptic imagery description) x 2 (online shopping or catalog shopping) x 2 (high need for touch or low need for touch) between-subjects factorial design. Dependent variables for the original model were perceived product quality, perceived risk, attitude toward a product, and purchase intentions. The alternative model used the same independent variables and dependent variables with the originally hypothesized model and added two more dependent variables (perceived haptic imagery, perceived interactivity). The findings from the original model and alternative model revealed: (1) the main ii effect of pictorial information on perceived haptic imagery; (2) the main effect of verbal information on perceived haptic imagery; (3) the main effect of shopping contexts on perceived interactivity; (4) the positive relationships between perceived haptic imagery and perceived product quality; (5) the positive relationships between perceived interactivity and perceived product quality and the negative relationships between perceived interactivity and perceived risk; (6) positive relationships between perceived product quality and attitude toward a product, between perceived product quality and behavioral intentions, and between attitude toward a product and behavioral intentions; (7) negative relationships between perceived risk and attitude toward a product and between perceived risk and behavioral intentions. The study provides theoretical and practical implications. The empirical evidence of the compensatory mechanism for haptic information contributes to the literature in non-store retailing and apparel retailing fields and provides effective marketing strategies using judicious information presentation. iii Dedicated to my husband Jungho Nam iv ACKNOWLEDGMENTS I would like to express my sincere appreciation to all those people who provided me with assistance during my research. I am especially thankful to my adviser, Dr, Sharron Lennon, whose constant encouragement, enthusiasm, and love enabled me to complete my graduate program and dissertation. Her intellectual support and extensive knowledge provided me with my learning opportunities to explore and to enhance a number of research perspectives. Words will never express my gratitude for the kindness, care and support she bestowed upon me. I am grateful to Dr. Leslie Stoel who stimulated discussions and great ideas for my study. She facilitated additional opportunities for independent research and scholarly writings in the field of online apparel retailing. I wish to thank Dr. Jay Kandampully who provided valuable suggestions and various aspects of this dissertation and gave me opportunities to discuss my research perspectives. I am thankful to Dr. Michael Browne who taught me structural equation modeling and offered his continuous support of statistical issues regarding this dissertation. My appreciation is also extended to Dr. Sook- Ja Lim for her advice and encouragement from my master’s program. I wish to thank my friends for their friendship: Hyejeong Kim, Wi-Suk Kwon, Sejin Ha, Minjeong Kim, Jung-Hwan Kim, Jiyoung Lim, Young Ha, Jungmin Yoo, Hyunjoo Im, and Jisun Park. A special note of appreciation goes to my dearest friends, Minjeong Kim and Jungmin Yoo. The inspiration and intellectual and emotional support v of Dr. Minjeong Kim fostered my hope throughout my graduate program and helped me get through difficult times. Jungmin Yoo was always there to share knowledge and opinions on research. I reserve distinct gratitude for my husband, parents and parents-in-law who always give endless love and consideration to me. I am deeply grateful to my loving husband, Jungho Nam, who endlessly supported me to achieve my goal and provided me the energy I needed to finish my work. I could not have completed this study without his support and love. My parents and parents-in-law emotionally and financially supported me, and encouraged me never to give up and to always seek their wisdom and love. And finally, thank you to my sisters, Hyejung Park and Hoojung Park, brother-in-law, Woong Jae Lee, and my sisters-in-law, Sang-Hee Nam, Sang-Min Nam, and Sang-Hyun Nam for their encouragement and support. vi VITA February 12, 1975 ………………………………….Born – Seoul, Korea 1999…………………………………………………B.A. Clothing and Textiles; B.A. Consumer Science & Human Development, Ewha Womans University 2001…………………………………………………M.A. Clothing and Textiles, Ewha Womans University 2002 - Present……………………………………….Ph.D. Textiles and Clothing, Department of Consumer Sciences, The Ohio State University PUBLICATIONS 1. Park, M., & Lennon, S. J. (2006). Developing a conceptual model to explain the effect of site atmospherics on online shoppers’ responses [CD-ROM]. In D. J. Burns (Ed.), Spring 2006 ACRA Proceedings. Philadelphia, PA: Xavier University. 2. Park, M., Lennon, S. J., & Stoel, L. (2005). The roles of product and customer service information in determining website quality, satisfaction, and patronage intentions. Abstract published in Proceedings of the International Textiles and Apparel Association (No. 62). 