HEY, THAT's NO WAY to SAY GOODBYE 4/4 1...2...123 (Without Intro) -Leonard Cohen

Total Page：16

File Type：pdf, Size：1020Kb

HEY, THAT'S NO WAY TO SAY GOODBYE 4/4 1...2...123 (without intro) -Leonard Cohen Intro: I loved you in the morning, our kisses deep and warm, Your hair upon the pillow, like a sleepy golden storm, Yes, many loved be-fore us, I know that we are not new, In city and in forest they smiled like me and you, But now it's come to distances, and both of us must try, Your eyes are soft with sorrow, hey, that's no way to say good-bye. I'm not looking for another as I wander in my time, Walk me to the corner, our steps will always rhyme You know my love goes with you as your love stays with me, It's just the way it changes, like the shoreline and the sea, p.2. Hey, That's No Way To Say Goodbye But let's not talk of love or chains and things we can't untie, Your eyes are soft with sorrow, hey, that's no way to say good-bye. I loved you in the morning, our kisses deep and warm, Your hair upon the pillow, like a sleepy golden storm, Yes, many loved be-fore us, I know that we are not new, In city and in forest they smiled like me and you, But now it's come to distances, and both of us must try, Your eyes are soft with sorrow, hey, that's no way to say good-bye. Good -bye, good -bye. HEY, THAT'S NO WAY TO SAY GOODBYE 4/4 1...2...123 (without intro) -Leonard Cohen Intro: E7 E7sus E7 A AMA7 I loved you in the morning, our kisses deep and warm, F#m Your hair upon the pillow, like a sleepy golden storm, D Dsus D Dadd9 D Dsus D Dadd9 Yes, many loved before us, I know that we are not new, D A AMA7 In city and in forest they smiled like me and you, F#m But now it's come to distances, and both of us must try, D Dsus D Dadd9 D E7 A E7 E7sus Your eyes are soft with sorrow, hey, that's no way to say good-bye. E7 A AMA7 I'm not looking for another as I wander in my time, F#m Walk me to the corner, our steps will always rhyme D Dsus D Dadd9 D Dsus D Dadd9 You know my love goes with you as your love stays with me, D A AMA7 It's just the way it changes, like the shoreline and the sea, F#m But let's not talk of love or chains and things we can't untie, D Dsus D Dadd9 D E7 A E7 E7sus E7 Your eyes are soft with sorrow, hey, that's no way to say good-bye. A AMA7 I loved you in the morning, our kisses deep and warm, F#m Your hair upon the pillow, like a sleepy golden storm, D Dsus D Dadd9 D Dsus D Dadd9 Yes, many loved before us, I know that we are not new, D A AMA7 In city and in forest they smiled like me and you, F#m But now it's come to distances, and both of us must try, D Dsus D Dadd9 D E7 A E7 E7sus E7 Your eyes are soft with sorrow, hey, that's no way to say good-bye, A E7 E7sus E7 AMA7 Good-bye, good-bye. .

Copy Link

Recommended publications

33 UCLA L. Rev. 379 December, 1985
UCLA LAW REVIEW 33 UCLA L. Rev. 379 December, 1985 RULES AND STANDARDS Pierre J. Schlag a1 © 1985 by the Regents of the University of California; Pierre J. Schlag INTRODUCTION Every student of law has at some point encountered the “bright line rule” and the “flexible standard.” In one torts casebook, for instance, Oliver Wendell Holmes and Benjamin Cardozo find themselves on opposite sides of a railroad crossing dispute.1 They disagree about what standard of conduct should define the obligations of a driver who comes to an unguarded railroad crossing. Holmes offers a rule: The driver must stop and look.2 Cardozo rejects the rule and instead offers a standard: The driver must act with reasonable caution.3 Which is the preferable approach? Holmes suggests that the requirements of due care at railroad crossings are clear and, therefore, it is appropriate to crystallize these obligations into a simple rule of law.4 Cardozo counters with scenarios in which it would be neither wise nor prudent for a driver to stop and look.5 Holmes might well have answered that Cardozo’s scenarios are exceptions and that exceptions prove the rule. Indeed, Holmes might have parried by suggesting that the definition of a standard of conduct by means of a legal rule is predictable and certain, whereas standards and juries are not. This dispute could go on for quite some time. But let’s leave the substance of this dispute behind and consider some observations about its form. First, disputes that pit a rule against a standard are extremely common in legal discourse.
