Caecilia V63n08 1936

Total Page:16

File Type:pdf, Size:1020Kb

Caecilia V63n08 1936 Founded A.D. 1874 by John Singenherger • REVI EW OF SUMMER EVENTS • PRINCIPLES OF ARTISTIC CHORAL ATTAINMENT Rev. J. Ribeyron • ANALYSIS OF LOUIS VIERNE MUSIC Dom Adelard Bouvilliers • HOW TO SELECT CHURCH MUSIC Joseph Clokey • Vol. 63 SEPTEMBER 1936 ORATE FRATRES A ReYiew Devoted to the Liturgical Apoatolate TS first purpose is to foster an intelligent and whole-hearted participation I the liturgical life of the Church, which Pius X has called "the primary a indispensable source of the true Christian spirit." Secondarily it also considers the liturgy in its literary, artistic, musical, social, educational and historical aspects. From a Letter Signed By His Eminence Cardinal Gasparri "The Holy Father is greatly pleased that St. John's Abbey is continuing the glorious tradition, and that there is emanating from this abbey an inspiration that tends to elevate the piety of the faithful by leading them back to the pure fountain of the sacred liturgy." Published every fOUf weeks, beginning with Advent, twelve issues the year. Forty-eight pages. Two dollars the year in the United States. Write for sample copy and descriptive leaflet. THE LITURGICAL PRESS CoUegeville Minnesota Entered as second class mat­ ter, October 20, 1931, at the Post Office at Boston, Mass•• ~aetilia under the Act of March 3, 1879. Qfl1r Formerly published in St. Francis, Wisconsin. Now issued Monthly Magazine of Catholic Church and School Music monthly, except in July. Subscription: $3 per year, pay.. able in advance. Single copies September 1936 No.8 SOc. Vol. 63 EDITOR V. REV. GREGORY HUGLE, O.S.B. • Prior, Conception Abbey Conception, Mo. IN THIS ISSUE BUSINESS MANAGER 348 WM. ARTHUR REILLY ANNOUNCEMENTS 100 Boylston Street Boston, Mass. EDITORIAL • 349 CONSULTING EDITORS AND PRINCIPLES OF ARTISTIC CHORAL ATTAINMENT '.'~""."T~~~~~~~~~~~~ER Rev. J. Ribeyron) M. A. 350 v-,:Mary 0/ Lake Seminary . Mundelein, Ill. INTERNATIONAL FESTIVAL IN BARCELONA. 356 DOM ADELARD BOUVILLIERS, O.S.B. Belmont, N. C. AMERICAN GUILD OF ORGANISTS CONVENTION SISTER M. CHERUBIM, O.S.F. IN PITTSBURGI-l • Milwaukee, Wise. 357 REV. F. T. WALTER 356-363 St. Francis Seminary NEWS ITEMS. Wisconsin CI-lOIRS OF PAROCHIAL SCHOOL CHILDREN SISTER M. GISELA, S.S.N.D. :MiIwaukee, Wise. SING GREGORIAN MUSIC AT PONTIFICAL REV. H. GRUENDER, S.l. MASS 360 St. Louis, University, Mo. REv. LEO ROWLANDS, O.S.F.C. WISCONSIN NEWS 363 Providence, R. 1. REV. JEAN RIBEYRON OUR MUSIC THIS MONTH. 364 St. Mary's College California QUESTION AND ANSWER Box REV. J. G. O'DONOHOE Sherman, Texas Dom Gregory Hugle) OJ,.B. 377 REV. L. A. DOBBELSTEIN O. Praem COMMUNICATIONS 380 Luxemburg, Wise. REV. G. V. PREDMORE FIFTY YEARS AN ORGANIST IN PITTSBURGH. 382 Spencerport, N. Y. REV. C. ~f. DREISOERNER ST. GREGORY SOCIETY CONVENTION • 383 Kirkwood, Mo. SISTER M. DOROTHY, G.S.B. CURRENT FOREIGN AND AMERICAN MUSIC Duluth, Minn. PUBLICATIONS • 385 SISTER M. RAFAETJ' B.V.M. Chicago, III. LOUIS VIERNE (continued from June) RICHARD KEYS BrGGs Hollywood, Calif. Dom Adelard Bouvilliers, O.S.B. 386 M. MAURO-COTTONE New York, N. Y. How TO SELECT CHURCH MUSIC ACHIILE BRACERS New York, N. Y. Joseph Clokey . 