Sweet Dreams
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Michael Gira Solo Recordings at Home Mp3, Flac, Wma
Michael Gira Solo Recordings At Home mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Solo Recordings At Home Country: US Released: 2001 Style: Acoustic MP3 version RAR size: 1521 mb FLAC version RAR size: 1304 mb WMA version RAR size: 1255 mb Rating: 4.1 Votes: 153 Other Formats: MP1 AA AC3 AIFF VOX RA ADX Tracklist 1 What You Were 5:36 2 All Souls' Rising 5:55 3 Love Will Save You 4:46 4 Surrogate 5:45 5 Kosinsky 4:47 6 On The Mountain 6:31 7 Waiting Beside Viragio 2:19 8 Someone Like Me 4:47 9 I Remember Who You Are 4:57 10 Mosquito Coast 5:11 11 Irish Queen 4:41 12 God's Servant 4:48 13 Mary Found John 1:13 Notes Comes with a lyric sheet with an embossed stamp though it, and a sliver of hand cut paper with a personalized thank you note to the purchaser from Michael Gira. 1st edition in black paper sleeves. Later editions were on different colored paper sleeves and produced by request, and is evidenced by a variety of years marked on them noting when purchased. 1st edition all marked 2001. Gira offered this additional 're-pressing' briefly with other handmade solo releases, those being not numbered unlike the first editions or numbered with an end point greater than the initial edition. For example, the re-press of I Am Singing To You From My Room ends at 2,000, wheres the originals end at 1,000. A collection composed primarily of home recordings by Michael Gira; tracks 11 and 12 respectively are a rare live recording and a studio outtake from the Angels of Light's first album. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Boo-Hooray Catalog #10: Flyers
Catalog 10 Flyers + Boo-hooray May 2021 22 eldridge boo-hooray.com New york ny Boo-Hooray Catalog #10: Flyers Boo-Hooray is proud to present our tenth antiquarian catalog, exploring the ephemeral nature of the flyer. We love marginal scraps of paper that become important artifacts of historical import decades later. In this catalog of flyers, we celebrate phenomenal throwaway pieces of paper in music, art, poetry, film, and activism. Readers will find rare flyers for underground films by Kenneth Anger, Jack Smith, and Andy Warhol; incredible early hip-hop flyers designed by Buddy Esquire and others; and punk artifacts of Crass, the Sex Pistols, the Clash, and the underground Austin scene. Also included are scarce protest flyers and examples of mutual aid in the 20th Century, such as a flyer from Angela Davis speaking in Harlem only months after being found not guilty for the kidnapping and murder of a judge, and a remarkably illustrated flyer from a free nursery in the Lower East Side. For over a decade, Boo-Hooray has been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Evan, Beth and Daylon. -
Performance, Aesthetics, and the Unfinished Haitian Revolution Jeremy Matthew Glick
The Black Radical Tragic America and the Long 19th Century General Editors David Kazanjian, Elizabeth McHenry, and Priscilla Wald Black Frankenstein: The Making of an American Metaphor Elizabeth Young Neither Fugitive nor Free: Atlantic Slavery, Freedom Suits, and the Legal Culture of Travel Edlie L. Wong Shadowing the White Man’s Burden: U.S. Imperialism and the Problem of the Color Line Gretchen Murphy Bodies of Reform: The Rhetoric of Character in Gilded- Age America James B. Salazar Empire’s Proxy: American Literature and U.S. Imperialism in the Philippines Meg Wesling Sites Unseen: Architecture, Race, and American Literature William A. Gleason Racial Innocence: Performing American Childhood from Slavery to Civil Rights Robin Bernstein American Arabesque: Arabs and Islam in the Nineteenth Century Imaginary Jacob Rama Berman Racial Indigestion: Eating Bodies in the Nineteenth Century Kyla Wazana Tompkins Idle Threats: Men and the Limits of Productivity in Nineteenth- Century America Andrew Lyndon Knighton The Traumatic Colonel: The Founding Fathers, Slavery, and the Phantasmatic Aaron Burr Michael J. Drexler and Ed White Unsettled States: Nineteenth- Century American Literary Studies Edited by Dana Luciano and Ivy G. Wilson Sitting in Darkness: Mark Twain, Asia, and Comparative Racialization Hsuan L. Hsu Picture Freedom: Remaking Black Visuality in the Early Nineteenth Century Jasmine Nichole Cobb Stella Émeric Bergeaud Translated by Lesley Curtis and Christen Mucher Racial Reconstruction: Black Inclusion, Chinese Exclusion, and the -