[Show full text]
December 2016
Traditional Folk Song Circle goers to hear Potomac Accordion Ensemble December 10 December 2016 Inside this issue: From the President 2 Open Mics 3 Pics from Sunday Open Stage 4 Traditional Folk Song Circle 5 The Songs We Sing 6 Comfortable Concerts 7 Hill Chapel Concert 9 Gear of the Month 10 Pull up a Chair 12 Other Music Orgs of interest 13 Member Ads 14 Open Mic Photos 16 Board of Directors 18 F.A.M.E. Goals 18 Membership Renewal/App 18 Poster art courtesy of Todd C Walker Page 2 From the President I don’t know whose thought this is, but I read somewhere that “music is the wheels of a movement. I know that music made a tremendous difference in the anti- war movement of the 60s as well as the civil rights movement. Music is a powerful force that is often unrecognized. A song has a way of inspiring folks that nothing else comes even close to. We are in need of inspiring songs. One of the roles of a songwriter is not only to reflect on what is happening in the present but also to provide a vision of the future. What is your vision of the future? For some it is nihilistic bleakness – a very cynical response to our world. For others, it is filled with hope – we are somehow going to be able to figure out how we can live together and with all of creation. If you are a performer, I want to challenge you to get out of yourself and add songs that reflect your vision of the future to your repertoire.
[Show full text]
Brave New World: Technology and Tort Practice
University of California, Hastings College of the Law UC Hastings Scholarship Repository Faculty Scholarship 2021 Brave New World: Technology and Tort Practice Richard L. Marcus UC Hastings College of the Law, marcusr@uchastings.edu Follow this and additional works at: https://repository.uchastings.edu/faculty_scholarship Recommended Citation Richard L. Marcus, Brave New World: Technology and Tort Practice, 49 Sw. L. Rev. 455 (2021). Available at: https://repository.uchastings.edu/faculty_scholarship/1836 This Article is brought to you for free and open access by UC Hastings Scholarship Repository. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of UC Hastings Scholarship Repository. For more information, please contact wangangela@uchastings.edu. BRAVE NEW WORLD: TECHNOLOGY AND TORT PRACTICE Richard Marcus* I am a civil procedure person, not an official torts person, but fairly often torts and civil procedure seem to be joined at the hip. And that seems particularly true with regard to the effects of technological change on tort litigation practice. I've been working on the Federal Rules of Civil Procedure for more than twenty years and find that it's usually the torts cases that are the focus of the most intense disputes regarding procedure issues. For this Symposium, I intend to focus on five topics, but the last one is mainly an advertisement for the second panel at the Symposium: (1) E-Discovery (2) The more general impact of technology on torts practice (3) The growing importance of technology on manner of proof (4) The MDL "boom" (5) TPLF -- third party litigation funding I.
[Show full text]
Download the Blackbird Anthology Here
In loving memory of David Riley (1955 – 2018), our much-missed colleague and friend. i Contents Editor’s Introduction, Darran McCann x Incandescence, Roisin Maguire x Four poems, Dawn Watson x Power In The Blood, Gary Hunter x Six poems, Adam Gittin x Hunger, Louise Kennedy x Five Poems, Toby Buckley x She Went By Birdie, Corinne McNulty x Six poems, Claire McSherry x The Long Spoon, Jim Simpson x Four poems, Bonnie Staines x Watching The News, Adeline Henry x Six poems, Emily Lee x Nighthawks, David Riley x The Day I Wore A Dress, Maisha Hossain x Four poems, Eva Isherwood-Wallace x Stan, Jo-Anne Foster x Three Poems, Francis Hesketh x A Fair Grief, Hannah King x Surplus Value, Katharine May x Veterinary Science, Stephanie Lyttle x Six poems, Milena Williamson x Postcard Stories, Shahminee Selvakannu x Nine poems, Andrew Soye x A Melody In The Wind, Roisin Turner x Five poems, Aswin Vijayan x Black Flag, Lesley Walsh x Author Profiles x Acknowledgements x iii Editor’s Introduction Editor’s Introduction Dr. Darran McCann Convenor of the M.A. in Creative Writing, 2013-18. This centre holds and spreads. Two years ago, I began and ended my foreword to the inaugural edition of Blackbird: New Writing From The Seamus Heaney Centre quoting this line from ‘Kinship,’ centrepiece of Heaney’s 1975 collection North. At the launch of the first book, I topped and tailed my speech with Dr. Darran McCann the line too. It has become the unofficial motto of the Centre his name adorns.
