Very British in 2014 Hannover Will Be Dominated by the Union Jack
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TR2010/0136.01-01/001- Technical Assistance for Improved Strategic
National Programme for Turkey 2010 under the Instrument for Pre-Accession Assistance This project is co-financed by the European Union and the Republic of Turkey TR2010/0136.01-01/001- Technical Assistance for Improved Strategic Management Capacity Germany Country Report 30/01/2015 1 Table of Contents Page 1. General Information 4 1.1. Sources and Aims 4 1.2. Structural Aspects of the German State 4 1.3. Area and Population 7 1.4. GDP and Financial and Budgetary Situation 10 1.5. Main Economic and Commercial Characteristics 12 2. Government and Public Administration of the Federal Level 15 2.1. Federal Constitutional Structure (head of state, head of government, parliament, judiciary) 15 2.2. Central Bodies (chancellor, ministers) 16 2.3. Public Administration 17 2.3.1. Public Administration: employees 17 2.3.2. Public Administration: assessment and training 19 2.4. Reforms to the Structure of Government (past, in progress, planned) 22 3. Four Examples of Länder/Federal States (according to size, history, economic structure and geographic direction) 26 3.1. Baden-Württemberg - General Structure 28 3.1.1. Government and Public Administration 28 3.1.2. Reforms 30 3.2. Brandenburg - General Structure 32 3.2.1. Government and Public Administration 32 3.2.2. Reforms 33 3.3. Lower Saxony - General Structure 34 3.3.1. Government and Public Administration 35 3.3.2. Reforms 36 3.4. Saarland - General Structure 38 3.4.1. Government and Public Administration 38 3.4.2. Reforms 39 4. Strategic Planning and Public Budgeting 41 4.1. -
Wilhelm Busch Und Die Folgen
Und die Moral von der Geschicht’ WILHELM BUSCH UND DIE FOLGEN Dokumentation zur Ausstellung © Stadtmuseum Erlangen Umschlag: Ausstellungsplakat, Grafik: Peter Hörndl, Erlangen Rückseite: Ralf König, Hommage à Max und Moritz, 2007. © Ehapa Comic Collection / JNK Media Und die Moral von der Geschicht’ WILHELM BUSCH UND DIE FOLGEN Im Zentrum der Ausstellung steht das unvergleichlich originelle Bildergeschichten-Œuvre von Wilhelm Busch, entstanden in einem Vierteljahrhundert (1859 bis 1884). Ihm verdankt sein Schöpfer seinen Ruhm als erster Humorist der Nation und die Verehrung als Ahne der modernen Comic-Kunst. Zu sehen sind eine Auswahl seiner frühen Arbeiten, seiner großen Erfolge und seines Spätwerkes. Eingehend betrachtet werden Buschs Bildersprache, das Zusammenspiel von Bild und Text, die groteske Komik sowie die moralische Substanz der „Welt- und Menschheitssatiren“. Die Ausstellung zeigt zudem, welch großen Einfluss Buschs Werk auf die Etablierung der amerikanischen Zeitungs-Comics um 1900 ausübte, etwa beim großen Comic- Klassiker „The Katzenjammer Kids“. Ausstellung Thomas Engelhardt, Gertraud Lehmann, Martin Jurgeit, Clemens Heydenreich Mitarbeit Monika Herlt, Wilhelm-Busch-Museum Hannover Assistenz Karoline Herrmann Gestaltung Claus Theuerkauf Aufbau Hans-Jürgen Hippe, Klaus Staudt, Marek Zagorski Grafik Peter Hörndl Öffentlichkeitsarbeit Regina Landherr Museumspädagogik Christine Brehm, Lars Hochreuther Leihgeber Wilhelm-Busch-Museum Hannover Bayerische Staatsbibliothek München Universitätsbibliothek Erlangen Universitätsbibliothek -
Kunstfestspiele Herrenhausen 2019 Press Kit
KUNSTFESTSPIELE HERRENHAUSEN 2019 PRESS KIT Content 1 Press release: KunstFestSpiele Herrenhausen – Programme 2019 2 Fact sheet 3 Festivalcampus Niedersachsen 4 Festival tent 5 The Herrenhausen Gardens 6 Biography of Ingo Metzmacher 7 Sponsors and partners Content Hendrik von Boxberg Hanover, 16.01.2019 – Press Release PR & Marketing Mobil +49 177 7379207 The KunstFestSpiele Herrenhausen are celebrating their 10th [email protected] birthday in a big way. The star directors Peter Sellars and [email protected] Romeo Castellucci, the performance legend Sylvia Palacios Whitman, the world-class musicians Pierre-Laurent Aimard, Håkan Hardenberger and Gidon Kremer, and the composers Rebecca Saunders und Brigitta Muntendorf are among the Landeshauptstadt Hannover many other artists coming to Hanover for the jubilee festival. KunstFestSpiele Herrenhausen