Nme-1952-07-18-S-Ocr
Registered at the G.P.O. as a Newspaper MUSicirAl (XE111111ESS No. 288 (NEW SERIES) EVERY FRIDAY PRICE 6d. JULY 18, 1952 Top left : US singer GuyMitchell,who arrived herethis week to open at the London Palladium, for a fortnight from Mondaynext.Top right: Mike Daniels' Band serenades Tower Bridge, in the first of the fortnightly " Rhythm on the River " trips last Sunday. Centre right: Happyopening of Ivor Kirchin's Man- hattan Club.(1. to r. seated)CabKaye, Phil Moore, Ivor Kir- chin. Standing, Jimmy Walker and Benny Lee. Bottom left: French nation- als celebrate July 14 inappropriatecos- tumeat Chelsea Town Hall.Bottom right:Luscious MarionDavis, who can be heard singing everyFridaynight withAmbrose and his Orchestra. 2 THE NEW MUSICAL EXPRESS formation to NME readers, par- ticularly in Yorkshire. The Palace Cinema,Heck- mondwike,arepresenting on Deal Sift August 1 and 2, a Republic Pic- ELL,ALL WRITE! ture which should be of great interest to jazz and pop fans tErrERs TO THE EDITOR 40 Foreign Orchestras and Musi-attempt cut everybody's throat,alike. cians.Jazz Concerts-June 28their own included. The title is "Chance of Heart"and exciting proposition to me.one way of doing it-if enough and 30. One such critic -cum -compereand features the bands of Count If the experiments come off,people joined in the Bunyard THANK you for publishing theof a well-known West End jazzBasie, Ray McKinley andthen everyone will jump on theProtest Movement, but person- statement we prepared. Ihaunt (in this case a modernFreddy Martin, with specialitiesband waggon to shout " I toldally I think the only way is for could spend a lot of time com-one)brought dawn from theby The Golden Gate Quartetyou so ". -
Mannypol.Pdf [43Kb]
MAnnyPoL MannyPoL è Paolo Dellapiana, rintracciabile in via Susa 6 (interno cortile) 10138 a TORINO, ITALIA. tel/fax +39-0114343704 mobile +39-3292418096. mail: [email protected]. E’ nato a TORINO il 28 gennaio 1967. Scheda artistica: Paolo Dellapiana è dal 1996 la sezione elettronica e la fisarmonica dei LARSEN (Torino, www.larsen.to.it) con i quali ha inciso e pubblicato diversi CD: NO ARMS NO LEGS prodotto da Martin Bisi a New York 1997, REVER prodotto da Michael Gira e pubblicato dalla YOUNG GOD RECORDS a New York nel 2002 e distribuito nel mondo da Revolver, uno dei 100 miglior dischi del 2002 per il LAWEEKLY. I LARSEN vincono il 1° premio al FESTIVAL di RIMUSICAZIONI di Bolzano nel 2002 musicando alcuni cartoni animati anni 20 di Windsor McCay (lavoro commissionato dall’Università di Torino); la musica è ricca di campioni e di fisarmonica. Nel 2003 i LARSEN suonano nella cattedrale di St. John’s a Danzica, (la cui registrazione audio/video è il contenuto del DVD KRZYKOGNIA pubblicato da GoodFellas), al festival di musica elettronica ULTRAHANG FEST di Budapest e intraprendono una lunga tournè negli Stati Uniti (20 date) in compagnia e collaborazione del progetto THE LIVING JARBOE (www.thelivingjarboe.com) della musicista statunitense JARBOE (ex SWANS). Nel 2003 esce MUSM, lavoro autoprodotto, poi stampato anche su vinile nel 2005 da Enterruption. Nel 2005 esce PLAY, liberamente ispirato a musiche degli AUTECHRE su Important records (www.importantrecords.com). Nel settembre 2005 sempre Important Records pubblica come XXL project un disco realizzato in collaborazione tra gli americani XiuXiu (www.XiuXiu.org) e i Larsen: CIAUTISTICO. -
Polyphonic Spree Hallelujah Time Everybod