[Show full text]
The Terrible, Horrible, No Good, Very Bad Truth About Morality and What to Do About It, Doctoral Dissertation of Joshua D
9/03 Note to readers of The Terrible, Horrible, No Good, Very Bad Truth about Morality and What to Do About it, Doctoral Dissertation of Joshua D. Greene in the Department of Philosophy, Princeton University, June 2002. You are welcome to read this work, pass it on to others, and cite it. I only ask that if you pass on this work to someone else that it be passed on (1) in its entirety, (2) without modification, and (3) along with this note. I consider this a work in progress. It is currently under review in its present form at an academic press. I intend to revise and expand it substantially before publishing it as a book, so much so that the book and the dissertation will probably best be considered separate works. Comments are welcome. You can contact me by email (jdgreene@princeton.edu) or by regular mail: Joshua Greene Department of Psychology Princeton University Princeton, NJ 08544 jdg THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD TRUTH ABOUT MORALITY AND WHAT TO DO ABOUT IT Joshua David Greene A DISSERTATION PRESENTED TO THE FACULTY OF PRINCETON UNIVERSITY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY RECOMMENDED FOR ACCEPTANCE BY THE DEPARTMENT OF PHILOSOPHY NOVEMBER 2002 © Copyright by Joshua David Greene, 2002. All rights reserved. ii Abstract In this essay I argue that ordinary moral thought and language is, while very natural, highly counterproductive and that as a result we would be wise to change the way we think and talk about moral matters. First, I argue on metaphysical grounds against moral realism, the view according to which there are first order moral truths.
[Show full text]
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
[Show full text]
Leonard Cohen in French Culture: a Song of Love and Hate
The Journal of Specialised Translation Issue 29 – January 2018 Leonard Cohen in French culture: A song of love and hate. A comparison between musical and literary translation Francis Mus, University of Liège and University of Leuven ABSTRACT Since his comeback on stage in 2008, Leonard Cohen (1934-2016) has been portrayed in the surprisingly monolithic image of a singer-songwriter who broke through in the ‘60s and whose works have been increasingly categorised as ‘classics’. In this article, I will examine his trajectory through several cultural systems, i.e. his entrance into both the French literary and musical systems in the late ‘60s and early ’70s. This is an example of mediation brought about by both individual people and institutions in both the source and target cultures. Cohen’s texts do not only migrate between geo-politically defined source and target cultures (Canada and France), but also between institutionally defined musical and literary systems within one single geo-political context (France). All his musical albums were reviewed and distributed there soon after their release and almost his entire body of literary works (novels and poetry collections) has been translated into French. Nevertheless, Cohen’s reception has never been univocal, either in terms of the representation of the artist or in terms of the evaluation of his works, as this article concludes. KEYWORDS Leonard Cohen, cultural transfer, musical translation, retranslation, ambivalence. I don’t speak French that well. I can get by, but it’s not a tongue I could ever move around in in a way that would satisfy the appetites of the mind or the heart.
[Show full text]
GIRL with a CAMERA a Novel of Margaret Bourke-White, Photographer by Carolyn Meyer Carolyn Meyer 100 Gold Avenue SW #602 Albuque
GIRL WITH A CAMERA A Novel of Margaret Bourke-White, Photographer Commented [CY1]: Add Photographer? By Carolyn Meyer Carolyn Meyer 100 Gold Avenue SW #602 Albuquerque, NM 87102 505-362-6201 meyerwrite@comcast.net 2 GIRL WITH A CAMERA Sometime after midnight, a thump—loud and jarring. A torpedo slams into the side of our ship, flinging me out of my bunk. The ship is transporting thousands of troops and hundreds of nurses. It is December 1942, and our country is at war. I am Margaret Bourke-White, the only woman photographer covering this war. The U.S. Army Air Forces has handed me a plum assignment: photographing an Allied attack on the Germans. I wanted to fly in one of our B-17 bombers, but the top brass ordered me to travel instead in the flagship of a huge convoy, headed from England through the Straits of Gibraltar towards the coast of North Africa. It would be safer than flying, the officers argued. As it turns out, they were dead wrong. Beneath the surface of the Mediterranean, German submarines glide, silent and lethal, stalking their prey. One of their torpedoes has found its mark. I grab my camera bag and one camera, leaving everything else behind, and race to the bridge. I hear the order blare: Abandon ship! Abandon ship! There is not enough light and not enough time to take photographs. I head for Lifeboat No. 12 and board with the others assigned to it, mostly nurses. We’ve drilled for it over and over, but this is not a drill.