388 JOSEPH J. MCGRATH Syracuse, N. Y. PUBLISHERS NOTES • 389 ARTHUR C. BECKER Chicago, III. BOSTON UNIVERSITY SCHOOL OF MUSIC ; ·'Fm:WERTCK T. SHORT MAKING RAPID STRIDES 390 ,~.r~' Brooklyn, N. Y. • Published by McLAUGHLIN & REILLY CO., 100 Boylston St. Boston, Mass. 348 THE CAECILIA ANNOUNCEMENTS AST month we took special pride in an.. conduct this department in addition to his L nouncing that the illustrious chur'ch mu,.. duties as Editor of CAECILIA. sician. Dom Gregory HugJe O.S.B' t of Con--­ ception AbbeYt Missourit' has accepted the We believe that· the assumption of the post of Editor of THE CAECILIA. Editorial post by Dom Gregoryt will be hailed as the greatest single step forward Beginning with this issue. all material ap,.. for THE C'AECILIA in the past ten years. pearing in these columns will be presented Certainly it will gain the commendation of with the approval of Dam Gregory. Thus the Hierarchy and Diocesan Church Music readers may he assured of the soundness of Commissions who w~ll fully recognize the future articlest music supplementst and litur,.. increased influence of THE CAECILIA un­ gical expressions to be found in these pages. der Dom Gregoryts Editorship. Dom Gregoryts name has been associated As publishers. we are deeply grateful to with Catholic Church music in Am,erica for Dom Gregory for his generous acceptance over naIf a century and he is respected by of his new work. Ever zealous in the spread,.. all schools of liturgical thoughtt as an ex,.. ing of liturgical music and information help­ perienced church musicians of the highest ful to the teaching thereof we hopethatTHE ideals. His appointment assures continuance CAECILIA will offer him new avenues of" of the same high standards established by expression. and that in the success of this the late John Singenberger founder of this paper he may find satisfaction sufficient to paper. at least partially repay him for his devoted It is interesting to note that our sister,.. and valued services. paper in England. "Music and Liturgytt has Mr. Otto Singenberger will remain as a recently appointed a Benedictine priest Consulting Editor. thus continuing the tradi,.. (Dam Gregory Murray O.S.B.)" as its Edi,.. tion of the connection of the Singenberger tor. The work of Priests of this Order all name with THE CAECILIA. over the world today is gaining international Mr. Arthur Reilly. will serve as Business recognition by church musicianst no doubtt Manager. and Assistant in the gathering of and extension of the pioneer work done in News Itemst articles and music for the liturgical music. and chant restoration by Editor. the Benedictine Fathers at Solesmes in France. Montserrat in Spain. Beuron. Ger,.. The same contributors. Dom Adelard many; Isle of Wight. England; etc. In Bouvilliers. O.S.B.. Mus. Doc.; Sister Gisela. America th,e Dean of the Benedictine Church SSND' t Sr. Cherubimt O.S.F. t Father musicians is our new Editor, Dom Gregory Walter. Father Gruender. S.T.. Father Pred,.. Hiigle. more. Toseph J. McGratht M. Mauro,..Cot,.. tonet Richard K. BiflqSt Achille Brag-ers. His published 'works include "The Pro,.. Father Rowlands. D.S.F.C. and all the others H ~ressive Music Series Catholic School Edi­ who have graced these columns from time tion. one of the most successful of the new to time. will continue their support we are school music methods embracjng Chant in­ sure. Others will be added shortly to assist in maKing up a Council that will represent structions. TheH "SpotlifTht on Catholic Church Music. "Catechism of Grego,", the outstanding church musicians in the H country. rran Chant • "The Most Simple Mass tt in Gregorian Chant "Pour Christmas Car,.. With our readers we look forward to in,.. olsH etc. He has conducted courses in most creased improvement in THE CAECILIA of the large Dioceses of the countryt and under the guidance of Dam Gregory Hiigle. recently has conducted the "Question Boxtt O.S.B. in our own CAECILIA. H,e will continue to The Publishers. THE CAECILIA 349 EDHTORHAL PAGE share when we see two distinguished co... workers assume editorial duties, Mr. Achille Sragers and Rev." Leo Rowlands, O.S.F.C. and when we are assured of the staunch co-operation of the experienced publishers, Messrs. Jarnes and-.