Take Your Place 2016
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Newsletter • Bulletin Winter 2005 Hiver
NATIONAL CAPITAL OPERA SOCIETY • SOCIÉTÉ D'OPÉRA DE LA CAPITALE NATIONALE Newsletter • Bulletin Winter 2005 Hiver P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 • C.P. 8347, Succursale principale, Ottawa (Ontario) K1G 3H8 Outstanding Finalists for the Brian Law Competition At the end of November 2004 the preliminary jury consisting of The Barbara Clark, Garth Hampson and Charlotte Stewart met to National Capital Opera Society choose the finalists from the large number of applicants received. presents Many thanks to Barbara, Garth and Charlotte for once again help- ing our organization. The Brian Law We are pleased to announce that Joyce El-Khoury, Brian Estabrooks, Liliana Piazza and Maghan Stewart will be vying for Opera Scholarship top spot in the 2005 Brian Law Opera Scholarship Competition. Competition The first prize is $2,000 as usual but this year we are delighted to announce that, due to the generosity of NCOS Board Member Cavaliere Pat Adamo, a second prize of $300 and a third prize of under the Patronage of Maureen Forrester, C.C. for a $200 will also be given. Full details of each of the finalists education $2000 first prize and musical experience is given on pages 4 & 5. The contest will be held in the First Unitarian Congregation, Finalists: 30 Cleary Avenue (off Richmond Road) on Saturday January 29, Joyce El-Khoury - soprano 2005 starting at 7:30 pm. The four finalists will each sing three arias Bryan Estabrooks - baritone (one with recitative) and will be judged by our distinguished panel Liliana Piazza - mezzo-soprano consisting of Roxalana Roslak and Darryl Edwards of Toronto and Maghan Stewart – soprano Christiane Riel of Montreal. -
Constructing and Consuming an Ideal in Japanese Popular Culture
Running head: KAWAII BOYS AND IKEMEN GIRLS 1 Kawaii Boys and Ikemen Girls: Constructing and Consuming an Ideal in Japanese Popular Culture Grace Pilgrim University of Florida KAWAII BOYS AND IKEMEN GIRLS 2 Table of Contents Abstract………………………………………………………………………………………..3 Introduction……………………………………………………………………………………4 The Construction of Gender…………………………………………………………………...6 Explication of the Concept of Gender…………………………………………………6 Gender in Japan………………………………………………………………………..8 Feminist Movements………………………………………………………………….12 Creating Pop Culture Icons…………………………………………………………………...22 AKB48………………………………………………………………………………..24 K-pop………………………………………………………………………………….30 Johnny & Associates………………………………………………………………….39 Takarazuka Revue…………………………………………………………………….42 Kabuki………………………………………………………………………………...47 Creating the Ideal in Johnny’s and Takarazuka……………………………………………….52 How the Companies and Idols Market Themselves…………………………………...53 How Fans Both Consume and Contribute to This Model……………………………..65 The Ideal and What He Means for Gender Expression………………………………………..70 Conclusion……………………………………………………………………………………..77 References……………………………………………………………………………………..79 KAWAII BOYS AND IKEMEN GIRLS 3 Abstract This study explores the construction of a uniquely gendered Ideal by idols from Johnny & Associates and actors from the Takarazuka Revue, as well as how fans both consume and contribute to this model. Previous studies have often focused on the gender play by and fan activities of either Johnny & Associates talents or Takarazuka Revue actors, but never has any research -