Its events include an addictive Shakespeare marathon and a Alte Herrenhäuser Straße 6b, D-30419 Hannover Frank Zappa concert with the Ensemble Modern, conducted by Ingo Metzmacher. The free-entry big birthday party on 12 May is the highlight of these 10th KunstFestSpiele. Director Ingo Metzmacher introduced the programme of this international festival of the contemporary arts today. Around 90 cross-genre events can be seen in Hanover’s famous gardens, and in the city itself, from 10–26 May 2019. A total of 26 productions and two specially commissioned site-specific installations will be shown, including one own production, a revival for Herrenhausen and an international co-production. 16. January 2019 Advance booking for all events starts today, 16 January 2019, online and by telephone, at the Künstlerhaus Hannover and all major booking offices. The festival’s major venues – the Galerie and Orangerie, the Arne Jacobsen Foyer, the Palace and Ehrenhof and the Großer Garten – are all situated in the opulent setting of the Herrenhausen Gardens. -
Wilhelm Busch
Wilhelm Busch : 'esus our destiny- this was the central H,e was convinced that the Gospel of theme of Wilhelm Busch's long ministry in Jesus Christ is the most extraordinary Germany as pastor and youth leader, message of all times. That is why he itinerant evangelist and author. delighted to proclaim it to great crowds throughout all of Europe. Pastor Busch made it clear to all that Jesus is the ultimate end of man's search for truth. JL he original book, "Jesus unser Schicksal", is by far the bestseller of all German Christian literature. In this highly popular book of selected addresses, you will discover what Wilhelm Busch had to say on the important theme of Jesus our destiny". And as you do, a whole new outlook on life's most vital questions will open up before you. Collection Wilhelm Busch Jesus our destiny Wilhelm Busch Jesus our destiny inter publishing service EOS Original title: "Jesus, unser Schicksal" Published by Schriftenmissions-Verlag Neukirchen-Vluyn, Germany. © of the English edition by: Brunnen Publishing Wallstrasse 6 4002 Basel Switzerland Ninth edition 2007 All rights reserved Translation: Doris Orrett Huser Cover: Gerd Meussen Printed in Germany by Ebner & Spiegel, Ulm ISBN 978-0-86347-024-0 Who was Wilhelm Busch? Almost unknown in English-speaking countries, Wilhelm Busch was one of the most well-known and popular evangelists in Germany in the years before and after the Second World War. His direct, frank, and personal way of preaching biblical truth attracted thousands of people who flocked to hear him. Wilhelm Busch was convinced that the message of the Gospel is the most extraordinary message of all times. -
Failure of Instrumentalization
Trickster as Figure and Force:Ambivalence in Busch’s and Hoffmann’s picture-books Katrien Vloeberghs, Antwerp ISSN 1470 – 9570 Trickster as Figure and Force 57 Trickster as Figure and Force: Ambivalence in Busch’s and Hoffmann’s picture-books Katrien Vloeberghs, Antwerp German nineteenth century children's literature tends to represent an intact and harmonious world in which conflict situations are avoided. The disobedient child embodies a potential disturbance and children's literature affirms proper behaviour and attitude toward authority. This appears not to hold true as far as the picture-books by Heinrich Hoffmann and Wilhelm Busch are concerned. Their complexity may explain their enduring success. Busch's famous stories Max und Moritz, Fipps der Affe and Eispeter and Hoffmann's Struwwelpeter provide a moral agreement. Hoffmann's and Busch's tales can be read as typical examples of 'intimidation-stories': disobedient children experience a cruel but justified punishment. But a closer analysis shows that this pattern functions primarily as a protective layer hiding a different story. Subliminally, Busch's and Hoffmann's tales hide a disorienting and even subversive attitude. Of the many levels on which such an alternative meaning can be detected, two are discussed in this analysis: the first concerns the action and the characterization of the protagonists, the second the reliability of the narrating instance. It is generally acknowledged that German nineteenth century children’s literature represents an intact and harmonious world in which conflict situations, particularly those involving parental authority, are avoided. Within the parental rule of law, the disobedient child embodies a potential disturbance. -