-Arthur Reilly. "PLEASE BE NOT OFFENDED: but what's the use of having an editor whose name I cannotpronouncer'--A timelyremark indeed; Let us make the story quite simple. You have no difficulty in pronouncing the View of Interior Conception Abbey name of the late Archbishop Quigley of Chi... Where Mass Will Be Offered Daily cago. Now just cut off the "Qutt and put For Readers of THE CAECILIA an "Hi" in their place and say ttHigley", and the phonetic problem is solved. You may have heard and r,ead about Baron Von tt The founder of "Caecilia , professor H iigel, a name well known in the northern John Singenberger, \-vas eminently a luan of parts of Germany and even in England, but faith. Sixty three years ago he began a in the southern parts of Germany the can... work which has continued up to the present tt sonant ..i" precedes the H e . In either case day. Zeal for the glory of the House of God tt the name means Hhill + had started the work, and unfailing trust in divine assistance kept it going. -e- Intt assuming the editorship of "Caeci--­ lia we desire to follow the same prin­ CHURCH MUSICIANS' ciples and strive after'the same ideals so tt ORIEN'TATION "that in all, things God may be glorified • And since church musicians are working for T'he Holy Father To Abbot Capelle the altar, they are entitled also to look for In an audience, December 12, 1935, His special help coming to them from the altar, Holiness Pius XI said: "Liturgy is not the from the Immaculate Lamb offered upon the school of any human being: it is the school altar. For this reason a cut has been pre,.. of the Church. There are very few things pared showing many altars; it will be a spi,.. on .earth that are really important: Christ ritual comfort for all those who cooperate in tt above all, the soul, the life of -the Church. producing, reading and spreading "Caecilia All the rest-what does it amount to?" to know that they will be daily remembered by the sacrificing priests. Then the Holy Father encouraged the Abbot of Mont Cesar (ne.ar Louvain, Bel..
Recommended publications
  • Newsletter • Bulletin Winter 2005 Hiver
    NATIONAL CAPITAL OPERA SOCIETY • SOCIÉTÉ D'OPÉRA DE LA CAPITALE NATIONALE Newsletter • Bulletin Winter 2005 Hiver P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 • C.P. 8347, Succursale principale, Ottawa (Ontario) K1G 3H8 Outstanding Finalists for the Brian Law Competition At the end of November 2004 the preliminary jury consisting of The Barbara Clark, Garth Hampson and Charlotte Stewart met to National Capital Opera Society choose the finalists from the large number of applicants received. presents Many thanks to Barbara, Garth and Charlotte for once again help- ing our organization. The Brian Law We are pleased to announce that Joyce El-Khoury, Brian Estabrooks, Liliana Piazza and Maghan Stewart will be vying for Opera Scholarship top spot in the 2005 Brian Law Opera Scholarship Competition. Competition The first prize is $2,000 as usual but this year we are delighted to announce that, due to the generosity of NCOS Board Member Cavaliere Pat Adamo, a second prize of $300 and a third prize of under the Patronage of Maureen Forrester, C.C. for a $200 will also be given. Full details of each of the finalists education $2000 first prize and musical experience is given on pages 4 & 5. The contest will be held in the First Unitarian Congregation, Finalists: 30 Cleary Avenue (off Richmond Road) on Saturday January 29, Joyce El-Khoury - soprano 2005 starting at 7:30 pm. The four finalists will each sing three arias Bryan Estabrooks - baritone (one with recitative) and will be judged by our distinguished panel Liliana Piazza - mezzo-soprano consisting of Roxalana Roslak and Darryl Edwards of Toronto and Maghan Stewart – soprano Christiane Riel of Montreal.