Cashbox Subscription: Please Check Classification;
July 13, 1985 NEWSPAPER $3.00 v.'r '-I -.-^1 ;3i:v l‘••: • •'i *. •- i-s .{' *. » NE RIAA CERTIFICATIONS ANNOUNCED R.E.M. AFFILIATES LIVE-AID Crass Roots Audience Blossoms TWORK, GEAR FOR Story on Page 13 WEHIND THE BULLETS: TEARS FOR FEARS #1 MTV AWARDS ENTER NEXT PHASE GUEST EDITORIAL: AL KOOPER SUBSCRIPTION ORDER: PLEASE ENTER MY CASHBOX SUBSCRIPTION: PLEASE CHECK CLASSIFICATION; RETAILER ARTIST I NAME VIDEO JUKEBOXES DEALER AMUSEMENT GAMES COMPANY TITLE ONE-STOP VENDING MACHINES DISTRIBUTOR RADIO SYNDICATOR ADDRESS BUSINESS HOME APT. NO. RACK JOBBER RADIO CONSULTANT PUBLISHER INDEPENDENT PROMOTION CITY STATE/PROVINCE/COUNTRY ZIP RECORD COMPANY INDEPENDENT MARKETING RADIO OTHER: NATURE OF BUSINESS PAYMENT ENCLOSED SIGNATURE DATE USA OUTSIDE USA FOR 1 YEAR I YEAR (52 ISSUES) $125.00 AIRMAIL $195.00 6 MONTHS (26 ISSUES) S75.00 1 YEAR FIRST CLASS/AIRMAIL SI 80.00 01SHBCK (Including Canada & Mexico) 330 WEST 58TH STREET • NEW YORK, NEW YORK 10019 ' 01SH BOX HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLIX — NUMBER 5 — July 13, 1985 C4SHBO( Guest Editorial : T Taking Care Of Our Own ^ GEORGE ALBERT i. President and Publisher By A I Kooper MARK ALBERT 1 The recent and upcoming gargantuan Ethiopian benefits once In a very true sense. Bob Geldof has helped reawaken our social Vice President and General Manager “ again raise an issue that has troubled me for as long as I’ve been conscience; now we must use it to address problems much closer i SPENCE BERLAND a part of this industry. We, in the American music business do to home. -
Meyer Tech Pak012617.Indd
• Technical Information • Policies & Procedures • Fee Schedule for Rental & Services LOAD-IN AREA The loading dock is located on stage level, directly off upstage right. The dock has one 8’-0” wide x 10’-0” high (2.44m x 3.05m) overhead door. Dock height is 24” (.61m). There is NO leveler, and there is NO truck ramp. The loading area is 16’ wide x 22’ long with 12’ ceilings, in a wedge shape. Access to stage is through a 10’ wide x 11’ high overhead door upstage right. Access to the dressing rooms is by stairs or by elevator. CARPENTRY Seating Capacity Maximum Capacity: 1011 Orchestra 537 Grand Tier: 90 Mezzanine: 384 Handicapped Accessible: 8 Additional on Grand Tier Level Stage Dimensions Proscenium w: 49’-6” (15.09m) h:23’-0” (7.01m) Depth (plaster to back wall) 28’-0” (8.53m) Apron Curved 5’-0” (1.52m) at centerline Wing Space • Stage right 10’-0” (~3.05m) • Stage left 13’-0” (~3.96m) Orchestra Pit none Stage to Audience 4’-0” (1.21m) NFORMATION Stage Floor Material: 1/4” hardboard (Duron) I Color: Black Condition: Good Sub floor: 1 layer of 3/4” plywood 2x4 sleepers (24” O.C.) on resilient pads House Drapery: House Curtain- Scarlet; Manual Fly Item Number Material