3. Park. M, Stoel, L., & Lennon, S. J. (2005). Key dimensions of electronic service quality: applying qualitative research. Abstract published in Proceedings of the Seoul International Clothing and Textiles Conference. 4. Park, M., Stoel, L., & Lennon, S. J. (2005). Developing a conceptual model to explain the effect of information quality on website quality perceptions and customer satisfaction [CD-ROM]. Abstract published in D. J. Burns (Ed.), Spring 2005 ACRA Proceedings. Philadelphia, PA: Xavier University. 5. Park, M., & Lennon, S. J. (2005). The impact of service recovery and service failure on service quality, customer satisfaction and behavioral intentions in online vii shopping. Abstract published in the First Virtual Conference of the Global Symposium for Consumer Sciences. Available: http://www.Consumersciences.org/abstract.html 6. Park, M., & Lennon, S. J. (2004). Self-consciousness, materialism, compulsive buying, and conspicuous consumption of clothing. Abstract published in Proceedings of the International Textiles and Apparel Association (No. 61). FIELDS OF STUDY Major Field: Human Ecology Area of Specialization: Textiles and Clothing Minor Field: Quantitative Psychology viii TABLE OF CONTENTS Page Abstract................................................................................................................................ i Dedication.......................................................................................................................... iv Acknowledgments................................................................................................................v Vita.................................................................................................................................... vii List of Tables .................................................................................................................... xii List of Figures....................................................................................................................xv Chapters: 1. Introduction......................................................................................................................1 Problem statement......................................................................................................4 Purpose of the study...................................................................................................6 Significance of the study............................................................................................7 Definition of terms.....................................................................................................8 2. Literature review............................................................................................................10 Overview of non-store shopping..............................................................................10 Characteristics of online and catalog shopping .............................................12 Information presentation................................................................................20 Theoretical
Recommended publications
  • A Comparison of the Verbal Teaching Patterns of Two Groups of Secondary
    A comparison of the verbal teaching patterns of two groups of secondary student teachers, Montana State University, 1969-70 by Dennis Larry Martinen A thesis submitted to the Graduate Faculty in partial fulfillment of the requirements for the degree \ of DOCTOR OF EDUCATION in Secondary Education Montana State University © Copyright by Dennis Larry Martinen (1970) Abstract: The problem in this study was to investigate the verbal teaching patterns of secondary student teachers and to determine essentially what these teaching patterns were. As a corollary to the problem, the Rokeach Dogmatism Scale and the Teaching Situation Reaction Test were administered to student teachers to determine if these tests could predict successful student teachers prior to their student teaching experience in the secondary schools of Montana. It was the purpose of this study, then, to record and analyze the verbal behavior patterns of two groups of secondary student teachers. One group, the control group, consisted of students who went through the regular training program. The other group received twenty hours of training in interaction analysis. Selected aspects of the reconstructed Flanders' matrix were compared and analyzed. Another aspect of the problem dealt with the possible predictive value of the Teaching Situation Reaction Test and the Rokeach Dogmatism Scale as they pertained to superior teaching. A comparison and analysis was made between scores achieved on the two tests and such quantitative elements as grade point average in the major subject area, mean scores on the rating forms used by Montana State University supervisors and the grade given to measure the success in student teaching.