    [Show full text]
  • The Communicant News & Notices for the Diocese of Edinburgh 24Th January 2018
    21A Grosvenor Crescent Edinburgh EH12 5EL [email protected] 0131 538 7033 Charity Number: SC001214 The Communicant News & Notices for the Diocese of Edinburgh 24th January 2018 Published by the Diocesan Office fortnightly, and circulated to all Clergy, Lay Readers, Treasurers & Vestry Secretaries, and Diocesan Synod Lay & Alternate Lay Representatives NEXT EDITION: 7th February 2018 NOTICES VESTRY Annual Return Forms SECRETARIES A reminder that Annual Return Forms should be completed by 31st January and sent or emailed to the office. They are all available online at: http://edinburgh.anglican.org/resources-diocesan-office-forms/ With one week to go, only 53% of the forms have been received. We do realise that all of you have limited time to get such tasks done, but your urgent attention would be hugely appreciated, especially this year, with the backlog of work we are dealing with, in the office here. Thank you ALL News from Bishops Enabler of Mission Mission Shaped Intro in the Borders DATE: Two Saturdays, 27th Jan and 24th Feb TIME: 10.15am - 2.30pm with a simple lunch VENUE: St John’s Community Centre, The Pleasance, Jedburgh, TD8 6DJ Ideally come with others from your church or individuals welcome too. Our world and our lives are changing at an ever faster pace, but how can our churches respond to this change? Are new ways of engaging with people and being church in the 21st century possible? If so, what might they look like? Using some of the material from the Mission Shaped Intro course we will explore together mission and church life in our current context.
    [Show full text]
  • The Communicant 7 February 2018
    21A Grosvenor Crescent Edinburgh EH12 5EL [email protected] 0131 538 7033 Charity Number: SC001214 The Communicant News & Notices for the Diocese of Edinburgh 7th February 2018 Published by the Diocesan Office fortnightly, and circulated to all Clergy, Lay Readers, Treasurers & Vestry Secretaries, and Diocesan Synod Lay & Alternate Lay Representatives st NEXT EDITION: 21 February 2018 NOTICES Diocesan Office Development Day The Diocesan Office will be closed on Tuesday 20th February , for a Staff Development Day. We will reopen at 9am on Wednesday 21st February. VESTRY SECRETARIES Annual Return Forms The deadline for the Annual Return Forms was 31st January To date, only 78% of the forms have been received – 61 forms still to come in. We do realise that all of you have limited time to get such tasks done, but your urgent attention would be hugely appreciated, especially this year, with the backlog of work we are dealing with, in the office here. They are all available online at: http://edinburgh.anglican.org/resources-diocesan-office-forms/ ALL News from the Youth and Children Officer REFRESH! Training for Sunday School Leaders [pic of poster attached] Places are still available for this free training event, which will equip, encourage and inspire new and established Sunday School leaders. Further details and booking here Contact Claire Benton-Evans for further details at [email protected] TREASURERS QUOTA & PAYROLL As we currently have no Diocesan Treasurer, we have been re- arranging many of the tasks in that role. One of these is the oversight of Direct Debits for quota and payroll.