Memoirs (1630–1680)
Memoirs (1630–1680) SOPHIA OF HANOVER • Edited and translated by SEAN WARD Iter Inc. Centre for Reformation and Renaissance Studies Toronto 2013 Iter: Gateway to the Middle Ages and Renaissance Tel: 416/978–7074 Email: [email protected] Fax: 416/978–1668 Web: www.itergateway.org Centre for Reformation and Renaissance Studies Victoria University in the University of Toronto Tel: 416/585–4465 Email: [email protected] Fax: 416/585–4430 Web: www.crrs.ca © 2013 Iter Inc. & Centre for Reformation and Renaissance Studies All rights reserved. Printed in Canada. Iter and the Centre for Reformation and Renaissance Studies gratefully acknowledge the generous support of James E. Rabil, in memory of Scottie W. Rabil, toward the publication of this book. Library and Archives Canada Cataloguing in Publication Sophia, Electress, consort of Ernest Augustus, Elector of Hanover, 1630–1714 [Memoiren der Herzogin Sophie nachmals Kurfürstin von Hannover. English] Memoirs (1630–1680) / Sophia of Hanover ; edited and translated by Sean Ward. (Other voice in early modern Europe. The Toronto series ; 25) Translation of Memoiren der Herzogin Sophie nachmals Kurfürstin von Hannover, originally published: Leipzig : Hirzel, 1879. Translated from the French. Includes bibliographical references and index. Issued in print and electronic formats. Co-published by: Iter Inc. ISBN 978-0-7727-2148-8 (pbk.). ISBN 978-0-7727-2149-5 (pdf) 1. Sophia, Electress, consort of Ernest Augustus, Elector of Hanover, 1630–1714. 2. Princesses—Germany—Hannover (Province)—Biography—Early works to 1800. 3. Mothers of kings and rulers—Great Britain—Biography—Early works to 1800. 4. Hannover (Germany : Province)—History—Sources. -
Wilhelm Busch, De La Caricature À La BD
MUSÉE PROVINCIAL FÉLICIEN ROPS Wilhelm Busch, de la caricature à la BD Infos pratiques Entrée : 3 € Réduction : 1,50 € Exposition du 30 mai au 30 août 2009 Groupes scolaires : 1 € Gratuit pour les moins de 12 ans En collaboration avec le musée Wilhelm Busch de Hanovre (Allemagne). Audio-guide disponible en français et néerlandais : 2 € Une exposition ludique et familiale cet été au musée Rops avec les œuvres co- miques et rafraîchissantes du peintre et caricaturiste allemand Wilhelm Busch Livret d’activités pour les enfants : 1 € (1832-1908). Réservation visites guidées : 081/77 67 55 Wilhelm Busch, contemporain de Félicien Rops, a comme ce dernier dévelop- pé au cours de sa vie une passion pour la peinture, la caricature ainsi qu’une critique acerbe de la bourgeoisie de son temps. Plusieurs thèmes sont abordés dans l’exposition : la vie de l’artiste, ses carica- tures, l’influence de la photographie sur son travail, ses peintures, réservées au cercle de ses intimes et redécouvertes après sa mort… Sans oublier les aventures de Max & Moritz, premiers héros de la bande dessi- née moderne… dont les blagues, à l'image de Pim Pam Poum ou de Quick & Flupke de Hergé, tournent autour d'événements burlesques, parfois sadiques, mais toujours pourvus d'humour. Ces petits personnages facétieux font encore rire l’Allemagne entière ! L’exposition est accompagnée d’un catalogue édité par la Stichting Kunstboek. Celui-ci se veut une référence sur l’art de Wilhelm Busch, très peu publié en français. Il comprend des textes du Dr. Hans Joachim Neyer, conservateur du musée Wilhelm Busch d’Hanovre, de Nelly Feuerhahn, chercheur CNRS et ré- MUSÉE PROVINCIAL dactrice en chef de la revue Humoresques, et de Michel Defourny, maître de F ÉLICIEN ROPS conférence en littérature jeunesse à l’Université de Liège. -
Page 1:Page 1
