Evaluation of 4 New Strategic Initiatives

Total Page:16

File Type:pdf, Size:1020Kb

Evaluation of 4 New Strategic Initiatives Evaluation of 4 New Strategic Initiatives - Confidential - 0 Where are we today as a Network and the Indian TV Market… TAM’s introduction of LC1 Markets in the panel, has resulted in the ratings of the flagship channels to fall, along with reach and TSV The MSM bouquet doesn't have a material presence in the Regional space Key competition – Star, Zee and Colors have a well established presence in the regional space and Star and Zee’s flagship channels are performing better in the GEC genre, even with the LC1 expansion Absence of regional channels in the bouquet is a clear gap in the Network's genre reach Key competition, has a far more “pan-India” offering both in terms of genre spread and ratings Competition has a strategic advantage with presence in carriage. Both Star & Zee have presence in ground distribution (Star DEN, Tata Sky & Dish) MSM currently doesn’t have a “complete package” offering for advertisers and distributors - Confidential - 1 The Potential implications.. Flagship channel’s falling reach & TSV, may result in advertisers reducing the Premium on the channel With programming not targeted to female audiences in small towns, the introduction of TAM meters and further expansion, in Rural markets may result in further drop in ratings We also run the risk of being dropped by operators due to gaps in our bouquet offering and also for strategic reasons, which may further fuel a decline in reach and ratings. TRAIs mandate of 12 minutes per clock-hour for Advertising and Promotions The network should aim to target all SECs, markets, across both genres to reduce the risk of being ignored by media planners and also potentially losing presence on ground - Confidential - 2 Opportunity 1 – Female-skewed, lower SEC GEC Plan - Confidential - 3 LC1 Market – An Introduction LC 1 corresponds to towns with less than 100k population in Urban India In 2013, TAM released data for five new LC1 markets: Gujarat, Madhya Pradesh, Uttar Pradesh, PHCHP and Rajasthan. With this release, TAM now covers 92% of the HSM Urban market, up from 74% earlier These 5 new LC1 Markets comprise 17% of the universe (20% of the HSM universe). With the existing Maharashtra LC1, it will be 25% of HSM Universe Family system plays a more important role in the key decisions among the viewer’s here 75% of LC1 households are SEC CDE, higher 35+ age group and more women viewers LC 1 markets, at a broad level, consume less television than their HSM counter parts driven by infrastructure limitations Market Groups Univ (M) Univ % View % Market Groups Univ (M) Univ % View % HSM LC1 50 25% 23% UP LC1 9 8% 6% HSM 0.1-1 M 59 29% 29% Mah LC1 8 4% 2% HSM 1M + 45 22% 22% MP LC1 5 4% 4% 3 Metro 49 24% 26% PHCHP LC1 6 3% 3% HSM w/o LC1 152 75% 77% Raj LC1 7 3% 3% HSM+ LC1 202 100% 100% GUJ LC1 16 2% 4% Total 50 25% 23% TG: CS4+; Wk 1 to 13 2013 - Confidential - 4 LC 1 markets, at a broad level, consume less television than their HSM counter parts Any Channel Reach % TSV (weekly hour) GRP