[Show full text]
A City out of Old Songs
A City Out of Old Songs: The influence of ballads, hymns and children’s songs on an Irish writer and broadcaster Catherine Ann Cullen Context Statement for PhD by Public Works Middlesex University Director of Studies: Dr Maggie Butt Co-Supervisor: Dr Lorna Gibb Contents: Public Works Presented as Part 1 of this PhD ............................................................ iii List of Illustrations ....................................................................................................... iv Acknowledgements ...................................................................................................... v Preface: Come, Gather Round ..................................................................................... 1 Chapter 1: The Singing Without Ceasing .................................................................... 8 Chapter 2: A Tune That Could Calm Any Storm ......................................................... 23 Chapter 3: Something Rich and Strange .................................................................... 47 Chapter 4: We Weave a Song Beneath Our Skins ...................................................... 66 Chapter 5: To Hear the Nightingale Sing ................................................................... 98 Conclusion: All Past Reflections Shimmer into One ............................................... 108 Works Cited .............................................................................................................. 112 Appendix 1: Index of Ballads and Songs used
[Show full text]
David Taylor - Poems
Poetry Series David Taylor - poems - Publication Date: 2007 Publisher: Poemhunter.com - The World's Poetry Archive David Taylor(3rd January 1956) Born, Baby, Child, Adolescent, Student, Employee, Husband, Self Employed, Father, Father, Father, Divorcee, Husband, Father...and throughout all that I'm me! www.PoemHunter.com - The World's Poetry Archive 1 *alone* what should be an invigorating freshness a chill inside (shaking heart beats) traffic on the road silent rising clanking passing (silent again) phone rings silence, recorded voice speaks a real person with taped speech (a recorded message would be better?) selling cheap energy i think i will buy some flowers (petals coloured fragrance) arrange them in a wreath celebrate my death reports of (my) death greatly exaggerated until the silence speaks with the voice of great souls (departed) come in they say (here is the place) to be; alone in eternity. David Taylor www.PoemHunter.com - The World's Poetry Archive 2 *dance Ohh bliss what do you say, do you have a voice today? Where may I find your joy, which I remember as a boy? Ahh bliss where are you now, hidden under frown of brow? Where may I find your sound, which surely must be all around? Hmm bliss what is it that I miss, as I go on with that and this? Where may I find your smile, in each and every hour and mile? Yes I can feel it now, the harmony of the sky and clouds, the moon's revolving round, earth's harvest after plough. It is a dance eternal found the sweetest movement in all sound; and never will be missed, as by that bliss this life is kissed.
[Show full text]
Inspired by Joni - the Albums
Inspired by Joni - The Albums Compiled by: Simon Montgomery, © 2006 Please send comments, corrections or additions to: simon@icu.com Latest Update: May 23, 2021 Illustration from The Music Of Joni Mitchell Songbook Published by C.H. Hansen Publications All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. 1974 Sara Smith Sings The Best of A Tribute To Joni Mitchell Delmar #3013 (8 Track Cartridge) 1. Raised On Robbery 2. Woodstock 3. You Turn Me On, I'm A Radio 4. Chelsea Morning 5. California 6. Carey 7. The Circle Game 8. Night In The City 9. He Played Real Good For Free 1994 Back to the Garden – A Tribute to Joni Mitchell Intrepid Records #N21-00016 - Canada 01. Free Man In Paris Big Faith 02. This Flight Tonight Sara Craig 03. Carey Universal Honey 04. Big Yellow Taxi Lorraine Scott 05. Black Crow Molly Johnson 06. The Beat Of Black Wings Andy Stochansky 07. Shades Of Scarlett Conquering Martha And The Muffins 08. The Hissing Of Summer Lawns Funky Bummer featuring Anne Beadle 09. River Hugh Marsh, Jonathan Goldsmith, Rob Piltch, Martin Tielli 10. You Turn Me On, I'm A Radio Kurt Swinghammer 11. Coyote Spirit Of The West 12. Woodstock W.O.W. 13. Night In The City Jenny Whiteley 14. A Case Of You Sloan 15. Blonde In The Bleachers Squiddly featuring Maria Del Mar 16.
[Show full text]
Pragmatics, Intention, and Implication
Chapter Seven PRAGMATICS, INTENTION, AND IMPLICATION Many linguists have tried to sweep pragmatics under the rug as not being "true" linguistics, an attitude that is happily changing. Language production and comprehension can be analyzed only in the pragmatic usage. All analyses of language data have to proceed from a consideration of the discourses that sentences, both uttered and written, are embedded in. Realizing that all language is discourse based empowers analyses of speech and writing. Context-free explanations do not work. Pragmatic analy ses include intention and implication, both of which impel actual speech forms and also guide the hearer's interpretation of meaning. [1] Pragmatics. hose aspects of meaning which cannot be explained by the break T down of words in relation to syntactic forms are often relegated to p r a g m a t ic s . Gordon and Lakoff (1975, p. 83) succinctly characterize this by noting “ ... under certain circumstances, saying one thing may entail the communication of another.” In practice, it has proven difficult to the point of impossible to draw borders which delimit the scope of semantics, semiotics, sociolinguistics, psycholinguistics, and pragmatics itself (Levinson 1983, pp. 1-15; Fillmore 1984). As Kearns (1984, p. 163) avers “... we do not begin with syntax and then add semantics; the semantics is prior.” Many linguistic scholars have labored long and hard to maintain a boundary between language itself and the practical rules for its use (Fromkin 1975). Nevertheless, it has been abundantly clear for a very long time that there is no way to divide the two (Chaika 1977, 1981, 1982b; 1989).
[Show full text]