    [Show full text]
  • Follies Collection of Anthony J
    Follies Collection of Anthony J. Mazzaschi Inventory Updated February 28, 2017 Frame Description Year Company/Theatre City State Country Notes Number Display Script of 2011 Kennedy Center Washington DC USA Signed by entire cast. Box Bernadette Peters Purchased from Broadway Cares/Equity Fights AIDS via E-Bay auction. Display Conductor’s Score 1971 Original Production New York NY USA Custom Bound; gift of Box Mathilda Pincus, copyist, to Thomas Z. Shepherd, producer; inscribed with a personal note from Pincus to Shepherd 1 Program 1998 Signature Theatre Arlington VA USA 2 Flyer 1987 Shaftesbury Theatre London UK 3 Album 1971 Original Cast New York NY USA 4 Program 2007 Key West Pops Key West FL USA Also one page cast insert 5 Poster 2009 Arlington Players Arlington VA USA Printed from a PDF 5 Program 2009 Arlington Players Arlington VA USA 6 Magazine 2001 Sondheim Review Chicago IL USA Spring issue 7 Book Dust Jacket 2003 Everything Was USA By Ted Chapin, published by Possible Knopf 8 Poster 2007 Encores! New York NY USA Standard version 9 Poster 1971 Original Production New York NY USA Original. Some damage. 10 Poster 2004 California Irvine CA USA Autographed by cast Conservatory of the Arts 11 Album 1987 Original London London UK Silver version, Shaftesbury Cast cast 1 Frame Description Year Company/Theatre City State Country Notes Number 12 Album 1985 Lincoln Center New York NY USA Autographed by Sondheim, Concert Cook, and Stritch 13 Invitation 1987 First night party at London UK Numbered (but not visible) Tony’s 13 Invitation 1987 First night party at London UK Numbered (but not visible) Tony’s Book Invitation 1987 First night party at London UK Tony’s 14 Brochure 1987 Shaftesbury Theatre London UK Framed with front and back covers visible 15 Program 1987 Shaftesbury Theatre London UK White curtain (preview) version- Marked “18-7-87” – three days before official opening.
    [Show full text]
  • Take Your Place 2016
    FOR PERFORMERS AND THOSE WHO MAKE PERFORMANCE POSSIBLE THE PLACE THE PROGRAMMES THE PATHWAY THE PASSION TAKE YOUR PLACE 2016 Backstage in our Paul McCartney Auditorium, you can see some of our degree level students in the integrated roles needed to make a performance happen. Oliver Bush working as the lighting designer (studying Theatre and Performance Technology) Katy Lord providing stage management (studying Theatre and Performance Technology) Alfie Heywood assisting costume design and make-up (studying Theatre and Performance Design) Connor Dye one of the performers in the show (studying Acting) Alice Smith working as the costume designer (studying Theatre and Performance Design) Sophia Hardman working on live sound (studying Sound Technology) Guy Turner playing in the pit band (studying Music) Sophie Lane working as the manager for the musician (studying Music, Theatre and Entertainment Management) THE PLACE 02 Contents The Place What was our challenge and what is yours? 03 How did we respond to the challenge initially? 03 Hearing from the best 04 What do we do now? 05 Our curriculum 05 Our teachers 08 Our resources 10 Do we meet the challenge? 14 Will you join us? 16 An international outlook 17 Student support 18 Doing your own thing 19 Life in Liverpool 20 Where you live 22 The Programmes Foundation Certificates Acting and Musical Theatre 25 Commercial Dance 27 Popular Music and Sound Technology 29 Degrees Acting 31 Applied Theatre and Community Drama 33 Dance 35 Music 37 Music, Theatre and Entertainment 39 Management Sound Technology 41 Theatre and Performance Design 43 Theatre and Performance Technology 45 These programmes are awarded by The Pathway Entry requirements 49 How and when to apply 54 What happens after you have applied 58 What it costs 59 How to find us 61 Open days 61 Supporters 62 03 THE PLACE Our Founding Principal/CEO, Mark Featherstone-Witty, explains what we do and what we can offer you from this page to page 16 1 Sustained work for performers and those who make What was our performance possible.