TheThe SteubenSteuben NewsNews A Newspaper by German-Americans for All Americans VOL. 89 NO. 1 DUTY • JUSTICE • CHARITY • TOLERANCE JANUARY/FEBRUARY 2016 express community soli- darity and pride in the city’s past and present. “New Ulm’s connection to southwest Germany (pre)determines public rep- resentation and commodi- fication of an authentic ‘Germaness’ in America over time” the article con- cludes. “Geographische Rundschau” (Geographic Magazine), March 3, 2015, pp. 28 - 35, carries an arti- cle titled “Deutsche im amerikanischen Mittelwesten” [Germans in the American Midwest]. The article, written in Artistʼs rendering of what the National Museum of the American People would look like in Washington, DC German, reports on German immigration to the Congressional Letter Asks Obama for Museum Midwest between 1820 Honoring All the American People and 1910, and its status in Chairman Herbert Strunk of the New Braunfels Unit of the Steuben Society of America presented the Comanche Nation Recently, 11 Members of Congress asked the President to create a com- 2010. Beginning on page with a special plaque honoring the friendship between mission to study a museum dedicated to the making of the American People. The 32 New Ulm is highlighted German immigrants and the Comanches. See article next National Museum of the American People would tell the full story of every eth- as “Deutschland in page nic, nationality and minority group that came to this land and nation from the first Amerika: New Ulm, Minnesota." Photos of the Hermann Monument, German- humans in the Western Hemisphere through today. Bohemian Immigrants Monument, Glockenspiel, and Defenders Monument are The letter to President Obama says the museum “would take full advan- prominent. -
The Royal House of Hanover
The Royal House of Hanover George I (George Louis), 1660-1727, Duke of Brunswick and Lüneburg, from 1698 Elector of Brunswick and Lüneburg (“The Electorate of Hanover”), from 1714 King of Great Britain and Ireland. George II (George Augustus), 1683-1760, Elector of Hanover and King of Great Britain and Ireland. George III (George William Frederick), 1738-1820, Elector of Hanover and King of Great Britain and Ireland. George IV (George Augustus Frederick), 1762-1830, King of Hanover and King of the United Kingdom of Great Britain and Ireland. William IV (William Henry), 1765-1837, King of Hanover and King of the United Kingdom of Great Britain and Ireland. End of the Union of Crowns. Ernest Augustus, 1771-1851, Duke of Cumberland, from 1837 King of Hanover. George V, 1819-1878, King of Hanover. 1866: End of the Kingdom of Hanover. 2 Welcome! Dear Readers, Dear Visitors following in the footsteps of the Guelphs, For centuries, the history of the former Kingdom of Hanover and of the present-day State of Lower Saxony was closely intertwined with the story of the Electors and Kings of Hanover. When George Louis, Elector of Hanover, ascended the British throne as King George I in 1714, this marked the beginning of the 123-year reign of the House of Guelph over Great Britain, where it was known as the House of Hanover. As a result, the Guelphs, the oldest royal dynasty in Europe, left a decisive imprint on European, American and world history. Numerous testimonies to the days when the region was ruled by the House of Guelph are still to be found in and around Hanover today. -
Arthur Schopenhauer 1 Arthur Schopenhauer
Arthur Schopenhauer 1 Arthur Schopenhauer Arthur Schopenhauer Born 22 February 1788 Danzig (Gdańsk) Died 21 September 1860 (aged 72) Frankfurt Residence Germany Nationality German Era 19th century philosophy Region Western philosophy School Post-Kantian philosophy [1] German Idealism Main interests Metaphysics, aesthetics, ethics, phenomenology, morality, psychology Notable ideas Will, Fourfold root of reason, philosophical pessimism Signature Arthur Schopenhauer 2 Arthur Schopenhauer (22 February 1788 – 21 September 1860) was a German philosopher best known for his book, The World as Will and Representation, in which he claimed that our world is driven by a continually dissatisfied will, continually seeking satisfaction. Influenced by Eastern thought, he maintained that the "truth was recognized by the sages of India";[2] consequently, his solutions to suffering were similar to those of Vedantic and Buddhist thinkers (i.e. asceticism); his faith in "transcendental ideality"[3] led him to accept atheism and learn from Christian philosophy.