City AVG AVG AVG HSM LC1 88 16.0 2834 HSM w/o LC1 90 17.9 3233 HSM+ LC1 90 17.4 3133 3 METRO 89 19.3 3426 HSM 1-10 LAKH 91 17.1 3105 HSM 10LAKH+ 91 17.5 3190 MAHA L C 1 88 18.2 3190 GUJ L C 1 88 17.4 3057 MP L C 1 91 16.5 2995 PHCHP L C 1 86 17.7 3051 RAJ L C 1 85 15.7 2663 UP L C 1 90 13.8 2474 Reach is marginally lesser while Time spent is significantly lesser in LCI markets The same gets reflected in the sizable GRP gap between LC1 and HSM markets Power cuts were rampant in most LC1 towns, having a direct bearing on the viewing In LC1 markets on an average, while 95 channels are available, consumption is limited to 26 channels *CS4+. Wk 1 to 13 2013 - Confidential - 5 Movies and GEC shows have a higher share in LC1 markets Genre HSM w/o LC1 HSM LC1 MAHA LC1 MP LC1 GUJ LC1 RAJ LC1 PHCHP LC1 UP LC1 Hindi GEC 39% 44% 34% 49% 43% 46% 46% 47% Hindi Movies 17% 23% 20% 26% 21% 27% 17% 25% Kids 8% 6% 7% 5% 8% 6% 7% 6% All Regional 14% 7% 22% 0% 3% 0% 9% 2% Music 5% 5% 5% 4% 5% 5% 3% 6% Hindi News 4% 4% 3% 5% 4% 5% 4% 4% Cable (Regional) 3% 4% 2% 2% 9% 3% 8% 4% Sports 3% 3% 3% 2% 4% 2% 2% 2% Others 6% 5% 3% 6% 3% 6% 4% 5% Grand Total 100% 100% 100% 100% 100% 100% 100% 100% All LC1 markets have strong viewership skew towards Movies channels Gujarat & Punjab LCIs have more viewership in cable regional channels whereas Raj, UP & PHCHP show no such trend. LC 1 markets across states do not seem to be similar in nature. They mirror the viewership trend for their mother market much more than they do with LC 1 markets *CS4+. Wk 1 to 13 2013 - Confidential - 6 LC1 – Prime-time is 7 to 10 pm 30 Viewership Pattern Across the day 25 20 15 10 5 0 2:00 3:00 In LC1 markets,4:00 peak time is 8- 8.30 PM and it dips 5:00 6:00 7:00 8:00 9:00 10:00 11:00 this markets tend12:00 to be in before 10 PM 13:00 14:00 15:00 16:00 17:00 - Confidential - 18:00 19:00 20:00 HSM W /O LC1 21:00 HSM LCI HSM W ith LC1 at 9.30 PM,22:00 top shows in 23:00 *CS4+. Wk 1 to 13 2013 7 Movement in GEC genre over past SAB, Life OK and Star Utsav have gained both in GRP and Reach Avg Weekly GRP (All Day) Avg Wkly Reach% (All day) Channel CY 2010 CY 2011 CY 2012 CY 2013 CY 2010 CY 2011 CY 2012 CY 2013 Sony Ent. TV 171 196 216 170 58 57 58 55 Star Plus 341 309 266 261 62 61 59 59 Colors 287 242 219 212 62 59 55 53 Zee TV 239 191 212 222 58 54 54 53 SAB 103 130 131 139 41 42 43 43 Life OK (Star One) 45 39 109 126 35 33 46 46 Sahara One 27 31 37 25 29 30 29 24 Star Utsav 22 29 37 53 14 15 15 20 GEC 1236 1167 1226 1206 Average Time spent over the years is showing a decreasing trend, except in case of specific channels 2011 2012 2013 Channel Allday Primetime Allday Primetime Allday Primetime Sony Ent. TV 101 75 112 84 92 69 Star Plus 154 107 135 103 136 106 Colors 123 96 120 97 118 102 Zee TV 107 90 117 94 124 100 SAB 92 65 91 67 98 79 Life OK 36 27 70 50 81 64 Sahara One 31 26 38 34 30 28 Star Utsav 58 45 72 65 79 81 Zee Smile - - 58 58 41 36 - Confidential - 8 Based on research, Television content has 6 roles in LC1 Markets Definition Shows/Channels The Knowledge Diya Aur Baati Hum: -Importance of Which creates the