    [Show full text]
  • Second Thoughts & Short Reviews: Winter 2017-1/Christmas 2017
    Second Thoughts and Short Reviews: Winter 2017/18 Part 1 and Christmas 2017 By Brian Wilson and Dan Morgan Reviews are by Brian Wilson unless signed [DM] Autumn 2017/3 is here: it contains links to Autumn 2017/1 and 2017/2. Index ARNESEN Cradle Hymn_Naxos (and in Celebration of Christmas _Brigham Young) BACH Organ Works 6 (Christmas Chorales)_Signum - Magnificat (+ HANDEL)_Alpha BERNSTEIN Chichester Psalms (+ VAUGHAN WILLIAMS)_King’s HANDEL Dixit Dominus (+ BACH)_Alpha JACOB, LEIGHTON, PATTERSON British Violin Concertos_Naxos MAYR Miserere, Litaniæ_Naxos PETERSON-BERGER Symphony No.1, etc; Symphony No.2, etc._CPO - Four Pieces from Frösöblomster (with Swedish Orchestral Favourites)_Naxos RAMÍREZ Navidad, Missa Luba, Misa Criolla_Naxos RIMSKY-KORSAKOV Russian Easter Festival Overture (see Classic Overtures) ROVIGO Missa Dominicalis, etc._Tactus SAINT-SAËNS Symphonic Poems_Naxos SCHUBERT Symphonies Nos. 4 and 7 (8) (Un)finished_Solo Musica - Symphony No.8; String Quartet No.13; Der Hirt auf dem Felsen_Beulah SHOSTAKOVICH The Gadfly (complete)_Naxos SOUSA Music for Wind Band Vol.17_Naxos VAUGHAN WILLIAMS Dona Nobis Pacem (+ BERNSTEIN)_King’s WAGNER Siegfried_Naxos - The Wagner Project (Matthias Goerne)_Harmonia Mundi WEINBERG Symphony No.17, etc._Naxos Berlin Philharmoniker Christmas 2_DG Celebration of Christmas_Brigham Young Christmas from Westminster Abbey_Eloquence Christmas Presence (King’s Singers)_Signum Classic Overtures_Beulah Lo, how a rose e’er blooming - Music for Christmas_Resonus Lutheran Easter Music from Ribe Cathedral_DaCapo LUX: Music for the Nativity_Atma O Holy Night: A Merton Christmas_Delphian Riemuitkaamme! (Let us rejoice) - A Finnish Christmas_BIS St Louis Blues (Grapelli and Reinhardt)_Beulah The Art of Moura Lympany_Beulah The Gate of Glory: Music from the Eton Choirbook Vol.
    [Show full text]
  • Official .··········· ,.,
    OFFICIAL .··········· ,., ..... ~..... .,,::. • .,,.:. '" c:,>: :.:·;.·•·• ·. ,,.,,,,, ,: ?• :•'• f,•:••;::: ptz ''"m=r=---:mc = FE T 2:00p.m. UNIVERSITY RECEPTION- by Officers to of the University in the Center for Continuing Events of the Weekend 3:30p.m. Education. Graduates, their families, Friday, Saturday, and Sunday, May 18, 19, and 20, 1990. and guests are cordially invited to attend. Except when noted below all ceremonies and activities are open to the public and tickets are not required. 4:00p.m. GRADUATES ASSEMBLE FOR THE ACADEMIC PROCESSION - Joyce Athletic FRIDAY, MAY 18 and Convocation Center- BA, GB, LW MAIMS and SC - Gymnasium above Gate 8; Noon Residence Halls available for check-in to parents AL, EG and PhD - Gymnasium above Gate 10. and guests (registration and payment required). 4:20p.m. ACADEMIC PROCESSION begins. 2:00p.m. COLLEGE OF ARTS AND LETTERS HONORS 5:90p.m. BACCALAUREATE MASS- CONVOCATION- Washington Hall. to Joyce Athletic and Convocation Center­ 6:30p.m. South Dome. Cap and gown attire required. 6:30p.m. LAWN CONCERT - University Concert Band - Main Building Mall. 6:45p.m. GRADUATION DINNER - (Tickets must (If weather is inclement, the concert to be purchased in advance per information and will be cancelled). 8:00p.m. ticket procurement procedures.) Joyce Athletic 6:30p.m. FORMAL DINNER, BUFFET STYLE and Convocation Center and South Dining Hall. to North and South Dining Halls. (Tickets must 9:00p.m. CONCERT - University of Notre 8:00p.m. be purchased in advance.) Dame Glee Club - Stepan Center. 8:15p.m. GRADUATE SCHOOL AWARD CEREMONY to and Reception - by the Vice President for SUNDAY, MAY 20 10:00 p.m Graduate Studies and Research for degree recipients in the Graduate School and their 9:00a.m.