WxH Legs 8 black velour 10’ x 25’ (3.05m x 7.62m) Borders 4 black velour 60’ x 10’ (18.23m x 3.05m) Full Black 2 black velour 60’ x 25’ (18.23m x 7.62m) Line Set Data: Grid height: 53’-9” (16.38m) High trim: 50’-11” (15.52m) Low trim: 5’-8” (1.72m) Total Line Sets: 26 single purchase Arbor Capacity: 1500 lbs (680kg) ECHNICAL Weight Available: 8702 lbs (3947kg) Weight Size: 19 lbs (8.6 kg) Pipe Length: 60’-0” (18.29m) T Pipe size: 26 @ 1-1/2” Schedule 40 Lock Rail: Stage Left, stage level Line Plot: Enclosed Shop Area: There is NO on-site scenery shop, and there is no off-stage area for working on scenery. -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
Dokumentation „Amy – the Girl Behind the Name”
Bemerkungen zur Dokumentation „Amy – The Girl behind the Name” Erscheinungsjahr: 2015 Regisseur: Asif Kapadia Mitwirkende: ANDREW MORRIS (Bodyguard), BLAKE FIELDER-CIVIL (Ex- Gatte), BLAKE WOOD (Freund), CHIP SOMERS (Drogenberater), DALE DAVIS (Musical Director & Bassist), DARCUS BEESE (A&R (jetzt Präsident), Island Records), DR. CRISTINA ROMETE (Ärztin), GUY MOOT ( Präsident, Sony/ATV Publishing), JANIS WINEHOUSE (Amys Mutter), JULIETTE ASHBY(Freundin), LAUREN GILBERT(Freundin), LUCIAN GRAINGE (Vorstand & CEO, Universal Music Group), MARK RONSON (Musikproduzent), MITCHEL WINEHOUSE (Amys Vater), MONTE LIPMAN (Vorsitzender & CEO, Republic Records), NICK GATFIELD (Präsident, Island Records 2001-08), NICK SHYMANSKY (Amys erster Manager), PETER DOHERTY (Musiker), PHIL MEYNELL (Freund), RAYE COSBERT (Amys Manager, Metropolis Musik), SALAAM REMI (Musikproduzent), SAM BESTE (Pianist), SHOMARI DILON (Tontechniker), TONY BENNETT (Sänger), TYLER JAMES (Freund), YASIIN BEY(Hip-Hop-Künstler) Vorbemerkungen: Amy Jade Winehouse (* 1983;† 2011) war eine britische Sängerin und Songschreiberin. Als große Vorbilder bezeichnete Amy immer die Jazz-Ikonen Ella Fitzgerald, Sarah Vaughan und Tony Benett. Im Alter von 16 Jahren war sie kurze Zeit des National Youth Jazz Orchestra (NYJO) in England. Bill Ashton, der 1965 das National Youth Jazz Orchestra in England mit gegründet hatte, sagte zum Debut- Auftritt der Band mit Amy im Jahr 2000 wörtlich: “I can honestly say, she had the best jazz voice of any young singer I had ever heard”. Amy tourte ein halbes Jahr lang (vor ihrem Durchbruch als Soul-/Pop-Sängerin) mit zwei Mitgliedern des NYJO durch kleine englische Jazz-Clubs. Sie liebte die Atmosphäre in Jazz-Clubs mehr als große Konzerthallen. Bill Ashton sagte zum Tod von Amy: “…the pop world has lost an icon – the jazz world lost a great jazz singer several years ago”. -
VISITING ANFIELD GUIDE Welcome to the Home of the World’S Greatest Football Family