    [Show full text]
  • Black Bottom of Modernity: the Racial Imagination of Japanese Modernism in the 1930S
    The Japanese Journal of American Studies, No. 27 (2016) Copyright © 2016 Keiko Nitta. All rights reserved. This work may be used, with this notice included, for noncommercial purposes. No copies of this work may be distributed, electronically or otherwise, in whole or in part, without permission from the author. Black Bottom of Modernity: The Racial Imagination of Japanese Modernism in the 1930s Keiko NITTA* APPROPRIATION OF THE PRIMITIVE In 1930, the eminent Japanese literary critic of the day Soichi Oya summarized “modernism” in terms of its fascination with the element of the “primitive”: Modernism starts with abolishing the traditional norms of various phases of life. Free and unrestricted from everything, and led by the most intense stimulus, it amplifies its own excitement; in this sense, modernism has much in common with primitivism. It is jazz that flows with colorful artificial illumination to the pavements of the modern metropolis, bewitching pedestrians. Such bewitching exemplifies the surrender of civilizations to barbarism.1 As Oya stated here, jazz was symbolized as something not merely primitive but also something indicating a modern taste for “barbarism.” Similar to the contemporaneous American author F. Scott Fitzgerald, who coined the term “the Jazz Age,”2 Japanese intellectuals attempted to establish their own “modernized” status as consumers of art and culture defined as primitive. It *Professor, Rikkyo University 97 98 KEIKO NITTA is to this paradoxical imagination of Japanese modernism that I turn my attention in this article. I will particularly look at creational tendencies of a short-lived but once quite dominant literary circle in Japan in the early 1930s.
    [Show full text]
  • A VERBAL SPACE – INTERSECTING the VISIBLE Virve Sarapik
    A VERBAL SPACE – INTERSECTING THE VISIBLE Virve Sarapik The idea that man is not able to conceive of reality consciously is a very old one. An intermediate stage is necessary. Through this the real world may acquire the face of intermediary, relying on the sense-organs, experience, language, univer- sals, categorisation. Continuity of the outside world needs some points of sup- port. It is easier to comprehend discrete entities than a continuum and the best means for categorisation is language. Counterbalance to this much criticised lan- guage-centred viewpoint is idea of the importance of visual experience, phrased in the sentence attributed to Aristotle, "one picture is worth a thousand words." These two points of view on art clash in two ways: in the reciprocal condi- tionality of the pictorial and verbal expression, and in art as language. The two main issues concerning art and language can be formulated as: – the communicative quality of an artwork, i.e. the problem of the meaning of an artwork and art as language; – relations of the verbal language and artwork, or the influence of the verbal context on the meaning of an artwork. 1. Plato's paradox Once, reading Victor Burgin's book The End of Art Theory, I found a surprising passage. Debating the main opponent of the theory of postmodern art Clement Greenberg, Burgin writes: "In the Phaedo, Plato puts into the mouth of Socrates a doctrine of two worlds: the world of murky imperfection to which our mortal senses have access, and an "upper world" of perfection and light. Discursive speech is the tangled and inept medium to which we are condemned in the for- mer, while in the latter all things are communicated visually as a pure and un- mediated intelligibility which has no need for words." (Burgin 1986: 31.) A Verbal Space – Intersecting the Visible The idea, that there are two forms of communication: words and images (the second one being more direct), was passed to the Christian tradition with New Platonism.
    [Show full text]
  • Language and Questions of Culture: an Interview by Xiaoping Jiangcultus
    Language and Questions of Culture David Crystal is Interviewed by Xiaoping Jiang 1. Xiaoping Jiang: Dear Professor David Crystal, Perhaps we could start with my personal experience in studying and using English as a lingua franca, which is that learning a language is much more than simply mastering a linguistic tool: it involves learning the culture behind that language. Yet your response to Michael Agar’s Language Shock (1994) was that "It is also important not to overstate the case". And you continue, "When all these factors of individuality are taken into account, I wonder just how much will be left for languaculture?" (Crystal, 1994). Well, in my experience as a Chinese national living and working overseas, many communication breakdowns are due to non-language issues. In fact, languages and cultures tend to be inseparable. Then, interestingly, in your more recent autobiography, Just A Phrase I’m Going Through (2009) you expressed a more linguacultural view. As you state, “To get to know a language, you have to get to know the people. There is no other way. And what better way is there of getting to know someone than over a glass or two in a snug?” Unfortunately there are no pubs as such on the University campus in Guangzhou, China (a very interesting cultural difference), though Chinese beer is very good and 'Maotai', China’s national heritage liquor, is sweetly intoxicating. So based on your statements, how would you now advise a language learner "to get to know the people" well especially when he/she has never been to the country in which the language is spoken? Is there any viable approach to overcome cultural barriers in intercultural communication? A nice and easy first question! David Crystal: Increasingly, over the past ten years, I’ve come to take the view that a cultural perspective is intrinsic to the future of language teaching and learning, especially in the case of English, as it becomes increasingly global.