awareness in these markets Education, KBC, Crime Patrol, Source Savdhaan India For those housewife who are not allowed to move out of Star Plus, e.g. Akshara, Sandhya, The Companion the house in many small towns are do not have any very Gopi, etc. little say in the family The Diya Aur Baati Hum, Pratigya – Empowerment Women empowerment had a similar impact in these towns Fighting oppression, Afsar Bitiya, as it does in the bigger cities Balika Vadhu, Hitler Didi, Punar Source Vivah The Rejuvenator This benefit featured prominently for both males and Taarak Mehta, CID, Comedy Circus females, but in different ways & all films Allowed viewers to escape into worlds that were more The Escape Good sets, costumes, jewellery, etc. glamorous, interesting and vibrant than their own mundane on Star Shows Agent lives. The Change Led to real changes in viewers lives, which they had Diya Aur Baati Hum, Saathiya, Yeh Agent experienced and could verbalize Rishta, DID, JDJ) “The imagery was driven primarily by alternative programming like: Crime shows and the absence of higher emotional states in its content makes Sony vulnerable as a channel”- ORMAX Source: ORMAX Media Report - Confidential - 9 Impact of LC1 on GECs Zee TV has gained, Star plus has maintained, while Sony and Colors have lost viewership W/O LC1 With LC1 256 258 260 227 213 213 220 210 187 174 147 142 160 121 116 110 53 38 Avg wkly GRP 60 10 SET SAB STAR Plus Colors Zee TV Life OK Star Utsav *CS4+. Wk 1 to 5 2013 Driver Content for LC 1: Serials, Movies, Mythological Non Fiction, Reality shows could be used as marketing stunt but cannot drive appointment and viewership Zee TV’s heritage advantage gave it a clear edge over others Star Utsav and Zee Smile make strong gains in the LC 1 markets. However these gains are basis FTA status and NOT basis their content - Confidential - 10 Only 1 daily soap (Taarak..) appears in the Top 20 shows while all 3 SET shows are broadcast on weekends.. Programme Channel Slot TVR SET Show SET TVR SAB Show SAB TVR Diya aur baati hum Star Plus M-F 9pm 4.8 Chhanchhan 1.4 Chidiya Ghar 2.2 Balika vadhu Colors M-F 8pm 4.1 Anamika 1.0 Baalveer 1.5 Yeh rishta kya kehlata hai Star Plus M-F 9:30pm 3.9 Parvarish 1.0 Jeanie Aur Juju 1.3 Taarak mehta ka ooltah chashma SAB M-F 8:30pm 3.9 Amita Ka Amit 0.7 - Sapne suhane ladakpan ke Zee TV M-F 7:30pm 3.6 Khoobsurat 0.6 Jeanie Aur Juju Repeat 0.6 Saathiya saath nibhana Star Plus M-F 7pm 3.6 Crime Patrol Repeat 0.7 Taarak Mehta Rpt 0.6 Pyaar ka dard hai Star Plus M-F 10pm 3.6 Kya Hua Tera Vaada 1.0 Hum Aapke Hain In-laws 0.8 Madhubala ek ishq ek junoon Colors M-F 8:30pm 3.5 Amita Ka Amit 0.7 Taarak Mehta 3.9 Sasural simar ka Colors M-F 7:30pm 3.3 Khoobsurat 0.6 Jeanie Aur Juju Repeat 0.6 Indias best dramebaaz Zee TV Sat-Sun 9pm 3.2 Comedy Circus/CID 2.7 Hff/Fiction Repeat 0.9 Qubool hai Zee TV M-F 9:30pm 3.1 Parvarish 1.0 Jeanie Aur Juju 1.3 Pavitra rishta Zee TV M-F 9pm 3.0 Chhanchhan 1.4 Chidiya Ghar 2.2 Kaun banega crorepati SET Fri-Sun 8:30pm 2.8 - Hff/Taarak Rpt/Gutur Gu 2 1.4 Veera Star Plus M-F 10:30pm 2.7 Bade Achhe Lagte Hain 1.9 FIR 0.9 C.I.D.