VISITING ANFIELD GUIDE Welcome to the home of the world’s greatest football family LIVERPOOL FC FACTS: ARRIVING AT THE Ground: Anfield Capacity: 54,000 (all seated) Address: Anfield Road, Liverpool, L4 0TH STADIUM ON A Pitch Size: 110 x 75 yards Year Ground Opened: 1884 Shirt Sponsors: Standard Chartered MATCHDAY Kit Manufacturer: New Balance Home Kit Colours: Red With White Trim Allow enough time for any necessary security checks which may include random searches. Bringing bags to the stadium is discouraged. However, fans arriving at the stadium with a small Official Website: www.liverpoolfc.com personal bag (i.e. handbag/medical bag) should expect this to Customer Service Telephone No: 0151 264 2500 be searched and tagged before entry. Bringing a bag may delay Contact Us: http://www.liverpoolfc.com/contactus your entry and, in some cases, may lead to non-entry to the stadium. Please do not bring large bags or luggage (rucksacks/ briefcases/suitcases/suit bags etc.) to Anfield as they BY BIKE: cannot be brought into the stadium. Check our stadium The Cycle Hub is a FREE service that allows fans who cycle to prohibited item checklist here. the game to drop-off and park their bike safely and securely with an attendant. The Cycle Hub is situated in Anfield Road Car Park, a few minutes’ walk from the Anfield Road end of the BY BUS: Stadium on a matchday. On a non matchday, there is a bike Bus is fast, frequent and convenient with ‘express’ services that rack situated on Anfield Road. will get you to and from Anfield and Liverpool City Centre in around 15mins on a matchday. -
Be Your Own Tour Guide
ST JOHN’S GARDENS WORLD MUSEUM CENTRAL LIBRARY WALKER ART GALLERY ST JOHN’S LANE ST GEORGE’S HALL DR COFFEE DUNCANS QUEEN TSO’S GENTING CASINO BUFFALO JACKS PACOBANA ASK CO ST JOHN’S LANE ITALIAN WHITECHAPEL LA TASCA FIVE GUYS MARRIOTT PHASE EIGHT COSTA NANDO’S BURGER KING STANLEY ST ROE ST QUARTER QUEEN SQUARE BUS STATION MOORFIELDS YATES ROYAL P SHOP CO COURT CASTELLSBELLINI AND STATION 13 SIR THOMAS ST QUEEN THEATRE 12 LIVER BEST OF SQUARE ST GEORGE’S PLACE PHASE EIGHT LIME STREET P TRAVEL OOL M&S POUNDL LIME ST COLLECTION CENTRE 10 DAW POINT NEW STATION 15 SO MADE.COM N PAPERCHASE ST LOOK FOOT PATROL HOME (T ICELAND OLIVIA AX DIVINE T M LEWIN IS METQUARTER CAFFE O N BARGAINS MOCOCO 7 NERO L GALLERY Y STANLEY STWALL TO WALL ) REVOLUTION THE COSTA WILKINSON DANIEL LIVERPOOL KOKO ELEANOR FOSSIL FOOTWEAR FOOTBALL PHONE LAB STORM VICTORIA ST 051 JOHNSSHOO TEMPLE COURT ILLAMASQUA BARBERS THE CASA SHAKESPEARE CLUB ST SHOO RIGBY HOTELITALIA PATISSERIE KURT GEIGER LK BENNETTVALERIE SPIELMANNMAX SHU WORLD COFFEE HOUSE CARLUCCIOS MATALAN SAINSBURY’S JO MALONE ROY CASTLE FROCKS THE CROWN LINKS OF SHIRAZ SHOP MOBILITY BU LONDON SUBWAY 129 HOLIDAY INN MQ FLORIST 12 PRONUPTIA VIEW 2 GALLERY 2 VIEW ADAPT BEVERLY HILLS NAIL CO MAC -130 BRIGHT THE SLUG WILLIAMSON ST HOUSE RICHMOND ST INFO CENTRE JOHNS ERIC’S A|X ARMANI AND LETTUCE REISS H & T EXCHANGE SQUARE PLAYPLAYHOUSE HOUSE FILLING THE BEATLES PAWNBROKERS STORM ARGOS STATION GRAPES SHOP BAY GRILLSTOCK TURTLE THEATRE EGO NORTH JOHN ST S TIMPSON ULTIMA MODA MILTONS COOL VIVIENNE WESTWOOD MATHEW ST -
Billboard Magazine