    [Show full text]
  • Boa White Wishes Live
    Boa White Wishes Live Julius reformulates atremble if swell Averill proffer or cooperate. Awake and bacilliform Gail disentangled: which Monroe is andunderweight meanly, howenough? aroid If is simulative Rube? or ochery Marlow usually blackball his rhapsody peals stumpily or decuple whisperingly Man there the MirrorLIVE LyricistBallard Glen Garrett Siedah I'm gonna learn a. You know where I live shrimp you there your mind there was as. BoA kimono beat. Problems playing with others will provide programming that. Singles Merry-Chri Winter Love and MamoritaiWhite Wishes. BoA IDENTITY sephorictouch LiveJournal. By logging in to LiveJournal using a railway-party service we accept LiveJournal's User agreement No not Create many account. YESASIA Mamoritai White Wishes BoA Avex Marketing. Take green that 50 can buy you anything to an aberrant black fur white corn. Your personal safety of live plucked from venezuela. Tropical reptiles and live or websites and their tails due to bill pay bills using the eu. Boa Constrictor Facts Live Science. BoA White Wishes YouTube. He steered the road boat with way art that crackle could find no land is there. BoA Fox Lyrics Fox Lyrics Lyrics Jonk. SM Town Live 2019 in Tokyo BABYMETAL Awakens The coil Also. BoA's iIdentityi Random J Pop blogger. 10 BoA songs to get in through the winter season allkpop. BoA Mamoritai White Wishes English Version mapped. 2014 2NE1 WORLD TOUR LIVE CD ALL is NOTHING IN SE CD. BoA Mamoritai White Wishes PV By AZiophrenia in download. Brazilian rainbow boa Smithsonian's National Zoo. BoA Wiki Jpop Amino. Valenti she launched her first Japanese concert BoA 1st Live Tour Valenti.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • An Introduction to Japanese Society's Attitudes Toward Race and Skin Color
    Chapter 4 An Introduction to Japanese Society’s Attitudes Toward Race and Skin Color Debito Arudou Introduction Japan, no doubt like any country or society, places cultural value on skin color and melanin content. In Japan’s case, historically and traditionally, pale, unblemished white skin is held in high regard. For example, in classical Japanese ukiyo-e and woodblock prints, Japan’s upper classes and historical figures are generally rendered with very pale skin, while Japanese women, seen mostly indoors, are generally rendered whiter than men. To the present day, Japan’s traditional entertainers (from Kabuki actors to geisha) whiten their skin cosmetically, and its heroes (as seen, e.g., in Japan’s Neputa Festival (JNTO 2011) in Aomori Prefecture) are depicted as light-skinned Japanese battling hairy, swarthy barbarians. In modern Japanese adult society, skin coloring and care is de rigueur for women and sometimes even men (Ashikari 2005). Despite being the tenth most populous nation in the world, Japan’s cosmetics market is the world’s second largest, with an annual turnover of 990 billion yen in 2009 (Austrade 2010), selling products to both lighten and darken skin. Notwithstanding Japan’s fascination with African American culture, most related products, such as UV-blocking makeup foundation, sunscreen, visors, and parasols, help to keep skin light; darker tones due to sun exposure are often negatively associated with aging skin or outdoor manual labor (Ashikari ibid). Further, in a society where most members see themselves as similarly dark-haired and dark-eyed, distinctions are made in Japanese media by darkening skin tones and lightening or coloring hair.