A high school production of Jesus Christ Superstar or annual Branch Davidian jamboree? Polyphonic Spree Hallelujah Time Everybody has voices in their head. Little angels and devils telling us to sing nice gospel tracks about God and videotape yourself having sex with your underage "goddaughter." For Tim DeLaughter, it wasn't a voice so much as a sound. The sound he heard made about as much logical sense as "If you build it, they will come" but has had nearly as magical effect on those who've witnessed his musical equivalent of a baseball diamond in a cornfield. Like anyone who has had a song lodged in their head, no matter how much you like it, it becomes a nuisance after while—backseat driver to all the other things you'd rather think about. A soundtrack that fits on one side of a 45 and loops the last groove into itself. You'd do anything to get it out of your head. So, DeLaughter did something remarkable. He rounded up a posse, and gave birth to one of the more intriguing musical phenomena to hit the scene since Parliament. This is the story of a troupe of 24 choir-robed freaks called the Polyphonic Spree. You might have seen them on the MTV Video Music Awards, introduced by Marilyn Manson who claimed the band was the love child spawned by him and co-presenter Mandy Moore. Maybe the news clip about the mic that was mistaken for a pipe bomb and shut down a major airport. Perhaps you caught them when they opened for David Bowie on his recent tour. -
Collaboration Among General and Special Educators: the Influence
DOCUMENT RESUME ED 351 289 SP 034 062 AUTHOR O'Connor, Rollanda; AndOthers TITLE Collaboration among Generaland Special Educators: The Influence Teachers. Exerton the Process. PUB DATE Apr 92 NOTE 16p.; Paper presented atthe Annual Meeting of the American Educational ResearchAssociation (San Francisco, CA, April 20-24, 1992). PUB TYPE Reports Descriptive (141) Speeches/Conference Papers (150) EDRS PRICE MF°1/PC01 Plus Postage. DESCRIPTORS Case Studies; Collegiality; *CooperativePlanning; Educational Cooperation;Elementary Education; Mainstreaming; Problem Solving;*Regular and Special Education Relationship; SpecialNeeds Students; *Teacher Influence; *Teamwork IDENTIFIERS *Collaborative Teaching ABSTRACT The study described in thispaper explored collaboration between elementary regular and special educatorswho were motivated by a schoolwide commitmentto serve children with learning difficulties in the mainstream. All teachers atone school were invited to join in a collaborativeproblem solving format to handle student reading difficultiesin trhich regular and special educators collaborated in analyzing each child's readingprogram. The process addressed patterns of readingperformance, priorities, potential interventions,intervention selection, and 6 months, data timeliness. Over were collected from foursources: audiotaped collaborative problem solvingmeetings; taped semi-structured interviews with subjects; classroom observations; andrecords of students' reading graphs, documented teacher discussions,and intervention plans. Data were analyzed -
Han Keene LWI.Pdf
ARTICLE Community Building for Better Out- comes: Our Silver Lining from Teaching in a Pandemic Eun Hee Han Associate Professor of Law, Legal Practice Georgetown University School of Law Sherri Lee Keene Associate Professor of Law, Legal Practice Georgetown University School of Law Published: April 2021 When we set out to plan our fall remote legal-writing course in summer 2020, we found ourselves in a bit of a panic. We covered it well on the surface, sharing exercises and tips with colleagues to ground ourselves and show that we had con- crete ideas for the fall. Beneath that surface, however, we each frantically re- searched how to teach effectively online,1 considered high-tech, low-tech,2 and 1 See, e.g., HARV. BUS. PUBL’G: EDUCATION, ONLINE TEACHING RESOURCES, https://hbsp.har- vard.edu/teaching-online-resources/. 