WorldMags.net “Rehab” has been streamed more than 35 million times on Spotify — Winehouse herself is only dimly understood. “She never spent enough time [in the ONE DAY IN United States] for people to get a sense of her outside of being drunk and sloppy,” says Republic Records chairman/CEO Monte Lipman. David Joseph, chairman/ CEO of Universal Music U.K. and an NOVEMBER 2005, executive producer on Amy, says, “Some asked, ‘Are you making a film about a drug addict?’ People didn’t even realize she wrote her own lyrics.” The film is a riveting collage of audio interviews and mostly unseen footage. It AMY WINEHOUSE took the filmmakers two years to win the sat in a car with her friend and co-manager the screen they’ll feel embarrassed.” trust of Winehouse’s friends, many of whom Nick Shymansky, winding through the Like Britney Spears, another singer hadn’t spoken publicly since her death. “At English countryside toward a rehab center. classified as a “train wreck” at that time, the beginning nobody wanted to talk to me,” The singer’s drinking had been getting out Winehouse felt the lashes of 24-7 gossip says Kapadia. “Then everybody did.” Only of control, Shymansky remembers, and he coverage as it converged with her celebrity. Mitch Winehouse has since criticized the felt she needed help. When they arrived, And that wasn’t all Winehouse contended project, calling it “unbalanced.” Gay- Winehouse said she would check in on one with: The pressure to be thin worsened her Rees says that the initial three-hour cut condition: that her father, Mitch, agreed. -
The Communicant News & Notices for the Diocese of Edinburgh 24Th January 2018
21A Grosvenor Crescent Edinburgh EH12 5EL [email protected] 0131 538 7033 Charity Number: SC001214 The Communicant News & Notices for the Diocese of Edinburgh 24th January 2018 Published by the Diocesan Office fortnightly, and circulated to all Clergy, Lay Readers, Treasurers & Vestry Secretaries, and Diocesan Synod Lay & Alternate Lay Representatives NEXT EDITION: 7th February 2018 NOTICES VESTRY Annual Return Forms SECRETARIES A reminder that Annual Return Forms should be completed by 31st January and sent or emailed to the office. They are all available online at: http://edinburgh.anglican.org/resources-diocesan-office-forms/ With one week to go, only 53% of the forms have been received. We do realise that all of you have limited time to get such tasks done, but your urgent attention would be hugely appreciated, especially this year, with the backlog of work we are dealing with, in the office here. Thank you ALL News from Bishops Enabler of Mission Mission Shaped Intro in the Borders DATE: Two Saturdays, 27th Jan and 24th Feb TIME: 10.15am - 2.30pm with a simple lunch VENUE: St John’s Community Centre, The Pleasance, Jedburgh, TD8 6DJ Ideally come with others from your church or individuals welcome too. Our world and our lives are changing at an ever faster pace, but how can our churches respond to this change? Are new ways of engaging with people and being church in the 21st century possible? If so, what might they look like? Using some of the material from the Mission Shaped Intro course we will explore together mission and church life in our current context. -
Detallado Por Tocada, Por Asociado, Administrado Y Mandante Periodo De Reparto : 2017 COMUNICACION PUBLICA ( No Identificados )