Recommended publications
  • Bombs Found in Temple Pond
    THE TIMES OF INDIA, KOCHI 6 TIMES STATE MONDAY, APRIL 27, 2015 Bombs found in temple pond Keralite obtains patent for Pipe-Bombs Believed To Be At Least 15 Years Old, Police On High Alert emergency fire escape system TOI TIMES NEWS NETWORK that four among the five were live explosives,” said Sukumara Pillai. LaxmiPrasanna.Ajai The system is designed will facilitate a quick and safe es- Thiruvananthapuram: Workers Following this, the Bomb Detection @timesgroup.com in such a way that it cape route for the occupants, by engaged in cleaning of the Sreepa- and Disposal Squad (BDDS) was regulating the speed of descent of dam Pond inside Sreepadam Palace summoned. In the meantime, more Thiruvananthapuram: A new could be accessed from the escapees to acceptable levels. located just a few meters away from police personnel led by new deputy emergency escape system specifi- each floor of highrise “The chute will be supported by a the North Nada (gate) of the Sree commissioner (law and order) Kori cally for high-rise buildings de- buildings independently steel or concrete structure of Padmanabhaswamy Temple on Sanjaykumar Gurudin also ar- signed by a Keralite has earned beams or columns, alongside pro- Sunday fished out what is suspect- rived. BDDS officials found out patent from the controller general ings, which house more number of viding continuous spraying of wa- ed to be pipe-bombs, following that among the five, four were still of patents. Invented by M C David people per floor during working ter to minimize the effects of heat which the police went on high-alert live but low on intensity.
    [Show full text]
  • Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
    Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications
    [Show full text]
  • Ripped, Retro and Ravishing
    23 SCREEN CHANGE SATURDAY, DEC 31, 2011 2011 2012 Telly bellies and old flames Saas-bahus and their kitchen politics made way for old-fashioned, and mature, romance on television this year KKAHANI MEIN TWIST: Unlike the typical AVIJIT GHOSH 20-nothing telly TIMES NEWS NETWORK couples, Ram and Priya (left) are “Have you ever been in love? Horrible isn’t it? middle-aged and It makes you so vulnerable. It opens your Dr Ashutosh and Dr Nidhi (right) chest and it opens up your heart and it means have an 18-year that someone can get inside you and mess you age gap up. You build up all these defenses, you build up a whole suit of armour, so that nothing can a 20-plus intern with flowing hair and forest-fire and complicating one’s life. By a twist of of a girl half his age. In times when most heroes tured enormous mindspace. And in the Dec 17 hurt you, then one stupid person, no different eyes. Nidhi brims with life. Her smile carries the circumstance, they get married. And slowly, are 20-nothings and almost as pretty as the TAM rating, Bade Achche... was at 9th place. from any other stupid person, wanders into smell of the finest winter flowers and she can like shit, love too happens. And that ‘crazy little heroine, these serials put forward an alternative The love stories have become a late evening your stupid life...and then your life isn’t your light up a room by just stepping into it.
    [Show full text]
  • Decisions Taken by BCCC
    ACTION BY BCCC ON COMPLAINTS RECEIVED FROM 16 APRIL 2014 TO 31 AUGUST 2017 S.NO Programme Channel Total Nature of Complaints Telecast date of the Action By BCCC Number of programme reviwed Complaints by BCCC Received A : SPECIFIC CONTENT RELATED COMPLAINTS A-1 : Specific Content related complaints Disposed 1 Crime Patrol Sony 3 Episode 09-05-2017: It is shown that a girl Asha gets trapped with a gang 09-05-2017 Episode 09-05-2017: BCCC viewed the episode and found that this crime- of human smugglers. She is sold to Bina from Rajasthan and to please her 01-08-2017 based show did not denigrate the child. The show came out with a positive clientele, both Indian and foreign, she starts giving her injections which will 07-08-2017 messaging and the depiction was not considered to be outlandish or lead to her body’s growth. Asha will start looking like a 14-15 years old girl. grotesque. The complaint was DISPOSED OF. It is shown that Asha has her periods and her dress is blood-stained. This Episode 01/08/17: BCCC viewed the episode and found that the mother is objectionable and it denigrates children. wanted to discipline her son by inflicting torture on her. In the process the child Episode 01-08-2017: It shows a child talking about how he got gifts from gets detached from the family members and runs away from the house. In the everyone when he was born and even now he get presents from everyone second story a seven-year-old sister is shown to murder her sibling who is two in the form of beatings.