2 See, e.g., Flower Darby, 5 Low-Tech, Time-Saving Ways to Teach Online During Covid-19, CHRON. HIGHER EDUC., Apr. 14, 2020, https://www.chronicle.com/article/5-low-tech-time- saving-ways-to-teach-online-during-covid-19/. 2 The Second Draft | Vol. 34:1 | 2021 flipped-classroom tools, and watched videos on how to make videos.3 We spent too much time curating our work-at-home spaces, taught each other all the fea- tures of an ever-changing Zoom, and worried about whether we would be at all personable, let alone funny,4 online. Beyond the classroom, we wondered whether we would have time to finish any kind of scholarly writing or connect with our colleagues. -
Frankenstein
Frankenstein Frankenstein by Mary SHELLEY retold by Patrick Nobes 1 'Captain! Something is moving on the ice. Look over there!' The sailor stood at the top of the mast, high above the Captain. His hand pointed away from the ship, across the miles of ice that covered the sea. The Captain looked to the north, where the sailor was pointing. He saw something coming fast towards the ship across the ice. He put his telescope to his eye, and through it he could see the shapes of ten dogs pulling a sledge over the ice. He could also see the driver of the sledge − a huge figure, much bigger than a man. The sledge came nearer and nearer to the sea. Soon it was only a quarter of a mile from the ship. No one needed a telescope now to see the huge figure of the driver. Suddenly the sledge went behind a mountain of ice and disappeared. At that moment another sledge appeared. It, too, was moving fast, and was clearly chasing the first sledge. This driver was a smaller figure, more like an ordinary man. Faster and faster the dogs ran; then the second sledge also disappeared behind the mountain of ice. Two hours passed. The sledges did not appear again. Nothing moved on the ice. Soon night came, and in the night there was a storm. In the morning, the sailors saw that great pieces of ice were floating round the ship. Suddenly the sailor on the mast shouted again. `Captain, I can see a man on the ice.' The sailor was pointing to a piece of ice that was floating near the ship. -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol. -
'The Glowing Man': a Critical Analysis of A
“‘The Glowing Man’: A Critical Analysis of a Social Media Disclosure of Sexual Violence in the Field of Cultural Production” by Christopher Worden A Thesis presented to The University of Guelph In partial fulfillment of requirements for the degree of Master of Arts in Sociology Guelph, Ontario, Canada © Christopher Worden, September, 2017 ABSTRACT “‘The Glowing Man’: A Critical Analysis of a Social Media Disclosure of Sexual Violence in the Field of Cultural Production” Chris Worden Advisor: University of Guelph, 2017 Dr. Mavis Morton This thesis examines the discourse surrounding an online disclosure of sexual violence in the music field. Research questions addressed three things: 1. The discursive role of symbolic capital and the field of cultural production; 2. The extent to which features of the online feminist counter-public were represented; and 3. How the logic of the music field and strategies of the online feminist counter-public contributed to accused and complainant outcomes. A critical thematic analysis of the online discourse demonstrated that symbolic capital and position were deployed to defend the accused and discredit the complainant. The response of the online feminist counter-public countered some discrediting discourse common in sexual assault cases, but did not fully engage with the logic of the field of cultural production that was used to discredit the complainant in this case. Recommendations are offered to music journalists, arts funding organizations, and online activists to mitigate against gendered power imbalances stemming from the devaluing of women as cultural producers. iii ACKNOWLEDGEMENTS I benefited immensely from the expertise and guidance of my advisor, Dr.