Detallado por Tocada, por Asociado, Administrado y Mandante Periodo de Reparto : 2017 COMUNICACION PUBLICA ( No Identificados ) [9,999] - ( NO IDENTIFICADOS ) 2017-12 ISRC Titulo Nombre del Artista Sello Track Monto Track LA CHISMOSA LOS CAMPESINOS DE BAMBAMARCA Independiente 1,005.89 PEAL51501003 SI TIENES QUE HACERLO HAZLO GALA BRIE Independiente 701.27 ES71G1725789 NO VOY ANIA Altafonte Network 642.09 TOMARÉ BRIYIT Y SU BANDA Independiente 580.32 CORAZON BANDIDO BRIYIT Y SU BANDA Independiente 565.14 ES7181270180 YA LLEGO LA NAVIDAD EL EQUIPO EXTRAORDINARIO DE LA SALSA Independiente 466.85 ESTUPIDO BRIYIT Y SU BANDA Independiente 349.52 ¿Y COMO ES EL? JEFF MONTANO Independiente 346.38 PURO COMER ELEGANTE & LA IMPERIAL Independiente 344.14 BAJO EL CIELO SIN ESTRELLAS DINA PAUCAR Independiente 297.62 LA MEJOR DE TODAS VALENTINO & ELI JAS Independiente 278.87 LA MEJOR DE TODAS NG² Independiente 253.29 NADIE TE QUITA LO BAILAO CHARLIE APONTE Independiente 230.83 LA NOCHE PINTURA ROJA Independiente 223.65 QUITAME ESE HOMBRE GABY ZAMBRANO Independiente 218.70 HOMBRE CASADO CESAR VEGA Cesar Vega 216.03 VESTIDO DE MUJER MAYRA GOÑI Independiente 210.34 AHORA ESTAS CONMIGO MAYRA COUTO Independiente 193.32 PASITO PERRON PATADA Y COZ Independiente 189.71 PORQUE UN HOMBRE NO LLORA LOS TIGRES DEL SABOR Independiente 158.50 CARLOS ZELADA CANCION FIN DE CEBADA CRISTAL Independiente 151.33 TU FALTA DE QUERER LYNN PAZ Y ORQUESTA Independiente 142.16 ME EMBORRACHARE GALA DE ANGELES Independiente 140.60 CORAZON EN SOLEDAD LOS TIGRES DEL SABOR Independiente -
Liverpool Coach Park Map
Liverpool Coach Park Map Bankhall St SCO 300 meters TLAND RO M62 M58 KINGSWAY TUNNEL NORTON ST 35 & M53 AD 20 D (A5047) LIME STREET 11 R STATION N O D N E O 10 N L 25 T S LA SANDHILLS 36 LIM LD LS STATION ST E E 34 IL S FI T H K 07 D 38 14 N N ROWN 29 E ST A B RENSHAW ST K BA E ST S LIM 15 W BOUNDARY ST 21 VAUXHALL ROAD T UPPER DU 28 D S Y OL CENTRAL B 30 08 STATION GSWA 12 IN EDS ST (A5053) QUEENSWAY TUNNEL 26 CHINA K LE & A41 ST T TOWN REGENT RD S W CH R R H HU 23 T IT C VE S T E O DN ALL S C T N G SSH H N T E O RO T T C T S AT A S N H S P 04 HA E 22 E K A L U MEN TO I RD D S A R O 19 L O LI MOORFIELDS T T S IC STATION PAR V BLACK T N 06 PA S RA R DISE ST 05 A E CAVERN ST L B D E TER ST A QUARTER H 16 L D OR E IT L AN T K L WA GR PALL MALL RTH JOHN ST PAR RE EA NO SOUTH JOHN ST GENT T HO RD WA Liverpool John Lennon RD ST (A565) Airport 7 miles CASTLE ST 27 ER ST 32 CHALON SEFTON ST ST T S LL WAPPING LD HA R L ST L O E 37 T ES ST ES PE A A JAMES ST D ST WAPPING W 24 H AN SALTHOUSE JAM R C STATION ST DOCK CANNING DOCK DOCK QUEEN’S NEW QUAY 13 DOCK BATH ST 01 33 18 ALBERT 03 02 N PRINCES DOCK DOCK UNDER 31 ARENA AND CONVENTION DEVELOPMENT CENTRE LIVERPOOL 09 17 MERSEYRAIL SHOPMOBILITY NATIONAL RAIL FERRY Arriva Depot Green Lane, TOILETS CRUISE LINER TERMINAL Old Swan, PICK-UP & DROP-OFF L13 7HS COACH BAYS TOURIST INFORMATION MEDIUM STAYS DERBY ROAD (A5049) COACH BAYS NHS WALK-IN WEST PAY & DISPLAY ATTRACTION Q COACH PARKS 00 UE ENS DR IVE (A5058) SCALE: 6.8INCH-1 MILE G RE NEWSHAM PARK EN L A N ARRIVA DEPOT E (B5189) T ROAD (A57) PRESCO Towards Liverpool City Centre Towards M62 Based on Aerial Photography © Liverpool City Council and others.