    [Show full text]
  • Avant-Garde Theatre in Australia, 1965-1985 Adrian John Guthrie University of Wollongong
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1996 When the way out was in: avant-garde theatre in Australia, 1965-1985 Adrian John Guthrie University of Wollongong Recommended Citation Guthrie, Adrian John, When the way out was in: avant-garde theatre in Australia, 1965-1985, Doctor of Philosophy thesis, Faculty of Creative Arts, University of Wollongong, 1996. http://ro.uow.edu.au/theses/1762 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] WHEN THE WAY OUT WAS IN: AVANT-GARDE THEATRE IN AUSTRALIA 1965 -1985 A thesis submitted in fulfilment of the requirements of the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by ADRIAN JOHN GUTHRIE, MCA (Wollongong) FACULTY OF CREATIVE ARTS 1996 ACKNOWLEDGEMENTS I am indebted to many people who have assisted me, especially my supervisors Professor Ron Pretty who has been a patience guide throughout, and Professor Susan Rowley who was a provocative sounding-board at an earlier stage. Errol Bray and Howard Stanley conducted interviews on my behalf and helped to place at the centre of this study a set of authentic voices from the theatre of this period. Jan Wawrzyhczak kindly allowed me to use the transcripts of interviews he had made with former members of the APG. All those interviewed gave their valuable time, and trusted me with their recollections. I thank you all. Geoffrey Milne also kindly sent me some notes on La Mama. For help in directing me towards original documentation my thanks go to Paul Bentley and the staff at the Dennis Wolanski Library and to Frank Van Straten and Sally Fisher at the Victorian Performing Arts Museum, to Tony Marshall at the LaTrobe Library and to Francis Love at the Australia Council Library.
    [Show full text]
  • Caecilia V63n06 1936
    Founded A.D. 1874 by John Sin.genberger REV. LEO ROWLANDS, O.S.F.Cp. FREDERICK T. SHORT PAUL BENTLEY • • • MARJAN S. ROZYCKI DOM G. HUGLE, 0.S.8. DOM ADELARD BOUVILLIERS, 0.S.8. ROLAND BOISVERT JUNE and JULY 1936 Entered as second class mat­ ter. October 20. 1931, at the Post Office at Boston, Mass., under the Act of March 3, 1879. Formerly published in St. Francis. Wisconsin. Now issued Monthly Magazine of Catholic Church and School Music monthly, except in July. Subscription: $3 per year, pay.. able in advance. Single copies Vol. 63 June, 1936 No.6 SOc. Honorary Editor OTTO A. SINGENBERGER Managing Editor • WILLIAM ARTHUR REILLY Business and Editorial Office 100 Boylston St.. Boston. Mass. IN THIS ISSUE Contributors REV. LUDWIG BONVIN, S.J. Buffalo. N. Y. CURRENT COMMENTS 252 DOM ADELARD BOUVILL­ IERS. O.S.B., Belmont, N. C. REv. LEO F. ROWLANDS, O.S.F.C. 255 V. REV. GREGORY HUGLE. O.S.B.• Conception. M~ REV. CARLO ROSSINI, THE CATHOLIC CHURCH ORGANIST Pittsburgh, Pa. REV. J. LEO BARLEY. Frederick T. Short 256 Baltimore, Md. REV. JEAN RIBEYRON, CONGREGATIONAlJ PARTICIPATION IN WCRSHIP San Francisco, Calif. REV. F. T. WALTER, Pattl Bentley 257 St. Francis. Wise. REV. JOSEPH VILLANI. S. C.• PARISH BULLETIN OF ST. SYLVESTER'S San Francisco. Cal. REV. P. H. SCHAEFERS. CHURCH, CHICAGO, GIVES INSTRUCTION Cleveland. Ohio. IN MUSIC 258 REV. H. GRUENDER. S.J.• St. Louis. Mo. SR. M. CHERUBIM, O.S.F. OUR 1\1:USIC THIS MONTH 266 Milwaukee. Wise. SR. M. GISELA. S.S.N.D., Milwaukee.