    [Show full text]
  • MSM – Industry Update and the Road Ahead Man Jit Singh
    MSM – Industry Update and the Road ahead Man Jit Singh 10 June 2013 - Confidential - 0 Agenda Multi-Screen Media – 5 year outlook 2 ― Advertising Market Overview 4 ― Update on Distribution & Digitization 9 Market developments ― Impact of New Media 16 ― Market landscape and Competition Update 19 ― Regulatory Update 29 The Road Ahead 33 Strategic New Initiatives 39 Recap – Putting it all together 95 - Confidential - 1 Multi-Screen Media – 5 year outlook - Confidential - 2 FY13 has been a good year… Total Revenues* and EBIT (USD M) 23% 25% 600 CAGR 26% 20% 22% 16% 18% 593 14% EBIT % 553 250 USD M USD 363 396 10% 266 6% 5% 2% FY09 FY10 FY11 FY12 FY13 -100 -2% -1% Revenue EBIT % EBIT (3.5) 16.4 65.2 138.0 140.0 MSM is well poised to progress in the next 5 years *Net of Payouts - Confidential - 3 Advertising Market Overview - Confidential - 4 Advertising spend is expected to hit a tipping point in the next 5 years Despite the increase in ad revenue in recent years, the advertising to GDP ratio in India is still at a low of 0.53% versus developed economies like the U.S, U.K. and China, indicating significant potential for future growth Television ad market has grown steadily over the last several years; from USD 1.3 Billion (INR 71 Billion) in advertising revenues in 2007 to an estimated USD 2.5 Billion (INR 139 Billion) in 2013 and a projected USD 4.4 Billion (INR 240 Billion) in 2017 Projected increase in total advertising spend, coupled with strong growth in television viewership, makes India a very lucrative television market Size
    [Show full text]
  • Sath Nibhana Sathiya Tv Serial Watch Online
    Sath Nibhana Sathiya Tv Serial Watch Online Sath Nibhana Sathiya Tv Serial Watch Online 1 / 3 2 / 3 Saath Nibhana Saathiya Episode 1169 - 18th August 2014 ... By Star Plus All Episode. Watch Drama Serial Online Drama Episode Online .... Saath Nibhaana Saathiya is a Hindi-language Indian television drama series, produced by ... In 2013, it became the seventh most watched Indian Hindi Television ... Best face of the year (Female): Tanya Sharma (Meera) (Online voting).. Saath Nibhana Saathiya 17th February 2017 Watch Full HD Episode Online | Daily Serials Zone. Saath Nibhana ... Serials Written Update: Saath Nibhana Saathiya 26th February 2014 Written . ... Ahem and Gopi from Saath Nibhana Saathiya.. Serials Written Update: Saath Nibhana Saathiya 26th February 2014 Written ... Serials Written Update: ... Saath Nibhaana Saathiya 25th February 2016 Full Episode Watch Online ... Devoleena Bhattacharjee as Gopi in Mint Colored Saree.. watch online Saath Nibhana Saathiya 20 December 2016 full Episode Star Plus drama serial Saath Nibhana Saathiya complete full… watch online Saath .... Watch Saath Nibhaana Saathiya season 1 full episodes. The complete guide by MSN. Click here and start watching the full season in seconds.. Saath Nibhana Saathiya 17-10-2016 watch indian dramas online with english subtitles Playwire,apni tv Desi Tv serials on Youtube, watch Full Hindi Tv Dramas .... Saath Nibhana Saathiya March 2017 Episode watch in HD online only at Video Book.Just ... 2017 full Episode 2054 of Star Plus drama serial Saath Nibhana Saathiya complete ... Hindi actress Pooja a gor latest saree photo at a sangeet party.. Saath Nibhana Saathiya 13 August 2015 new Episode Watch Episodes Online, Full ..