[4][5][6] At age 25, he published his doctoral dissertation, On the Fourfold Root of the Principle of Sufficient Reason, which examined the four distinct aspects[7] of experience in the phenomenal world; consequently, he has been influential in the history of phenomenology. He has influenced a long list of thinkers, including Friedrich Nietzsche,[8] Richard Wagner, Ludwig Wittgenstein, Erwin Schrödinger, Albert Einstein,[9] Sigmund Schopenhauer's birthplace — house Freud, Otto Rank, Carl Jung, Joseph Campbell, Leo Tolstoy, Thomas in, Gdańsk (Danzig), ul. Św. Ducha Mann, and Jorge Luis Borges. (formerly Heiligegeistgasse) Life Arthur Schopenhauer was born in the city of Danzig (Gdańsk), on Heiligegeistgasse (known in the present day as Św. -
HERZENSSACHE ERNST BARLACH HAUS Wilhelm Busch Malt Stiftung Hermann F
AUSBLICK NEU BELEUCHTET Ernst Barlach wird 150 Ab 2. Januar 2020 Am 2. Januar 2020 feiern wir den 150. Geburtstag Ernst Bar- lachs: Auftakt für ein Jubiläumsjahr mit besonderen Aktivitä- ten. Den Anfang macht eine Ausstellung, die Barlachs Werk in doppeltem Sinne neu beleuchtet. Ein junges Kuratorenteam wirft frische Blicke auf vertraute Werke und fragt nach Barlachs Gegenwärtigkeit. Und eine moderne LED-Lichtanlage, für deren Einbau unser Museum im Herbst 2019 drei Monate geschlos- sen wird, verleiht dem Klassiker pünktlich zum Festtag neue Strahlkraft. OUTLOOK IN A NEW LIGHT Ernst Barlach at 150 From 2 January 2020 On 2 January 2020 we celebrate the 150th anniversary of the birth of Ernst Barlach: the beginning of a jubilee year with special activities. The start is made with an exhibition that puts Barlach’s work in a new light in a double sense. A young curatorial team takes another look at familiar works and asks about Barlach’s contemporary relevance. And a modern LED lighting system, for the installation of which our museum will be closed in autumn 2019 for three months, will illuminate the maestro in time for his birthday. Öffnungszeiten Dienstag bis Sonntag 11–18 Uhr Eintritt 7 F, ermäßigt 5 F, bis 18 Jahre frei Führungen Kostenlose öffent- liche Führungen sonntags 11 Uhr Barrierefreiheit Informatio- nen unter: 040–82 60 85 Opening hours Tuesday to Sunday 11 a.m.–6 p.m. Admission F 7, concession F 5, up to 18 years free Guided tours Free public tours 11 a.m. every Sunday (in German). Accessibility Further information: +49 40–82 60 85 HERZENSSACHE ERNST BARLACH HAUS Wilhelm Busch malt Stiftung Hermann F. -
Wilhelm Busch's Aesthetic Views in Light of Tradition and the German
Manifestations of Wilhelm Busch‘s Aesthetics in Eduards Traum by Angelika Morris B.Sc., University of Ottawa, 1981 A Thesis Submitted in Partial Fulfillment of the Requirement for the Degree of MASTER OF ARTS In the Department of Germanic and Slavic Studies © Angelika Morris, 2010 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Page Manifestations of Wilhelm Busch‘s Aesthetics in Eduards Traum by Angelika Morris B.Sc., University of Ottawa, 1981 Supervisory Committee Dr. Angelika Arend, Professor Emerita, Supervisor (Department of Germanic and Slavic Studies) Dr. Helga Thorson, Departmental Member (Department of Germanic and Slavic Studies) Dr. Lisa Surridge, External Examiner (Department of English) iii Supervisory Committee Dr. Angelika Arend, Professor Emerita, Supervisor (Department of Germanic and Slavic Studies) Dr. Helga Thorson, Departmental Member (Department of Germanic and Slavic Studies) Dr. Lisa Surridge, External Examiner (Department of English) Abstract Whether considering Wilhelm Busch‘s famous picture-stories of poetic realism, or his prose works with their satiric grotesque and surrealistic elements, Busch‘s aesthetic views and practices straddle the divide between earlier and contemporaneous forms of art (folk tales, Classicism, Romanticism, Realism) and those akin to late nineteenth and early twentieth century German Moderne. In this thesis, Busch‘s aesthetic views on art and literature are gleaned from a variety of his writings including his mature prose piece Eduards Traum (1891). This study argues that Busch‘s aesthetics in this piece anticipated a number of developments associated with the German Moderne, such as complex narrative techniques, distorted states of time and space, ambiguity, fragmentation, and surrealistic modes of expression.