    [Show full text]
  • Pink Gives Girls Permission: Exploring the Roles of Explicit Gender Labels and Gender-Typed Colors on Preschool Children's Toy Preferences☆
    Journal of Applied Developmental Psychology 35 (2014) 401–409 Contents lists available at ScienceDirect Journal of Applied Developmental Psychology Pink gives girls permission: Exploring the roles of explicit gender labels and gender-typed colors on preschool children's toy preferences☆ Erica S. Weisgram a,⁎, Megan Fulcher b, Lisa M. Dinella c a Department of Psychology, University of Wisconsin—Stevens Point, United States b Department of Psychology, Washington and Lee University, United States c Department of Psychology, Monmouth University, United States article info abstract Article history: Children engage in gender-typed toy play to a greater extent than in non-gender-typed toy play leading to differ- Received 14 June 2013 ent developmental trajectories for boys and girls. The present studies examine the characteristics of toys and how Received in revised form 18 June 2014 they differentially affect boys' and girls' interests, stereotypes, and judgments of the toys. In Study 1, children Accepted 20 June 2014 (N =73,M = 4.01) were presented with masculine and feminine toys that were decorated with masculine Available online 27 September 2014 age and feminine colors. Results indicated that boys were more interested in masculine toys than in feminine toys. Girls were significantly less interested in masculine toys with masculine colors than in all other combinations. Keywords: Gender Children's perceptions of others' interests also followed a similar pattern. In Study 2, children (N = 42, “ ” “ ” Toy play Mage = 3.84) were presented with novel items labeled as for boys and for girls and decorated in masculine Gender-typing and feminine colors. Among girls, both explicit labels and color of novel toys impacted interests.
    [Show full text]
  • Japanese Miscommunication with Foreigners
    Japanese Miscommunication with Foreigners JAPANESE MISCOMMUNICATION WITH FOREIGNERS IN SEARCH FOR VALID ACCOUNTS AND EFFECTIVE REMEDIES Rotem Kowner Abstract: Numerous personal accounts, anecdotal stories, and surveys suggest that for many Japanese communication with foreigners is a difficult and even unpleas- ant experience. This intercultural miscommunication, which seems to characterize Japanese more than their foreign counterparts, has attracted the attention of schol- ars, both in Japan and overseas. In fact, ever since the forced opening of Japan 150 years ago, scholars and laymen have advanced explicit and implicit theories to ac- count for the presumed Japanese “foreigner complex” and its effect on Japanese in- tercultural communication. These theories focus on Japan’s geographical and his- torical isolation, linguistic barriers, idiosyncratic communication style, and the interpersonal shyness of its people. While there is a certain kernel of truth in many of the hypotheses proposed, they tend to exaggerate cultural differences and stress marginal aspects. This article seeks to review critically the different views of Japa- nese communication difficulties with foreigners, and to advance complementary hypotheses based on recent studies. It also attempts to examine the implications of this miscommunication and to consider several options to alleviate it. INTRODUCTION Two meetings held in the last decade between Japan’s leading politicians and the American president Bill Clinton highlight the issue of intercultural miscommunication – an important but somewhat neglected aspect of hu- man communication. Like members of any culture, Americans have their share of intercultural miscommunication, yet this article concerns the Jap- anese side. Our first case in point is the former prime minister Mori Yoshirô, whose English proficiency was limited, to the say the least.