    [Show full text]
  • Grabbing the Eye Balls
    GRABBING THE EYE BALLS Front Page 2011, Ormax Media’s round-up of the entertainment and media industry trends in 2011, has come out with rankings of popular stars, films, shows, newsmakers, and icons. The media research firm has used a combination of things, such as round-the-year exit interviews with audiences, for the rankings Best Hindi films Best Tamil & Telugu Singham emerged as top Hindi film based on Word- films of-Mouth score or percent of audience which liked the Deiva Thirumagal, an emotional film enough to recommend it to friends. drama starring Vikram, was the Singham 75 most popular Tamil film, while the Zindagi Na Milegi Dobara 67 top Telugu film was romantic Rockstar 61 hit Mr Perfect. Ready 57 Bodyguard 54 Don 2 53 No One Killed Jessica 52 The Dirty Picture 49 WOM (Word of Mouth) score, i.e., % audiences wholiked the film enough to Murder 2 46 recommend it strongly to their friends. Delhi Belly 45 Top 10 popular Top 10 kids favourite serials of 2011 TV characters Bade Achhe... was the most The most popular kids' popular TV soap, putting Sony characters were estimated from in top spot. Results were drawn bi-annual research on children Top 5 Tamil films from 16,000 Hindi GEC viewers. in 6-14 age group in 8 cities. Deiva Thirumagal 77 Serials Channel Score Character Programme Channel Share Ko 71 Bade Achhe Lagte Hain Sony 27.1 Bheem Chhota Bheem Pogo 21.4 Engeyum Eppodhum 68 Taarak Mehta Ka Ooltah SAB TV 19.1 Doraemon Doraemon Disney 17.4 7aam Arivu 63 Chashmah Jerry Tom & Jerry CN 9.5 Mankatha 60 Balika Vadhu Colors 17.2 Hattori Ninja Hattori Nick 8.3 Top 5 Telugu films Saath Nibhana Saathiya Star Plus 13.3 Tom Tom & Jerry CN 7.1 Mr.
    [Show full text]
  • Apeksha Harihar Gurman Bhatia
    APEKSHA HARIHAR GURMAN BHATIA A REPORT ON THE SOCIAL MEDIA STATE OF INDIAN TELEVISION INDUSTRY THE TELEVISION INDUSTRY ON SOCIAL MEDIA HAS EMBRACED THE MARKETING CHANNEL A BIT LATE IN THE DAY. THOUGH THE SOCIAL MEDIA SUCCESS OF THE CHANNELS IS DIRECTLY PROPORTIONAL TO THE TAM RATINGS, MOST OF THEM HAVE A SIMILAR STRATEGY. NONE OF THE CHANNELS IS DOING ANYTHING VIVIDLY DIFFERENT FROM THE OTHER. YOU NEED TO UNDERSTAND THAT SUCCESS ON SOCIAL MEDIA DEPENDS ON THE HOW ORIGINAL THE CONTENT IS. ON TELEVISION, THOUGH EACH ONE HAS A SIMILAR SET OF TARGET AUDIENCE, YOU CAN TELL APART BY VIEWING THE SHOWS EACH ONE HAS TO OFFER. SIMILARLY, ON SOCIAL MEDIA IF YOU DO NOT ACCOMPLISH INNOVATIVE CAMPAIGNS, IT IS NOT GOING TO WORK IN YOUR ADVANTAGE. DURATION OF STUDY - 30 Day Sample for The Year 2013 1 2 COLORS CHANNEL Colors, one of the most popular television channel owned by Viacom 18 targets a Hindi speaking crowd in over 90 cities of India. The channel projects a youthful personality. Soon after its launch, the channel hit high numbers owing to popular shows like Balika Vadhu, Big Boss etc. Within the first 10 weeks of the launch, Colors enjoyed a 24% market share and reached the no. 2 spot among competitors. Today, the viewership is skyrocketing and the channel maintains a current average TRP rating of 2, highest being 2.8 of Balika Vadhu. 3 COLORS HAS AN IMPRESSIVE PRESENCE ON FACEBOOK. WITH A FAN FOLLOWING OF 1.9 MILLION, the content strategy of the channel is pleasing. The growth rate of the page draws a straight line towards the top on the charts, standing at 7.4%.