    [Show full text]
  • The Internet Science Fiction Theatre Database
    The internet science fiction theatre database Item Type Other Authors Callow, Christos Jr Citation Callow, C. Jr. ed., (2018). 'The internet science fiction theatre database' [online] Cyborphic. Available at: https:// www.cyborphic.com/database/ Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 24/09/2021 05:52:29 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/10545/624803 THE INTERNET SCIENCE FICTION THEATRE DATABASE (Including plays of Modern & Contemporary Science Fiction, Science Theatre, Horror Theatre & related genres) By Christos Callow Jr The Internet Science Fiction Theatre Database (ISFTDB) of Cyborphic primarily consists of contemporary plays, i.e. published and/or produced in the 21st Century. Some key texts of sci-fi theatre from the 20th Century are included in a separate section. For a more complete list of 20th Century science fiction plays, see Ralph Willingham’s appendix in his 1993 book Science Fiction and the Theatre. Our Database is primarily focused on science fiction theatre, yet also features related genres; in short, everything that falls under the umbrella terms Speculative Fiction and Fantastika (such as Horror, Contemporary Fantasy and the Weird) and works of Science Theatre as well are also of interest. Finally, a bibliography of related studies and articles is included in its own section. For the reader’s convenience these are mostly non-academic sources readily available online, but some academic studies are included as well. Abbreviations: SF (Science Fiction), H (Horror), F (Fantasy), W (Weird. Works considered “Lovecraftian” will be in this category), AF (Afrofuturism) and ST (Science Theatre) The Database will be soon updated to include more titles and information.
    [Show full text]
  • Catalogue of Publications
    Fairleigh Dickinson University Press 2009–2010 CATALOGUE OF PUBLICATIONS Including complete descriptions of new titles for 2009–2010, and an annotated listing of back list titles. This catalogue includes titles in print and announced for publication through Spring 2010. Book codes shown throughout this catalogue are ISBN–13s. Listings herein are as accurate as possible, based upon information available as this catalogue went to press. All new title information is approximate. Actual prices for new titles are set at time of publication. Titles indicated by ૽ were in process at time of publication. Prices for these are approximate. All other prices were accurate at the time this catalogue was prepared but are subject to change without notice. Fairleigh Dickinson University Press is a participant in the Cataloguing-in-Publication Program of the Library of Congress. Cataloguing information is included in all eligible titles. The Press invites submission of manuscripts and publishing projects in all disciplines. Send to Director, Fairleigh Dickinson University Press, M-GH2-01, Madison, New Jersey 07940 or e-mail to [email protected]. NEW TITLES 2009–2010 DEVIANT WOMEN OF THE FRENCH REVOLUTION history. Lisa Beckstrand is an academic planner in the office AND THE RISE OF FEMINISM of Academic Affairs at the University of Wisconsin System. By LISA BECKSTRAND PUBLISHED ISBN 978-0-8386-4192-7 $43.50 This work aims to uncover the work of Parisian women who challenged prevailing views of female nature, sought social reforms, and were deemed ‘‘deviant’’ for their writing and/or DISENTHRALLING OURSELVES activism during the French Revolution. While some consider- Rhetoric of Revenge and Reconciliation in Contemporary ation is given to a discussion of those women activists and Israel public figures accused of being crazy, sexually deviant, or of By NITA SCHECHET corrupting future generations, the bulk of analysis focuses on Disenthralling Ourselves portrays contemporary Israel in a the work of Olympe de Gouges and Manon Roland, both of process of transition.
    [Show full text]
  • Dissertation
    DISSERTATION Titel der Dissertation „Where Music Can Speak with Greater Effect. Zur Problematik der Gattungstransformation: Von der li- terarischen Vorlage zum Musical“ Verfasser Mag. Christian Scheichenstein angestrebter akademischer Grad Doktor der Philosophie (Dr.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 092 317 Dissertationsgebiet lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin: Univ.-Doz. Mag. Dr. Brigitte Dalinger 2 3 Inhalt Vorwort ....................................................................................................................................... 7 1. Einleitung ................................................................................................................................ 9 2. Theoretische Ansätze und grundlegende Begriffe ............................................................... 12 3. Literarische Vorlagen ............................................................................................................ 27 3.1. West End Musicals ......................................................................................................... 28 3.2. Antike Quellen ............................................................................................................... 29 3.2.1. Dramatische Texte .................................................................................................. 29 3.2.2. Episch-Narrative Texte ........................................................................................... 33 3.3. 14. Jahrhundert ............................................................................................................
    [Show full text]