    [Show full text]
  • Dark Transparencies: Crystal Poetics in Medieval Texts and Beyond
    Dark Transparencies: Crystal Poetics in Medieval Texts and Beyond Marisa Galvez ecent studies on medieval stones have examined the lithic ef- ficacy and agency inherent in the lapidary tradition dating back Rto Greece, a tradition that continues in writings about mineral virtus in the Middle Ages through authors such as Isidore of Seville and Albertus Magnus. In particular, attention has been paid to how inanimate objects serve as a topos for exploring the engagement of humans with non-humans.1 Critics such as Bill Brown, Jeffrey Jerome Cohen, and Kellie Robertson have challenged the Heideggerian notion of inert “worldless” (weltlos) objects impoverished of animal captivation (Benommenheit) or human apprehending (Vernehmen) by arguing that such objects or things “matter” and have the potential to be “world-forming”: in Cohen’s assess- ment, humans are not the “world’s sole meaning-maker,” and Brown argues for “things” as impenetrable objects that resist human utilization for con- cepts and instead produce a “force as a sensuous presence.”2 This essay proposes a different reading of stones that draws upon these ethical and theoretical reflections on things and objects. A comparative reading of secular medieval literature of the twelfth and thirteenth centu- ries left out of these studies can nuance our modern preoccupation with things as challenging a human-centered view of the world. Courtly texts that focus on erotic desire show that medieval readers understood the her- meneutic tension between an object such as stone that could hold meaning for the human interpreter, and a formless, transforming thing with various physical effects in particular moments or through time—what I shall call a “substantive” materiality.
    [Show full text]
  • Acceptance of Western Piano Music in Japan and the Career of Takahiro Sonoda
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE ACCEPTANCE OF WESTERN PIANO MUSIC IN JAPAN AND THE CAREER OF TAKAHIRO SONODA A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By MARI IIDA Norman, Oklahoma 2009 © Copyright by MARI IIDA 2009 All Rights Reserved. ACKNOWLEDGEMENTS My document has benefitted considerably from the expertise and assistance of many individuals in Japan. I am grateful for this opportunity to thank Mrs. Haruko Sonoda for requesting that I write on Takahiro Sonoda and for generously providing me with historical and invaluable information on Sonoda from the time of the document’s inception. I must acknowledge my gratitude to following musicians and professors, who willingly told of their memories of Mr. Takahiro Sonoda, including pianists Atsuko Jinzai, Ikuko Endo, Yukiko Higami, Rika Miyatani, Y ōsuke Niin ō, Violinist Teiko Maehashi, Conductor Heiichiro Ōyama, Professors Jun Ozawa (Bunkyo Gakuin University), Sh ūji Tanaka (Kobe Women’s College). I would like to express my gratitude to Teruhisa Murakami (Chief Concert Engineer of Yamaha), Takashi Sakurai (Recording Engineer, Tone Meister), Fumiko Kond ō (Editor, Shunju-sha) and Atsushi Ōnuki (Kajimoto Music Management), who offered their expertise to facilitate my understanding of the world of piano concerts, recordings, and publications. Thanks are also due to Mineko Ejiri, Masako Ōhashi for supplying precious details on Sonoda’s teaching. A special debt of gratitude is owed to Naoko Kato in Tokyo for her friendship, encouragement, and constant aid from the beginning of my student life in Oklahoma. I must express my deepest thanks to Dr.
    [Show full text]
  • From World War to Cold War: Music in US-Korea Relations, 1941-1960
    From World War to Cold War: Music in US-Korea Relations, 1941-1960 Dissertation Presented in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Hye-jung Park Graduate Program in Music The Ohio State University 2019 Committee: Danielle Fosler-Lussier, Ph.D., Advisor Ryan T. Skinner, Ph.D. Mitchell B. Lerner, Ph.D. Copyright by Hye-jung Park 2019 Abstract This dissertation examines music in US-Korea relations from 1941 to 1960. Beginning during World War II, the US government disseminated Western classical and American music in Korea. After the war, the United States also gained the confidence of Koreans by supporting Korean traditional music that had been suppressed under Japanese colonial rule. Yet South Koreans were not merely passive recipients of US propaganda. As the Korean War divided Korea into North and South, South Korean officials used music to affirm the anti-Communist alliance between South Korea and the United States. American music spread rapidly in South Korea, contributing to the formation of South Korean identities different from those of the Communist North. By tracing a history of musical relations in the transitional period from the colonial era to the early Cold War, this project emphasizes that US Cold War music propaganda programs were not an entirely new initiative but built on the foundations laid in the 1940s. By demonstrating that a peripheral country used music as a tool for political negotiations with a superpower, this project also expands the horizons of scholarship on music propaganda, which has focused overwhelmingly on US and Soviet interventions in Europe.
    [Show full text]