    [Show full text]
  • Digital Dawn
    Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications
    [Show full text]
  • Session-3 Role of Broadcasting in Warning and Disaster Management
    Session-3 Role of Broadcasting in Warning and Disaster Management Mr. Baljeet Singh Lalli Prasar Bharati Mr. P.G.DharChakraborty Mr. David Astley Dr. Yasuhiro Ito Mr. Rahul Kumar Ms. J. Josiah NIDM ABU NHK World Space UNESCO Broadcasters' preparedness for disaster Mr. Baljeet Singh Lalli Prasar Bharati Baljit Singh Lalli has taken over as the new CEO of Prasar Bharati. A 1971 batch IAS Officer of UP Cadre, Shri Lalli comes to head India's national broadcasting organization, comprising All India Radio and Doordarshan, with a vast administrative and managerial experience spanning over three decades. Shri Lalli was Secretary, Border Management in the Ministry of Home Affairs, Govt of India, prior to taking over as CEO, Prasar Bharati. A Post Graduate in English literature, Shri Baljit Singh Lalli has also worked as Secretary, Ministry of Panchayati Raj. Earlier, he worked as Additional Secretary, Ministry of Urban Development and Ministry of Agriculture. He was Member Secretary of the National Capital Region Planning Board and contributed towards the formulation of the Regional NCR Plan 2021. Shri Lalli has also been Part-time Chairperson of the Delhi Urban Art Commission (DUAC). Mr. P.G.DharChakraborty National Institute of Disaster Management, India Abstract The increasing incidents of disasters throughout the world, due to various factors ranging from global warming and climate change to unplanned settlement of vulnerable communities in hazards prone areas and the consequential mounting graph of loss of life and property, have brought the issue of disaster risk reduction and management at the core of development planning, particularly in developing countries.
    [Show full text]
  • KPMG FICCI 2013, 2014 and 2015 – TV 16
    #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways.
    [Show full text]
  • Television Advertising Effectiveness: a Cognitive Recall Mechanism
    Pacific Business Review International Volume 10 Issue 8, February 2018 Television Advertising Effectiveness: A Cognitive Recall Mechanism Dr. Saumendra Das Abstract Faculty of Management Studies Advertisements are the part of our lives. When we do something, Aditya Institute of Technology & Management where ever we stay or how we behave ourselves, advertising became Tekkali, Srikakulam the integral part of our life. Advertisements in television influenced us in many occasions for which it affects a cognitive recall approach for every television viewers. In the present study it observed that while a viewer watch a serial in television he/she often forgot the advertisements which telecasted in between the programme. But it effects when the viewer watch the same advertisement repeatedly or in different programme, however the cognitive recall response reveals the purchase action. The present paper made an attempt to build a relationship between the advertising effectiveness in television and its programmes. Keywords: Advertising, Television, Family Drama, Ad effectiveness, Cognitive recall etc. Introduction Advertising is becoming a considerable instrument to convince customers through its messages to buy products or services at different point of time. It plays pivotal role in both financial and commercial objectives. Of this age, marketers are now informing, educating and facilitating customers in a novel and innovative way through their advertising messages. Contemporary marketers are developing new concepts on effectiveness of advertising to impress customer in various ways (O’Donohoe, 1995). Herein, advertisements have become an integral part of human life. Effectiveness of advertising depends on customer’s response towards advertisements and their attitudes. Advertisements are considered effective by their capability to convey the message or to promote sales (Eachambadi, 1994).
    [Show full text]